HENDRIX AND REDDING, p.irting comp.iny

WHAT YOU'LL SEE WHAT YOU'LL HEAR

'and if you can, bring a drum or a tambourine even a tin to bang on or something,' urges Mick Jagger

TURN TO PAGE 4 AND CENTRE PAGES

endrix split: Redding What the disc

MITCHB.L: ...,,. rthire

goes, group grows PLANS by Jimi Hendrix

to enlarge his Experi­ence have led to British bass guitarist Noel Red­ding quitting the group.

Noel decided to end his association with Hendrix, begun in September 1967, last weekend. The crux of the split, it appears, is that he was not consulted by Jimi over his plans to ex­pand the group from a trio into a: 0 creative com• mune " which would in­clude writers as well as more musicians.

Chas Chandler, u-man­agcr and record producer of the Experience, said at

MITCH MITCHELL'S PLANS UNKNOWN presstime thu Noel was expected to return to Lon­don from the States at the end of this week to discuss his future.

Said Chandler : " Ob­viously it is too early to make any statement until we have had a chance to sit down and work things out, but there are a lot of exciting possibilities for Noel."

When he was last in London, Noel said he ex­pected to stay with the Experience until Septem-

ber, at least. It is not yet known whether

du1mmer Mitch Mitchell will remain with Hendrix or also re­turn to Britain.

Noel Rcdding•s own group, Fat Mattress, ·haYe bee" set tor the 9th National Jan And Blues f estival - ,enamed the London Jan: Blues And Pop Festival - at West Drayton, Middlesex, on Saturday, August 9 (see Page 2).

Hendrix. is cunently reported to be grossing over 100,000 dollars a night on his appear­ances in the StiJtes.

The Hendrix E-.Jepericnce fast played in Britain in February when they pve a se'll-out con­cert at the Royal Albert Hall.

Record prices. took a dive following the ending last weekend of Resale

Price Maintenance. One chain of Lon­

don retailers immediately marked

down singles to 30s for four (instead of

34sl as previously. And ten shillings

was knocked off LPs. The recent

Beatles double album was being sold

fifteen shillings cheape r - £3 instead

of for £3 15s. For the full story

see page 3

P .. gl". 2-ME'.LODV MAt•: ER, July \, 196g

I ( I ) BALLAD OF JOHN ANO YOKO ............ . . .. Beatles. Apple 2 (6) IN THE CHETTO . . .... . . ........ ... . .......... Elvis Presley. RCA 3 (7) SOM ETH INC IN THE AIR .... .. . .. Thunderclap Newman. T rack 4 151 LIVINC IN THE PAST .. . . ...... .............. Jethro Tull, Island 5 (2) OH HAPPY DAYS ............... Edwin Hawk ins Singers, Buddah 6 (4) TIME IS TICHT .•................. . . Bool<er T and the MC's, Stax 7 (15) BREAKAWAY .................. ...... .. . ...... Beach Boys. Capitol 8 (10) WAY OF LIFE . .... ... .................... . . ... . . . Family Dogg, Bell 9 (3) DIZZY . .... . . .. , ... . ... . . . . ................. . Tommy Roe, Stateside

10 (1 1) PROUD MARY ......... Creedence Clearwater Revival. Liberty 11 (20) FROZEN ORANCE JUICE ......... Peter S.rstedt, United Artists 12 (8) BIC SHIP ... ... . . ..... . . ....... . ...... .... Cliff Richard. Columbia 13 (9) 1'0 RATHER CO BLIND . ........... Chicken Shack, Blue Horizon 14 ( 13) HICHER AND HICHER . .. . . ................ Jackie W ilson. MCA 15 (17) TRACKS OF MY TEARS

Smokey Robinson and the Miracles , Tamla Motown 16 (21) LICHTS OF CINCINATTI . . ..... . ... . .. .. . Scott Walker, Philips 17 (30) HELLO SUSIE , ... .................... .. . Amen Corner, Immediate 18 (19) CIMME CIMME GOOD LOVIN' Crazy Elephant. Major Mino, 19 ( 12) GET BACK . ... .. ..... ...... ..... .... ...... . ... . . . . .. . Beatles, Apple 20 (14) MY WAY ......... .. ... . . .................... Frank Sina1ra. Reprise 21 (25) BABY MAKE IT SOON .. . ............... . .. ..... . Marmalade. CBS 22 (-) WHAT IS A MAN ................. .. .. Four Tops, Tamla Motown 23 (16) BOXER .................... ............. Simon and Garfunkel, CBS 24 (18) MAN OF THE WORLD . . .... . ........ Fleetwood Mac, Immediate 25 (-) HAPPY HEART . . ............... ...... . .. . . .. Andy W illiams, CBS 26 (28] TOMORROW TOMORROW .................. Bee Gees Polydor 27 (27) WET DREAM .......... ....... ...... . .. .. . . . ..... Max Rom~o. Unity 21f (24) GALVESTON ... .... ... . .. ............•.... Glen Campbell. Ember 29 122) LOVE ME TONIGHT ...... ......... . ....... .... Tom Jones. Decca 30 (-) IT MEK .......... . ............. .. ....... Desmond Dekker, Pyramid

POP 30 PUBLISHERS

u.s. top ten

top twenty albums

i •~', ~l~J!fKuiii ·;iRSUA$1ii11a, Azil)lt TommyJOll'l'lf'$ond ' "'- ::.nona-111,, KOUIC!lle

I 1-) IH nu "((Al 2US Z~, ond [....oiu, RCA

9 (-1 COl,._Olt HIM FATH[R W1~!0IW, M,att~o

10 1,.1 TOO BUJT THIHICIHG A• OUT MT aAa'I' • • Mc,..,.,,. Cdy•. Ton,,Lt,,

13 161 HOI..LIH i-lMG OYU.N Hollin, Pc)r~

14 na, WOltl.O OF VA.L OOONICAH Vol Ooonic.Of\. Oo«o

1S ill) THI SOUNO OF MU51C S,o.,r,d!ro<~. RCA Hi \i<ll WOlt\.O OF MANfOVANI

MOtl-lOvON, Df<1:0 i-J A.CCORDJHG TO MY tttAltT

Jtm P.l'<llve9, RCA 1! 1-) WORl O Of THI tlACHRORS

Boc:hl'I~~. Oor;co HI (Ill GO-tTU OH ,.,..,. MIND

Oe<J,1 Mor'l if\ Reor•Wt 10 (1!11 uo itf:Pl'(LIN .. Leid %.eppelln. Allonrk

Two lh UC!i;I to, 161h OOl>f,ior,.

Watch Mackenna's Gold strike rich in thechartsl Another chart-bound sound from RCA. The film theme of the year perhaps? Theme from

"MACKENNA'S GOLD" (Ole Turkey Buzzard) c/w "Soul Full Of Gold" RCA 1850

PLUS The original soundtrack from RCA

"MACKENNA'S GOLD" Music arranged & conducted by Quincy Jones with vocals by Jose Feliciano osF 8017

RCII

R TOP POP, FOLK, JAZZ WHO ~~ AND BLUES FOR WEST

TIPPETT

THE FULL line-up was an­nounced this week for the 9th National Jazz And Blues Festival, retitled this year the London Jazz, Blues And Pop Festival and being held

at West Drayton,

PENTANGLE KICK OFF U.S. TOUR 'rHI:: PENTANGLE began

lhoelr UCOtld I.JS lour tl'IIJ wu:k. Tb,i;y wW play major b.allioom a.nd dub datH a,id ap~ar a1 the Nrwport f'"Olk full• • · rroni July 18 10 20.

Middlesex. The Festl"val opens on

August 15 with Pink Floyd and the Soft Mach­ine topping a bill which includes a jazz group in the Keith Tippen Band. East or Eden. Blossom Toes, Juniors Eyes and the Village complete the line·up.

SP-I fnr t hP. aft.etnoon ~~-

ik~ a~ ~~r~A~ Band. Roy Harper, tho. StrawM, JopAnn Kelly, Martin Carlhy and Dave Swartrick.

DRAYTON Mllntl Carler and NOC!I Murphy.

Tb.e final -"ow on Sundot eYen1nc wOl :t:tar 1h!! Niet. Fcunlly, lht! London rut of Holr. Chris Barber's Band. Kret Manley, Edrc\Jon. Blod­wyn Pia, J t1,aw, Clreu ... Hard Meat, St.ramhammtt. B:ibvloo and • Grttk aroup • .r\pflro­dlte's Children.

HERMITS DEBUT HERMAN'S He.Tmit.s VI:' to make \.ht.ir North American cabaret d~bul whh a ten-day season at lhe Supper Club. Elmwood Casino. Onlark>, fn)l11 Jul i 2•,

He i1, abtl dlKusslng olfrrl, l0 play a SNS.On in Las Vegas al\d another al New York's Waldorf AtlO.-if hotel. The Hl!.t'mils ar-t. cur~Uy tourina Au.ura\t.a..

TREMS IN CANADA

On J\IJy 7 they rC'l\lrn home rumi • Scandin.tvlan wur and a wetl la1e.r fty to S•r~l.ona for a pop ru11val and concerts and tele.vbion. On July 18 thC!Y

r:::n ~ua:.::i :n toM~r=•r ~::. land.

MIREILLE-FREE RADIO LUXEMBOURG •rr prcairnlina F'ta.n~•• Mifd11,e M• thlcu In a frtt conctr-:. at London's Whi.tehall ThHltt nn JuJy ti.

Lu:-:emboura't Don Werd~I. v,ho has ort•nl9ed the: 5h0w, told U\t' MM lt will be hroad• c.u.t Ji'f'll to France

Tht, 603 UOIJ a1 the thHltt are rn be ,:inn away by tt.Uot 300 rtadtrs who would IHte lO t.alce put ,hould nfld • -!Ulmped addtl:!!>Rd c.n'f'~l(lc,t I~ The Pteu Officer. Radie Lwl:t-mbourK (London} Lid, \VI

Olhu datu ltldude Oeualt (July 4--6), Chlu_go (July I J 10 13). Los A.narks (Jut, 22 to 27J and the Cude HIii F"Htlval, IPJ!Wkb, 1\-Ta~s. l>'.n Aue,usl I and 2, Appru• a:ni:11!-$ on the- Today and D.t.Yid Fros! &MWI. on Amuic:an tele:vlllon nel• workt have bN-n schiedule!d.

To colnt:ld~ wllh 1be. Pent. •nak·, w~tt. 1h~lr alnah~. " Once I Had A Sweet• heart," wlll be relf'atcd bj Rrpritt Rt,tord~.

The S:1turd•y evenlna, ~O'I'' star• thr WM. Chicken Shaek, N~ R~ing·s Fat MattrffS.

lry Dunbar, Yes,. Spirit Gf JOhn a new album. M Tttm, Live In Morgan, tbe Groundhogs, King Cabuet," n:eordtd at tht Crhm,on, ldlr Rac-t, Brnlc.thnl Showboat, MlddlHbrout:h, Out -.nd • D1.Hc.h JFOIJP, L:uby', in Auguit_ visit Can• da for -. BJun Band. nve-wttk cona:n and nlc-

()n Sunday •he-moon, thtr ~l~l~• ll~rip P~:nJt:P'.f~~bera :u1racdo1-.s are lhc Pent•n.alt. man1h, the 1our wt.I 1h1.1 w..elt Loni; Jfthn Baldry, Rnn Ctts.in, ew:t~nded by a w-ttk.

Ja:r.zman John Surma.n, Ayns• THE TREMEliOES, wno hav~ ~

Pop Proms off to JulY25th

a flying start THE FIRST Pop Proms got off to a Oying start last Sunday with the Led Zeppetin·Liverpool Scene - Blodwyn Pig s h.ow. Both houses at the Roya I Albert Ha II were near capacity.

Nf'ms promoter, Roy Guest, told Melody Maker on Monday that he was vt'r}'

~ttan:~~hal :~ketif:i~fi Lhe shows throughout th~ week were moving well.

Said Gu~l: "I .shall bavt to wait. of cour$e, until the Pop Proms have ftnlshed bcfor,s mWn& • ny c:omnient but at the mome-nt thing:, are lookina ptelly goo,d."

Foik~f:~l ~:~:~;\~~ri~~ the lfn Campbell Group. Mart in Carlhy and Dave Swar-­btl clc. the Young Tradition and Domini< Behan,

Sb~t~ctc._n:e~~ ~anCh~~":! compl.tte: 1ht bill tomorrow (Fitld11y) and lh!!. final ni3hl or lht Pop Proms again feature, Berry, the Who and new JfOUP BodasL

CHUCK BtRR;Y

Roy Cut-t\ prtsl!nl$ a lurthu conce-rt wilh Chuck Beny at ll'te UveTPODI Empire- <.n Sun• day. He: IPPfain with 1h.e Jon HiSl!"man Coloueum and thfl Swlnelng Blur Jean""

LULU ON THE MOON

SKIDMORE & STEWART PONDER OVER BERKLEE

IT IS NOT yet certain whether tenorist Alan Skidmore and guitarist. Louis Stewart will take up the scholarships to America'~ famous Berklee School or Music which they won jointly at the recent Montreux Jazz Festival.

SICIDMORE ~ They we-re voted the top mu.slchrns

in 1he F'eslival, the SkKlmore quinlt!I was voted the bt:st group And its.

drumme.r, Tony Oxley, the: ----------. belt 1upporlinK musician.

tlttttbkt --tlllllUtt

Lot.iii' Stew"',t i5 bOl)il'IJ!: m Rtl to the. Slatt":S ;ie.xt Ma)' 10 tBke Up lhe scholarship pruvldl,.tc aran1s co,i be ar-

~\~~tt told th!:! MM; " It '• a liltU- difficult for rne wilh

~a,~m~: ~h: u.~,1~~i'p I ,':t"!r o r;. JU • ft:St.Jll of Montt1!t.J •• we haYI!. •ln-•dy bttn bo0kt<I for t~ 1970 Be.l&lan Juz .f'e,tival in Bruue:ls.•·

._,

shaw will be ak>Ued lnto the programffll!;.

Lulu hu be~ boolced ~ sln;1t twi, .sonu. ihese •ill bt h:aturtd durinR inl.l!'tlude, 1n thr actu• I report .-.r the m00n landln~. which t•ko l)la-t"t" at 9,2.1 Orn.

DRUMMER OUT fOORPISUOM. MIAHS

MOUSEPROOF

we are pleased to announce to you

the birlhof

Williant if\. ~trtcklanb

MlilhJm lt :§,tricldJllb is onll' thr nJmr

0 SML 1041 0 DML 1041

~ tot,11ll' 11rtu r:qirnrnfl' Ill lllllSlr

OERAM

DOREEN QUITS-A NEW LODK DOA.HN: out

FOR FAMILY DOGG FAMILY DOGG, our­rent number eight in the. Pop 30 with "Way Of Life," had a person­nel change last week.

OQreen De Veuve quit the group aft~ declining to ap•

r:~t Cen~U:-br 61: formation. She hat been re­pta.ced by 2l•yea..r-old Chris• tlM Holm~ who Jp~nl lhree-and..a-half yea.rs In the n1me role- or Charlie Girl in Landon's We£t E.od.

The VOUD 'WIJiled Holland a.nd Genuny tut week and rewrn 10 Amsterdilffl on July :?7 to T~rd Lbei, OWTI 30. rnlnt.tte TV 1pet1.1.a.il11t. wri~=~ .. "~, ~n~ ~~i!t ~fij "b~or:;:m!lr ~1111:::idb~:

::r~~:: :~.t::~~ ~: follow-up to •• wa, or u,e ... DUTCH DUSTY DUSTY SPRJ.NGFI ELD me, 10 HoJl-.od fnr • show this wtt.k

fi't! ~en-rJ~,~~1:~ ChMlts A:z.navaur~

visil hen: for TV In JanlJ.&l'Y, Davy Jona told the 1'01: ''The film ll&J &Ot • lot of twi1t. - .anmeWn,: dHfer-ent

~': J:°lt':nk=~d l!lCPttt Co-t:tan;_ng with Davy

Jonn, Mike. Ne3mllh, Pe1er Tork .and Mlckv DolHt, an Vlc:tot- M• 1.ure. Sonny Liston and Annelle fu.n:icello.

CUPIDS' SINGLE CUPIDS tNSPlRA TYON havl! Ou::lt ll.rt't JiinrJe for nloe montJts, ·· The Sad Th.in,:," re­lea.sed on July " on the licll label,

Nt'l!0tlalion, •re undtr way for tbe. group lo ga co the SU1t.1 In Septembu as part ot an aU-Brltb h padt .. e.

NEW CLUB NOVA PRODUCTIONS are Ot>tniaa: a new underground club, the Under-Gnd, In t-itw S-1.ruL, WetH11a1on. Telrord, ShrODShlr~, tomorrow (l"klayl'

Th:derT.;ln&Hr~!~~oncur~ rently number thre.t In the P')O 30 wlth " SOmt>.LhinK In The Afr." l..a.tn booklna., In-­elude the Ela,lfc Band a nd Joh11 Pttl (II).

NEWS SPECIAL BY LAURIE HENSHAW MELODY MAKER, July 5, 1969--fJ'age 3

WHAT THE DISC PRICE WAR WILL MEAN TO YOU RECORD PRICES wore

slo,hed follow;ng the end of re1are price maintenance by the B,;t,sh Phonographic In­dus-try last week• end.

To,i U'lilll•p w,n 1~111 off ·LP~ and 64 otf dngles-. Though the rec;o,d-b11y. Ins pubUc welcomed t"-• move, ruction, in tM: ,acv,d tnde wa,o mi:rff.

DEALERS M, Ch,btopha , Foti, ho".

or,1.ry 1cc.tet,1ry of tha R.e­' or d Rohilan' Com4 mitte., •h.lcfi ,eprennh IOfflC 1,000 tKOl'd dealer1, told fht MM: " I .lffi •Mt' 1urp,iu,,I th.t; lndus-tt-y h•1 d;,ne this."

But Mr ltobin G"-.l••"tro, fM~Jifll' director of Keith Prowse, whlch ull1 a mllHon-and-.a.half N• co.rd1 annu• lt, and ,11.o urrift on II IHgc ffl.• il ... order bv.1lna,u, thov•M 1h11 the endinS of lPM wa11ld , ca an npusiol\

of t h• m1il-01.der bu.d4

ne:as. Elut M, Chnutre add•d:

'"Tfwl eltlllint of RP.M Mir ftJt the unalfer d•oP1', W • • r• rniewina .... s1tvatlon,'' h• com• ment•4.

C.a-e.r.11 opinion is Hlat a,hopt will hne to c11t dowft on thalr " 1toclc In depth." Retailu1 S.uo to P•t' the m-111ufadl.lN~ p..;rchue tu: of S:S Pff <.onf, .tftd th.y a,• U ft•

Ukalr to "'fJ' luge stodu, Oft which t+,e,y ha•c al, .. dy p,1id tu, that mr; ,em,1ln untold .fo, any lcn.th of t ifTle.

A.dd1 M, fou: " I• f"he 1ho,t «111, t~ public will pro~bly s:•t Ji lot of

~iJ'f";ie'a,b:,~u:d ':!: •• But in th• lonl' run I

ffl lnlc tf,,11t an th• wh.,1. the publlc m.ay ,uffer, beuu10 th.fire will be fau nriety of r•co,4, nJiil• b1~.

•· People •ho ml.ht h.lV11 stocked 11urji11al recotds, hoplnJ to nlf o,.e or two ,t rntotublo pro~h-, will not ,tGC::k th.cm If no pro. fitiltohh,d.

'' And tt'le col'ftpanre, th.it did nuke these MJUl'.i,ul records will c:•n• t o Ill.lb the-m. Tftit will mtu lftt et'bployme.nt fiu· m.u,ld,ns. L1:10k. If Americ.a, ~e,e - Jipart from pop 11:·,oul" - to ftt.lny dnria,I , acordinp art Mid• abro•d.

" I have h..ard ot a dfQI• , who, .u ,1 tftmmick, it blr.Jne • 1'hlllln1 off three ,h,1les. But with shoJK 011 r o o d sites wh•1• the r.atts .,. hlrf, - and thcr•,e cai111 up tH the tim•, plut SET to pa~ - tfrl-ct'e'• not ,fOing ro bo a iot of room fo, pdu.cutflng.

STORM .. RKord ,c-hlllen hne got

ro liH. The) don't ,._ , tot ol p,ofit now. Till!f• u.1 .- nufflber of tmall dnle r, who ue not ter • ribly ftll off, They m•Y ,top sellins ,eco,ds,

" And dop,,tmeat atorh who ue not getting • ca,od "1)fit mutin won't be .able to cut prlU:1.

•• Tha bir deo1l•r-. will not

be affected. n.,-•,• big 1-. rt-cords •nd bi1 ,,. nof')1'hll'II - Uke pianos •nd °"an,. They will mau,:e to ride tho storm, It's l'tl,e small eh.1p 11'1 ,eco,d1 who n,ay not r id• tkt ,10,m."

Footnot.-s Mr Leonard C. Wood, dejHlty chalrm•" of th.1 Bfifbh f)hono ... sr,1phk lndu,-try, whlcfl ropnRntl • II the m• J~, rec0rd comp.anl~ 1n Gra.at Britain U1e-tw•1t1> 40 ind SO)J

" TIHH it littMI doubt thtt th• imMedl.att Nture will s;ee p,ic.e redudiont, You'll p,oh•bly ,..., fran• ti, pric,o reduction, fo, • bit before ttll11g,. nlll• down,

·· 0"• of tho le.adins f.ad(llft 11 tht1 lnfqt.1itous purduse tn:, which maka1 it .-ory .fiHl.-.,h fer •ny J rlH• c-uttlni war - which IOIIM neWlf>,lptt,1 haw ,eft'uad to. The SS por nnt pvrclu.te tut and the itod1, risk doesn't luY• much room to rntnoev..,.,

•· Som• dealer1 will ,lash priu, to brin1 people h1fo the 1hop1, but Nley

will hsva to HII • f1, 1a,..a, volume of r«orcb to COT~ tfrr.em.,et .....

" I don't ~In, 1in1&ts will be • tkc:ted mu ctt.. Yo11n,.,ten ,re not wo,~ , led •bwt a few ooppen mOt"e or Ian for the ,rtish they wH1t. But the'9 'Will be Ji recfllcflOd on LP,.

PROFIT " Penon-.llp, I'll ,m,ch

r.1ther se. Hie c.ontlftu­an~• ,:,f RPM. B1.1t t~• wont feus I hid .-bout tha •ndlnr of RPM in ott.u bir: i.ftduttriC1$ hue not beeft h•.rtitied. lt m,y notbo.1:1b.ad.11l th0"6Jhl It would be at one time,"

Sald on• Lohdot1 dealer; •• I think this pri~0~1;UttinJ businus wm be .1 nint• day wonde,.

.. ~h;c c~:.t'0!h:!' h:: been h•nf:in,1 fira, th• re won't be m11ch pric•­cuffin1 a,n naw 1tock, Th• 1111.111 9"oRt m•rtin ju.st doesn't a!Jow it,"

wtien •he tetllrns- ln mid~ July .-.k wtu 1tt.rt rtc0rdina­.1.usi0ns 10 prod~ a new Brlllth s.in1le It is unlikely lhtt hl!r cw-rem Amerkan .s.in&le. " WIUJe And Laura Mu Jones." ..-Ill be rtleaacd in Brttatn,

Th1t Btt Gfts wlll ~ lhe ~·11ut JIU'I II\ the HtOod of her oew BBC-TV ae:rks on Septunbtt 15 - u prewlouslv reponi!d_. Spike MOUaan will 1unl In tbe- lint show 011 Scptm,lw.r 8.

CECIL TAYLOR 4 SET FOR MANY OF the biggest names in jazz are lined up for jazz Expo '69 this autumn, third of the Newport Festivals in London to be staged by piano-playing im­presario George Wein in association with the Harold Davison Office.

MONKEES FILM HEAD, a satiric.I fflm .11tarr£ng tbe Monk-CH, Js dr.lf! to optn at London'a- Clusk emr-m,, PfccadiDy Circus, when Candy end• 115 currenl nm.

.. W e can'l ._Jve an actual

r:~t~ -~~~u:e .;X: ~ for O,lwnbi• Pictures -distrrbultln of Hud - 101d lh-e- MM" QO Mood.ly.

Alt.er its Wut f.nd .lhowin11, Htad wm go c;m ~eneffi re• luu throuahout the country

HUd hQ .1lrudy b-e.eo -thown 1n tht Su1es. Ourint a

CECIL TAYLOR fir$t time hu•

lilNew from CBS New Singles

4300 The love Affair Bringing On Back The Good Times

4302 K. G. Young Spider

4377 Wes Buchanan Never Forget

4378 The Quotations Hello M emories

4379 The Arbors I Can't Quit Her

4376 Polly James Ice Cream

4391 Sue & Sunny Running Round In Circles

New Albums 63649 Stereo Only

Paul Revere & The Raiders Featuring Mark Lindsay Hard 'N' Heavy (With Marshmallow)

63524 Stereo Only Johnny Mathis Songs The Music Of Bert Kaempfert

(S)B-63644 The Vibrations ~ Greatest Hits .,_,- •

JAZZ EXPO' '69 Booki~:.: are not yet com­

pleted for the. l..oodon fe­tivaJ, which ru.ns from October 25 to November 2,

~~: fo~~wi~ir~j~" •;.~ gag«!:

The Cecil Tayloe Quartet,

~:,~. ltibe tl~ilesvisib,.,..: Qulr1tet, Sarah Vaughan and her trio. Thelonlou. Monk'&

i~~.et1~~~1CJ-:::·t: 1:.~ ~~! Band, a Vibes Wor#.•hor, featuring tJamptoo, Gary Burton and Red Norvo. a Guitar Work.shop s ta.rrln& TaJ Farlow, Crant Green aod Ramey Kts11eJ. the Mary Lou WilHams Trio, NewpQrt AU Stars 'lfith Ruby Braff and DoP Lamond, Ale.x Welsh and

:~d ~d,b~:tp~~)' L~\j!~~ Salena Jones, Dakota Staton, Loi.lb Jordan and b.is Tympa­ny Five, lhe. Da ve Shepherd

~~d~~ E~~; J:!00Att;;trl!~:

Folk Blues and Gospel Ft1sl i­v,t.

