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    The Faces of JosephCampbellBrendan Gill SEPTEMBER 28,

    1989 ISSUE

    Thanks to

    television,

     people

    comparatively

    obscure during

    their lifetimes

    Enter search keywords...

    Subscribe Current Issue NYR Daily Calendar Archive Classifieds Shop Newsletters

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     Joseph Campbell; drawing by David Levine

    enjoy the

     possibility of 

     becoming

    celebrated after 

    they are dead.

    Indeed, theymay do better 

    than that—they

    may achieve

    what amounts to

    a substantial

    measure of 

    immortality,

    which is to say

    that as long as TV tapes of them exist and as long as an

    audience can be found of a size sufficient to make it

    worthwhile to broadcast the tapes, they can go on

    occupying a prominent place in the world for many

    decades and perhaps even—who knows?—for centuries.

    Of course I am thinking of a particular case: that of my

    friend Joseph Campbell, who taught at Sarah Lawrence

    College for almost forty years, his subject being the

    role of myth in human history. He wrote a number of 

     books on this and related topics, the best known of them

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    I

    in his lifetime being The Hero with a Thousand Faces

    and The Masks of God . He retired from Sarah Lawrence

    in 1972 and was at work on still another book when, in

    1987, at the age of eighty-two, he died after what his

    obituary in The New York Times described simply as “a

     brief illness.” That brevity was, so his friends thought,characteristic of him: he died within a few months, and

    in doing so he displayed what many of his friends took 

    to be a characteristic—and enviable—alacrity.

    call Campbell’s alacrity enviable because, in our 

     present state of medical ignorance, the disease that was

    killing him wasn’t to be outwitted except in a negative

    sense by the degree to which its duration could be

    reduced: Why dawdle in the presence of the inevitable?

    At the same time, however, for Campbell to have

    consented to be sick at all seemed an impermissible

    aberration. Ordinarily, it isn’t a reason for astonishment

    when an old man is called upon to die, but Campbell hadseemed to us never to grow old. If by the calendar he

    had reached his eighties, in person he was a good twenty

    years younger than that, or so any stranger would have

    assumed on meeting him. He was slender and quick-

    moving and because of his erect carriage gave the

    A Poet and Her Myths  Al Alvarez

    The Pizza Is Burning! Murray Kempton

    Oh What a Lovely War!  Noel Annan

    ‘Giacometti’s Code’

    James Lord

    About the European House  Neal Ascherson

    MORE

    ALSO IN THIS ISSUE

     —— SEPTEMBER 28, 1989 —— 

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    impression of being taller than he was. He had thick dark 

    wavy hair, bright blue eyes, unwrinkled skin, and a pink 

    complexion. He laughed readily, boyishly, and his

    laughter remained especially attractive in old age

     because, as far as one could tell, his teeth were his own,

    neither false nor capped. He was, in short, an invinciblyyouthful figure, so uncannily unaltered by time that I

    used to accuse him, to his delight, of practicing some

    hitherto unknown form of satanism.

    We would encounter each other, Campbell and I, at

    monthly meetings of the Century Club, in New York 

    City. Handsome in black tie, he would be standing near one or another of the bars that were set up…

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