FINDYOUR NEXT

SCRIPT HERE!

OCTOBER2016

VOLUME 16 ISSUE 5

Where eve r yone goes fo r sc r ip ts and w r i te r s™

M A G A Z I N E

312 MOVIESMADE

and counting

®

Contest/Festival Winners

4

Feature Scripts – Grouped by Genre

5

Film Commissions: Thinking Beyond Your Own Back Yard

8

Why InkTip is Where Everyone Goes For...

18

Scripts Represented by Agents/Managers

48

Teleplays

51

CONTENTS

INKTIP OFFERS:• Listings of Scripts and Writers Updated Daily• Mandates Catered to Your Needs• Newsletters of the Latest Scripts and Writers• Personalized Customer Service• Comprehensive Film Commissions Directory

Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site.

You will find what you need on InkTipSign up at InkTip.com!

FIND YOUR SCRIPTS FAST ON INKTIP!

3

PRODUCERS“We love InkTip. MANY AMAZING SCRIPTS are available at the click of a button. The search options are great!” – DEREK LEE NIXON, ARISTAR ENTERTAINMENT GROUP

“InkTip cares. It's comparable to IMDb as far as being that MUST-GO-TO SITE FOR ALL YOUR PRODUCING NEEDS.”

– MARK MCNABB, SKYLIGHT FILMS

“When faced with the diffi cult task of fi nding an experienced, talented screenwriter to assist with a rewrite – INKTIP WAS NOTHING LESS THAN A GODSEND.”– KARL KOZAK, DIVERSA FILMS

“I love InkTip and have referred several producers that are looking for projects. It is great that you have WRITERS OF ALL CALIBERS, FROM UP-AND-COMING TO AWARD-WINNING. There are great screenplays on your site of all genres. It is the only place I go now.”

– NANCY CRISS, NANDAR ENTERTAINMENT GROUP

“INKTIP HAS BECOME MY GO-TO PLACE. You have a huge variety of scripts over there, and I love that.”

– PARAM GILL, FLICKBAG

“We have had a great experience searching for material on your website. WE HAVE DISCOVERED SOME TALENTED WRITERS we would not have found otherwise.”

– KELLEY F. REYNOLDS,REYNOLDS ENTERTAINMENT

WHAT PEOPLE SAY ABOUT INKTIPWRITERS“[InkTip] was the resource that connected a director/producer with my screenplay

– and quite quickly. I HAVE BEEN ABSOLUTELY DELIGHTED WITH THE SUPPORT AND OPPORTUNITIES I’ve gotten through being associated with InkTip.”

– DENNIS BUSH, LOVE OR WHATEVER

“There is nobody out there doing morefor writers then InkTip – nobody.THEY OPENED DOORS that I wouldhave never been able to open.”

– RICKIE BLACKWELL, MOBSTER KIDS

“Without InkTip, I wouldn’t be a produced screenwriter. I’d like to think I’d have gotten there eventually, but INKTIP CERTAINLY MADE IT HAPPEN FASTER … InkTip puts screenwriters into contact with working producers.”

– ANN KIMBROUGH, GOOD KID/BAD KID

“InkTip gave me the access that I needed to directors that I BELIEVE ARE PASSIONATE and not the guys trying to make a buck.”

– DWAIN WORRELL, OPERATOR

4

For these scripts and many more, go to our website: www.InkTip.com

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Action/Adventure

5

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Action/Adventure

Recent SuccessesMark Castaldo Options Clone for the HolidaysMark Castaldo with Destiny Pictures found Clone for the Holidays on InkTip and optioned it from Kenneth Lemm. Mark’s credits include Psych:9 and Dose of Reality, among others. Ken joined InkTip as a writer more than a decade ago. In that time, he has established himself as a multi-genre writer and has transitioned into producing some of his projects as well, including several found through InkTip.

Deborah Voorhees Options Desperate RidersIndependent producer Deborah Voorhees found Desperate Riders on InkTip and optioned it from Lee Martin. A multi- hyphenate talent with years of experience both in front of and behind the camera, Deborah’s credits include Billy Shakespeare, among others. Lee Martin is a veteran novelist with nineteen published western novels to her name. She’s been an active writer on InkTip for more than a decade and has had numerous successes in that time, including the film Shadow on the Mesa, starring Kevin Sorbo.