I.A addlllon lo thia I.isl of names. Jack Hiuins of the

n LEAPY ON DRUGS CHARGE

Daviton Agt.ncy told lhe. MM on Monday that he was ne,aot11.tlna currently wllh the

KINKS PLAN TO ADD BRASS SECTION ON TOUR

n-tE KINKS, who tour America In Septe-n;1ber, are e.nla.rl'ng lhe.lr Hne­up to take- in a bnss secUon on all future British toun. Ray Davies

!:~d fil::to.,g~f u!:~:nrw1:::: get on record, so we're likely to aupent the. band on future en• gagemenu. We're getting more and

AS FROM this week Uie Nor• them om« of 1he Melody Malcer, and Provlnclal Newt Edilor Jerry Dawson, has moved to Statham House, Ta.I· bot Road. Ma.nche:!tl!r, M32 OEP. The telephone nti.mber Is 061-870 421 1.

EDEN COMES BACK EDEN KANE, former cbart•

~d~~s~fla'~~ :~e ~o.:a~r! rel"uml.ng to Britain shorLl,y fot lhe wtddlna of his hrolbtr, Pcler Sarstedt, to Danish den• Un Anita Atkt.

Eden is currtnUy in Las Vegas. en route for Britain, Peter e xp,eeta to marry lbis summer. He is currently ln Copenhagen "1th his flan<:ff,

While in Oetunan:. Ptter is working on a musical for pre-

:!~=~n H:: n~:l :r::~ ~~tlfJ be released early in the .autumn.

GENO IN CABARET GENO WASHINCTON .. nd the Ram J•m Band bea:i..n a week of cabaret at the Fiesta. Stoc,Jc. ton, on July 27 4nd Ul~n on Augus.L 9 bt&io three days or concerts and televltlon In Sweden.

On July 22 lbe aroup are heard on Radio OQe Club from

~~~~ <l~~~~t1l~¼ ~:

~on~;"=s B~ta~~; r!':n'~r: ,---- ------fere.nt parts of the world. W d ve been offtted a tOUI' or Canada wbJch

tomorrow ~ty J)l&y the Clta• tlon liotel. Perth, then the Grand Ht.U, Kilmamodc.

~~~~bit:~ •::, ouo;:ur f! Amerka °'ls week lO finalise tour detalls, aid that the J.TOUP'• rock~ open 11.lbum u Arthur" Is now completed •nd wW be released In tbe near tutu:re.

tlrtttbict --t1t1l1Ult --

For just 20 gns. you can blow your own .. . The Melody Maker is specific.ally detit:ned foe hi,v:h nocc Df'O-oi ducrion, perfect in.tonal.ion and easy blowin.ic. Looks like the more cxpcn$ivc makes. Complete with mouthpi«c and case.

40 gns. and you'll make an even better sound ... T~e lnvic-t_a, 1op~~pring, friction.free, c lat>oriucly cngn.vca, Tn$8C" acllon l'umn..,g compemator on.3rd valve, Nickd-silvcr tubing. Complete with mouthpiece.

Pti;t 4-MELOOY MAKER, J uly S, 1969

If this is the first night. • • Melody Maker

WHAT LOOKS like a :musical battle of Oowers Is, tn fact, the Incredible finish to the tirst night or the Pop Proms a t the Royal AJbert H;ill last S unday. The aud ience were on lheir feet shout• Ing, stamping and clapping, flowers

were thrown on stage and musicians jam med wildly on the o ld rock stan• d.ard, ~ Long Tall Sally~ a:t th~ end of Led Zepp-elin 's set. From Jett to right ou r picture $hows Adrian Henry (Liverpool Scene), g u itarlSI JJmmy Page (Led Zeppelin), saxfst Jack Lan•

astt.r (Blodwyn Pig), sax lst Mlke £vans (Liverpool Scene) a.nd vocaltSt Robert Plan t (Led ZeppelJnJ. Jr that's the first ni..l;ht we can't wait to .5ee

c::!k th:e:;' a~ilht\,:\~h~ !k~;:~tr~ 161 Fie-et St. London EC4 Telephone 01 ·3S3-S01 1 EDITOR

day!

Jack Hulton ASSISTANT EDITOR

Bob Hous.tor, FEATURES EDITOR

Bob Oawbarn NEWS EDITOR

Aldll Wdlf>.11 srAFFMEN

FAMILY, PETE BROWN AND Max Jones

l11urie Henshaw Ctvi$ Hayos Ctvis Welch 8 111 WnlkN

Tor,v W 1lsot1 A.oyOor, Eld,id~c

ROLLING STONES' free concert at Lon• den's Hyde Park on Saturday will a lso feature Family, King Crimson, Pete Brown's Battered Ornaments, Screw and the Third Ear Band.

MORE ADDED TO ADVERI lSlMI: Nl MANAGER

Pete, W,1:1s ,ns.on •'ROVINCIAl t'llt·W~ EDITOR

Jo,ny o .,w~on 2 •4 0 11ford Roi.d

Manchcslc-r 1

Announcing the com• pleted bill on Monday, a spokesman for the Stones said It was likely tllat tbere would be a surprise ap• pearance from a guest a rtist as well.

STONES CONCERT l elephone Cqntrnl 3232

1'he oonctr1 s tarts Ill I pm ind will be the Stones British debut with new a uilarlst Mick

ROBIN ABOUT TURNS A LAST mlpute change or the B~slde caust.-d a d@lay In Robin Gibb's first solo single:, "Saved Sy The BeU!' ll was pre\'ented from getting lato record retallers untll Tuesday this wccl< be-cau.se of the change which now makes the B­.!>ide "Mother And Jack.0 N~xl w eek, Robin begins a tou'f of 3lmost all the 22 oountr les in which he Is known, start• In g with Germany.

Taylor who has repl•ctd Brian

Jo;i~ I~~:rr!J8· take pit« in the Cockpit area of tht

~~r\.:::hi~1~n~::;r1:::1:ft~~

penni53ion was a:lven by the Ministry of Public Building and Works.

Granadii, Television will bt fUmlna, the conctrt which is e-xpecttd to last for flve hours

SALENA UP NORTH SALENA Jones, Ameriun voeal ttir in Britain, opens a Wttk's itngARtmeot on Sunday

~tbtn t~~r~~~!~~e ~ft~~.: 11'& Sunday she bt3ins • week's ca.b.ir tt cng-&gtmenl at the Show Boat, Middles• brough, anti on Sunday (20) loe-.5 imo the Cresta, Solihull,

Gro.pdruit Re:s1 .Jf the bill will bt Pat rick Adam, Miki. S1cvie t...ewi.5. Andromeda, Chris McClure., Dave H.~1nter anti lht: LaurelJ. The RB.)' Me'Vea Band will &ccomp.any seVl.'ral ot the sin&tJ't.

A spoktsman for RCA told the MM: .. We t.hoi.isi:bt Wt' would try :i new wa3• to p~ tn,0te Our r«ordlng art[1ts a.nd if this l5 a su«:t!!I there may be 0thtr shows."

SANDIE'S BACK SA..~DIE SHAW, who has been appurln1t in South Africa for a month. l!t due to return this w~kend. She then niu II\ A.msttrdam on Monday ror a fei,tlval date, returnln,t ~ho followfn8 day.

--------------------, Birminfbam. Salena i.s also

CT:r: .. /nuru Ui'e'~u°; '-'tt0 ~~~t1t~:.:-~ MOVE FOR U.S. TH'£ MOVE make their first American trip In September and will 1.ui:-,• for lilll least a month. They open at I.ht FJII· more £a.st on Sep1t.m~r 17.

Frizz ... Squall .. . C,·azy!

""=:>~ .. -j BBC 1V series.

RCA SHOW

Here 's a mad ma d two• some by Shoftesbury to turn on a nybody (soundwise, that is). 1. Squall Pedal gives you thot Woh-Wah sound plu, Surf, Wind ond Siren effects. Also o pera tes os vo lume foot control. 2. Duo Fuzz: Pedal neatly, compactly, g ives you Bon and Treble Fun effect plus 'Expander'.

2017 Squall Pedal (itlus:uated) £17.19.6. 2016 Duo Fuzz. Pedal: ci 4_5.6-(recommended relail pliceS:)

ilF•IVi41ti =~ & ••~ oc Rolle, Mor'ris & Co. L1d ..

32/ 34 Go!'don tiousa Road , London N.W.5 .

RCA RECORDS arc to pNlsenl their own Jive show, lilied Slimmer Sound Sl)tttacular, at London's Lyceum Ballroom on Julv 15.

Topping the bill are Spect~ rum, Harmony Grau and

July 18 ha.s now been fixed as 1he release date of 1h~ir

~~~rl~!.S~~~0~!P:1b~~ j~n~

lnj; cut at pres~nl. All t.-acks w ill be WTltten b)' Roy Wood, who ha• al•o wr,nt:n the new Amen Comer sin~le ... Hello

BEATLES-PLANS FOR YET ANOTHER ALBUM BEATLES we-re converging oo ttie record ing studio thi!i week tn complece a new a lhum which may be releasOO before their .. Get Back" album-already In the can. T he "Get Back'' LP will be released lo tic In with a TV show filmed d1,1rlng lhe making of the album. 8ut no dates have yet been set. Paul McCartney l:!i back from a hoJlday in the South of France and Greeu, George ha.$ ret urned from Sardinia, Rlnao was- due b-ack from the South of France on Tuesday. while John rel urns from a car tour or Seotlaod with Yol<o in a new Maxi. Today (ThurSday) the PlaS1lc Ono Band, "'h lc.h has recorded "' <ih•e Peaee A Chance" - a plea for pea ce by John and Yoke» - wilJ meet the press ln a speclal r'eceplJon staged by Apple to t it In wh h l hi releaie of tbe record .

Suzy " and the Epics' " Dance Around The M1ypol1!!." The forthcoming Move 111lbum, titled ·• Shu.am," wm be rl!-­le&sed before 1he grc,up deparl for America,

HATCH-TRENT SINGLE JACKIE TRENT and Tony Hatch hne • new sin~le, ·• Oon't You Belleve It•• re• leued on July IJ,

It ls a Burt 811ch11aeh s.ona,, the ftru time the dUo havl! r~rdtd 1nvlhinll'. but their own m1 teriaf Cor a al.o,tlc

DYLAN FILM THE. ANTl•APARTHEID Move. nienl lite holding s fund rahs• ina evt-n1 at the Round House, Chal k Farm, on Sunday to commemorate Soulh Alric.a Freedom Day.

fl1~'°~n'.:1W~ o':t ~l11f~

shown and there. will be AP· pearances by Scaffold,, Ye-l tnd Ory Ice, Tlckel5 will cost !: I eaeh a nd are ilvallable from the An1.i-Apartheld Mo~etnn1I

CAROL DUE AMER ICAN .Sina.er Carol Sloan("~ who onee, deputi,cd for Annle Ross in the Lam• bert•H~ndrieks-Ross trio, makes hu tir,1 London apoear• ance whtn sh.e comu into Ron.nit Scou·.s for a three• wttk •e:a50n be,1innin£ Mon­di.)', July 28. She will be shar• lni tM bill with US Jut Or­J:l,an,iSL Richard Groove Holrnes

Currently •~ tht eh.1l,, until July 12. 1s the Guitar Work­sh()p, surrin~ Jc.,hn Wlll1amJ and the Barney Keuel Trio The Affinity features Upj,LalJ'$ at R<>nn1~•, untlt Satwday (5) Gui1ar Wnrkuhooo will be fol• lowt:d on J uly I• by Les McCann Ud for a two--week .SIHd. With P111nl$t McCtinn will t.H! Le:roy Vlnnt£ar (ba~.s) and Donald Otan (drs). The Affinitft will appear Down11u111, ~r: l~ McC&nn for the fort•

JEFF CLYNE JOINS KEITH TIPPETT GROUP

T11~ ~!1'~,a~':,e!ix~:

, esidenc)' at London's 100 Club rrom Tuesday, July IS, lo Sunday~ July 20, in• dus:lve-. They wlll be SUP· ported by th(' Bill Nile GoodtUile Band. C"hris and the band are also the stan or the next LOndo.n Jan Centre. Soe!HY Cfli\Ufl It the J\otermaJd Thotre 01I July 27.

BAf.~!: ::: :i!r.~· ~ peu Group and plays hlJ" first gjg with them at the Three Tuns, Bec.kenham, on July 24 followed by the Old Granary, Brisco) (SI). Tlppelt'.1 Arts Cou.ncU ~'J)Ol'ISOred \,;:ork wlU be premiered H Barry Su m• JEFF CLYNE rner Scl-ool on July 29. tint ,is Jury 24

T"~~;:.s "1ttth3

~~ ~sa~~;~l;u:;, ~~::i'i;.~ ~~ 11.30 pm. A nu.mber of films Will be .shown., lnclud• a dooumtntary on Sonny Rollins, a.nd I.be.re wUl be

~~r~ ~u~l~ ~i~:i:gf!:.UP ~1:~1~:n!1 r:!s Rk'h,'t:; replacement for Bill Cole in the Ken Colye.r J:ll:l.ml'n.

r:r!:!d:'r~,~~ ~~~hs:~r::a o}~~s~:d. Pye•t> Cteole

T"!S t.!~~~~~~5h~5/e!~~;;~~eCJt~~ S::C~!,~~ tel and Belly Sm1lh Quintet. The Interval recordfd spOt will fea ture i\1t1yn111rd Ferguson .•• The Tony Oxley Group visit the Albion Jau. Club 3l the King'~ Head, Fulham Broadway. on July 8, followed b)1 ~he Dave Holdsworth Band (15) ... John Surman pla)'$" the l•st of the current. strle! of concert$ at london'.s 8edford College, Regents Park, on Saturday (5).

EV~~!:~~~h!i~ ~~e .:!"~!~e~!~J~n~lu:O,~'°u';~ Jau. Mectin& '69 In Heid~lberg thls Sunday (16). Olher.s: appearing include the Peter Brotzman.n Quln· •et, Aolf and Joat.him Kuhn Quintet~ Gunter Hampe1 Jazz Group and the Dave Pike Set.

G~~,"~~!~R~s;enfs 1:r:: r:::::ri:n~ Contemporary Arts on J'uly 11. This Sunday (t.') the Collier Sex tet plays the Thordngton. Flnchley, 1rnd on July 20 visits the Oreyhound, Redhill ~ .. The Four• teen Foot Band, from Susse:ic-, led by t·rombonlSt Mike Collier, make, 11.s London d~but at the Kensin&• ton Hotel, Olympia, on Saturday (5) with tenorlst Danny Moss.

B0!~~a ~~ ;'r~~:•:m"~;e i:':!~ ~I.:n::'-;~j

feature Sund3y night jan. from Johnny Hawksworlh (ban), leading Stan Tracey (pno, vibe$), Tommy Whhtl(' (tnr) and Tony Kinsey (drs) . .. The Bird Ctutis Quinl~t plays Che .Ludlow F@$"Uval this wttk­end and has bffn Invited lo recurn to Dunkirk, where they score.d a maJor ~uccess al tne teefflt f~tival, for two open alr conc:erl$ on July 19 and 20. The group ls curreoUy Sttkln1 a permaneol d.rummr.r.

T H~~:an:~~~k:~;h ~1~': t:,~'iur:y;, C::d Sharston High School (July 1$ and 16) ..• Don RendeU guests with lhe Brian Jones Trio at the SU· houeue Club, Chester, on J u ly 7 . .. Aclter Bilk plays Osterley Jau Club tomorrow (Friday) followed

~~he~~!! JJ~=:: <r::> c:~d 5:.-::.n:d~:d J<:11~ meo (25).

T " ~,lk~lo;;!,e G~~~~-~~;,n;~::W,!iui~!~) ~': Spike Wells (drs) plays lht PhoenlM.. Cavendlsh Square, London, on July 9 and the 100 Club (28) •. _

~~rv~:.s•~~~h P~afdo"n,

8 [~f: ::~drl~Y(S)~0~?,

dates for thr band lncJude Ashford,. Kent (8) DJa:e.n­ha.m Carnival (12). liJtchin& Carol\'al and W~gton Donkey Derby (19). Corby An~ Fesllval (20), .Uren.l• (~c::1u.5f8'::)~val (26) .and Cambridge J iu f'ertlval

AC.KU . 81l.K

have earned their Jam Bf LAURIE

KENSHAW

T"E M•rm•J• d• unde.rst• n­d•Mr tel • bil ftd up

wht11 ton,, 111, IU1t: •• 't'N"v. ,-1 jam •" IU "' ilt • o.,-• .at tfrtem. WMd1 h ott,n, OC:C:Or dl1t11 ... GIHwtt~ ... .Junior C..mpbeO.

a11t 11 th•,, l:1 ••• J;lm .,. their bruct lh1tj.f d• yt, Ule,•v, ••rk•d hard for U,rH rc•n. to sp,Hd 1l lhuc,

They u,u,sloltd tlnir w• y to

~6.,:~~lf_.,u':-••~~i: 1'::!1 (Jlon ••''l' .. ··"• Mall• II s-" 1~ r• dB!il 11p UI• l"op ...

T litl:1 b• t j111I btu1 nHh "k.-...d 1111 Ute Sl•ln Jfll lth " Cti.a.l•t" - 1 .J1111ier C• mP• NII (Offlp• lith,,ft fH,tllnd 01\ t.b• 8 Jld• ef •• Ob•L• ,Oi " -.as • do11bl1 A ln11• •

ll•rfflal.adit w1tn d lH to .. s. u,. Stain 111 M•r. eut Artillur c-.. J c:ov1tnd " O lt-Le·Ol "' Ul• re, N llll&rffl.aladit 1t• "lt po,.pon•d lil1tlr lnp wnlll lhLJ N OlffffllNr

•• Th«'f't'J 1110 ,.1111, •11,-•,, ln ~nt to 4"'tt1Q f... • i-i!Of1. trip." ui,s Ju11lor C-lml)· IMl1. " '!'011 h•ve lo wGrll th•ro- fer •- mo-nlhl 10 ttt ll•oW'fll. A"'d •htn w t do 10 we WUII lO tr}' IO'l,d ffl,IJl t • 5pl• 1il

" W t • N pl• nt1lnt lo pllJ' U1t. toll'-'tff l"d • Pfl't:•, ea TV "

Ct;ri.lnly lllt, It•"• plUlf'd a -hu'-1:r Witloi u ,1.1 .. .,,., sh111,. For It W H .... ,, ... by T on)'

"1nW1y - -"· b rHpOII• slblt. ,., • Jtt-lo t ., hlU a, IOO'II H )'Oilr • r ....

H • 'J WJlll•" for th• 1"01111da• UtflJ, tc~lhts, Lont Jofu1 .. ,1111,,. ,.,pt.r Dofll, a,11, Fuf), •11d Yal Otott.1(111,

•11t1t 110• - ;ap.• ,1 r,om ui,e M.llr$1lld• SO"I - ht Is C.0'41dhad wllh Scoll Wal•• r'J thll'l-f'ldt,, " Ll,glUJ, 18 Cind• 111u t,"

II ••• d1.1c I• 1 phono call from Uit1r ,.•c.~d p,o.duu,,. Miko Smllh ll'•II llll ltfflllladt C:hff• "a.by M iki It Soon."

51J1, J11t1Jor Clfflpb .. l! "We, ll• d fiNt lJl ... tllt ., choosl119 I llt,41 (;ff'I H Iii • It WU '.10 .. d, I dt~'t t\lfl!I tl!ll111t U1e BH C.ats ...,Id r• ffl.,!lbtr IL

"w,·11 p,-ob1b1, do It 011 Ollr r,t.,U L,. ft•.,,, W t'l't in th• Ol'OC:f:U of m••lnt 11.

GREAT "Thtll " lltt SmiUI phoned

""'• Mld ht h • d I l r HL Hflf - 111d pl&)'ed ' • •by Ma ke 11 Soeo11 ' °'"'" tllt pllo11,. Me t• -ct ""'' II wH, by To111 M,1t111lay - lfld 1h11 midi II t-wen .,.u.,.

" I Wlffl'I 111 lllll lr.11odttd OUI by ll ., N,tC., thowgh.'

Ho m a llt,. TIIIJ ha, of1t11 beoa 1t1• rt•'11011 10 SOm• o( 1""- bltltHI hlO,

Mlf'lllllildt ~u,v, ill pro,. dut-in9 I Good con,mutl.al .fOUlld, b'llt wlU 1111.,e no trucli

:::e, .!~• d ... :~ ~:~:--x~lffl ~; bit as l'Offlt peopl• ma.k t ovt.'• R)'S J unior.

"A.,.itrl<• .,,m • lwa11 rety 011 lht at1tJ.,, UH St o11t1, W h l 111d .Jethro T vll," he, l lldJ - with the con\l'lctlon of • ~II who flr,..ly btilei,~ U11H. C:ttlli\l't pop will oudlvc,

._,h:~~!1'i;:'";'Mil~:':';.1:tks.;,,h111 lltill delayed An,1rlt.1111 trip m1i..t,l•li.:1H, ,.,, M•r ....... 1d41 wltl k ,~••1 ,o., IL

f 1~~1b~~1::'1:!sth:: execute one of his World Filmous disap-

:::~ir~fo~ict!s ~::.:~1:~ studios. w he re the ghosts or Cathy Mc• Gowan an d Vicki Wick• ham clank moaning through ancient Ready Stud y Go! sets, was organised.

There he sa.1 w ith fur• rowed brow, an island unto h imself d.n one com er of the studio, picking a t his guita.r " 'hile ,Joe. Brown hover• ed nervOU$ly on the periphery or the studio crowd.

IC has been said by no less a person than the m•n himself that h• would nol recognise a Mt slogi. 11 he bu.,,.pe<l Into Jt and so it was that~ once interred in the dressing room, J asked how he came to choose .. The Lights of Cincinalli "?

Anxious

"Jf my memory serves me well and it never does, it was shortly berore I was going away to Greece." said Scott. " It was the night before I Jert and Johnny Franz and my manager had been up all niehL with it and all lht• people from Phi• lips were going, 'Oh yeah• and 'Crazy.'

" Everyone was so gung• ho and anxious to get a record out al last I said • Fine - put It oui. Don"t bother me. Get out of my race. Rebop and I split!

"It was such an obvious prefabricated piece of work and everyone had been saying to me for $0 long - ' Do something really ob­vlous Scou · - so I thought I would.

" I have always man• t.ained that if I did do something like this ll would not happen be· cause it was me doing 11. If it is a big hit then I was wrong and they were "righL

·· I had to have a single oul because it pui.s you in demand as a perfor• mer and puts your price up. To tell you the Lruth, I wanled to wrirn my own single but everything l came up with they s.ald was no good and not commercial enough.''

Manager Maurice King who had been silting sulking in one corner or the room for some minutes could be heard rumbling like distant thunder, "I'm writing his next single! "

To all intents and pur­poses it would appear that ror the first time in Scott Walker's un• compromising career, he is givin,g a little more coMideratiori to what be believes his audience want lo hear and liu le less to what he wants to sing.

For consideration and compromise some

'There he

sat with

furrowed

brow,

island

an

unto

himself' people are unfortu• nately reading "hy­pocrisy•· but h e main­tains that there is little or no compromise of his own musical stan• dards on his new

MEl.Ol)V MAKER, July 5, 1969-Pattc 5

album, _ Scott Sings Songs From His TV Series.

"Comparatively, I suppOsf' Scott Ill was unsuccess• ful compared to Scott Jt, which was a mumber one album. A lrier.d of mine who is an authority on my music says that i t was be<".ause the melod)!

!i;::y;;:: t:s lo?f ~,~ ,------------------------- - - --

.. The sOn.R5 on the new album are by really worthwhile writers who ha,.,e written some. very good music. Because therr .tr~ a few critics on the pop scene who are determined lo make an arl form out or pap music there is no re-.ason why 1tiis music- shOuld be ignored.

" For me the entire album is an exerci$e, if any­thing, People have been saying for ages that Scott Walker is a s inger of ,;tandard~ so let'5 sel' ir he can sing tht>m, 5o I did it.

Critics "Whether I did th~m well

or not is a subject for Ult critics. I don·t exclude ct1tics, .so I'll have to await their verdict,"

Without doubt, Scot1 Walker's severest critic 1s himself and by his own standards he falls fat ShOl"l of his ideals, Hu hi.-; progress during the few years he has been a soio singer been entirely satisfactory?

.. No, in mf own opinion I have fai led d ismally! " said Scou. •• At fi~t I thought everyone was going to catch oo ,.,ery quickly but it didn't happen that way,

" The pl.an that I onginalty had failed dismally .so J Ju$t plodded on in my own lazy ma nnet. I Juat have to keep t,.ying -that's all.

" I have no r~I yardstick for .success because I am doing something which is entirely my own thing and J have nothing ti) comp a re ii with.

" I am not lhe only one singing standards nor the only one making singles, but I am the only one making albums like Scott JII and writing like I write. rm the only one into my particular kind of writing-singing thing,

~ime i1nd it took a lot ol I istening to .

·• A lot of people see,m to believe that you should not rnlve to sit down and make a conscious effort to enjoy something.

" I believe il is the wrong altilude - there is some mus ic which just demands this kind of attent ion and if you a re not prepared to make t ha1 effort then you will never appreciate IL

" My music 1s not in• stanlan~s, but in years to come the sma II number or people who have bothered l o listen to my music should feel that l have made some kind or effort which was worth• while in relrO$pec;:t."

It has been suggested that Scott's lrl!mendous appli• cation to music-al detail may in fact be the very thing which is holding him back as a composer and that he is too i nvohied with the ttth• nique 10 see the product objtclivel:,i:

"There are a number of wa:,i& to compose but that degree or concentration is my way. I can't be objective about my music but I can't just scribble !Something out and dish u out to my public. I suppc.se as long as the end product is there it doesn't matter - If we have to get drunk, s toned or go to bed with some­one, as long as the end iJ>roduct is there it's valid.

.. The beautifu l thing about composing popular music at present 1s that there :seems no set way or aoing about H - except in the Top Twenty single charts - so I figure iC their way can work so an my way! "

M~anwhile rumbling Jike thundeL

ALEXIS AND HIS FRIENDS ••• . , , Of whom there are m.any, h1cll.1dlnt, on this fantastic 15/5 umpltr: Diclt Htclts:tall•Smith, Herblt Goins, Danny Thompson a nd

a lew more wbo helped makt Blues lncarporatd so lnfhm1tlat ilnd so iu:cltlng,

Alexis Korner's All Stars/TRA SAM 7/15s 5d

Transatlantic WHERf. TRf.NOS Bf.GIN

P~c- 6-MELODY MAKER. July 5, 19G9

How the

•

the act / other (pop)

,n THE OPEHlt.G nlgl'II of L• nd1n"s fir.H evor Pop Pr1J11tl wu, a "-11..-uo .. 1 • '"'"' ,_.,1o1c:­ity Al but Hall ~1,ulle,nu diured, d•r,ccd and ttor11w nowen Ill. 1h-ct u1d of • ffllgtity rodl. •nd n,11 SC'Ulo11 ,,.om 1.•d ~pci•li., wttl'I tfl• flflp of

::.~d':'lh1/~i1n~l:,or=• • $~~~~ don U drldQt..

WHAT A MIGHTY ROCK · AND ROLL START TO

Blolfwyn Pl!i) Sil tho bill u1III011t. Mitt Abrah"alm' , supnb IIMJ, b•nd op,1;nc.d the- tho• 1 nd lfl!prnu:d whh ,hO"l!r m u•lc1I .11,!llty, Th•Y 1'11,d JIiek L •nc;.A:J"• lt.r - a vin11 paU...uu on •••• fh,lt., vt1Un 1ud d•.rln11t b•hlnd Abra.ham•" v1,tJ1,1r worir, whlc-h Offl1< 1v11r w,cl! on th~lr last nu1>1bu •• C11 SqvtrreL"

Lf.,upsol .Seen• foHowc,d •11d c•Mbh11d rod. com11dy a 11d THE POP PROMS !

HISEMAN1 bruhl tolo ,If ht+.

~i:!~- :::)'~~~=~: c'f:~t :.0t"T! tor lh1 ill arian Dodt• n • 11 drVffllJ illld At1dy Robt.rU pl•)'ed nlet a«-uttlc g1,1 lt•r on "Nolhc.l"t, bft,''

Z11f,p11ln'1 lllob1rt '11111•11 warl• in1 vonlt 1nd Jim,.,,. Page'• r•rtn(tliibll gvhilr aomellmH IHit ltH:h otllt.r, b1tl Olo o:ff•cl Is o~ln1t ilnd t.KdUn11 esp.,. d•llr 11• bli,ltl' n1tmbt!crs like WIIIIII 0111.0fl'S " I Ciin't Qvrt Yo11 llo1b1t •• 11nd '' You Shook Mo." .Jo"n B0111tiem·s 1t,11m .sO,o •nd "•te'• 1u1t1, Oft I• Whit11 Swmmtr" " ""' J•ltd end ll'lfl)' p1dlt-d •"l C'V-U')'lhllill on Ul•lr entOtl" " Comm11nl"Uo111 llr••k· dOW'"."

Tt111 u,JW1l "'ouldn't l•t ll'l•ffl 110, vrgi1tt1 baw•ll•d 11ffic;falJ 111 ,,., .. "n &t1t ,.,..., ~•In 11n~ s•

:!!~ !~f ,';,'":.~01:~":, ~iLdo'.,~! l'all bit," (u• P•llll 4). Jac;I( L&n<a•ter •11d Llvt.rpool Seu,•·• :~~•"E"'~"1i'r1,l-

1j!!.P1:d 11:,oS::d lh• 1Ulft., Tt.r1 Y11ar'• Aho, Ale L•t hlunnu1u,11 a qmb•I, "•"l 1-Crot&ml!d and th• whole Alb11rt HIii .,,.,., In vproar. A lre­mtndOIH night.

A, FANTASTIC rod end ,ou mtclll!,r f'9m FlutwaOd H l.c"• J1.r~m,- Sp11inc11, t1,11vt1l'I\ Ulll l'Op l'fonl.i •i,dl•nN 10 llllfr fHt In • well dlllerve d iitandlng O\IIUOn at 1Jlo Rflyil,I Alb11M H•II OIi Monday nlvM, 'Wtlrilf.l Toi,y Wilu,11,

Jlrtmy l•cl th1 Nae 1h,011gh " 1111111 sv1d• $bMS."' " 01111 My i~o" and " TH nage Oaughlor" ¥11th Jo,11rn1 doinv • 'llll')' 1111111, Fltllu-nyl1 E\vls lmprtulo111.

I I broll9hl to • ftnb.1'1 • ""'¥ good nt tron, the Fl111twood 1'4•~ wl'llct, uu:h,it•II SOffll new m•ttrlal ,a.1('t, u· "R•UJ• Sn.,1.kit $111,II•" ,-ncJ lh• bit• 11tif11II~ pl•ytd "AJb•h'0$11i,"

In conir•s:l 1111 Pi:n1.a111i1lt .,,,, q11il• 11•11U•, pl•yinj u,e­fwlly c.anc•lwe;d •lfflost ,:ym111tt• •lcat ar,.ngtm•nl.$. Th• musk I• " hul•n ., Jt)'l1$ - folk. 'bl<'f'I, Pu fllld PIIJI - • nd 01Uf' "•rht1u rnnu,nces· •ct 101• 11nth.l'C11rtenls In Whill '"II,)' plll)'.

Ttib ""'° nOllt.iHble In

:~~~":!t'- :::a~·.,~.,n11~·· p::!:~~: 1n$1 • brlllhtP!\ t-)(IClf!ded i.•u $010 fn,m D.tn")' Tl!OMP.50ft ,

0 114.0 m,1111 bluu b.a11d 011sttr -.t111Ht comp4oed the bill and

::.~.~r;::re:::t.~~P~l:11f1v!; so:t WH wt.II rcclvtd lty the c101dtr •11dl0;nce.

PINK FLOYD A SILENT, atwnti"'e t:rowd, JOU

t'~~n!ln9~•:1::• th•~ :r.,u: 1i:;:

loonlflt.. IL 'Wtlb slrang• ln~ld1 the 11:oy.tJ Albtln tt•II, t.ondon,

::1~d:'::; ~1::::.•'!f_,~~ i:~"e; tJu,1nd<1t 1 th• Floyd •l wont •r• o:n• u91'1 ttt fn!•li: lh1t MOJ:l :taob•r n• .-m•I•

Th•Y' Slllll'ltd • tUmllltUOIH ovation ,.,. 1h1Jr brll!la111 .and totally origlniil music, not r11r­g1uh11 th1Jr gc,nlJ• senu or .,!.!'"'!?""'· ""l'l•Jr srul9&\ ,1nt1.• WH to lnlf'oduu a Hctlon from u,. J10)'1I fl'hilharmonlc plv'I the 'bUUtlh,I liidlu of l!•Ung Cc:n­Vill amill.c!vr choir.

Thi' F IOJd don' t d • lm 10 be :9n• t J11diwfc111•I tech,alcl•n,.,, lt1tl btlwnn lhoefr collectll'e

~?~~,:~,d o~,~~='11 ~t~1.!fh C! •rdln•r.or ,-1c,r•o $Ollnd •ff"1.I S)'l'ttm, th•1 Ciln Cf'C'• l• •n un~ f0'111Jt'•b l• fflllSTCill 1<!(p41rft1'1Ce. -CHRI S WEL.C·H.

JOHNNY HOWARD AFTE"ll SIX )'Hr-I" on iht MllC'U SClllil, ll'ICI Joh""Y Howa,d tl>ilnd hfl\lf. U1 1otn to lhe , •• d. Afld

':,"':~~s~~"ft. •~'!;~1/:;"ob~~::: ly thoroughly il;lr"CIH" Wlil'I l.hll 111,pe,bl)' professional ovtnt. Their thund1trout, but hlaM,-

r:~:he:SO u~:~~~U~p .~::~~ f"lthi. IIP till ll. JO a l the StUlill'II 8.tJlroom, Crawlt y, on Sunday.

How1rd, .IS, ts no mer« .slid!• """Vlr, H• work,1 hard on stlnd lo ltl'C:p dinlpll1111 tight and, olory ti•, evt:11 turn, down 1110: "'• tu,.,. ""'"" 111occlad. ttoult1

~t,;~ce:~ 1;1~~~.m-;~!: ~== t 1.11or1tt Alan oni.,- Wililll'lll 0111 on allO l .bove tht ll!Hllflg ..... ~

•ut th• band' s 9r'tl• l111-t aint mu"°I u.i~ly be ll'le "'illlllllflcent ,roc:•I tC'• m of Laura LH·, Da11n)' $tr••~ and To,iy !i:tirvitn. TIit ::, l1>oll•d ft(t,11\ • nll All'II wild. The word5, fr•m .a S tf"e•l ballad rtndu·l111 of " " Y' Way" to • rod1ln; " Ol,:;17" c:ouht a lt bit daafly tl it•rd. Anlf tt,1lr versi on of u,. 8t.1c.h Boy,' " Bu.all•

a:••Y " mi,DM wlll Mve lo:.fl thHII 111ntl• "'lln full a r •dmlr•• t!on few wttu cai, be don, ll"'e an 1Ulnd. - .JONN RODERTS.

BATH FESTIVAL A 2Ef"PELIN atui.c·llo:d 01• Cl~ ot hi.Iii on Suw,d• .,. •"d u•nod 120,000. AJrshlp C:om­m • nd• r J i "'n,y ,a,se It.opt ttl• fflOt,I r1111!'Mrn• dlri9lblt. ln pra­lJf'C,ulwe bluet iilolt with lli• "'°'' Ol!dtlng gt.tJU.r p41)'1n9 s ince J intm:, ttondtlx.

Oo1t I I i,i, • lm111Sl U1!1111lt ,. cHc). 011t L!i!,;I Z:l!l'l,l'l'll .. '1, pv,ru,mani:I'

~t.t!1c,F•~:f.,~1~ s":':!an~\r:!~~ wtr• • fl top form a nd 11•ln1d 1uch 1,100d rr•c-th,nll' dt.1rl111 fl•'rflff bo11r• of .a1,..Hl c;• n• tlnt.1ou~ m1,1ilc, uu,l ii Tta lmp11s-­Ubl11 to du.crfb• U11tm • II In dfltlll.

l..lvt.rpool .Sun.11 wue • lro-­'"•ndou:1 s-t:u-c-eu a,ilf s• wu• the Nice, Fle .twood M•c, T • n Yun Alter, Cflld1on Shell, DladW)'!t l'i9, Ke•f ttulltJ', J on

~~~•:pi~: J~!~s.1~11'"~•• T9!~'.l John H.tra11 a ll prayicd ._,c.. l~:."~!!..,:-.'~'. .. .,. .... r••"•"' , .. miln)' g, oup, t'll1ul lJn9 In baclk sUlgll O"'•rt11'1• for Sltw1rd1, anl r&.id m• n• s,an, and s1cHre• 1)1 cur1.l ilt.d His whlch ,11fhct11d nme grov .. 1, whrt:h cfon•t pro­perly w l rm 1,1p unlit ths,y- have b•ttn pl-.,lng till( •n hou,_ Roy H•r1111r co11ld onl'J' man•pt two number,i, and C:lovd, a nd ,,Ind• p,U £dw,ud'11 Magic Tl'toal! • dlihl' l 911 10 • ppcra, a t 1111.

Joh1t , .. 1 once •u• ln pro,,,ed whlll 11 ll'11mttndo11s •st,t.l hi! h­lo fl1'Y OJ)lln &l r e•ent, l'llll merllly H • ,a lnformitd c omport, b1;1t a, Use m ,1111 •ho can lcH p va1t c rowdt. cOIH •nd conl.retl Ott e•uun or ov1=t ,11111111 .. ,towards. Mike Q11Tnn "';u In

::~11011•::!~~~1.s com::::r .. keep~:J .sen1lbl•.

41 • br'lof bo11t of boltht

~~h0nw'.:!,af t'

0: :: . .. ~~;uil,~~'!;

lar9e cro•11 I• a11 a11imal lh.U

:::,,::lld~• ,-~:pl bo~1ftf ::= 111ot flln9 Ill do Wllh 1'4.a.faH• .. set, w°'llctl c.a'"• a , a pcaceh,I m,•sle• I conlt•n .rur die wlld ra'l'IIIIJ ar Jlfflm1 f1'11911 1111d hlJI e moUonal sln9lri9 .. tar Rob<art ?lanL

Ui,forluna.lfly Jon Ma rlt'JI

One more, John baby

8ARNEY Kl'SSEl dC!IJdou, C"-Onha.r

11c;.ou1Uc g11har •,.,11lllical.ion 1y1"U m 1-illd llr• lctn h wn prlttr to tll1tlr H t, Whld1 dtlrHJt.rl rrorn \tit.I, u1111d, but t.a•1n Joh nn)' ifJ111ond •u • " top fOtnl. K110I l!t11tr1,0PI WH o,-

~i:dc~~r.n 1~~b:~~ .. 1:.,• d~J~~

!r0w"'o~~t ":l(~~=r:i,,J~:t!':11~;

t11nin9 1rovMt, Olllu hl;hl~lhli we~ Jon HiHmil.n"s undtarilctt.• rl.ttlully bo-11Ul1 .iol•, KtJtf Hi.rl• ,,,.._. nr w t,a,.d, i."d S1an

:1:,b•:.11111:': ~l.sf':;'t~HJ~l:a~

Uld iii b• ilsl,,IJll ~1.,1 p • nl. 1011rnilnni,t will! Coloueum, bul

!:~ul ~!t~ c:~7t .,;~Le•:;-

JAZZ EXPLOSION 91...JUIM(. hot Sundal' afUr--­nOO<I\JI don't f!Xtclly 1ampl e,tople to alt h~dOOf'I Hllt.flll'lt to Jl,:o, so th• t'-lrnout for Jo.1:1 lii)(,iriotlon at the Hlttm-lld Thll!lllre IHt sw .. d•Y WH Jib• utile enough to bt encour-

::~':-!· .:.,.t,e~~~ tCl~Of"r~d »-:,:-o:, 11'11 m11,Jc, tvt-n lho: openlng set b)' lhe Don JlondoU/l•n Carr 011i,Hal.

T .hints llvcntd UP wun lhit art'IVII or th• ,Utn Trac•: , Trio. A Owourn, Traur <llorcl t11-q11t.• c• C" I Col •hYU1rt1 ") was lrU1ltd mOt • ftrl!.lblf thin 1111,1at ,1111d Stan'• pllnu pl• yln., prOb-, 1"9' bwt lyri<:• l. 1111111- lh1t altt.r­noon',i, hllh tpol.

A.fl•r lhit lnllr<ir&I <UllUl'IJ:C ... .,...,. ,. 1e1 l hWIJled. Cvy wa,..,.e.11 of Gban.1 'lllr1*d orr a lor>e behtnd • dr11m kU: bit Wil joined Ir) lh• Porlwig..,eM / l11dlan tt.1ltArltl- 4~.MIO d• SIJ'l'II (a p lt'J' ht; n Wer tot II pro~er Ula.nu to .. h- hls­paeu) anti afl,rwards b)' Joo: Mamou - In ,.,unnlftg form, Don «andall •nd Ian Carr , Do.- ,tondt ll and 1111 c •rr brighlo'11 "'" dvr1eg ii NrlH ... aKC:Pl• nau wllh Cut WIItilll, •nil th• concen ended with 1v• f')'bocly on st.al• for . l•n Can't ,11rr;iingtt!fft:fl\ oi ".111%1' Exp,1• 51011a. "

9:, no mo:ill111 ,., revcrb1r•.nt •" usa y.er 1, 010 llu o pro­misltd, but •' lo:a,t ,~,. Trac1y a!'ldl Joe Harriott made up to,­lon tt.1nb•thln1. - a1C::HA•D JIEJIENV.

OTIS SPANN OHS s,ANN b 110 sltan1t1r lo • rlt::hh llfv•• lo<,itl"II b'-11 lftll .tummitr he: fl ha re In • naw g11I.H: U t.Ofo UU:ll tololrfog with • lot• I sro111t, U.• Suiw• 1'4111 c:r O~ lver y. For m.1.ft:, yu r:e, no•, Spann hai. biten acc:1 ,il-ld as abaut ll'le ba1 •II-round bl11e .. planl .. t In Ole b111lnu.&, and during I lle Shd.ln he hU 1.1.e•dfly aaln1t.d ground a1 a •in1111r. At High Wycombe't, Bl11es Lott lut wo: .. 11 h• a9al•

:·:.:;:~J11~::r ... !~~f:::·:ru!~ a .nd a,i, • badter or 0U.1r p e ople's sotn .

T Iit! q v•llty • •s Hldt.nt, CIVC,fl DII U'le •mplUled port•blt 111, str111 ,.,1n1 tie 1ue,d, •"ct WPIClll OI• nvmber c•ll•d for • a.olld, stompln9, p11werllo1ue 11ppro;acll, lh1tre wa., nothln:9 fflllCl't wronJ wltl'I pl•no~ so!oln or band. • ut In tho "'Of"• 1ubtl1, I-down

!!~Y;,.n'L, :::::,. ~t,~. a~!:~~

:;!.,n~:l .:~y tr!~rir:n':1•lJ:•c:!! ~!~ot,: .. ,~:r, ":~: ... ~"v1~1 b:m,~ \hit Ci.l'CUMSU1nC:H of bJ1;1u dvlt

:~.:., ICl':od :::.r:'\1~e ... ~:!"'i: oNle, 111 ••t ac-rou lo tl'l11 .1vcUit1..r1, fflOdtrat.c n11mbc:rs bt.11. u.uedlns,Jy k.ut1. l pr•'•,.. rtcl tl,1 ?Jllnd of Otis' c•n• 11,.,a,l•liV• sin9lna and pl•ylng When I htard hl1t1 l,1111 on the

~:,v!ta;,~11.J~,. :i~you"~:~ u,iect t.vo:rylllln1, 11ftd the uisl>CN'nc:rs lliltrC pl.aln))' ltlppy. - IMAX .JONES.

half lives HOW DO the arislo­

crnts of pop ~pend an English summer afternoon? No gro­velling around n1 litter strewn blues festivals for them .

Barry Gibb, 1\1:,urlce and Lulu pre.fe r the ge.nlle deligh~ of a gard~ party with croqoet 011 the lawn, glasses of orange squash aod r1 punch and judy show.

Pop tyt.oon R~rt SHg­wood held the party in the grounds or his Summore m3.11sion on Sundoy, to launch new group l'intin.

Wivt$ 1md children nockcd to the event, pllli en ar-ray c,f do~a-, ponies and a bear.

The approach roads were Jammed with Roll$ Roy<:U iind JIIHUUG and lhe 50und of "Only Ladies rlay Croquel," Tinlin's first jfngh, almost drownei,f the clic:k of th, mallet o.n croquet ball.

Singer Garry James Is u Cutting oul the mtddh:m1rn" by mailin:~ his nt!W Singh! ' ' I Ntt<J Yoo All The 'l"lmc" direct to lhe pubHc: ror only 6s l Id. Nor~I co'1 of a single - $$ 6d. Garry can't lose -he :SliU gets his royal­Lla.

Arc Wood has ronned new group Quiel Melon . _ Grt:at news for groups blowing up on the Ml - Nice, £ctecUon 11nd f'lee1wood Mac all istrie.-

'"1<,n. Road man.ager or the

week - Nice's &.:t Ward for prolectfn_g MM'll Chris Welch AJJd

Lenzo Oogsa,d rrom Bath Fe.\lt\,al s tewards

Deejay of the week\ John Peel (or ony other Wttk), for a lso pro• tecting same. JJl Bath Festival.

Quickest way to g~t BLOTTO attend parties thrown by 8on:zo Dog .B:md 3nd Pink Floyd on the !ame evening.

T iny Tim's book Beautiful Thoughts published in Amerka • te:J.dlng lrilh pop pusooo.tlt)' Jlvtng O'Boots, .sttn glv­:ng MM's Tony Wilson Guinness i.njections in Dublin hostelry.

Unprintable reml!lrks by Johnny Almond when boltl~s Rew at Salb, The Nice featured a team or Scot! pipers. and the bar was drunk dry In four hours. Groups seeo comparing beer bellies.

8h1ck Aliee ht.aVY group forced to play " Knee! Up Mothe.r Srown " when booktd at a dance

, • Cry or the Beer !Jelly Victim: " Ynu um't buy hlJ>$lers 1n the 1'Ul31te 5hopl" _ ~ .Sa")'i

e.ompere. Mike QuJnn:

FR1ver's WEEltLYTONIC

.. Tbey•re a funny lot on the blues s,cene - they don't talk much."

H.oy H:arpe.r'! .. I Hale The While Man" a paw. .e.rtul pikt: , , , Htnry Lowther- Mowing healed lrumpet with Kt!ef Hart­ley's Uand.

Normal and dignified citi• ze.n rt1r J ohn ] 'ebb of NW7 kec-ps gelling hys~ terical phone caUs from four German girls who U1ink he's lead slngcr with the Casu::ils.

Cllff Berrnett's va.n blev.· a tyre on ihe. mntorway, crashed and caughl fire. GuilJlnsl Ken Hensley tre.ci.ted for cut£ and bruises.

Millie Smnll opening res­taurant and di!icolhequ~ in Brighton with film actor Gary l\ond • • • Broch BQ)• Mlke Love holidayin~ m Southern [rcland

~t<f'h!d Or11aments re­ported lO the Mlnblty <1f Dcfenu by Devon Coru:tobutary for spor1· Ing a red cross on the side. or their group van. Nol surprising really -it's tin ~-Anny am• buliincc,

&gins a reader - "How could Jethro Tull ,toop so low." 'lnai's easy, he's got double ]oin~ knees __ . 8tr)II Bryde11 sends postcards from e)t;otic places, re-aturing herselr in various a.quat­ic postures.

l\'llke We!ilbrook learning to jive without Joh.n Surman in lhe Sexlet. F'ronLline or Rulherf'ord, Grlffi.Uu and Osborne. a gas Ill Bedford College Saturday.

Humph too optimistic on RlcottJ .sleeve about lack or trad / bop type conOict today. Regular suits well aghast at Keith Tippelt on.slaught at the Ke:nsin1;10n last Saturday.

HeatlUne in the TV 1'ime, - "Blind faith Pro~ lected Flrtler" • • • Independent Free Radio Ratly in Trafalgar Square. on Allgu.sl IO -what a wut.e of time,

Joho Allison canh~ fOi.l rth in Ore:nse, Spain. '' Songs or The Celtic

World" contesl with .. Sl, Si, Si."

Nottingham hippies raving about Seumas Deg group . _ • Gully Foylt first sroup 10 lour Outer Hebrides.

R.olHng Ston~"' singJe a l r i f I e disappointing, (That's not how ~ou spe.11 "Jllok,1:,.. sa)'s Jiving K. Boots).

Sohn Poel Jaunchts 0=1n­detion Records this fridety with a macrobiot• ic bufft!l a t the Institute of Con:U:tnll(lrary' A rts

- • • Jiving K. Boots launcbtng Tripe Re-cords Inc_ with a fi3h and ch.ip ,:upper at Marlborough High slreet tea bar.

Adrian Henri has his Tonight At NO'>n book of poems published by Rapp e.nd Whiting ar !Os 6d,

Whea you think about it - drummen are tht ORI)' inlelligenl people in PoP,

Plans to rcvi'i'e Old Ph1c.e Ill Roc.tn~•s UpstaJI'$ Room? ..• MCJ\le'5 Rick Prlce hu eo-wriuen wit.h MOce Sherld.ln new smgle for his old group Slgh1 And Sow>d.

Contrary to local rumours, the Bailey Or.1tanisalion will not dose tht'.ir Bfrmtnghsm clubs, La Dolce Vila .and Club Caveodl1h . . • BOJy Fury, Millie Small, r.·ul Jones, Love Affair, Ca.'iual.5,. TremeJoe,s., and SlJUU5 Quo will attend lhe first Youthquake. in Camaby Street on July 12.