Shawn Sourgose Options The BrokerShawn Sourgose with Amplitude Pictures found The Broker on InkTip and optioned it from Ben Hatt. Shawn’s credits include Caged Animal and Blood of Redemption, among others. Ben joined InkTip late last year and this is his first success through InkTip.

Kevin Summerfield Hires Alex GoldbergKevin Summerfield with Scorpio Studios discovered Alex Goldberg through InkTip and hired him to write two fea-ture-length scripts! When Kevin put out a script request through InkTip for genre writers, Alex responded, and within a week he and Kevin were discussing future projects. Kevin’s credits include The Derby Stallion with Zac Efron, among others. Alex joined InkTip as a writer just a few years ago, and this is his first success.

John Dodds Options Jackpot DayJohn Dodds and Elena Santamaria with OxyGene Films found Jackpot Day on InkTip and optioned it from Alistair Bryson. John worked on The Merchant of Venice, starring Al Pacino, and Elena’s credits include La Commedia di Amoe starring Roberto Benigni (Life is Beautiful), among others. Attached to the project is acclaimed director Garrick Hamm, whose award-winning short The Man Who Married Himself starred Richard E. Grant (Gosford Park) and Emilia Fox (The Pianist). Alistair has been active on InkTip for nearly a decade and has had multiple successes in that time.

Richard Harding Discovers Allison McWoodRichard Harding with Sixth Sense Productions discovered Allison McWood on InkTip and hired her to write a feature-length historical script from an established concept. Richard’s credits include The First Grader, among others. Allison joined InkTip as a writer seven years ago. She is a published and internationally performed playwright.

Continued on page 9

For these scripts and many more, go to our website: www.InkTip.com

6Feature Article

But where can you fi nd a one-stop shop for the commis-sions themselves? Until InkTip launched its new Film

Commissions Directory in May, there simply wasn’t one. And as our staff continues to personally review and survey fi lm offi ces around the world, we’ve discovered a hugely under-utilized resource which can save you money and improve the quality of your production at the same time.

For starters, shooting on location can actually be much cheaper than constructing elaborate sets and backdrops which are only a poor imitation of the real thing. Local crew (especially non-union laborers) are often cheaper as well. Add to that the various tax credits and rebate programs off ered by many commissions on a county, state or even country-wide level, and the savings really start to pile up.

By taking advantage of the services that fi lm commissions have to off er, you also save yourself time. Days spent scout-ing for locations can be trimmed down to a few hours when you’re working with people who have lived in the area their whole lives. Most fi lm offi ces also know the ins and outs of obtaining local shooting permits, saving you a headache from all of the usual red tape and bureaucracy.

FILM COMMISSIONS: THINKING THINKING THINKING YOUR OWN YOUR OWN YOUR OWN BACK YARD BACK YARD BACK YARD

T A K E A L O O K

at almost any fi lm commission’s

website, and they will tell you

they’re a “one-stop shop” for

all of your production needs—

off ering fi nancial incentives to

shoot in their area, location

scouting, local crew, etc.

InkTip-facilitated script Christmas Ranch was shot on location at Greenmount Farms in Glyndon, Maryland.

Register Today at www.InkTip.com

7Perhaps most important of all, shooting on location can increase the production value of your project exponentially. Actors have been known to give better performances when shooting on location – rather than running through a green screen obstacle course, for instance – and it’s no surprise. When your setting is real, it’s more believable, and therefore more engaging to an audience.

Another thing our staff has learned in our research is that no place is quite as it seems. Depending on the season, the time of day, or even the angle of a shot, many places can be made to look like almost any kind of setting.

If you thought Southern California was versatile, just try look-ing up the filming locations of some of your favorite movies. You might be surprised to find that many of them took place in much less famous parts of the world. For instance, did you know that much of the latest film in the Hunger Games fran-chise was shot in Georgia and New Jersey?

We even spoke with a commission who helped in the produc-tion of 2014’s Pompeii—a disaster movie about a volcano in Italy. The film was actually shot in Ontario, Canada!