Ale-1C Welsh KXist John BllrnM ruving about the K a. t h y Stoba.rWohn Picard group • _ All-girl group Girl Talk had three guitar~ and lhrtt. mikes stolen rrom their roadie's house in North London

tr •• Everyone's Gonf! To The Moon " whe> the hell is Jonallutn Kin& still sing.trig 10? Dusty Springfield u nt a whole c.rate or champers to publicist Mkk GUl on his 21st Jut Thursday, And he sounded as though he had had most <1r il next day,

So when is a record company aoing to do an album with Alan Skid· mart? • Colosseum e:xpetimenting with just abOllt tverybody trying exrra lnslnlme.nts.

Top Rank, SwanA.ea. re~ volving stage caused ~P Purple a lot of pain. Just about set up whem it ~tarted re.vo1v• Ing, pulling out all the le;uis and damagln, an ampltfier.

Ex-Shadow Bruct: Welc:h co•managlng AuitraUan group, the Vlt&U Bro­thers. atong wlth Peter Gormley . • . Scene and Heard can't tell JU H~ron Crom it's. D:.w­oorn. -------------______________ ,.

EXCLUSIVE PREVIEW - and the one we missed JF )'O'-l've already bought

the m.lllion•.$e1Ung EMS LP or the NBC.TV soundtrar..k, then you'll have some idu or what ro Hpect whm the show iJ screened.

&t a mere recordlng e&MOt possibly l"ecaplure thf" r iot or sound and colour lha.l explod6 from (hP S<reffl.

The film Opens with the cameras moving into a

~~c:e-~ne'!. ~f':oudb11;v .. er::s "Guitar Man.,.

And it's the El of old -just a.s we knew him in the days nf •• Heartbreak Hot.e l." He's still as " mean, moody and mae,nificent " as lt:\ltt. Dressed head to foot In b~ an.d looking some­thing like a Hell's Angel sans motorbike, he goes inlo hi$ TOUUne with a profe5$.0nal abandon that would cerlainly hne British rans reaclinx with far Jess deeoru.m than the girls seen In El's TV audience.

IJ1,1t tbe tX<ilt.ement rco.Jly \li,'biJ>$ up when Elvis goes Into a ,:ospel song se• quence, and In a briUiant• conceived "shooting gal• lery" ~ttin.\t used as a backcloth for .E.Fs ver-sin11 ol •• Big Bo$$ l\'bn. ••

The cbareocraphy here. ls superb. The v5olcnt mour or lhe .. Big Boss l\lan " song - lntrodueed by a tt~ moment betwu.n El and a bearded hoodJum - segues b,t.o a breathtaki~ dance routine by • fanlastlc team..

lber-e's: a parlku.larly l"ff'ective bit of choreogra• ph)' '4'here dance.rs w a1k like automata in a dream­like tJ aJil~15 e 1 blP·CfV!l-lPhlK

BBC-BUY THISSHOW

80TH THE BBC AND ITV ARF, SITTING ON A TV SHOW THAT COUW PULL IN THE BIGGEST VIEWING FIGURES SINCE THE ROYAL FAMILY SPECTACULAR AND TH£ INVESTITURE OF THE PRINCE OF WALES. THE SHOW IS THE ELVIS PRESLEY NBC-TV SPECIAL FIRST SHOWN IN THE ST ATES ON DECEMBER 3. THIS WEEK, PETER MARRIOTT, NBC-TV £XECUTIVJ; IN BRITAIN, PUT ON A SPECIAL SCREENING FOR ONE - THE MM's I.A URIE HENSHA IV.

each othf:r'$ p:11hs and bathed In a blau of colour.

These •• S1agey .. inter• lucles ar-e broken u_p by informal shots of EJvis seati'd on a small stage In ~ Sludio Jampacked with adorlni fans. He "'hat.. l\, them, and indulge$ ln lnfonnal and amuslrut skits with Ms accompanying group.

He refen to his famous " curling lip." How II Sf'rved h.lm well through 29 movi~ and talks about a ban on his stage move­ments in F1orkb.

£1vis reveals a nlc.e toue.h or humour. which eontra.sts effecttvely with his more dynamic song perform• ances. He renders e--,1rl:y rock stand.llrds like "Hound °"8" and "AU Shool< Up" with a vitality that leaves. him vlslbly sweating. Thal 1,1111.:k rl'llthl!f tcear mu!l-1

have he(ped him Jose sever­al pow,ds during lhe 50-mlnute spectacular.

The whole film strikes a happy balance betweoo the old rock era and the contemporary po,p .scene.

As I.he show ls In wlour, H. c:ould, at presen1., be transmitted only on B8C-2. But If BBC wanted to show IL on 88C-l TV. they would t,.ave to hold up the screeni.ng until November 15, when BBC-1, and the commer-cbls, 1::0 lnto colour.

MILL

The BBC has had • prlrll of the El\lls sp«tacular for some weeks. Y et no dec.i• slon has bttn reached. " ll has to go throuah che mill at the Corporation, .. says 3

$J)O:kesman. MWs grind exeeed.Jngly

$lowly. (..et's hope the BBC duesn·t ml» the boat.

\.

,-f _ ....... t.-

~ . . . . ••. . "; ~~ .. ELVIS: mean, moody, mag:nificent

'.'J:=~-rn:---~1i~'°"·

Britain turns down Diana, Temptations

D1"~:prt!eo:s• re, ~::uHtl~~~

ably, the wortd's greatest femal, gr-oup. Linked wll.fl ttltlr MOlown s-lllbl, m11lesc, Tl'll Te mp, H1tlons, °" r-ec:ord tl'lt )' sold a::~~ ,:,~'":tit to tokpnoco~ 1=: albu'" d11art1.

And yet both t he ••c and Lot1don Wetkt nd have tu.rned down \he N• C-TY c olour spt clal wl'IIOt ,1.1r1r th•M two groups.

TIiis wok f HW • ,,.JdH-tape r-ecording of 111• l'lo.,r 101111 speclal tltled " TC9 " - tl'I•

r:::-:;, '":!~, n :=:• :.n• a11~a-" ~= n rdict W U lllal Utls s,itclal dut rvn to N sl'IO'Wrt e vt n If n ::,:n.?in:•!:•us;,i°tom!!e b:1:~: and The $upre'"e5 tott lhtr.

eol hl the N o4--11 ac:o ar•, of

T!~:!• c~1:,.~:.r:;:;•y:c1im::: cable and botl'I t111y 11nd Tht Svpreines- go tl'lro11;1'1 11umtr0ils c0t\11"'e ch.angH . Tl'la ttt Is lmprHSin but tllo "IWJ.f, -lncl11dlng SOl'l'le ot their g rt.alotl hits - •-• , someU1lng from lht original.

Diana d a nces a11d tln11 u wtll as l11dudll'lg a blb11~ to tbe late Martin Lutl'ler- K ins 111 h1r ve1"Slo11 or "Som• whert." The soundl.r11dl •lbun,, now rel,ued, should makt Utt t.op selle r-s b1.1t l111't of Ole Hme st.andllrd H tl'lo Dia n.a •oss a nd The Supr-em" Joh,., Tl'le Temp­tation, set whlc:1'1 st.a)'td .at tl'l t lop for five w H h ll'lls YHr.

A ,pokesm,n for Lo11don Wullcnd said lfl.at tl'IIJ find that flour long tpo.-;1111 l'll111t d on one slftglo -.rt.1,t or 9roup a r e " • "'•' , ulflc:lont t.o ttOld 11n audle11ce.

•• 0,ie fi,id, lh;U the rating declln111 dur-ll'lg tl'le nin or Ult pr09ramme . Th.ere wore alH a numb..,- al t ocltt1lq,t dlfflc:uttlu with u,1, film.

88C spoki,sm•n Keltt, Sff!IU. said: " We do buy quit • a lot In, Iha way of , .. dais but • • pldr tl'le but •nd w • dldn'I tl'llt1k this •••· we l'l•d a lot of doubts about 1h11; q111ill&y ol UI• sJlow. •·

Diana Rou a nd Tl'le Supremn •re hounhlold n.a"'H, TIH T•mpt•tlont ara "•t 11s wcU 11:110•"'• b ut tosetl'ltr U.•y w11r• rant a\~ntlon, A"'d the p 111bll< , hould t1,no ttl,• ~"•nc:• 10 1T1ake I.Ip lht lr OWl'I fflll'ld a b out 0 1-1 qu•llt"t. - ROYSTON EL• ORlbGIE",

Our second album from Fairport Convention. It may even be better than the first.

- - 'l , - _, The llinl Nk kOn.kealWm, Tt,,efot.-i Or.$(nn,c,i,lyStranCC', •;,jq l.ea'°e .. Uf1', ILl'$ '9l05 "Kli>of1"'4~ .. ;nn.•, ll,.PS91C,.

All th ree I .P's \\t rc produced by Wi1ch~ :1oon that means by J oe Boyd and the ar1is1cs concerned. T he Fairpor1 LP is simpler 1h.an the l:1~1 one - more the way chcy sound live an<l include~ Sandy

Dtnny\o\,n , cr!i-ion of "Who Know~ \\'"here T he Time Goes·· as well .ts three Dylan tracks you'\·e nc-,·t r hc-ard before.

There's nolhing unuiUlaJ about the fac1 that i\ick D rake \\'riles hi1< own songs and plays ~ood gl1i1ar - you'\·c heard that beforc .abou1 hundn:-ds of ne" ar11::tes. l.istt'n to the record h t."Causc of the ~reat playin~ by Danny Thoo1psan, Paul I larris. and Richard T homp~n and t he :1mazings1rini arrangements then )'Ou'll finJ out :.ihout th<: $-inger and hi~sou~s.

Dr. Strangely S1range (Dr. Stnmi,;i:c l'e;.tf'-'n~e) i!i four people and .i strange. funny album ii. ' K ip o ( the Serenes'. &.meone one:(: c;.1llc:J ,hem a cro~ hc1,, t"en 7'o('l (.'o" ard and the 1 ncredible Strin~ B.1ntl ... you'll ha,e to hear th.: ;:ilhum 10 lijtur<.· th,.i one out.

~ ISLAND RECORDS LTD. ll.\SING STREET LONDON \\'11, Tl'1, 229 1229.

rait: $-Mt:LOO\ MAKER, J1,1ly s. 1969

I JAZZSCENE . ;_u_.-~ ~ .. _

Suitable case for revival CHRIS BARBER

BY CHRISTOPHER BIRD

A COUPLE of weeks ago I was shattered 10 u dis­cover" the Chris Barber Band. Intending to catch John Surman's Octet, my favourite ba.nd, and K ing Crimson aL the Marquee I looked in at the 100 first. II was curiosity, sparked by one or two whispers about the incredible business he was doing on Sundays and a concert for the London Jazz Centre Society at the Mermaid later this month which led me there in the first place.

it's a shameful admission to make but I was totally unprepared for the rreshness, the excitement, the .sheer

ba~~c~~i~te~~dm~~!~ft~f ~f i~it: ll~:~~;:n\~~!n~~i= hint of stalene.ss anywhere.

SUPERGROUP A beautifully varied repertoir e, from the New

Orleans 1unes to a hair-rs.Ising 6/8 theme of Joe HarrioU's, "Revival," with ·•new'' man John Crocker h~akinJl out all ov~r the p,lac:e. on alto (laLer he did a

~~~~~~=s ~~::~iW~~?~~;e~~~13.·~ a~uYi~n~t'f~~~ Sla~s:hter. who, l am sure, c:ould cul many a highly 1outed undeniround or supergroup man to ribbons; these were jus1 a rew of the delights.

And, of course. there was Pat Halcox as noble and sensitive a t.rumpet player on the older scene- as any• one, anywhere. I never

BARBER: freshness, excitement, sheer musicality

R<?t l t_ ~ea~ Surman and mu~f: ~~=t "Cyhe~if:rd~;d .. ~; revivalists we-re t\'Cr able to 1Wt.i:~rr: an Salutary les- s,,",r, ~a.•,.··,,,:.•,'·.'·•o, ,,oo,"m'm. dO~id he not bring over son for anyone who Ponti• ....... ,, ... le Muddy Waters. Sonn)' and fica tes about jazz music how much lhe. whole bl1,1es Brownle, Kenneth Washington and musicians not to be :;~~ J:~ ti:~he~.w- hiiu oo-c MO 1a1y, Loula J OrGl!ln ~A-.

59ed ex~:~sivhelr. pheoccu- W:nn't he the first to pro- !!:: t~u<;:, !~u~lut11 m P1 WJ w a 15 appen- duce a e redibly orlglnol and And how many t>OP a1.1i1ar• inJ?; today, and even to· .. Brilish" twist to 1he New isu bq,ln in the skiffle e.ra morrow, that he never has Orll!2n.s formula _ thereby which goc.~ back to Lonnie

~i~~~ t~e~t~~da;.hat hap-- =,~ng thl!n to,~ 1g~1~f!: Do~:;n ~O:lr!~at•~1en ihat

:=:=================::::--7 }~~kierhy1.~vell:ect't~ue~:~: switching l? bass guitar on top of Graham lh1rblda;e's re111y ~·h•y but propulsive rock drumming, plus S laugh~ ter. (IQe& most or the things the blues Nods do - and prOb:tbly betler,

MELODY MAKER

JazzL.P. of the month ALEX WELSH AND HIS BAND '69 Columbia SX /SCX6333

DY'S AO.D.ON 11:m:11 -; Ll!VIS&TIIEIIOBANDS

m.t-30

·--· LOUIS ARMSTRONG ANO HIS ORCHESTRA

You don'l ma.ke a &ood llvlng out or lhh business for fifteen ytus without kl\Owlns

w~~(0~~;:e,•t.wmec or the

older rans ....,ho oome to see us and onl.f want us lO do . Chhnu . .tnJ • Whls.lllna

:~:; 'c:~;frct:L °i:~t c3:,~~ nothing new for us. co~~trct!f: °!!~\~n ~ •0:rJ only way to do those kind of t h in,a:s., Sy slowly introducing fresh matulal into lht rtper• toirt it helps us 10 Sia)' fresh •nd w, think we brinj ntw (H!.Qple along that way as well.

STIMULUS

ing h~lps you to get osier tM te<:bnic-al p-roblems of difficult numbers like thll. Once yOU'\•t done it with editing and cutting, your auboon­bciou-s te l~ )'OU • I co.n do it.' Reoording Is very v1l1,1abit. that way.

·· ialct the Blood, Sweat and Tora album - there's so much ttt 111:arn from lhat. I think it's overated from an enjoyment point of view, but as e 1echnltaJ thlna It is ae1wa1ly underrated.''

Which brought me to what ht 'listens to nowadays.

•• Well, I have always had this conception or listening for enjoyment and for stud)'. Not that the latter prttlud~ enjOym«:nt, far from It. We used to really stud)' thole O11._-er-Amistron.rt lines. Tl\ey wenen't the convtnliOnal lw(I trumpet way of pla)'int: hu­mOny at alt. There was a lal lo '.earn fn)rn lhtt band -&n<I I think we did ii.

•· Now, h's people like Paul Bulle.rflerd. Dlood. Sweat and Tears, Oon Ellis that I listen to ~n th•t way. For pure en-

lffgrn~~~~t.,!:tiJ'.ngers.

OLDER

" Of COUr&e, I still en,oy the older m11sie. I really wouldn"t W&Rl a band th.al eouldn't play • 1$.le or Capri.' Te.kot John Slaughter - he reaty is interested In New Or-leans Jn.t.. Ah.houah he Is what I supp('Se you would caJI a modern soul blues I ,.=.=:

= ~ louls and the Bis Band.s 1928-30 Parlophone PMC70H

"Like, on our new album f:~~~k~ 'hJeus~0

Aesu~fre P~t11! we do • 1tev1y;11l.' There was a To Stav Htrt.' sioxk of that about flve )'CMS "If th~e: we1tn"l thi5

~~,;hi~~t fl~~k~!~n•~"1~e11~; ~en4~eJ ~~~~~t f~o:ktl~!~&

\'ery good - we do it a lot l',d never met Chrlll bdore, bt.tte1 now. We .al$0 do and I had 10 own up to being Mingus's • Better Gil It• and p.ar1 of the jau snobocra.cy John Handy·s • Oaney O.ney.' thal didn'I do too much listen-

collector& tOOk that attitude. Bil{ J Sllll gel deprused by being blamed for the 1r1d

"°""'· " In the fittt place we 01on·, dehDtrately m.anutac-,. ture it. And in the ttwnd, wt really didn't only do It for the money. We never would do two c:on<vt s.ho-.·a a nl&ht aJ• thou.ah we could hne dOne,

•· I've alwaya taken 1he view

~~ I in~'J :he p~~s~m=~~in, think rve sueeff-ded.

·• Arlyway, tbe music .sur• vived Paul Whittman and the !~~~&edanie l~h~~ .. certainly

Someone who I& wor-kin3 &ix- nlahts ,. wttk w'ilh four

'c:~1'/1n~nif d~~n1ie11ha:: ~

much 1im~ 10 hear the new thJnp in Brita.in. but I aaktd him if he lhought 1he. pros­peels for- the younger playen we.re u bfeoli: a.s it 50mt-t.lme, appe3f'td .

Detroit's unsung master of the piano TOMMY FLANAGAN

"D£I'ROIT ", said Kenny Burrell lhe olher night, "makq automobilu ana musicians."

IL produce, nry ftne mttSf• clans., too, AP•rt from Butii!ll hlm,;,-11, n..-1,.nlt-horft Jn-u1\"'" include MIit Jac:l<son, Lucky Thompson, Yusef Uteet, Doug Wilkins, Barry Aarris. Billy Mltc:MJJ. Rolend Hanni:, Louis Hayes, Curtis Fullc-r, Don-aid Byrd, Pepper Adams and - if

r.ou stretch the- geoaraphy to ft<:l1,1dt Ponliac--lhe rffnark~

able Jon~s bl"OU'ltr.s, Hanlt, Th,d and Elvin.

And proba'bly the m(t.lt unsuna btro in Jen -

~~~ie:,:~~:~~n1i;"193':. Flanecari has bff:n des­

cribed a& "underraled" so often that )"Ou bee.In to Jnuiaine there ia wme sini&te,

=:sp~r~lo,,1::NJ·~~- ?~::ra you reallu, on mee.Una llim. tlJal the desire to kup in thll! b&ckground Is lar-gtly his own

Flanagan's dignifi~ mod­ESt)', restrain~ and cairn M-reni~y lrll! exactly in accord with hil plaJW. 1tyl...,_whlch, In my V'few, i1 one of the most delicatit, kn&ltiV'e a.nd lllerally churning .sound$ In Jan.

He hu •n exquisite loucb, a

A>;~k~s l~;~:t~nd ft!I~lle ah: bl.!I nevtr aS;pirtd lo or 1chieved front nnlting as 11 soloist, he haa won unlverul praise. from man.tr mu.sic:Jillns.

Fltn1__1.an. who has been based in Los Angeles alnce 1966, Is currently in Europe on htt fltth Europctn tour with Ell• Fit.zaerald, wiU, whom be. h~ been associated cm and off for many years, For be a.lso exc~s as an l«omp~nist, as Ella. Tony Be nnett, Lore2. Alexander and manr. othet vocall.sts will readily 1eu.ify.

lhi*J,ie :,i•anc~:~a;~~l: r~: out I can aome.timH do that better than soloine."

(n fact Fle.na,10 bu b.ad uacUy two jazz datu in the la.st two years - one with Sonny Chriss, Ind one •• live •· all .star date for Solid State with Ray Brown, Ed T~pen.

VrtoJ:~.~d·ant~a~rJ'..ers. ison,

of~1=r~~no~:,s ,:!•f~r~~e~~~

he ha, had precious few dates as leader. His first uio dale. recorded In 1957 in Stock• holm with Wilbur t..,ule {bl!s} and Elvin Jones {drums) from. the J. J . Johnson Quintel whith was on a European tour It tbe lime, hH just been. reissued in the Staltll,, and Flanaean ,emarka wryly, •• My latest record is also my finit record!'"

m~i~,a~~nh!~t :::,r:r:Y:~ fla{~~fiy,w.!t~u a:f i:ee~~ ./:ly ;rf' had something important

I

BY JEAN ELLIOT which eontribu1~ tO m1-development.

·• J.J,'s quintet Was a good voup. I Joined that band when I tsrst came t0 New York and was wilh it for about two yeua - Ju.st about 11'1• lon1ut lfmt I IYtr 611)'•1.1 with one outfit.

"And of course it wu a

~~ ~~i;r!m,ces~~ri';0 R~1~~ ~o:~:g ~1:l H;.;~ - hJ~:: about the la.st. lnstrument• lisL I wortced with tnr any ltn&lh ot t.lme,

., When J'm not worklDJ with aJns,ers J do night club work with a trio or quaritt. I no-ally would like. lO do mon afb1,1nis as • leader. bl.It I never seem to h•n had lime to p1an out somethinJ I'd 11)1:e to l)bl dO'Wn."

Jrs no colnddcnc:e that f'lan11g•n's style h• t mudli tn coml'I\On with th•t of Han1C Jon~ - beca\lH Fl&napn, llke Oscar Ptler5on, ldobses him. "I think I'm clORt to Hank th.an to :u1y ~het piani.Jt. - hut J was also influenced by Art Tatum, r111A­Wallr:r, Teddy Wilscn .and Bud Powtll,

" As ,., ., cvrrtnt pianhu. ar~ gOn~mcd, I like IQ ll11en lO Hubie Hanoock, McCoy Tyn~r. Chicle Carta.''

And Oscar P1:1er10n? "C>tcer 1 ~njoy - but he

WOUidn't be my fit•t choltl!., H• came throuah when 'I was stlll lhtenln* to Bud and

~:J1'< I H!;ke • f:t C1~:rm"i! g:r~::ilyHh~ '::'::n~r~ _;; lrLSt.rument as much as anyone ~:ir.1 ;~di}' T~:r~i,hh.a: smile.

ju~~n °~,!~!g!!~/:g!~J with wa.s John Cohnnr: who, he says, " was a m• rnllous: m1,1sici1n.. He. re.ally worked for It, because It wasn't that much of a alft for him."

Flanagan st1,1ditd piano for

:~enpr~;~~ 1;~,~~il!n:'ify ~;

~U;ta!~":ttt~!~ :1i:;.'or::~1l

He fttl.$ thal the. n!UO.n 50 many t:OOd musicians com~ from Detroit is t~t the tlty has • strona jaz.'I:. ambit:nce .and th.at there is a good mw.k leachlng system In the ad\OOl!i.

" You knOw there is 11 ehuac1Mlstlc:: Detroit style. ol

t~t~~~ c~n c::eJ;l th:,~::tn~ between a Detroiter aod ;a mUJidan tven rtorn JOnM!• where as c:lose at Chka.ao. "

Breathes \here a niusldan who ha,n·i .said that1

The: fact is tha t, modul)' aside, Flanagal'I is, as Leonard f'enthtr aay,, the best plantu to be produofd rrom the Detroit Atta sinc:e Hank Jonu. rn fact. tor m)I' money, he's one of the best lO be pnxhlc~ from anywhe.r~

"I don't lhink Lhe jau. .slOt.)" i.s fini.shed by any means. t think 1hat one or the probtems of the "Tubby H•yee.-Ronoie Scott gene.n1-won of modunista, and t a,d. mire them tremendously H players. was lh4;t they n"e:r r1!'ally stt<med to set their

~h~~ ~~r -~h•ih~ry;::re~~ rr====s=e==P=R=e=c:::;::=,=s:=E==!====-. Amerie1on idol - Rollln.t, C.Ollra.ne - whoever h was.