With almost any location able to stand in for any other, all that’s left to worry about is convenience and cost. Whether you’re looking for the best tax credit program, or just the creepiest-looking forest near you, InkTip’s Film Commissions Directory can help you find it.

Already, we’ve registered over 300 members across 40 differ-ent countries. That’s even more than the Association of Film Commissioners International. And while AFCI’s focus is on educating commission staff and hosting conferences, InkTip is, as ever, focused on results. Film commissions listed in our directory are seasoned industry professionals whose entire job is to make your job easier.

The reason we’ve had such a huge response is that commis-sioners know better than anyone the benefits of a production like yours coming to their area. Even when offering dis-counted rates for things like catering or hotel rooms for crew members, their local economies stand to profit greatly.

In fact, many small island nations can sustain themselves on the influx from film spending and the tourism which results from seeing their beaches on the silver screen. And when you’re shooting for weeks or even months on end, it doesn’t hurt that it’s also a vacation destination!

Just ask Daniel Zirilli, a prolific producer with multiple credits through InkTip, who recently shot in Thailand for both of his films The Lazarus Papers and The Asian Connection (profiled in the previous issue of InkTip Magazine). Zirilli said of the experi-ence, “I love writing or co-writing something, then bringing it to life in some exotic location. Sometimes I just have to laugh for example – when I had an idea in the middle of the night... then a year later or whatever, I’m sitting in my director’s chair on an island with 50 cast and crew in front of me making it a reality.”

After all, this is what filmmaking should be about—bringing your dreams to life. And with commissions around the world hoping to help and share in your vision, there’s no reason to limit your imagination to your own backyard. Check out InkTip’s new Film Commissions Directory, and start thinking big!

By Daniel Stalcup

FILM COMMISSIONS: Adam Finley Options KymerismAdam Finley with Aurora Pictures found Kymerism on InkTip and optioned it from Michael Miceli. Adam Finley is a rising multi-hyphenate talent who’s attached to direct the project as well! Michael is a twenty-year veteran of the film industry who joined InkTip as a writer just a few years ago, and this is his first success through InkTip. He noted that InkTip “allows writers to focus on the page instead of all the queries, mail-ings, and hustling to get somebody to read your work.”

Lauren de Normandie Options SilencerLauren de Normandie with Status Media & Entertainment found Silencer on InkTip and optioned it from Sean Mick. Lauren’s credits include Checkmate starring Danny Glover and Sean Astin, which was made from a script she found on InkTip and was featured in the October 2015 issue of InkTip Magazine. Sean is an experienced, contest-winning writer who has been active on InkTip for ten years and has had multiple successes in that time.

Kimberley Browning Options PhreakKimberley Browning with Griffith Place Films found Phreak on InkTip and optioned it from Kerry Dye. Kimberley’s credits include All Hallows’ Eve 2. Kerry has been a writer on InkTip for many years, and his credits include Dark House with Jeffrey Combs (Re-Animator, Star Trek: Deep Space Nine) and Meghan Ory (Once Upon a Time).

Alison Parker Options Jaime’s GoalAlison Parker with HiJinx Entertainment found Jaime’s Goal on InkTip and brought it to Avi Federgreen of IndieCan Entertainment, who optioned it from BD Young. Alison is attached to direct the project! Avi’s credits include One Week and the upcoming Kiss and Cry, among others. BD has optioned scripts to producers at every level in the industry, from up-and-coming indies all the way to Disney and Universal Studios.

Nick Peterson Options Untitled Action ScriptNick Peterson with NXTdream Films found an untitled air-plane-set action script on InkTip and optioned it from Shane Taylor & Chad Law. Nick is an industry veteran who joined InkTip as a producer four years ago, optioning multiple scripts through InkTip in that time. Shane is a multi-hyphen-ate filmmaker who joined InkTip as a writer just a few years ago. Shane’s credits include the upcoming Isolation, starring Stephen Lang (Avatar) and Dominic Purcell (Prison Break), among others. This is his first success through InkTip.