"I may be wrong, b1,1~ I

~~~n~thtt~tthth,fo~~ftu°".!! ASK FOR tried to ronlribute .something

l~tl~'-~. •~~~• .. ••,,;~r:.~~ howcYtt d1scouragi.n&: il might

seemot••;:;;: HAMILTON l&t~, We're getting on top or a ing way baek when he was

~:rn~~;' ~:,~c A~~l\hi~a~ose on~. ~!s,th4;_,e,~~ ~r:;n ofuJ~:: •· Wha1 I thin~ is gOOtl is "Tht s.timulus of re~ord• $land that, A lot of the older lh&t the nHural re:beb •re CAPOS.

JAZZ EXPLOSION The greatest album e11er on the British Jazz Scene. Columbla SLJS1

~lt.t.fl•wts-fJN~plllMC., lul.lUU. llnw.2.0M...cll1~ .. S4n1t,L_,ORWlA!fS

;::=================:::;;, p~.al.;:• J~~ •~i\:!fo~?st! ~apt on the trilld bandwagon, THE NAME GUARANJEES SATISfACTrON . • ,

JAM(S ASMAN'S RlCORD CENTRES •wtn (Hl)J »."•-lg .. _ $o ,._. , tCl1•l ll c .... o~ s ...... ...... .,,..., l•--. •~wc 1 01-HO l»o ~.fCl.01,11J1N1

,c,r-,1 • ,'-kM\.~"""-,l...,_fC.• o,.,,.1v, w.;..-...1w1,,....,.,..,,,., .. ,, ...... llllllOIOD.MC..-S"-',l~UJ_..,....._.,]

::~ps~n~re 0:1\at!~ t~;

mt.isl bttak lhrou,i:h .. AlthOugti in the end it will

r~:=:iru1beaJt'u~el~~~ ll~~h~ Md.authlin 4n-d Tcmy WII• ham,i that will .starl ti;, roa~t thl~ move: fast~r."

~~ HAMILTON CONCESSIONAIRES

---·-

THE ROLLING STONES

You can't always get what you want Honky Tonk Women . . . . . .

,r, ...,., -·•. I -~

' ,; . :;_ -~ .~ I· · .. t .~~

' . . ~" ... , >: --::-·-

• > •

Po1t):e 10-?,'IELOOV \fAKER, July S, 1969

TBEDLDES ON OTIS SPANN'S

last visit to this coun­try, with Muddy Waters in November, l wrote that the Waters-Spann partner• ship would soon be ended.

" I'll put It like this," Olis had told me. •• t .am oretty sure this wlll be the last )'ear.'' Muddy assured mt. he'd wish lhe pl3nlst luck if he w~nt out on his own.

The break has laken place. Spann has 10ne out into the cold but rewarding world of bandJwdershlp. And Mudd)', left wHhou1 his soul half-brother, has h3d to find another piano pla)'er, Also, he's wlshfng Olis hon chance.

Spann fl)ld me he'd left the band in March to tead his own five--plccc at Sih•Jo's In Chleai;o tmtU the end of lhe month. With him were JohM )' Young (gt:r), Peter Mathew (bau), S. P. Leary (drs), and Bijg Walter Horlon (harmo­nica).

This Is ihe nucleus or the p resent Spann group, th~ Six Red Devils, which 011$ would like to bring O\ler herfi some time.

"Arter S ilvio's we started on the road," s.ai,d Otis, " and I added l wo horn$ - Lero)" Brooks (tnr) and Jack WIison Callo) Arranging? Wtll, each m.'Ul doe!i his ow-,i, really. They work ll QU I., and ii tlgh tens up as we p)a)' the number."

Other J>OrU of call for the Red oe,·11• were Phlla delphla, • club in Onawa, Canada, where they .s:•ayed two wl-eks, and then New York. After that II WH back to Chltago. s llll with lhe two saxophones on board,

WUh the leader in Brlta.ln, touring with Sieve MIilet's DeU-.,ery, I won• dered how the Dt\lllS

PAGE

All alone Otis 1s feel ing no pain

wue far ina In. the Wind!! City.

"fine." sakl Spann . "l left them working at Peppe.r's Show .Lounse on the $QUtb Side. Yes,. they get on all right wilhout me. wen, they pracUcaHy all sing. Arter J'vt &ot home J'm coming back ove, w llh WUlte Dixon and Shakey Horton. J don•t know the delalJs but l belie\le. we JeHe Amerlc!i on J uly 28."

So far as the cart $ and he.1daches of bandleacffn.g are concerned, Otis appears to be feellna no pain.

"No troubles so far,'' he rt,pOct.ed. •• I'm enjoying it. 1·ve eot ~ nice booking agent. Dick Waterman, and a good band. Things are workln,g out and I'd 5.3,)' we've been succHS· rut I woutd like to bring than here, but the bookers want you to come solo.

' ' Oh yes, I'm happy whh the w:ii;y It's going - with the band in Chicago and here ill o 6010 artl:.t, Well, lhalis the best, a1n'l It? I mean. any other wa)' you do a. lol or the work and the next man make'i the money.

•• Me- and Muddg are SlUI t11;h t, you know. There wasn't no raUJng out. You kidding? After 23 years toge.I.her? I told h im J wa.s going to try and

OT IS SPANN

make It alone, a.nd he. said: • Go ahead and ao OUI.. And if )IOU don't make it. eome on back home.'"

Does Otis anticlpale- having to return home? He says nOL

h ~~!. ld:·~ t~nk ma~ people for one thing. _Enough, anyway, to keep m e working a lon e while. And that. includes Btilaln. l'\•e a lot or blend$ h~, &nd Pve been htte so m uch lt seems almosl Uke home to me.

"Then reme.mber 1 like thls band of mine. Y~ I think it's real tl3ht. You see_ they know the blues, nearly all country bo).15, and we try to do the right lhlng. We don't only play tbe blues - we

,~faci~tuf~~l~outh~ that don't kill the blues.

" \JJhen Ws needed we ha,•e p lenl)I or volume, but not loo much. With Olis Spann and the Sbc Red Devil$ h's soul played ~lt lhc blue!; pln)·ed low. That's what I like.

"Yeati, that'$ my sound. They don't play over 1113' voiee; yoo can Still un­dttsland what rrn slna· lng. Wei~ a band's sup­po,sed lo feature the Jeader, isn't II? Aod of c.ourse. they aU get their hun.

•• Now In Olicag:o i t' s easl~

Lo play real blul!S becall$e the people understand them. They've 111II been country pec1ple In Chi­cago. For them, the songs mean 50methln,: true.-.

Jt ls lntcre,:tln:g. I think. how Sparut - 't''ho has been in Ot.lcago since he '-''lit$ 17 or so - cont1nu6 to t,quate .. r t-al blues" with "country boys•• and., by Implication, black Amerka:05 from the Sooth.

Nol for bh:n the. poUtr acceptance ot thl, or thal rave n~unM: amoag yo,una whUe blu~ group$, Bi-ll• I.sh cw American. He ha1 no wlsh to knock and I'd break .a confKlenc.e Ir I named the names.

But when J me.nliontd a few popu.la.r fi,gures.. and one Or two recent Super Sessions, Olis laughed and said: ,. You know that's not the. blue$, lltaxk, You know bdUr 1-ha.n that. They make a big russ about these guys aJI of a sudden. It beltts me.~

Was the blues taking a bash'1&, 1/1..,, In Oucago a.s some writers ma In~ l.a.ln?

.. If you mean the rt'a1 old blues, perhaps so, though t:hat can sUU be heard. But Olic:ag;o ls a blues c:Jty, sUU the inolht't of lihe blues.

•• I'd say It's sUIJ the be:$t place to get a s:t.a.rt in the­blues because m<>$l ot Its people were . originally f.rom either Misslssippl OC' A.rlca.nsa.s, or . •. " and Otis laughed no-w at the thought or It: •• Or Ala­bama. That's all blue$

. country, "'311," And how about acceptance

when a blue:5 band has to play outskle the mother c:1,·y.

" Well now, Che blues changes and we lake ~ccount or that when we

~~:.~. 1:,o,.ea wt~e: p,Ja'),ed a couple of weeks hi New York, in what they caU a psychedelic house. We altered theo proaramme a little."

l p layed Otis his latest Brlllsh rele.a.se. '' Cracked S:,,anm .. "f' Head," on wbkh

ro~: ha~dbeen SO:~~= the vocaJ.plano-gultar­bass--di-ums fornt$t of •• The Blue'5 or 0th Sp.ann" to crute a s t ereo sound.

H.e: sm.iled a nd p:Uted his left foot at the riffing on " Rock Me Mama '" (now rechristened " Wagon \Vheel ") and looked equ.all)' pleased with ., No Sie.nse In WOrrylng."

"That sounds good," he observed. .. Now that's how the blues rs supposed to be played. n

What about new records from OtJs?

u Well, I wa.~ an that three-­day ,i,;esslon for C)ll'SS which had Mw:ld)" Waler$, Mike Bloomfield and Paul Butterfitld. And 1 made that real nice record with Gft>rge Smith, the harmonica player, where he plays wme Little Water things.

Last wf:clc., I inad\'erlenlly wrole that Jack Dupree had reeorded with Fleet• wood J\'lac, when I should have said Otis Spann. He took 11 well, thout:th, .saying: .. You got the wrong man there. I m:.de lhal single and lhe album ift the States with lhe FleetwOOd Ma.c, In New Y.ork In facL"

Later I sat with Otis and llstened 10 record5. We ta.l.kt!d about blues pianists and he said there were nol 100 many young players In Chkago loday.

"There's 5<lml!' of them In Europe and dJfferent parts of the States, but not In Cldcago. I'm Ont' of the few that's left, Muddy'$ band? Oh, he.'s found one but I don't know hJm. Tht)' call him Pinttop:•­MAX JONES.

BUDDY CUY 11 One of the y()Ung~r gerter,UfOl"I of bl'uu­men who is 1-it-tp,ng to (lltry I~ music 10 rhe YoUnRcr gMerat""1 ol l1srenet1. A nat•Ye of the Baron Rouge .ue•. wl-oere he heard fufK mtr\lC. of all kmds •nd 1;wsJi1 i-.,~,, to play on • home-made 1'"6rn.,mel"lt, he Ir.nows Tht bll.JC-. and an ~ .in intensely mo,,,lng stnt:er. Eve,, rnDfe ,mpreu1ve 11 h1\ gu1 rar play,ng. strong rn red"°'iQur and biting blues expre-1;st0n. which is equ;allv offe<.r.ve 1n wlo, lrad and background WOrk, Guy'i­dr1vmg igu1U1r h,ts sparked many ~$,ons by Ol~r

arrist,;;, 11 w,a1I~ com~ll,nglv o,. th! Jun,o, w.,lfs' '' Hoodoo Man Blues '" LP {0elma,k). "It's Mv l•fe. B..t>y '' I Fontana) ,tod his f1\rt- t r.c.ks on •• Ch1ugo. The 8Jun Todoy, Vol I " ( Fon1ari.i, aho on Ar­hooli11"s " S,. M.ttN Thotn• ton In £°lffope." Whtn the Amenun Folk Slues F.-s1r1t1al came to Europe ,n 1965, Buddv W.t'i l)l"~r,r 10 offer what Hor,, l1p,pmar,l"I called " lhe typical chat.KIN of modffn Crtv blues.•· Qi\ Fon1an.a's albvm of the even, I row alas deleted) h~ appearM .-~ Budd',' Boy, but nts •mp.i,;,;1onl:'d tJel,vtty of .in old Ciuy tavouri1e, " F,.,.$1 T,me I Met The Blue,;," would ha11e gwen •way h,s 1dt!nr11v to •rryOnt- who'd eve.- heard h,m btfort. On fht" ~me LP. he played be· hind ~k~ Horton, R~-11elt S"tS...n., Edd,l' Boyd, l,.or,es,om,f: Jimmy ltt. john Ltt Hooket and B•R: Mama. An l:'.arhl!'t { 1960) r«Of"J• 1ng: of ·· F ,n,1 T,m~ .. ,,;; m-

clud!'d on M3.r:b14 Ar<.h's "' Rhythm And Blue,; All SJ~/' and •1 Womed Sh.In" •~ "Oon', Know Wh•ch Way To Co•• /Ifft

C,y-y features on .. Fnuval Of The Blue-s " on rhe urne barga1n,pr1cr I.we!. Buddv was born George Ciuy '" lel~WOrth. lou~1an.1, 1n 19.36, .i~ he tC'fJl,ltr,ed 1n

,he area until he was 21 , •· I rwve, h<kf the pleas1Jre of bt-1ng ,,.ugkt guil;,r, fer n0 ono 1n my #am1ry ~•vf'd mu$1C," ht toJd me on his f,rst YISlf to B11l,t1n '" Ftbn.i4ry, '65. •· One ol tl-oe hnt SUV$ I he•rd pl•vu,e ~s L1ghtn,n • HOo«,ln~. 1 tn3d• my own guitar Out of w;res srretc.hed ac,on a board, and packed Of\ th.al , We wl!re- poo,- people-. but \ovhefl mv papac go1 rhfee doll.vs he bough! mv I folk­style SUtl,tt and I taught mysl!'lf 01'1 I~! I h.Jd If

..bou1 three yrMS. Then • man «;•lled M1 tchell l or M,tchuml • boughl m.i

11 IJU•f•r fo.- Mty-some 604-lars. It w ,111; st,11 • sfra1tht ,,.,,,.,. :. Harmony. but • Much be11cr one. Mv youn,g brott-.er. Ph,l1p, gc:>1 the old OOe •nd e-veryth,ng I le-.arned I had ro te•i:h him." Phd1p stayed •• notm' when Buddy 1•f r f<X Ch,c.-go ,n '57 Thrre-, he faund I~ go,11g twr-d ,ai,,d work dtff1culr fO ge,. At t •mn hot- did l•bou,t +

,na 1obs, olher !I~

norh1ns " I c.culd11'r soi aMv worl,. to, 1'1"1Qntho6,'" he w1d .. •nd the hun&,tiKI I 'v t ev,:,l"I bcN" W,l\ therl!'. 8u1 one day ,1 t('IIQW ,oo,1,. mt" for .-. drmk ,o rhe 708 Ciub °" Ea1r 471h •nd utl.lll"d the s.1nae, ,f I could ~1, tn Ht

let me -:orne up and "'•Y •net sing, and rh.ir &"'t' was 011:1, Rush. Tht' dub owner heard me and hired me for rhe- followine w~k. I h4d 10 fo,m ii h•nd fOf rte 1ob." Buddy ht, bfcn l~adrni .,oup-;; of his own oft 4nd on sll'l<:e then, al'ld for • nme- 1-i« w~ houi,e, ii:u,ran•I ill (hes,;; R«or-ds H~ .icknowlfod8e-t tht> Nip of OtlS Rusk in hi\. e.,1._, i=-1,et r, i!lso ,he i1ss,s1~1"1£(' of i-Bone W11Uu:r, Mi1111c S.m •nd 8 , B. K1,,g, SilV'- he-; ' The 11;,n1e-r and p1aye, I

adm,,e most it 8. 8 Kma He"s Jhe grute,;;t, vvJ he 1-w:lpe,d mr- ~ 101 1n !ohowlng me thf'" w•i I ,nt>uld do thinas. And bt-fo,e h•m. T-Borae. Tht' pop..ila, style we've ,OT now •t from 6 8 T -Bone wu ~lre-•dy ptay1ns h1.s. but he P1•Y" 1~ b,g box. Re.illy It Wil~ T -8onE

who fusr <-•mt our p,l•yrng w i th modern chord$, then 8.8 c•me ou, w11h h1\ rr,ode,n 11u•l.ar, 1h1,1 i.cl,d body guira(, p,l• y1n1 ~la lead,. Co '"'o ari)' blues dub lt"I the USA rodaiy and you will he.a, 90 per C.f!'nt 8 .B • .1nd rh.,r•s mclud1n1 m~lf "' l<t.lf'MI'\ will ~ •ble 10 d...crrn rhe,se 1n• flu!!'l'\Cc!.' .,.. Wy•~ pfiay-m5 11 They lister, to •• Thi\, Is Bi..iddy W-r '" aod ·• A Mar, And Hi,; Bl~ '' (Va.,­gwrd) and '"" recommm~ ded •• Leh M"t Siu.es In ,5a,i ~ranc•~ ' ~s 84.lddy Cuv. who inte<Mr, h11T'J~lf mew... .and more 111 1n2. mv.•c. c .. lTII: to 1hi~ C01Jn!fy 1n '61 when ~ rourN::I Eurooe w1tl, Cicoc-~~ We1n's Cu,tar \Vo,• ~hop

ROI.-LING STONES: ''Honky Ton.k Women" I " You Can•t Always Ge1 W hat You Want •· (Decca). An important single for the Stones. but a disappointment fot U$

1 he sup~Jy gutsy •• Honky Tonk Women .. rails to makt much im­pact and the drum and tuitu sound is rather un­convincing. A big misla.ke i.s the failure to maintain a strong bass line.

" You Can't Always Get What Yo u Want " ls quite aurac.tive. but the gene-.ral effect of both sides is a briqg down.

Whal are lhey t hinking_ of?

EQUALS: .. Vfva Bobby Joe 11 (President). It's revive the surfln_g sound! I'm still worryiog about the Stones' s ingle, but lending half an ear to the Equals. it sound,s uousual aod catchy. A siz.eable tiit.

FAIRPORT CONVENTION: •• SI Tu Dols Partlr " (Island). Sandy Denny"s voice- has such a pure and beautiful quality, il can bring tbe odd drop of momure to the e'yt, even on • briahl and li&hl­Manea veruon ti\ French of Bob Dylan's­·• If You Ootta Go. Go Now."

Best record of lhe week -the sound or violin and accordion will be with us in lhe tihart 100n.

Hail a taxi, dash to yow nearesL rec.ord store and order lhl! at once.

P LASTIC O NO BAND; .. Ghil! Peace A Chance" (Applei). With the: aid of a small _guitar, some bor· rowed recording ~uip­ment and noi.S)' guests at their Toronto hOlel suite, John and Yoko, world peace missionaries, con• tinue their hopele$s task With re-ne-wed fervour

In ht! coaxin~ and }'11:!"l­ling, John sounds llke ,u, over.t?xcited youlh club lhd~r coaching 1he under suueen.$ soup plaie ba· lancing team.

IL is • .silly, irtJtar in,: song. All that Maori camp fire sing-song stuff made me quit the Cubs a1 an early age.

Bui IL w1U bl! a hit, and il'5 true - I have been thinking more about peace .as a tttull or the-lT campaign. u,·.s face it ro1ks - we·re still living on the brink or di!5aster.

BIJ..L\' PRESTON: .. That's The Way God PL:ln.ned II .. (Apple). Bi1ty'1 trouble 1s he needs a tood backmg group. He's OD))' got Gm~er Bak@r on

July 25th

reviewed by

drums, and Enc Clapton on guitar .

I mtim, did you see lheir concerr in Hyde Park? Ginger dkln ' t go mad and E ric didn't play all his old John Mayall lick$, so I was r ight <:hoked.

And it COSl m~ ... Wtll, it didn't COSl, but WOl I !1-t!Z 1.s. if Blind Faith aren·t going to sound like Cream, J don'I want to know, bein~ thick, like.

To bt- serious, this is superb With Cla.pper.s and Peter Edwi:.rd pl-aylng in re• JaxOO but heavy style, ind Billy singing with full ma1urity.

Destined to be a mammoth hit.

a A 8 Y: ;, Ht!:artbreaker •· (S park). Heavily influenced by Tynmno-­saurus Rf!.X, and the fi r,t _group J h.$ve heard to go for lhit Ma rc Bolan sound.

You ,houkl ~ honoured Marc, but if he hears it, J don't thint< he will some-­how:

JIMMY RUFfJN: " I've Passed This Way B~ror1:1" (Tami.a Motown). A I~ reluue-, and welf worch bringing back.

ft manages not 10 sound dated aL all, and wilt probably lurch into the chart. Jimmy has a gim~ mick-free voice. a tritle reminiscenl of Lee OOrsey.

VANILLA FUDGE: " Some Vel,•el l\Jorning •· (Atlan• tic). Great things were i!xpec:led from the Fudg~ and somewhere they went w rong - guess they became kiQd or preteniious-.

Well, shucks and gosh by golly, they still sound pretentious on this sing­ularly boring efforr.

TONY TRIBE: " R<d, Rtd Wine." (Do"•n Town). Not Tony Tripe-, as I tlrsl thought, bul an enthu· si.:ulic voe4list jigging his way through a pie« or jolly and e-ntirely infan­tile: .ska.

LOVE AFFAIR: "Bringing On Dack The. GoQd Times'' (CBS), Ah, 1hat famll~r sour:i<t ot a Mike: Smith production and St~l Ellis vocal. It's gained hits befor~, and by jove H will ~ain hits agaio.

~leve has- a fine voic~ :rnd he could easily ~o on 10 heavier material.

Not too .sur~ ;sbout 1he

st-nlimentl> of th,· 1yrits. There havi: been rathe-r too many good times recently as rar a.s J am ooncer-ntd.

Only lasL night was spent Imbibing with the Bonzo Dog Band, the Pink Floyd, Keith Moon and a sec.Uon of the E&ling Girls Choir, which is enouRh &ood limE:s to lasl a month.

YES: " Sweetness " (At.lan­t~). An outstanding group who should have made greater impact by now.

This is preUy, a lmost sugary, and unlikely lo happen.

TUCKE R ZIMMERMAN: •• Tht Red Wind ' ' (Rq:aJ lonophone). Not an ls• raelht member of Robin Hood's Merry Men (how could they stay merry in 1hat nuty damp rore-st, even with Maid Marion who was prob.llbly an old scrubber anyway?), but a fine American singer on a ple.&!iing production.

DONOVAN AND JEFF BEC-K: ., Goo Goo Ba• rabaJapl (Love Is: Hot)" (Pye). J1's l ime ror in• venting new cat@gOries with this droll and rock· ing poollng of t.alents.

Don ftnd .lll'ff h~v'! ,c-r~ued a muu.ering, babbling riot ot fun.

8 11.,l.,Y FURY: "' I C.11 Fo, My Ros~" (Parlophone). I thought this was called -~ I Call For My Nose •· at fi rst, but lhal"s because I'm :$lupid.

Billy ma.kts a comback with a fal rl)' ordinary song, but he sings we.JI.

HANK MARVIN: .. Sacha •• (Columbia). No, IL's not Green Onion.s, and it's not Hank with a "8. "

Somewhere along the Hne he has dropped the .. B" and picked up a tune which manages co .sound 6 bit like .• TeJsc.ar:· My God, I'm being rude today. Well, it's ihe heal and the flies }IOU know.

• And now for some lig_htning. reviews as my patience is t:xhau.sted. Saxist Johnny Almond, now with John Mayall has also rttorded a .wlo a lbum called "The Johnny Almond Music Machint!" and ha.s a single rnle~sed " Solar l.eve.l ., (Otram), heavy with brass and funk.

Young Pt,ler- Ba:rdcns of ViJlag@ grooves mightily on or~an on .. Man In the Moon" (Head). Hi$ flrsl ri!.'lease which should rocket 10 1he top, but I don't think ii will,

8obby Vt.e brings bac:k all oor yesterdays with " I'm Gonn:l l\1ah ll Up To You" on Libt>-rty, and Mama Cass chortles .. \\fho's To Jllame" (Sl.ateside) with cons:ide~ mble ven.•e

Kim Wttton & Johnny Nash burble " F'rom Both Sides Nol4• ·· (Major M inor) with tie.!, Joey Scarbury is a lWil on '' \V h e r e's "The Playgro u nd Su.t ie" (Stateside). Well, it's a Jim Webb ~ong and Lerribly good really -oh. and Clodag_h Rodgers is back with •• Goodnight Midniah t ' ' (RCA).

Mt-.LUllY MAKt:R, JIil\ :'i, 191:"19-Papr I l

How they got Led Zeppelin off the ground • • •

OUT in the wilds of Willesden, a not-so­sa~ubrious part of North London, Britain's heaviest band are cut­Ung tracks for their second album before they return to the States.

Jimmy Page. J ohn Paul Jones, Robert Plant and Jon Bonham have bttn together for less than a yea,- as Led Ztppeltn. yet they rate SUP'(!ll;roup status In Ame­rica and a,e ta.lk~ of on th.ls side of the Atlantic as '' lh"- ne.w Crnam.''

TAPES

track • KUJJ'ng: floor; ls our own and we've done a rMUy different arrangeinent on that_

" 1\1,y inlluence? I've ll.s.­ttned to everybody and every style of m~ic. 1 appreciate a.I.I types or music. J like- Bert Jan.sch, JOnl Mitchell . . Rldde Havens, I likt, htm, lhtte-'s a lot of people .. .

PROGRESSIVE ~ Yes, the Yardbird.s were

very influmUal The spUt came at the end or l:is, summer whco there wa!> Jim. Keith and Olrls DtoJa and myself left. They were,

:~d of~ yr~~r&:l~ c: pr~resslve lhJ~ at the end."

tn view of Led Zeppelin's tremendous State.side s uccess has Jimmy consi ­dered making America the group's home?

"NOt r wouldn't like to be based ln the State.,.

:,,~ca~h:~!~~e~t r:: something slralght away -halfway through a d'niln ! ()lo or somelhlng there's uproar whereas here they really let you know at the end of the acL ·

u J was talk Ing to Three,; Dog Night and they weru very dlsturoed aboul the rMe11on they wert g_eUlng here. I told them not to wony, They cou1dn'1 get u.sed to th.e audience reae-­tlon at the end.

" £\l'ttywhtte you play It's a new challenge, I'd like lo go to Australia and Japan. You have to work

~~t Y~ ~:w~~:r~:d t~~ really produced somo fan• ta stlc thing.s 1n a U spheres from blues groups to s trine band.~. 1t reall>' floors Amerlc.,.

u They keep on saying ' where do all those guitar-

i.st.s keep com.Ing from? • They haven't really got that many - J bnJ Hendrix,

im:c· ~ oftlm ~: b<mg BtlUsh."

Jim.my Joined the Yard­birds because he relt that sossiOn wOl'k can be stu}.

!~~1&'1e ~!~ :f:!~ wanted to go in differen1 directions. Was Jimmy now happy wtth Lt!d Zeppelin?

TANGENT 11 It's going reall)I well.

We've got much closer together musically during the past fe\v months. The policy of the b.and ls that 1r someone wants to go on al a ta.nse.ot eve-ryon.a elsti would ronow.

" NCAA• we can feel these. things M <i"r, lt-'5 -"....!.l.!.-Cb more relaxed. l' rn re3.lly c-nJoyln&. pblyina_, - ROY· STON ELDRIDGE.

A.i th.Q. tnd vr a l illtMth)• st'SS'fon al the studios, ~· Var-dbitd Jhnmy collecl< .. -d the tapes Iha\. represented

:W~:m_tay's work and set rr======================:::::=::::::::::===. On the way lo his

Th.amessJdc house at Pang• bou:rne, he talked of the past, presenl and f'uturc of 7,eppel.OJ.

lt was getting on for midnigh1 bul Jimmy was wad.o a-wu.ke. The. ~S!'ilon that they had ju.SL COITI· ple.ted wa.s nothl111 com•

~~ wl~:~s n:rhrr:~ start mid•e'\'en1ng and go on until tht early hours ot th£' followlng_ day.

ROCK " \Ve've- c:ut tracks for

this album both here. a nd In the States. It's- j u..si :a .nutth~, of time, flit in& 1n what we can where we can. There's a l<tt or rock tracks on it, il's jusl a matter of )Ui'.j:gling with wMl we've got.

.. We're .i::oing back t.o the States and we'U be there unlll Aug\lSt 3. This will be ou.t third trfp slnc.e the group s tarted. S ine(! we've bttn going werve only been here for three- months &l th" mos:l and that's probab­ly why we'\•e go1 a bluer nam.6 over there.

.. !Everywhere we pla}'t'd before we went over Jast time wa.s realJy great thou gh. We plliyed p laces Uke the- l\t.arquee snd Klc'.IOl<s Kleek wher~ there were m0re people turned ~~e. than- there weTe

NAME l, The r~J)Onse at the

concerts has be~ ranlasllc, too. The tut. concerfs Wilh ~f k::k Abra.ham a.nd Uver• pool Sce:ne were realty

f~· tfm~~! ~~1 !3k~m! ove.r here becau~ , Hke Ten Years After. we Just have-n'l hocn here most or the Hme.

" I 'm reall)I knocked out with this album - we've a:ot quite a lot or stuff. Everythfn&, except for one

Sergio Mendes &Brasil'66

S ittin' On

THEDOCK OFTHEBAY

~ BIW SONG OF NO REGRETS • AMS 758 :if

Page li- Ml:.LODY MAKER, July ~. 1969

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R, , P ~••,, U I f' I 1st •e &tr, •• J< N, R 1 1, ~1, 1 t1'I ;r ,, ._ _•<-r11-• Pt~· .. V• •••r ,(1 Sl~' Jr-•t\ ~ l C, \b S :dm•:f.t1 td N/0

1,3 svo .. 11trm 77(; WtL,•~· 11 f60

... .... ROD• • Y 44~ ..... .... ROOn,y 480 ... ... .... ROD•<Y 270

NEW Cr 370

& Day.Aucter, & Vais. 5136 Comm,rc,al rd (14 STEony C• }19

& SON • LONC ACRE) ltd,Anl•o.S1lv,Jwly, 229 Orompton r<l SW) KNlghlltgt !(A

I lOl'gac11 ) l td J ._1,, ~ ~•h mths, 129 ij1<"'CIO" •• SI'/} l<Nlq~hb'l" Oi:

s 0.wy 23 E1,.1 , t [ 2 _ SHOnJtch 537 uth Cooc..-rs ,ca~\ & O,tm Mct·I\

7 rJ.tt.11<· rd (b CRAn•;•wd J 'if, J M,"' S P ''l,,, Sod d~ll"' rd W4 0 l -9G5: 04~ Jc"1t-1 St'"'ni..tr l c~, ttu",

!-5 ~f".1fh•-h.ir~ ,ct ( 7 GRAnrywd 101

Jones, R-Jones, T 1631

~\'/4 c.1-:;1 :c Jcrq T £ & Cc Lt.!(,.,, f tt,

"~ St M,,, A•• re; AV( , 07 Jr!'IH T,9"',n l r "" P., . .. r ~~, sw10 ru, .. 1 101 Jrn,, Tf"~t, a b t.1, lt-1·' U S._"/J 1 8ATl1 n • , J , ')

GIVE PEACE A CHANCE on Apple Records b/w Remember Love APPLE 13 J 1r,1 s st V.t,o 8,0h.tm Pt. tU S\'o)i Ow Po n t JI Q\IU 101 81tu rd :,..-.-, I

8AU16m 444 Jon., S R.15 Phtlp, ho r,l•hom ,d SWIS 0 I 71& \/0 ·Jont1 S R, 71 Sliding ,d N1,

'2Bbo~ 123 'Na• • •• f1? llm •111 ~t I Ho,- f ] .J IOW.s Pk ~Jc Jc.,., Rn 1 C v,., ~/ ~""' Hd l rd SE24... BAl< ta .x<.

Pate J+-MELODV MAKE-R., July $ , l969

BLIND DATE

STEVE ROWLAND, of FAMILY

DOGG • S T lVl ROWlAND CAME TO EUROPI FROM AMERfC,A AS AN ACTOR, SANC IN SPAIN, BlCAMl ONl OF BRITAIN'S TOP RECORD PR.ODUCERS AND 1$ NOW A SINC£R WITH, ANO MASTfR­M IND BEHIND, FAMILY OOGC, H I S P+ttLO-SOPHY; YOU A RE COINC TO MAKE FRIENDS A NO fN0.41ES WHAT(VER YOU 00, SO DO WMAT YOV HAVE TO. HE APPLIED IT TO BLIND DATE. EVEN WHERE TH[ ARTISTS INVOLVIO W£Rf HIS FRIENDS.

L o v.~N~m.;~N~ (from lhe Kama Sutra aJ,t1m ., RevelaUon: RevoluUon ,159 .. 620 009).

It'• the Lovin' Spoon.fut. l know this a.lburo. b that. Joe Butler tinging nowi' Tbime'•

~h!men::tuctf!n~~n lhll~ album. 1t'• not at tll commercial - this track I mean - •nd thal's what l'lHlkts it so Ji•tenable,

Their use or uereo ii ,,eat, lhe way the sound phases from one speaker 10 anolher. And lhe way thl' voices merae wlth thf' strinp,

Joe Butler is !he btst

~1•:rJo:~e Ses.:::-:r::J ha~•v: w11rm. Jn1lm1te sound bu! Butltt it 1hc bt:tter s.i.nlter. Now they need to build lhdr lmt1e. of BuUu as IHd tlnger with th group.

Taste B ILJ..Y PRESTON: •"!'bat's

PlanntI'.~" (A~i:j. God That grt"at p.14flo1 It's Billy

Pr~ton, He's. certainly Lhe Wt a,list I.here J.s vlsually.