Matthew Patterson Options The Church Bells All Were BrokenMatthew Patterson with Matter Media Studios found The Church Bells All Were Broken on InkTip and optioned it from Ronald Maede. Matt’s credits include Dragon Day starring Scoot McNairy (Batman v Superman) and Bindlestiffs, among others. Ronald has been promoting his writing on InkTip and making professional connections for several years.

Recent SuccessesContinued from page 7

For these scripts and many more, go to our website: www.InkTip.com

8

When producing high-octane scripts, the right decisions can make the diff erence between

staying on budget or not making it to post. PopArt Film Factory is known for action fi lms starring name talent such as Steven Seagal, Dolph Lundgren, and Billy Zane. Producer Daniel Zirilli has been utilizing InkTip for years, and his production team on The Lazarus Papers, starring Danny Trejo, combined their strengths with stunning locations to create a high-octane actioner on a reasonable budget.

Jeremiah Hundley, director of The Lazarus Papers, summed up the fi lm’s success in one word: team-work. “We had an incredible cast and a talented crew. Every fi lm is a sum of its parts. When shoot-ing on location, every scene is a mixture of story, acting, and real-world environment.” The fi lm was shot in Thailand, where capturing exotic locations on fi lm was balanced with the challenges of shifting weather, cultural diff erences, censorship boards, and fast decisions. “Quick, well-thought-out choices … that’s how we weathered the storm,” said Jeremy.

Producer Jude S. Walko dealt directly with the Thailand Film Commission for The Lazarus Papers. Although location shoots come with challenges, often it adds a higher production value on-screen as well as local, vetted crews off -screen that save producers on below-the-line costs. “It is the producer’s job to marry the

best aesthetic look for the fi lm with the reality of the budget.” Sometimes that reality takes you halfway around the world to ancient river temples.

PopArt Film Factory is developing separate projects with InkTip writers D. Glase Lomond and Bobby Mort, sure to be set in more amazing locations around the world.

INKTIP – WHERE EVE RYONE GOES FOR:ACTIONERSWACTIONERSWhen producing high-octane scripts, the right ACTIONERShen producing high-octane scripts, the right

THRILLERSWhat is it about an edge-of-your-seat thriller that keeps audiences hooked? That’s the question

producers at G It’s Entertainment needed to answer when Jake Helgren penned the whodunit mystery The Suicide Note. Jake, a writer discovered on InkTip by producer Elizabeth Snoderly of G It’s Entertainment, now writes, produces, and directs for the company. He said three main elements make a great thriller: the twists, the protagonist, and the element of fear.

Jake elaborated, “I think what I love most about thrill-ers is a good twist. A lot of twists have been done, so it’s always a really fun challenge to try and take the traditional structure of the subgenre and attempt to spin out something fun and new that will captivate an audience.”

Elizabeth Snoderly agreed, “The thriller has to be a real mystery with a great twist! Not knowing what to expect next is the best part of the thriller. Personally, I am good at guessing who the unexpected antag-onist is in the story, so I love when I am surprised!”

“There are lots of red herring suspects to keep you guessing throughout [The Suicide Note],” Jake said. “I think the best way to keep any audience on the edge of their seats is to create a story about a protagonist that audiences will root for and want to see survive. If they feel invested with the hero or heroine of the story, the stakes are instantly raised any time the protagonist fi nds themselves in peril, and audiences will be on that journey with them and hopefully feel the imminent danger, too.”

Jake added that thrillers have a built-in international market. This is partially due to the adrenaline rush from the universal, primal fear audiences experi-ence from the safety of their theater seats. “Being afraid, especially of realistic dangers that might culminate in our everyday lives, is something any audience can relate to … It is something Elizabeth and I have both really strived to bring to our audi-ences with The Suicide Note and some of the other thrillers we’ve made,” he said.

Jude S. Walko, Jeremiah Hundley, and Daniel Zirilli

Register Today at www.InkTip.com

9

INKTIP – WHERE EVE RYONE GOES FOR:DOCUMENTARIESInkTip is primarily known for its plethora of feature

and TV writers; however, a few producers have discovered quality documentary writers on InkTip too. InkTip members Tim VandeSteeg of Indiewood Pictures and Mark Castaldo of Destiny Pictures paired up to produce the award-winning documen-tary My Run, narrated by Billy Bob Thornton.