~~~tf:1an~~l !:t12rt:ow

I'd love. to know where he record.ed thfs, It's • tre. mt.ndo\ls sound. Who r«ordcd this P•ul

~?'r~hfnt M°J:°:,,:e~•:;~ gOl !he be.st muaical per• sptielivc, oombined with taste, around today.

Billy P,nton has !ou1 in

k~~fh!:Ce,i:r ~ · J~ d:~;~ :noht' ~nowe~htaopJm•~i: •~ show and t1s re.cord wlth the Beatles wlll help, I h~ '°· he'• a &rUI 4rtiH and I could liSlen and watch him a ll night.

Tll.l, .sounds perculiarly

!~11 .:~n:nn~~h a~rtii~!t~~ and fl hu • arut. fuL I hope lt'a II hit.

Hook

Cit.LA BU.CK: •• CoMer• .1a tl on.1 '' (Parlo-­

pbooe). that's Cllla 8tae1n new

~\ - ~~d uwt,~~"r,::; numbcer. There's a very &ood hook 1n the. aon1r, They have a knac:k or bem• able to wrh~ very c:ommerch•I thing, like, Lhis.

J'm not • CIII• elat.k ra.n, but her Inst two records. have ~e.n 1nmcndous and I think this will bt I hil.

It just fits Cills and

fJ:l11 b:C!J~:l,td !ft.b!ui~I~ don'1 know whl'lher an unknown atttal -would have ;1 hit With II.

K ENNY CLARKE VRANCY BOLAND

BIO DANO: 1' Volcano"

(From Tut 'Polydor album "Volu:io .. 583 C>S-4),

Oh, man .. • )'UM Thal bll bar,d ,-04,u,d 1 \011t bl,c b.a.nds

Now let's. !IH. which bit l1an4 would he on 1bt-

Polydor label? It's American. Where would y,ou_ ftnd a trumpet player Uke lhal (n Entaftd?

Kenn~ ~1.m''~103~m~; 1~t~

it's C larke-Boland band? The)' rea!J)I deseNe success. this Is a marvellous band. It'll appeal to ever)lo.ne whO di&$ Buddy Rich, tht: Herman band or Kenton.

Very, '-'try nice &nd ex• riling.

M A~1 c~~~r:.u·(s~:!: .:lde).

Sht'a out of lune . Oh, thl• buns my ean. Take h off, lt"s awful. 1 ean't stal'ld Sirls who slnt; Ii.Jc~ this. No, l!!ave it on. lhtre must be a hook coming soon. I don't Uke It at all. Mam• Cass? l can't s tand ber Ul\)'Wi.)'. "fake it

~~e,.~~fe~' ,1::..:i' ~~e ,=~~ years.

Concerto

H A':: : acha "M(t':u:.:1~)~ rntcre·nlna opening. 1he,e

must be • big conctrlO cc;>mlng, It's getting rndy . , . 5111.nd b)'I Whal - 16 Wrt have gone 1lr e1dy. h it an inslrumental

Okay, '° .. . I'll ,en What kind of music: Lhi.1 i s: it's 3 am and you've gol a bird -or the ocher pe:rheps - In the apartment a.nd you play

~';:!t~~io;h;i!~Y~~e Jlte~ I'm apliuin1:·

Is It Hank Marvin? H\l'I written some nice songs, but this won"I be • hll It"• the. SOrl (If 1.tling that would catch your ea,- on an 1.lbum, but it .should nenr be. put. out as • slngJe.

KIM 80~ES~?J:~ ';Jar,!~

(M-rl:'r:11~or~ke flule. tl

llOunds like- ~ Manfr~ Mun thing, but. J kMw It's not., Boy, fihe. really over •pr'O­nounoe.s lhose word.s. II .sc.iund:,. like the way we sing 1he. worcu when we are dubbing VOJC'N on lO othet!I.

It'.! a very twee song. Sh~

~o:;;,s ,.: • i~C:!t,tn::l.~•"fi sounds- rn~lly • forctd ,~.

t.xed,' If you can :i.ec what I me,an.

1b! :;i~;d.1¾ti5 ft?\J: Weston. Is she new?

'f"l ~~A.;.AJ!r,;. Yoko

That's a nice optoing, I Jive Lhls, It maku me feel eood. This is what I me:ao

Vok~ rg~~ri,'7:'Te,:ou:ndY Ju.stke In the world tbat sho1,1Jd be a hit.

I Ukt: it and you know why? There's no searching ror hidden meaning. They have Just made a groovy record and SAld tbt-re it is, take it o-r leave it.

• ~.if.efl!_!~~' t~f~ 'W'y:~ leh th•l on~ behind.

MA,~~e\!Ns~ Mu~~ Lov~ ., (Phlllpt).

Now lhl!ll's 1. good voke! That's Amuican .1nd ro­loured, i\'1 gOtta be, That's not a hit song. though. Ttie

ti~~ fO."~erov:y ~1~=· :f:i~ the song's n0t strong enouah.

Madelfoe Bell - 11hhh! Sh~ b.11 become. a good friend. I have. used he, • Jot on sess1ons a nd the always addt t0methin1 to what ever ahe is doiog.

She"s the best female 1ingu In Britain today. I hope 1t"a • hit for het sake.

BLUE CHEER: ,; \\.'hen 1t AU Gets Old .. (from

tb. Phillps lllbum •• New! ~scared! Blue Cbeer" SSL

This sort of group I.rung ha,; PlSJl'd il now. That's crap. Three Dog Nf&ht can \eave thi1 group tiandlnt,

ll'a Bh.1e Cheer isn't it? ::...~t!tt r:u;:X,:"fma~:.y have Tb e Ir •• Sum.merti.me

Blues·• WM a 11r~at numb4l.r. We did a 1V show with th.un In German)' once and they had built • hU:ge c,,nrn of amps in the ttudios. They ttood intide: iltls cavern, like in a IWJntl. 51.nd they had a

treBLl~nd~rn vli:~Jmal~srt'l me,a.n • ny~lfll- I !'.f tiow gOttd you pla)' that t'Ounl•

F IVE peopl" galhered toptber, practblnc,

rehearsing, Flve people, yet more than JUST five _ .. _

Bill Wyman, bass player behind the gullllr of The Band'• Robbie Robenson on a '6? John Hammond LP; Keith

::,ct,~~.:::1Pi~11~ ::::. t o n !'KOrdlnp with CJapton, Baker and Har­rison. and 'Who Is now almost utrlde his Flying Arrow guitar; Charlie Watts, a drummer with Alexi's K.omer In days half • remembered a n d since then a children's storybook writer • n d prodaCA?r of • self-lllus­tnted book o.n Charlie Pa.rker; Mick Taylor, Jlke £.rio CJapton and Peter Green, a former John

Mi:!::U~!~u, Rlch­~e~~, T:~~tsf:~e~ hearsing.

And out in front of tht!­playing instna.mentaJisu is the Catalyat. the Magnet. the Mind that keeps It a II together. The instrumental break: in "Down Home Girl'" ic h.ilf, wDy t.hrou,sh,

!:.1u.Ja~eer m:~'ct;~da.n~ couplt ot feet away from him. and hls thoughts in

~1eei,is~~ ~:~~ hard, an d begins his vocal calcul.atlngly.

th~ ~~J~rive,-~.e ~•~o: he's moving, grabbing the mike s:tand, pulliPJ off his shades, genmg into the music and e hysically, voc­ally, beoomu,g part of IL The. audience of uncounted hundred$ of thousands are almost there, unseen, only

s:t~~/ay ~~ H;: Pa~gj~ burst into ree.hly.

ba~:!t°"ln ~d~·:K:!fi: Row, the Rolling Ston~ are heavily rehearsing. From Ofle day to anotlier, through a list or songs like " Sa.tis• faction," "Stray C.t Blues·• and ·• J'm Free•·: eveninp Of "How man.y v~ do we do?" and " I'm not sure how the endJog goes," and - to the n ew boy - "Mick, can you mal<e your g,.iita.r sound more- like. a hom?"

Twelve songs 5ctibbled on a pie4:e of paper are the Stones· nicef)' optimtnk. target. "Yes, .it ls a long list,'' says Jaggtt, and he shruas, gathering tho gTOUP

togetht-r once more.

rrs ANOTHER DAY and four Stones are present While they await the ur rival of the missing Keith Richard lh~ improvise an

~r!~~:erll~mw1:! i;~Ws lcacl.

The number disintegnues and from the ubes another .s:tafts.. with some fine, doublt,.le.ad guitar interplay between the two Micks. tr Hendrix had been there he would've enjoyed the beau-

ti!k~fthuglfti1.~~7 =;., giving: itn l.n:vi5Jble signal for • musive tu.ne•up, and Jag• ger puts hims.elf down. "I nevet' really liked playing guitar. I c::an't play It proper~ ly, anyway. Sometime. J

~,. ~~j:,, ':!8&~;·~ his house, There·, lot6 of that, and Keith and I often ~t together, but becau5t I

diffi~1f1':J ~~J"f u~I~ end up doing a bit of loon• ing. Wei I. J occasionally pt~y with Clapton and once or twice only with Stevie Winwood."

Inevitably. the canvffll.· tion swings to the new Jonesleu Stonu. 1

• I don't 56 a ire.at change in our sound. I mean, can you re­member the records. Brian played lead on? No. not our earlier ones-the later ones. Can yod gi'Y'~ me a.n example?

He chews at hl1 glasse.s, challenging you, and you don't know if' be'• annoyed or not. "Yair can't rt"mcm· ber, can you? Well . • •. " He allows hlmseif a gn.n. •· I'm the same as you, I can't remember either. No, I don't see much d.ifJereru:~.

"Actually. Brian didn't play any guilar oo the Satanic Majesties album, but he did play those strin,t

'Bring a drum or a tambourine, even a tin to bang on or something,' urges Mick Jagger

by B. P. FALLON who spent days at Apple watching and listening

things on 2000 Light Years From Homel"

Jagger re-joini the- grOup oo mouth--harp for a 12-ba.r blu!S warm up. Ana Uten eventually, the day'$ work

~~,,,:~ l::,;;.:~'r=-~ ing, re•awa.kenm; ,teeping sounds., and the .smger cries. •• Have mercy, have mercy baby ... "

THE BENTLEY-one of the Jagger quart.rt of Cl1$-is caking lhe S<one1' Voice to a ~din& sts;iiion in

;3:hr:.,~::,11~:l~h~ d•iJ:: rood, talking about lhe Stones, Live.

"We'll oe doing the Marquee.. every Mond11y." Then, tongue removed from cheek: •• we•ve got Hyde Parle, and more In th~

~~~,: ,:'~~t ~.:: promised ourseive:a."

Once, the Stones could euily be seen in BritA.in1

1tou:!':fe3r::!>!!l•:.~~I~ ~ DTddlty, Mickie Most. M11rty Wilde, Simon Sco<t, The Ron.oues, Th~ Yard• birds, lke and Tina Turner, and John Le)-1.00.

Jagger say1 the a:roup are. keen co play in Briujn

~:~;..: ·c;~•e:,. 'e:~: But we ooui5i,, stand those

~1,~~:"'s~~ s:~~J reguJadoas. We really need gOOd Vt!nues1 and I'm 5'Urf: people in Manchester, Glas­gow, L-iverpool and 50 on know, the aware people., know of some good venues. J don't come from thtte so J don'l know, do I?

"We'd rUlly like. to hear or ptaets, e$1>«ially outdoor ones. We want to do lou or outdoor concert.$ . . . " He's become. too st-ra.ight• faced. Time ror some Jaggt"t anti-hero comment,. "l'd ba~ ro do an open air con• cert in Manchester, whal with the air they have. up ther~.'1

The car pulls up ln front or his Cheb:e-a home and Jagger nips inside to collect wh•t he calls "my book of words," Then, returning. he r!$urn@:S the eonvtrA.tion. " It's our choice that we don'r work all the time. Thtrc! are just periods when we don't want to work at being Rolbng Stone5,, and then there • re period.s like this, rcrording nearly every day tor the- pn1 month or sb.. But lhere are a Joe. of other things Wt! do, things

that we dtri't 3'ituut about. It's not an ego-lrip.'"

He ~omes more obscure. "' You don't ~lwan shout -about what you found cNt about. That tounds; like • good Jin~ lik~ an Isl~ Brothen song."

ONE DAY JAGGER will be garb(ld in tight trousers and a black vest th.at displays hf, skinnint"SS to best ad­vantage, -as he Jeads the S100.et and four wondroua percusslooisu whom he calls ·• thnse Afr ican guy.a;"

~~~ .. h ··1::~that0 h~: garbed in his •• t<ve.tad•to­go-t.0-Court clothu. or dark brown untig.bt trou:se:ra, brown boots and a .thirt that

h~~r:;_ ~~i~~dT~l:~r:! Been Lovin& Yoo Too Long_"

But today it~, green.

lCCU; " I un't pl.11 it ptope.,ly "

keen u·ouser,, 1reen boot• nd a &rttnish, Just a.bout• ffJ.lhrough shirt; a dark ~ velvet jacket he's djs­arded 0o a ch.air.

The Stones are again run­ng through .. Down Home Hrl.,. Jagger sing.s with his tYet closed. a cigarette bal• need in one outstfflched Nmd, while the ocher limply la.ngles on lO his hip.

lt's incredibly close to )scar WJlde yet simultane•

=im~:~xi~~yn\o!~ 1way fTom the mike stand .nd &ta.nds sJdcwa ys to the insee:n audience, wriggling

TAYLOR: debut befota the ,n1u mdi.a

" Down Home Girl " ig finished. and the St0oes are into "No Expectations." Theo "Jumping Jack Flash," " Honky Tonk woman," and more, more. more.

THIS SAnJRDAV undtT a Hyde Park 5ky, the Stones will be playing Jive., making lheh" Mick Tayl.:n ddiul l,e­for~ the mass media of the world.

Jf th!. Blind Faith concert had a major raull, it w.as that people went expecting. almost demanding, to see • miracle'. And it will be too easy to knock I.he Stones

too. I t is unlikely that Ja&• ge:r will walk ac.ross the Serpentine, Or that Mk:k Taylor will distribute a thous;and loaves and Straw• berry Fields.

But the group will. how­ev~. hand out 10,000 penn,y whistles lo the assembled multitude. "And if you can, bring. ., !Jru.m UI" a ta.mbuur• ine, even a. tin to bang 00,

~='~ri~=.J~r~ pt:nny whistles, "those African guys,' ' and the Roi·

linft ~~':u~ be more than .~ 1lt's not a dirty song at 111,' says Max Romeo "I.HE Eo&lish have got dirty minds,

Ullnks Max. Romeo. the young ~yeer-old s.lngtr from Kin1,$lon, m.aica, whose provocatlvely-tltJ«I rigle ... Wet Dream .. ls cuntnUy In e. ~ -l 's Pop SO. For des:plie- the Ut.le a.nd a lyric, u Insisted lhfs: week that an)' sexual inootaUOm were In the mind of the ltene.r a.nd not In his when he wrote ....... The record bas not been baMed by " BBC, 0... c.,,_auon in51>ts, Dt.lP: it ha.I hid no airplay and has

~ ~f~iroc:-or~-~~~nf.'::i~~ .. But It's not a dlrty song at an ...

:-otnted Max. a sUgbtJy built. shy, ,Hte y.aunc ma.n who looked cool as errud Street shimme:red in a heat ,ze ouulde his P',lblJcist's office.

i1:~t•slt's°"JL-t)'~~ra~~~.w~~ "'irr b&d any bad Ideas when I wrote te soqg,. In Jamai,ca. what I said >t:Sn't mean what peo9le here t.hlnk. t5~~~ dream and wrote the son1,

"'I dtea.mt that I was asleep, lying -Uh n,y glrl friend and it was raining 11d the roof J,eaked and I got weL hat was what I meant by • wel

d.rea.m..' And then I asked my girl to move over so I could get a 5llc.k aDd puSh somethin& up lnto the roof to keep that rain out.

" lbal's all It was to ~~ But people he.re took lt to me.an other thltli-S. That's the f;cts of It."

An ingffliou.s explanation. but If lhls was the case, what did Max think

=d!~f:l~ ~~~d Ming '" I thought It WH raclal prejudice,"

ht said. " when I WH back home, that's tht Onl)I explanation I could thtnk of."

Next time, vows Max, he'U be more careful about his lyrics ... Now that I know the people. here. l'U have to make sure what I write can.'l be misunderstood," he u .ld. lbouth he. could have: problffl\S wllh his foDow­up: Otk, is u Miss Goosle ...

Max arrtved In Britain a few days IM!:fore I lnferviewec3 h.lm and wiU be suylng about two months doing ballroom 3nd dub dates. He was 11'1 London in January for a few days. but this Is his ftnt ever woridna trip, he sald.

Back In Jamaica~ M has bttn

~~~"fur; ;i::r~~~l y~ i:d ~~ eight months. Before that he $ludied

engineering and sang tn the evenings. .. But I didn't really like engineering

an:.~t~e ' ~:, 't;f' h~e ~ h.ls own six piece band. although be is wotkling htn with • band called the ROU.lles,, which he said wu the bMt band he'd htard outside bk own eounll')'.

He says t-ie basically plays music for daRCl:ng the Reggae to. The Rqia-ae, he explaJned, was a .lama.Jean danc., .,,.,,, whld, be hopes English audlfflCH will abo $tart to enjoy. He'll be lb.owing the music and the dance on his dates here in Britain.

•• Jamaican music is rM!nly tor

~ci~~o ~u~~~P ha:!f ~~i; ~verytbin.g., except )au and I'll IH!i doing some W est lndlan music and some soul music here," Why no Jaz.z? ~!:/t~;~~~ don't Uke U too

He feels that West lndla.n music, from toek steady to the Reu,ae, will catch on Ln Britain. He hOpd to be able to sell it to Anglo-saxon patrons by presenting it vl$Ua lly as well as m.usic::all)".

"They'U Jee it and hear It and If they Uke It they'll buy it," he said.

Se,cy or not.-ALAN WALSH.

JIMMY RUFFIN I've r'assed

This WJV Before T,1rnl,1 tJuto,..,., H.'G70J

MELODY MAKER, July ~. 186~&ge t 5

THE VIRGIL BROTHERS (ROB . PETER & DANNY)

Temptatio[) ~ 'Bout To Get Me ~

DARRELL MAMA TUCKER ZIMMERMAN BANKS CASS

Just Bec:.J·_ise Your lt"s Gct11nq

Love Is (Jn:·:t' f3ctter

S!.u STAX12• St.,le~ dr SSs,:in

~------

(A ·StrJ•Ql•I Ahe.:,a Product,onj

\/'·. ,r :l

R,: ;1.,1 z,,. ,,.,i•,,,, RZJ020

EVERY ONCE IN A WHILE POP MUSIC COMES UP WITHA CLASSIC ALBUM ••• THIS IS ONE OFTHEM

PROCOL HARUM

~ S~L~ JJCg Reg111I Zonophone SLRZ1009

P11te lb-MELODY M,'\Kf.M.. July !t, 1069

' ' ll&LL'S. C(U,.AR FOR SOUL. VOLUM E 3.. (UeU). So ul ~cb.~ lncludin& 1r-.c.ka b)' LA:1! Dorse)', Mlshty Sam, Spencer W~uin.s, Osi.-.r Tone.y Jnr, JarntJ • nd Dohby Purify and AO~ l'au.suinl,

T()N"Y D£NNETr, .. Tony 1knncl1'1; Grt ll6 t Hh~: Vol1.1m.. l " (CBS). A do1,,en Bennut fnooriru handll}' c.nfflplled

RObt:RTO HeRNARDI QUARTET (Mut ul')'), Three:

~:~b~e t:~ :":10:~!!~':~ q11e l't.J!1 H well as. playlna "-"OrtNI re.Nb ·, brus, plano, 0111an .end drums. Pre:asan,l.

BLONO I;; ON BLONDE: ,, <'.O!ltrUU.. (Pye). lmpre-,• , 1\lt IJ~Ul • lhurn I.I.Sins. a w ide: va r lt'ly iiJ lnl!lntments II\·

~1;~~1r :~1:~Lll'l:~•~~.t'~::l!ll~: .omelhing.,

8UJ£ Cll&ER: ·• Nf!WI Im•

~~1>~':' ~ 6<:h!l::t b~1:li~r:n~;

•v"ract: hu d rock mu!lc.

8 0 8 AND EARL (8&.C). Th11. rny,rery doo re:•lnca.rnat.cd thanks to the. sueccn or •· Harlem S huffle " offer a ,,_.l )' Huie 1oul outln& on th i-1 chu 1~ albUm release:.

J AMES BROWN: •• U\le Al The Apollo., (Polydor). Twq. LP ltl wilh Brown runnln& lh rou~ P'IOll of hit b(Jj blla ,

JERRY BUTI.F.R: " Tht: l o Man Come.lb. .. (M~cury), An u11d~rnued sinaer on • v• rled .election of rocken, batl•d, and prcwJuetlon numbers wllh ~~ccitr:cfi·ng. o-rcbu u a and

VIKKI C..AAII~ •• _Ft1.,. tJt,,n Ir. M)I Ufe" (Uberty). Tre­mt.odous Jive pu rormance paeked wlU1 o:cilem t!'nt and •tmospht re,

CASUALSt <1 Hour World"

1~~~ ~~1=:~u,:, ;n~•~t~ do It well wJLh &000 tiar mo­nks and ne:a1 a rran,enumu.

GENE CHANDLER: ' ' Lin

~ dle!c':' '-u" ra\~!:iO~lru!~! and U1ere ts nothina in the. Mut:it- 1ft julfllfy ~ 1rh a.r, ccs11Uc reaction

MI C H A EL CHAPMAN:

f n~ta:;tl~r ~f:!•"ae:t ~-,~ p iltr 5t)'lt. fe.tt1,1nd Ofl his own i ndlvidua t c.o,t1posh lon.1.

RAY CHARLES: " I' m AU Your• Baby " (Sta1urdc). The: ura.n,ernenlt an: a bit plushy and wiU mJkt: Ray's )a.ii• mfnded foUowen groan, but YOtl nn"L hidt! the. ~1111tlty of the vutc.e

TIIE. CORPORATION (C.pl­toJ). A h t rd•rock growp oc--

~!:~~~~ =~r&m~ :r: malty on a bh11:l l rack bul dut.rve rnarh rot trylni to do 'fln"IClhin& tl.lfferenl - llke. John Coltrane's " India " which tak~ up one sldt.

DAUfiHT'ERS Of ALBION: (f'un1ana). A mildly hippy boy.,:ltl partnership producir,a mildly tno1Ten1f~t rodt

D F."S: 1-., 0 N D Df.JUtEJt; .. Tl'l11 b De1mond Dt.kku-.,

f;';iJ~;:" !1b:~ fr~~~n!~~ :i:o m~d$~~:r•:~h~~;• ~~!~k: seem a IIUlt: Old b 111 1ht1. set Ullt alon.i nlcrly

DU.I.A RD CLARI<: ,. The Fantastle J:;;,cl)t'(l;lllon Of D11· lard & Clark " (ACM). HIJhlY •ophisUeatNI mOCJem counl.r)I mu1Jc frum ont t x~Dillards, lWfl e x,Byrda, ooe e,,r·.Hearu­& flowers 1tnd an cx-CtirklY Mfn.!iltt!I, Very nltc too,

harlaqufn RECORD SHOPS RECORD SUPERMARKET

NOW O H N AT 20f OXfOI O SllltT, W.l (r-.e.l ID Uttle.woodi. O.dittd C~1,11)

Huge 1todu, of wt prk.9 Jo·u an4 PotWlaf' 0.1&-ttoM

and lhis l.<1 -a ..-uperb e--.a1:r1pl• from Amerka.

l,Hldtt Jnbn Fc>gtrl)'"s jUitar an<I sin.gin& rrt"k of thr tlhlu .ind )'e t eould llOI ~ stric lly t"iltl'gorlJ;HI at • uc-h..

Hl.5 I, 1ough, .iiqrcHtn mu,1k idt:a II)' n ru.d by t h • a thl'r dirtt rn~m~ n: :~I l ht' :r.:;ft w::d ~e~

SO M UCH of the but of todar's pop mu,1ic h.u 5:f"Owa from • blu" b:n.e

par'l.rcutarly OR the Jon1C!t p lceea llke IM 8)-tnhiU!. •• Gran.yard Train" aDd 7 mhiute 40 second.a of •• KH p On C booglln"" -

S1+. DIMENStONc " Th• Agl! Of A qua. .- l u 1 " j Libetty). f 41b ur fou1 • l11um h oin th• world',1 top s iriging g,oup. Ttefflcndou, 01-i;itamant. b1our• lln1 y it1 Nght

,1u-.,naemenb, 1u­pe,b 1in11"1.

£0 CAR BROUGH­TON I.AND; ·· w~-. w.,.. .. ( H atVtil ), T"hb 1 rovp com blnC!I 1lll1rp I o C: I ,1 I comment In it1 lyric., witb a n1•n in ,1u;far 1 o II n d ~nd l dg.1•1 walc e-of ­doom 1it1gin1 .

DfAMA ltOSS & TH!' SUPREMES W I TH THI TEMPTATION S" ITaMI• Mo­t O Wft ), A ,. o r l r i ,.a l TV 1ou11dtr"" • thit: i.t a h etttc11, J "l;d p,od1o1ct iot1 f1f a pep .1 i n I I n lC I U P"l'UUiO,,,

i~ ~~i::.>· hlu~1~':QIC~a\1a~~ 1i,lt•r a nd w r1tet exc-ellt.n t matcri,f f\111 of obnrv1Uon of. and commer,t Of), bi.I wor ld. Rt:comm'l'flded t.0 Un • Oer1 rou.11d 1u.di.es,ces part.cu• larly,, bul 1bt-rf!'a a IOI hC"tt; for • nyon.e to en}<&.

DERR JClt MORGAN:

;.S,::lc~n ~~!;n~ Jo~•:~ hii s.b ter Pai,y tor twn lttClts, on wh• t , t o English

st':• a~l ~i~ u\m~W{" u~: doubted.fl' pJtaJt! his c:,;m­P•lNol•.

Dlr,~J~f T&'e~:a~ ban.O rode of the 50I with ln• ch1r-.«t-r vocals from Miss Marat, l t'a wort) pretty Wt!II.

MOTI1ERS OP JNVEN'llON: " IJn d t Mtat " (Tt&nH.tlu· Uc). A double VoJum~ ttt of madn ess, • bnlrdlly, se.rt0\11 m11sfe, rock •nd roll, el~ rr0nb a nd a-prt.eh.1Um·mr most ly rr«1rdr d between Oc· tobu I 9ii7 a.~d February 1968. Not Vt ~ ri!:prt.Stnlldvt of t.hel r worlc on tile rl'Cenl Brili..sh IOur.

JO HNNY NASH AND KIM WESTON (MaJor Minor), Gre11t dun alnain.,. that dr ives a }(lng with depth and feelio,. Sonp include; ' ' ll"s Gorin• Bc Beu~r.'' .. &by Don'I Lea~ M e;· " M)' Time" e nd " W hal Could Be Betttr/ '

J"'I NA AND FR.EDEIUK..: " Follow .. (Coh1mbb.), An ~n• .im--.1,, a dn ntQroos and lyrical de.m• ndlns aJbt,m rmm tb11. tiusb-and and wife duo, They rtin1-e through a. Y•rlel )' of moods, r hythmt and lime tl&nature:,-.

NSU; ., Turn On, Or Turn M t!. Down .. (Stablt). Thrtt. Scol s and nne C&nadian pla.)'fog fairly heaV)I rode.

~iJ~l J:~ 1;e~tf~w''t/:!r~~ a wn vocal .ttyle..

ESTHER ANO ABI OFAIUMt .. Un IH9 1'

(Phllipl). Estb.r.r J.1 .a !iupe,b VOU-1 talt'nt. NOi ,o SUrl' abouL Abl's c;onLdbutlOfl, but lt'a a n u cellenl ~ !bum.

l'l'JE ll1'£N J\11Nl> (Phlll .. ). Ptcn;'liling debut 61!l by new Brit ish ITQU"p, All ort,lnal m• ce:rlal - and most of lt (t:ood1 at 1h1U,

Tl:tE I OUNNY OTIS .SHOW (Ember). Gt:nuine roek fr-,m the 1950s.. Some Of lt SOUtldl Vl!ry dated but ther-e are some marv~llou• momcnu., includ-­~lam~• 1ln1ln1 or Marie

PE AR.LS BEFORE SWINE: " 8.8:l uc..l.tiva" (ESP-DHII}. A l'lll"'War rock Introduced by .in ancient rtcorded interview with lhn original lnlmpuv at rhe Chargtt Of The Llaht BrhCClde - ,o he claim.$.

DAVfD PEF.L AfiD TIIE LO\VER EAST S ID~ ., Hatt A MarlJ11.an.• " (TJl':kln. £KS 740:12). Wlld1 Utrovo:n sin,:.• ff)l and tJi'-'Sit ttom thl.s

~~·!;~~ ~r: Ait~iu;ft ch: Tff& MONITOR$: ' ' Gree,.

perfl)'rm:inces are:11'l bt llUant. ch,ey Dn: ettec:11-.ic Wllh sona, like II I Likr- Marilut.nl/" "He.re CnmM A Cop ' ' and " Up A~lnJI The. Wall,"

~~~;· alb~am~~ l ~~•:.;i~t. Ou·ot•bo)_'I v()C111 aroup. Avor­;ixe. Tamlil.

J ERA.V MOORE: ~• Ufe l.1 I\ CoMtanl Joi.1,no_y Home ..

r,IALCOI.M Pill(:.~ ·•·ms Son.p- And Ul.s Guitar• (Sq •) . ,..alcolm Price n rves

buUd up l.n!me,ndou11 I~• sioa.

T'1~;~eb'11 ~ou~~nf~n~ nlngly usa-s pu~I)' r:h,)'tb­mtc pa.U a&H 10 hlllld a \)'p(! a( rhythmic m oM to­nt wMc.11 a.d(b to t.h4 etleC"l ot ttleu t: when John FOlf-rty'.s fl!Hllt 1uh11r l•ku nvu.

·rht- IRUS lndudt' 1helr CUn!nl bl( .1lc11t. " Ptiwd

~~7_:-h~1n;;e1' :!Je!oo:1~ .. Good . Golty Mbs ~1olt,i .. Wh1ch, buwevu,

bN:Jomn yuy awcb t ilth own lft this lJ'H'ltl\UL

The pvvp' s: nm al>um was llflt' Of I.ht .. HiabJy Recomm.ended •• LPa In I.he M.M'a mond1ly U SupplUIUll hdore Lui.

Thl.1 Is -ao cnt'I bl!Uu album wbkh has awe-pt a ll cf I.his month'• oppos,itlon ~fore It.

ff )OU 11\ e u clt~m!flt .Uled wilb musl einsh.lp lhffl you can't uped mu cb mort t han .. R-.you. COun-

try.'" - BOB DAWBAltN.

F"RANK SINATRA: •• Mt W.11 1

•

( RepriH I . Su­pub .albu""'. Th11 choice of "u"'­bc!,.. 1.. 1,eat , Ute Don OM.b ,.,,.,."&• ,...__,t.1 th fr.1nk"1 wake (;le .1 &love • nd t"• m.1n hinu,elf 11 in , ,,..., lorm.

TOM I O N l S , JOl COCKU, " Thi.1 h Tom Jone," ( Dcc­u ), A fine se­lection of 1ori,p dcim onitn t i II J Tom's , i.1p,ub wo.ice ;and i l'l­t ultlv, AIIH &f how to lni•d e-.:cite ...,ent Into • ion,c.

" With A Lllrl• He.Ip f1om Mp F,icnch ., j Rs ­~ I). A tt.u,.r ,cle.,i111' good al­bum with Joe'1 " t,ie,uh " ln­tlucti.nt JIMMY Po1.sc . S t • w I • W iowood. O•m C a tti11ni.

-11n l!ftterta.lnlna ml.ature of .t0np •nd h\&m(')ur, with blues a.nd co,,.int,y mu-1.ic p:rovidin& • flne mU"!ial u pe:rten«.

OTIS Ra>DJNG: .. Sk ttaa Oa The Dodi or The 'Bll,)' •· (Alco). Hett'• proot th1.t , u , he s le-evenote ·SI.>'•, " Olis \lras- tllot bell one. man r.d.P.-ign .1oul m\lslc e.ve,

CU FF JUCHA.RO: .. Tbe Besl Of CUff " (Columbia). A tn.1e Litle. Tbe LP provq how C'Onlilte-nlly well CUff bu suna onr tile y ears. These tnc:ks da ui from 1965 to 1968.

ANDY llOBlNSON: .. P at· terM ot Re.Ill}' " (PhUlpt}. Plt:Hl nl • lbu.m by Andy who 10und1 l lQ an American Peter Sarstedl. The .onp I n:! au ?e~f.lnal and have a poet ic

SAM AND DAVE'.: .. Doub~ Tro\lbM" (Atlan.Uc), Twic-e th,: vofcu, t-,,,1lee. lhe r,owt.r an thl• ne w album by" two er I.ht- lttdlnc uponentt or IOuL Nice. anti a frcs.h ap • proach to lbe mu.s.Jc.

SANDPIPERS-: "Kumbaya "

11b':1· o f

0;:Jf "~.;~C::t~ rulty arnn&ed 111d exttu1ed,

MAROAllET SAVAGE.: Slnp (C8S lnhttltaa ce St:rit:1 ~?147). This lu d ln& l[&hl of I.be l..ot'ldon ctlt o( the. Black an-d Wb!a M[rut,rel Show sings a t 'Wet-1 mOO..Ure of melodies.

.. SEA TRAIN" (UM). =~~• ~el~=. •c;;e=~~ played and ~ung.

NINA S IMONE: .. Swtt1t •n i~"f'"' ,,s1m~•~~.J~atb~ tli•u Nina sfs:one t racks ~ hi a Lreme:ndoin ba.r~•ln. SJdts lbclude "You Cal\ Ha ve Him,"' •· The Other Woman." " J ust In Time" and "Do Nolhin• TUI You Hear f1"0m Mc."

NINA SlMO:N.E: ., T~ Bs t Of Nina Simone .. (PbUlps).

3!'e~c ~ 1:er~ajb~fy r:!~~iv b~~ nkt lhlnp hen: lndude " I t.,ove; You Porp .'' •• See,Une Wom•n •• and " Wild 11 Thf! Wind ...

Nl'NA $ 1M0NE (PotydtH). Th•t .stra.n,:c, my•terioUJ VOk:c:, fllll of Slldneo aod imacery. 11·~ buut \Cul hen M .soncs n•e "0on·t Smob: In Re.O " a.nd ,j WtUe Glrl Bluu:·

NANC\' SINATRA: " NU(.)'"f (Rl1)Ne). Nol htT bdt. album but tberei are e nOU.lh lood tr• cb co pJttfe tht m•iori\)I or her fans,

.. II Of nu: BEST GOLDF.N OLl>!&.C. ., (Unllttd A.rt:llu). You nud a c:.ilhOlk lHlt lo .1ppriec]o1tr • toUe:d­k.11) wh,eh r1n1« rrom Of\

1!h::rt ~dthrh:8U'~~n~~ L011c John BaldrY and ihe: ls)ey Brnlhe~, 11.mong ('llh.1.n.

SOUL SENSATlO1'': (Ua.ltt'd Artls-t.s), Yu antrtbcr Qf the

~r.ul~fll! j~~~det p~~a~d Tina fun.tr, rsl&y 8rOU~11:rs, In~ •nd Ch .. rtlt- fQU •nd Timrn.y Wilfl.ti

"SOUL SPECTACULAJl •• (Marble Adv, Anc>rht r 61 th<$c ~dmlrtti:ty • ~cural~ rec,

re:• tioos nf t01o1J hits -tncludtna ''Prin.111! Numbtr " and "Dock Of Tht Bay:•

.. SOUI.SVU,,U ; U.S.A. " (A lt."O}. Anotbt:r • .U-ala:r •oul pack._.e wilh th~ 11r11tu1. incJudurfa Otis Jh:ddlna , Sam

~ ker T,veCu111F..df~!"Z:d Willilm 81!1J.

KAY STARR AND COUNT BASI.E: ,. How Aboul Tblt1., (hrH'H>1.uu). thy l.s one ot the jattftr pop •fneen: ud abe. prCNJuc~ drive a.nd 11wfna back~ by the Basie: ~•nd.

DA V 1 D STOUGHTON: •• Tnuronner,.. ( f.ld:ln). Mo~ and ye, more •• pro-

fy~te ~:~"~·o $()~er·::,~ won e than most of iu kind, but totally undbUn1ulshed.

J AKE 111A"CKltA-Y: .. JU.e'.t

~~\f0\:!~/·:c \lo"'litt:1 and 11tnp ~d tluit UI the

~:: ;o~.: ;~~~ ·z~e rnldnrtWle.

Jlll.RD EAR BAXI): '" A~ 1.baK7 .. (HU wQOI) . Sluugll'. hypn,ptlc, l hdlan lntluence<f :r~u~:,~ o~~~!~~~~ jaw.s b arp, and " alchemy " b t.be r«chl woro.

TOM A N D SMI~ •• CWlltf'J S c,rle " (s.tca .FJD

:,i:>· tht ~ ~tr,albd~ who bring a pollt hed touch t0 n cb son-as as ··Old J oe Clark,., •• Pn!tt)I Polly.. a.nd .. The So)dler And 'TIie Lady."

JACK.IE TRENT - TO:O ' HATCH:. .. Mr Ae d Mrr, M usic•• (Matble Ard). Bar• ~rn prlc:t doub le a fbu.m with

,:8 w:;.~Jt~ .tr~~Ji~nc:t; Hd Tony rront1n1 auorttd ln.ntumental ,grouPS-

M ART1fA VELEl.: " Friffl4h And Aqtb ., (Londoo). A 1n:n a lb11m fea1urt:"11 .S:1Jpe.t-

~~~M1~:s~ii~~el1ill:Ch'f!:P~i: powerhouse defJv~ af M"us Vele.z..

Seotr W ALK.Ell: .. Scott " (Phillps). Somr. m.111ftlee:nL modern son1• but U'le tlnJinJ pall, belo,e U'le r ecord it over.

TONY JOE WHITI:.: .. IU&ck And WhJt11 '' @'0numc.at.). A ntW fact and vaice from America malt.I~ 110 1m-pres, aJvr bow on lh11 side o r the pOnd with tome or his own conip,oslllons ~ nd tome by e>lbt.r writicrs.

SIM WHrTMAN: ., Ua.

s':~im~1':i ll~o:;~JSun:grt from Wbltma.n

ROGER W HITTA K ER.:

~•c~~~t,i >. ~t,u: 1~~t!;~ ~fntrR:,: h~• !ert6:3 11~'::: other tlftY -album

wn,o Cl\ Tt " Sba.ke Out "

~ ~rtJd ~e .,:~! :;e:{J,h~~ far 1,1nlt:nown o~Uffl

I\L WU.SON: ., S1':arclll.ft• Fot Th• Dolphins " (Ul,l'-rty). Mr Wilson sounds a /01 hke JOff Felict,no al ITnitt, a"d that can't. be: bad, Nlc-t. ttJection of .SOJ\15 too,

INSTRUMENT~L ~ RI\ Y CONM.f'f (CBS). If

you want badcfound musk ,:uaninte:ed ltl set yuu hum­mlnJ Cir 5inliDK lhi• lJ iL

TO.~Y GARRETT ,. Tht 1s Plano5 or Tommy o..,. ::n~. ~:n::~~kd-rr~r~M m.u.1\c Is lH~uJ and we:tl otayed aod bcli'"lna,

PAUL MAUIUAT -'NO Hts ORCHISl"RA: " Rll.Jlhm And Blues •• (Philip:.). Tber6

~:l~~~t s.;;:::Jet!~ he'[.: pll)' rhythrn and bh,lu. S~I tf

lbt" • ~:~d;:u~ ~~'i:,~ ~ ri:e" man on ,onp trb­" M) Girl, .... Wlim A 2tlan Loves A Woman," "In Tbr

~~"Jf!"~rt."H~~~ .. " ;~~= Me Han1tns O n

PETER N.ERO: "' r n Goe To ::,;: .. ~~~I:). o~WU&~ Lineman." •• Scarborouab Fair .. and ten more from ~e;:'.~" trasb piano and • attl.tt

LARRY PAC£: ,. Ptac• liac ~ La:n"J' Pa p Orcliacn. .. fh.&:e Oae). Or thl!str• I jou:r--­n t)' Chrouch pop hit, 11\ it :: r:: dr~~{;,;~z.~::1;~

WOtlt S"n:ENHUIS AND fflE ltONTIKl.!s:: " Bird or Para.dJse" (Columbl.t.), H« vny luw.aiian ftav(M.lred vcnk>os ar .t0ap llk.e " O n /1. Utt?~ Dam~ Bridie.'' .. Ctr! :l~:!:= .. LovelY Hula

V£NT U RF. S :- "'R.uaaia' St.n11111 .. (Suru,e.l).. Tht usw.l Ventura da.aCll!able. 1wff whh domin.atJ:n.a suh.ar.

HUMOUR -"ANN£ OF G1[£lN

CA8U'-1" (CBS). Old-f .. lllo& ed type: nualetl. Very Eqlld1, Vl!fY corny. Mldk by l'forman c,.mpbell Sl.lll& b}' • eul :.:~diff'am~~ ~~ u ,R~ Shcnna n. Obriou.sly Ql'IC ti• take Aunt Nelty tn

MARY POPPINS (l'Catble Ard!). Muni Ntlon, em ~ and Rtchud Sherman oft'tt"

;~c;1ar~~PTh: ;:,,!:c:!:!,, " I Love To Lo~," and .. Feed The 8£td.s..."

ANTHONY NEWLEY: .. Cu Helronytn04.I.,. Mutda £ttt

~fnThv~H~":t"CMt.:t The IOu-nd t ru ·k from &.he ftltn. of the same ca.me fca.1u.rift1 Anthony Newlq, Bruce For--

~~!Jt! .;n!usl/°!_" u ;~~';*· Ullle:(uf a nd "I'm AU J Need~ could become • .ttendatd,

" Off, WHA,. lo LOVELY WA.a " (Dec.a). Tiu: ori&£tilll

ni: wi:~nJ1~or:,or'::il! w~ sonas like ··Good-&~ .. and " Ji.Pld You.r l:land ()ul

!;!dt i~b'f!r, T:;b;~ .. •nd PINK fl.OVO: 11 Ml)H "'

(CWW!lbla) . SoundlRdt music. written by lp,t-- Flo)'d ror Uif. l'llm "Mo~·· e_url!mt)y •t· tr•ctivt: ind oflt'.n haunllnRl)i beAulH1,tl

itttfKE ABSQU)M: "Sa\·t The. LaSI GhtrJcin For Mt"

MEL.ODY MAKER, July 5, 1969-Page 17

::':: 1010110 &INIU (S•yd/sc: SDCl62). Sing.er• 50ngwritu Mikt Absolom comes up with a .good hunch of oricinals on this debut album. Mike has • nice way

FOLK LP OF. THE MONTH

Rare and personal blues from Georgia IN A month- dOmln.atf'd b) re:ltsued mattrial, thh rvu Hl of Kokomo Amold 1:HS my ~-01.r. Oft rarlt)' Yalu• and .11uch; but Ol'lly ju~1 takt• pride of placti ovtr the e111rruu~ t.'Vt.11.piJl.-d 11nEl pru• duced Dig Bill LP,

Jamu (Koltomo) Arnold I" a C-..t-Cr•Lt-born a:ln1tu ll.nd suit.arllt w!ton styko has points In common wtth

r~!:~1 ~~~:t br~~ the r.•kle.n~ of r ecord.t., U •·ooJd bt- lmpo,sslhk! to 1uu• "-'"-' hit influtnces '11if'rt.

lie, ln his turn, has not tiff.a wldelr UTIJt~ttd, 1houah somt or his ~t-kno•n

Kair~~B~u~ ... ~~nd 0Jil:::~

'Ian RluH." for t...:a.anple). AIJ)MU of hJs- bot~nttk gu[u.r m@tbod, however, frtqu.-nlf) c:tCl1) UJ) In Olht:r ~k'1, pta)'lnJ, And bb­falulto ~lf<'ls doubtless

in';;::::'o °!!:!· ~!ft!rs.r~rJ)' on the ueoe - he Maain n Iona Hri(<--1 of N"«itdlng.t, for [)N:('a In 193"1 - Hd his dins must havt- sold ""di In

BIG SILL BROO,,Zl': •• Ui& em·, BIUf.5.. (CBS Aulm SlG•i), Bil!' Bill WH • chaim

e:~l~e;:-e:::ileb~~l!;ui:~:r ~ii roun,j 1w~e1 • nd po""e:rl'ul

~~nc~f,:·.~ Clwl'~:~irab!~rroi; flroonzya fmrn a 'J.Z aolo pot:r·

~~~~~":s l:'om C~lr~1re~f11l;~

10 hfs hvmrn1r find wld~ musl• cal .sndi .sturyu~Hlni: .,_.knu On\: ol lht roon.1.h's barg.1in~ at 2~s Jld.