After the success of My Run, Tim continued to produce evocative documentaries like The Eyes of Thailand,which focused on Soraida Salwala’s quest to save Asian elephant survivors of landmines at the F.A.E. hospital in Lampang, Thailand. For Tim, the choice to focus on documentaries over fi ctionalized fi lms had everything to do with the quality of the story. “I want something that has a strong story, powerful with universal themes,” he said. “I want to be moved by it. I have to ask myself, am I willing to commit two, three, four years of my life to get it made.”

For Windy Borman, the director and co-writer of The Eyes of Thailand, the reason is more erudite. She said, “I founded DVA Productions to use my gift of storytelling to produce fi lms that give a voice to the voiceless and promote peace, justice, and equality. I’m drawn to subjects that combine education, empowerment, gender parity, social justice, and environmental sustainability.”

The documentary, which was co-written by InkTip writer Tim O’Brien, was screened at the United Nations during the 2012 Landmine Convention

in Geneva, Switzerland. Even though The Eyes of Thailand was banned from the Bangkok Film Festival, delegates from Thailand came up to Windy with tears in their eyes and thanked her for sharing the fi lm. Additionally, the U.S. delegation shared the fi lm with President Obama, Michelle Obama, Vice President Biden, and Secretary Kerry. “A year later, the U.S. announced that while it could not formally adopt the Mine Ban Treaty due to international treaties, it would no longer use landmines in its military missions,” Windy said.

Tim believes that the audience for documentaries is growing. “These aren’t old style documentaries with people sitting in a chair talking,” he said. “They are educational, topical, sensational, and pop-culture. People want that. I think a lot of fi lmmakers are fi nding [non-fi ction] properties that make great movies, like Man On Wire or Snowden. There’s a need for interesting and powerful content.”

Windy is currently working on Mary Janes: The Women of Weed, a feature-length documentary about female marijuana entrepreneurs. Alongside Zac Adams, Tim is currently producing Iron Will, a docu-mentary directed by U.S. veteran Sergio Valenzuela, focusing on the grim fact that every day 22 of our vets take their lives due to PTSD. Mark Castaldo and Tim VandeSteeg are working with InkTip writer Tony Bollen on adapting My Run into a narrative feature among other projects on their slate.

Family-friendly material is quickly becoming the hot commodity on InkTip, outpacing horrors and thrill-

ers as the most sought-after genre. There was a time when horrors were the go-to genre due to a built-in fan base. But nothing hooks the target demographic like a teen fl ick.

Lucas Miles with Miles Media knows this. He’s worked with young talent for years and has wit-nessed the rise of the tween/teen culture. He told InkTip that the teen/young adult genre isn’t going anywhere. Lucas said, “As I understand, recently the youngest generation was the fi rst generation in some time to outnumber the baby boomers. That’s signifi cant and should point us not only to a cultural trend but also a market trend. As long as the family unit is in place, families are going to be looking for wholesome and positive entertainment that they can watch together.”

Lucas’s latest fi lm Crowning Jules, starring Kristy Swanson and twins Jacqueline and Elizabeth Labadie, is a mod-ern teen adventure with heart. “I’m a child of the ’80s,” Lucas said. “John Hughes defi ned my childhood. His movies encapsulated my generation in a way that was really remarkable. Our writer, Shea Fontana, tapped into that same spirit while writ-ing Crowning Jules for today’s young generation.” Lucas discovered Shea on InkTip, whose credits include episodes of Disney’s 7D and Doc McStuffi ns. Miles Media plans to keep producing fun, vibrant fi lms that both teens and parents can enjoy for this growing market.

TEEN FILMSFTEEN FILMSFamily-friendly material is quickly becoming the hot TEEN FILMSamily-friendly material is quickly becoming the hot

By Chris Cookson

Lucas Miles

Soraida Salwala

10

For these scripts and many more, go to our website: www.InkTip.com

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Soraida Salwala in The Eyes of Thailand

Daniel Zirilli and Danny Trejo

on location in Thailand for

The Lazarus Papers.

Soraida Salwala in The Eyes of Thailand

The Lazarus Papers.