• RtC0~1MliNOEO

ANO\' FERNBACH: .. II You MJn You.r Connulon" (Liberty LBS 83233). Good debut album from yoong Brit1Jh blue-5 ~lng,er. Good a,...

:;r.~rh: ~°!n A?h~~s s~:f; thu; album • lot

BADY GOLDBE.RG: "Two ~~sn:lu~~ (Bsl:~~h i:30~:,~ album h~· An'IC'rl(,>I\ firtlnhl Gord~r~ . He..., and thc-r~ th.-1hin.1 ht>a,n, to • .,.,,lnlol

.IOIIN LU;. HOOK ER; "The Biti: Soul Of John Lott: Hool<er .. (JO)' JOYSlf7). A flltlh'l:f J~)' n:1U1.1 .. of Ve., Jay HOl\kt'r, lbit, one ofttr~ '62

.. KOKOMO AlltlOLD .. : l,rll'd 01 Ri,nn.~ ~,om Coo, T..-. Ooo,, k'(I W-an e ....u, The Twelve,,, M,d

Vt:: a~~~ (l,l~49~: I'll S. tJg Som1idca1-, l!oc1t,.

~~"1""Ro~~••a~:

e,o sti.o t11..... s-r 9oo, ,. •. S+oo Jo, 81o1.1n, 8!ock A.M ,. l ioydtK Matd•bo-.. $Dlt l&1.f A1;0,1 OO•t- t,orr, TI-e- Bario.._ 1ng•a:11- Cori,fflO"t Bod "'""'°'1, Git,,,.

the South t~r he made

~::1:~cfcr '~";: o!n :~:1t~

Often, In those dayr;. of 781, casually recordNf_ one son,: would be fl!p,tlllled se,·eral tlmn. Tbiu we ha,·c­.. MUk Cow Bluu No S"

~~g ~; lnr:;:':~!Z •3!; mu.sk&J lhitDltS a nd Vt-TU Ideas.

Thl.t s.hlf)rtl"omln.& is freely admiUM on th<- aleht of the Matclibo~ co!Jtteion. Ne\'er-ihe)u,_, wittr so llttJe Arnold •"•it.Me (bAJr a Btuu Clan~ album ;and

=~~ ~:~1, :c~ Ai; ~IIJ~•~~

=~~~;sr:;;:rt :~d .:t•t~'t Hool!:er's vole.,;- and guitar an eornplem.~ntNI h_y platHJ-organ, au111, t-11 .. 5, drumt and some­lime h.armoniu. ·• Ju.st A Drifll:'cr" and " Don't W&n.n.a Go Ti, \'1t!tn21m '' art among M1'.h""P'Jh ...

• RECOMMENDED

SPIOat JOUN KO£ANER/ WILLY MURPHY: •• Running

tc~e:~: EK~18j4dJ;f). ASl~; album from John and his new

er~~~r ::~l.s•su':'~~~,~ur~{ blue.s and ,aa;tlfll(!. retl i.s 5\Jll &htr~ hut pvcm • mucb mt)rt upd.fltei:! treatment, All ma• l~nal ts orli.inal Koernf'f Well "'-t'lrth Hsttnin$t Ul

Mf.AH~HIS SU~t: .. A( Tht

fo!l.~,of' ~!0 m,;og (!_:fi ri•ni&.l•5in~r sounds as though he was gotn1 ftJr • comm1.:"rct:1I t.tluet soca-.ss cm s,,rnt! or 1bts-e 1rado:s, re• 1:0td~d in Chi<'.ago fr;,r Vee

!.~ot~er 0

~r1b_'.!'11,!eThi,lnt~~

Ba<;k," "Shrn·s Blm:J •• amt •• L~nd "\t,_· Your l.oVI?"

s'¥!r..e:

1t" ~trl5:"0y 0:~ut!:~;-:: M&MPHIS SU!tf: " lAgr-nd

•nd "She Shol Mi: Oo•J.n," it.._~e ~~"1s,Y!1 1p~~!!ea~d much or It with '-'OCAI iroup. sm&.$ 1en ltemto. 1ncludin11 a orr;on •nd \'~rious horns Not Broonz~ ~ lnftue-nctd •· Forty the ~I ol .lohn ll"c- unltt:5.s Year$ Or More,," an mst.nJ• )'OU diJ chor:il l!o\Jpport. mtPl31 h(q;:irt and tt moody

JOIIN L F. E HOOKER: ~o~~~: :~e 0~~u~f l.~i

5e,'~i~~

;,g!mfs{1~0)~°0'e':1y''eJ:ii'..",; home ~llh saxophone-guitar• 1a11!.-1}lt' bluh, mucti or h bu,y..and-drum~ 1: u P J) or I. .::========,! Sllghllv pop~d-(lp hluu

Folk Record of the Month

THE OLD

TIMEY ,,,,., RAP

HOBART SMITH

f!Nlly bid a bit IO wf'lftH UII =~ !:'r~.=.~~ ~ .-.d lh!l,1 •~loon Tbe1rue nK111try •nd """-en,, mut-le oi ~a1wngsl'ldpCl,;..-:ll>'(ON o4 the l)oMNfSti08AAT SMITH '1,1 a tf1161Uf9 .,

~RTHEAN EcttO

TOPIC RECORDS llMITID 27HMll,i,g10nRd Lor,dot,. NW3

U~~1i~B.NJC~~'tk IHAfr.Cl:. FTC: '' TuH Blues, VoJ 2 ·• IArhOOlil" Fl0l7). Guilar,

~ca~, r~non~".~ 1~~1~rir0,t p~nl~ on 1hls collectlon. Such dispua\e artisu as

tta'!!:~1:ndMA!!i M~~ ~::::

;~~:~eH~t':::~I~ ~:k~~~ ~~he; 1.~~!b1!1ars to make

• RECOMM.E.NnEI>

JIMM\ Rf.£D; •· Roclcin'

~~'!'t ~~ <::~ !~!l~IJ: othe>r Jimmy Reed collection bf. Vee Jay recordina:s? Evu)• thmf!. Is J)f"e$fnl And eorrect: the ben is rela.xtd, the sound ('$7 Vint.age) 1$ tyJ1k-.ttty t lur• rtd aod dov.,n•hOme.. Titll"S. ln­cludtt .. Coint To Nl"W York," "MflOn Is Rislng" Ind the tMlrurrtntal " RC)('kin' Wilh Rttd ••

lmponanl addlton to MOSI bh.ies Hbrarle,.

Al\d, lt1 lruth, tti4: LP

f!~dln: b!~('4!fi'en1 varl:~d Indifferent perform11nctt.. Sun;l(JI Uke • Ba.ck on TIie Job,'' wilh Ptelle \Yb~.tl· stnw's pf.a.rio backing bO lilt rough vole. find l:ltr«-, slldln* auitu, are good examplt's of l}'pleail KokQmo. "' Set Down. Gal " IJ; :a p.artlti.lla.tlt C-Jeciling du,t, wbilit •• Southl"m RallrO&d," "Black. Ann)~" and " Ways And Actions" (with slrinjt bass added) ar1! nictl)' rep~nllllhlc- Of 1he bMk \'OUI 1,pproat:h and what S.am Chane.~ hu te.rmed hi• ' ' lre.ru:f~ rl\tlhmlc Stylt" Oft guitar, pf'Odu~ "-1th •

~;!..b2~1;t.e~e~~ 1!:1~; course, 1ho old •• Dirt)' 00-uina. n and Hke so many It

fs°t:h:n ~1:1\~':.:!~& p~t"; r«ordM •W.

0.vid H.anlson'5 nol.u round out a production which 1houkS c-nll11htc-n wtille: it brhthltn5, \'Our Jtfe.-'\!.\X JONES

JIMMY Rf,J,.D; "J-u~l Jim.m) Reed,. (Joy J0YS146). Y('I

~!ee !~~ !~o'c~'":~~a?;; ~t~~ The ncond A-ide, "'ilh In• studio QOmment$, is IS the ca.rlier Slatuide release but side one hol~ several dJr. ferent litles

g'Jsr:;ti:~d~on!:m1:

8hthii,.~~ on a fe•,..• u·11clc.1

"IARC ELLINGTON (PhlHps SBL7883). "Firsl album rrom Marc contains a eros.s sect.ion or rolk and contr:mporaf}'

~fn~a/s~1€.a:)l~i~:1en~n;

8~~t "1th things as " Tl"ars Of ::s~·" .:·:.i:'} !a~d Lu~::ae·; Ladies,"

FAMOUS JUG BAND (lJ • bNt)' LBSU2-63)_ Very hard mu¥ic to cat:forise, il ran~es

~r.s toa)r~~ ~~~: 1:!~fre!i ot1g_ln,1 mah:rial and fint 11Jn-,:.ini and pla)'ing.

PINBAR FUREY: 4'radltlon• al lri5b Pip4! M~lt: •• (Xtra 107'). JUU whai the t1Ut '.'l~Yi A well-produCf'd album thn includes $udl matenal a.s

;a~!!1:i~e," ~~;'!,f: H·~:d~•~. and "The Sil\•er Spear."

FINBAR & E.DOIE Fl}Rf..l': •• The Lonesome Boatm.1.t1" (Transatlantk TRA UH), The ittand -album from the :Ft.1rey brother, has similar conttnt to lhe fim - 8lf'l"w a:Jn and dances with lr1MI pipes. whlsllt. vokf' and g111ur.

"LIVE .IUL\' TIIE lffll" (Paa;:e One POSS0-4), LiVf! rl!cordlng of the Orange Day ce-1ehn1!1on, UJ Bt1ru1 11nd Bll l~men.a. Unliktl)I 111 a-ell on the Calhi:,Uc Markel

B JLL-Y )1AlCOL~1: •• Orange Soo~ok " (PQI;! One POSH3), 11.::; the tiUc 11ua.g~t5., thi.s ls a collectJori nf .'ICngs p(lpula.r :among Oranatmt:n lnn-hably, thert is "The Sash My Father :t:~ •~n ~n/ na;~:f G~n-~;a Kinr. Billy.

PANDIT PRANNATH: .. E.&rth Groove .. (Tt'3nutlaft• lie TR.A 193). Esottric stuff.

11k~~/0fnJt:e ~~;ft pla~~fdr~t

The common denominator of Hobart Smith

HOBART SMl1"H, born In

❖f:Jn1/n1s !~t!, tt00~

examplta. of 1he old.tJmey sin.gl"l'li a.nd mu-lllclans, whose music had J.trona elernenu of 1ha folk tradr­Uon as well as beln.g the fountainhead tor the u~b-­lJshment of a country music lndu.stry In Am~rica. He learned banjo rom the age of sen.n. later mo-.,ina 10 guitar and fiddlf". Ills Sl)'lt of playing h baslca.lty

~tth!'igt:~ °!e1~0 ~fll.:!~

by tho banjo mtdk:iys on t.bi~ a)bum.

The actual ~rdinl,J were m.adt about 1Ji.lt )'tiln ago when he wu in his t.11e s-lxlies, yl"t be .stUI retains: t~~~s~=~ 1~~•~~lt. on tJle

Out~dl' inllut>nces ca.nnol h11vc been many In his fomuli•~ years, bu1 lattr with 1ht a.dvt n t or radio and reeords be itouted pk.king up from other people.. In " Bonaparte'$ Reuc-;11," • fidd le sole, ht lnuodutts

Prann.alh, SJl)'s the sf c\lC', 1 " probabl)• the gre.atn1 muter uJ "·ocal mus/("."

TIit. QUARE FELLOW~: .. At Home" (CBS 6S5t0), A well-turn~d performan<:e Crom this lrl.s:h rourSOml" on varied !'Clec.lion of material,

VARIOUS PERFORMERS: " Polk Sorii,$ Of Britain

•• Un.le F.gypt'.t: Dance," pro­bably ltotn heari113 on • <'Offlmf'rt:.ial record.

The son.gs are varlt<f and "11h "Pt-at And Awl" and "Sbort Life 0, Troublt,'' hf: u.se, the ftddl t lJ an -licc-ompa.n)'Jng lns tnunt-nt.

Other .tc>n&S. llke " Sllllng On Top Of The World" (not lht .IO~R song) ••• Mett Mt In Rosf' nme. .Roitt," whlth has ltul( s trong: nntlmental s:t.-e.ak ~ Juwd of oountcy mus-Jc, and •• Cohnnbus Stoc:kade'," stiow the ltlfluenc..: of th" early ('(>In•

mt~:i1c.11C:c~1'Ts m~!;ys a

stron,t Pofnt in folk and countr)' music and oae or the man)' Jong.s tha.t wtrt wr-lUtn about the Titanic traged)' l.n 1912, Is heard h""" whh " Th• Ctt&t Titanic." -

ReU1lon. too, has lllli place, lh C(l,Untry mu.sic and Hoban Smith's •• Uodoudy oa,,•· • hYmn by a 8ap1ls1 ml.nlster and a f,i..,ourJcr at religious m~Hnn, sums In

il~ r!i::~re 1:~1~/:;!~1!f1

those •• Great TnH Huder In The Sky" thlngs lhat were to t-merge from the modern co..intry mu~k In• du.,11')'.

In sb<trt, this it cwntr)' music hlslor')I. II b •

:::i~Ji':~J~;s '~!~'"ft was just mu,IC' not bi$ buslnc-n. It marks tb• tus-k,n ot fo lk styles and the earl)' tli.ats of c:ommettlaUty. This Is an aJbum 1hat.. both f61k and country c:n1bus-lu1s Ulould e:ec hold of, ror here b •. rare "ommol'I denomln-"• ror.-TONY Wit.SON.

GEORGE SMITH: " Blues 1---------------------------------------Mlh A Feelinp - A Trlbutt­To Uul,e \\'alt~r.. (Ube.rl,) LSt.83211). Harsn()nica man

~dJ; ~~:~rJ,fo:~f ::~~ Muddy's band (under the name of his Chlutn Bluta 811nd) OP thi., plet'liiMI' tribute lO the

f!=!t.ril:al~r: ,,Jx~s+o S,te :!i:~•Y-~I! ••,~~~:;~/rid ;~:r harp artd v,xoal with good xroup.

OT IS SPANN: "Cracked

~~Ll03c . -M,~:d ;; •n ~~~~ in U,,it It}$ I rt'IHU(' of 1' Blues 01 OHs S1Mnn;• minus lwo

~':~k5jom~\':ue,'h~~~~.: \~'~; d ubbt!d on for 1trr~ t·fri:Ct a r,d 11ueh Tillts, loo. havl' b\.."itn chani:ied. •· Rock Me" l,t:('(',mink •· Wagon Whe~I " and So on

SiEAMHAMMER.: •• Re.llec-1lon., (CBS 63611). Tht typi• cal Brilish bluH group W1lh a.-ooct guJtar. a t hClrot.t&h arasp C'lr the ldlom and unc.onvincin~ vocal$

6,3~.'~.lfN~~~~dT~" J~h~ ville, lhis a.lbum pre.senls:

~tt~d:jng&~~!~ ~~:'l''bio~i:~ h•rp with varied accompani• menu ranaJnc from Willie Outon's baas and Sbakey Hor• IQn's h::.rPH>nica 1(1 su.es­trompe1 - rhythm a nd - "¥oc.il aroup. Sonw lnst.rument• I work Is il'llpr~n.i~·c, 1he vocals lt,h so.

P':lg•· lJ',-\jJELOD'r' MAKER, fo l)' 5, 1960

CANNONBALL ADDERLEY QUI NT ET": "Spq,u..aneou, Cotnbu:i,tlon " ( R iv er s Id e 6730tH). Teri-year.old Adder. le)• bmlhers, with Bobby Tim• M(l,n$ (wM1ever htppt.ne.d to him?). Sam Jones and Louis Hayes Bruh, hard-,;wlnging, ur>-d:ttt'd bOp with a $uperlo­live rhythm stc-tion.

JOHN CAMERON QUAR­Tt:T: " OR Ct nt.r~ " (l)eram S"LI044). Cameron (p.no), Harold MrNalr (ttto, lnr, m.ne), Danny Thompson

ti:>bo~0~a c:!~n~d~!,::nr:

jaz.1-roc-k. Everything is

r~:r:i,ea~e:~t n~~:y. tht whote

ORNlTT£ COU~MAN: "Or­neue At 12 .. (Jmpt,ls.e SIPUIS), Ornl'tte ride$ •gain wilh 12--year-old son Oen:ir6o on drumi,. Colenu:n Jr has eume un II lul s ince hll l"lr1t LP W11h did, but it's the old man and bassist Cha!'lle Haden who matter her-e, Ornf!"ue·s u allbl~tln1- ptriOd is pa.st and this is pleasant, but rftthe-r o rdinary, by his own standards.

OUJ<S tLLINGTON°UILl.Y STRAYHORN: "Coltonta.il" (RIVtl"Side- 673019). First 1imt wund, this set or Dukc•Suay­horn performancts was label,

~s. · •,~~~~t'ie!1~~~~~~:"8~.~~~ In fa(I . t!ill:hl trac-ks • re- piano

JOHNNY CRIFFIN

ORNt.TTE COUMAN

duets, two haYe piano and

:~eh~· J~:e 1~t~b!!~~nl~! .11nd rPIII;, lo,.r~rf'IIUn&, lOm~• times dtllghtful musk.

MA YNARO FERGUSON: "The l:la.llad Style. Of May­na_rc:t f'trguson •• (CBS 63514). Th~ udtlng trumpet of Maynard c-loaked by the Keith

~1:ensR!,lt?~ch~: ,?n ~Q~f Ta.lk," '"The lmpos.sible Dream,'" "Maria," 11.nd "You Only Live Twice."

JOHNNY GRJFFIN ANO WOIE LOCKJAW DA\11,S; " Blue. Up And Down " (R1Y1Prslde 673015), Hard blowing blues Sdsion by t wo or the most virile tenon in the business. Etaht.yur•Old 1tsslon Include-! p,ani.SCI Llo~d

:~a/~~~m~::i~ten ~j~y. Ca es

ClllCO HAMILTON: "The Sul Of Chlc-o Ha.mlhon ·• (Impulse. SIPL517). A oollec­tlon of uniformlv $,ood Ham­ilton t r:.cks (u.turing sueh soloisu. 4.ll Gabor Subo and

tic';~ ~~~rl~h~ri~). ~r:r~~~~ (sue,) as well as the leader's sub1lt: drumming. E:xcellent va.lut-.

CHICO HAMJLTON: "The Ga m ts 1 • • (Solk, State

~!r~:,;~>· c~~i 1:"'o~1 cifi~~

H•mllt<Jn, lhis I$ h•rd•hiltlng .uuff with some 1,,•rry 1969

r;~~ngi~,or::,n:s 11(r~~fud::~

JIMmv Clevt-land and Brin Woodman}, two saxes, ... oict

fn~ki~ru~':01f'he tl~~•uhbai! unu"u;1I fnd flt,~in,itina.

ANDREW HILL: "Gra.ss Roots•• (Blue Note 8ST84303), M well ,.s bti"ll a t,11e ku r~;n~~e ~~· I~~ !'~::yin~~::: ~:~s. otTh~n~':'~~!'Ytlv':mK:;

~f~~~l\a~s {t~~{ed ~k:111,E~ (tnr), Ron carter (bas.s) and

:~~d!~ ~lti~rsJUb{t•• ma~':t muscular,

ST AN KENTON: "Thf!" .lau

fc~m~ltlsn~~2r e :•ro::; idt!rt~n to Xtnton colltc­tions, Drummer Dee Barton }mOW$ what the Kenton sound depends on •nd these seven compositions art- a welcome addiUon to the band't Hbtal')'.

GtORGE LEWIS; "Mtmo­r l;1I" (Riverside 67!018>,. This was r-ccorded dur-lng a Sunday evening church service and the ~nd is rather- muted, the occasion affeclina Kid Howard

~:ie1~h~~~l•:~u~d~i7n :;:

(ellt-nt sha~.

MEAD£ LUX LEWIS:

. CH ICO HAMIL TOH

MAYNAft:0 FUCUSOH

.. Barn,Ihouse P i&no ., (Story. "Hie 671208). fair but not greeat Lewis piano (actually a " janglt- •· piano) ma<Jt in · ~ with aultar and bass .suppOrt, Proiramme includes rour Lux originals and .stveral old standards like •• Someday SweelhearL"

JfMMY McGRJff: "Gttal• est Organ Hits•• (Unlttd Artbts UA.529010). Jumpin, o rgan jau., MeGrill may not be the deep~t of ja,u.mtn but he 'helps to &et the feet e:xe,.. c is~d.

BUDDY RICII ORCHES­TRA: "Rk.hc.-.ft ·• (l'rttrc-ury ln1ern;atlonal SMWUJ0SS). Tt-n f yur • old, .star - studded .studio bJllnd with fine, P\lnch-

~':fio~"~n~~:t.s••:,':iu,fs~ drumming. Sotols~ incl1,1de Al Cohn. Benny Golson, Phil Woods, Etnmeu Btrry a.nd t1;1rry Edison.

HORACE SILVER QUIN• T"ET: .. You Golt& Takt- A Uttle Love- •• (Blue Note BST 84309). A vltal, forctful album with trumpet and tlugel man Randy Brecil.tr (who has p'-'iyed with Blood, Sweat a nd Tun) out.standklg Otl many trac-ks. Bennie Maupin prett)' on flute Hd a :swingl!'r on 1enor. Silve.r .satisrylng,

H M MY Sl\-11111 - WES MONTGOMERY: •• •-Unhet AdventUtt:s Of Jltnm)' And Wu•• (Ven• SYJ.,PiJ1 I). $tightly belte.r than th~ first album, this has added var~ty

~l.:erbiAe~~- oC:n!:1~~e~ "Milestones." Both men

~~~1~~ a~t~1e1!:Jh!!t~~:,\;~dual

SUN .RA: "Tbe Htllot:en1rk Worlds Of Sun Ra! \folwne 2" (fSP-Dls.k STL5499). Al

:~n£8r~~:n.1e;~~•l\a•!.,.a~t~

1t with the: lea.def' on piano and luned bongos make:, diJ• tlncdve, not ,1ways cohere:nt muii(, A good introductK!n 1~ a most lnfluentlal jau musi­cian.

THELONIOUS MONK: .. Thelonlou1 Monk Plays Duke" (Riverside 673014). A 1955 lfiO $Ct, Wilh 0SCAr PtUiford and Kenny Clarke. The happy combination of Monk and Duke Elllnaton'$ Cl.ARK Tt:RRY • TH.ELO-tun.e1 Product deeply Htisry- NJOUS MONK: ,. GJobelrol-~~f»~~~~I l~:ty:a~"~'l.e~it u ttn" (RJnnkle 673007). A

~gh~reas!~ :prn~~li;:sbut1~~~

OSCAR PETERSON: "Ex- ther Terry no r Mon,: really hir tlu:sivcly For My rrlf!"l'lds, 1heir- very top form. Sam

x::~,h~&)~~t;•islk :~.?::::·d ;:: ~~~~ 8~m:re~1!r ~= rele.aH' of 1ht txlnordinar)' group, ,.e-=slon by Pet~non at th~ homt of German producer LAJlRY YOUNG: " Htavtn Hans Geo,, Brunner•Sehwer. On F..arth" (Blue Nott

~ :lle0 !h~~.sli~ly /;f!;l~[m\! !l"!C:t!!?'~~ m~~ o~~;:~ .swiJ"lg is beautifully assisted i.!tli in an abovt,ue,age set by two different rhy1hr,:i with 8yard Laneiu1er (a ho), sccUons using R.a:y Brown .tnd Herb<rt Morgan (lnr), Geor3e Sa m Jones (bas.,), Louis Hl.)'ts Ben.son (gtr), Ec:tw• rd G\addto and Bobby Dutbam (drs). (drs) . and, on one track.,

li-~i-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.,:_l_l_l_l_l_l_l_l_;I_~----, ~/!,':~ ~r:~~cl~te ~o~ that or1a n,,1s don't :shine on t>1111h1d.-.

MICK JAGGER PETE TOWNSHEND GEORGE HARRISON PETER GREEN MANFRED MANN ANDY FAIRWEATHER-LOW talking about the current state of pop In Britain's best-selling colour pop weekly

GET

DISC and MUSIC ECHO

OUT NOW

Why the Welsh band gets better and better

TIUS FINE a~um by the Alex Welsh band find.J solobl.s lll<e Johnn)' Barnes, Roy Wlllla.rns, Jim Doug.La.t, fffd llunl. Al G;iy and Ale.s hlrns.elf in ucept1or11al form .and, In 8-ame.s and Williams, Welsh ha, IW0 of t.he world'• top sidemen,

Thee al>um has a.n enter• 1.ain.l.n1 mblUN- ftf dbl•land, malnstrum and small oombo s.ounds, buu1Uul solo excvn:ions, and a pund'iy fn>nl line pe:rfonnanee that turns four lnJO'\unents lnto a Bult•llke roar.

Tiie reason fo, the Welsb b.and's commandln& p0sltl0n ln lhelr Juz Ju,a\1-t ,Jae,ms; to tl4 their ttland pe.rl'onmncH. 'They have captured the esotnt:t, of

k>':~11 ,l:U!x}~!1.,t~r!:.r1~ Of American musJda.ns.

Th,a rhythm .J«:doa

ii':!nf: :::~~~~n~hc),!1'°!: pttclR. The Brltlsh Juldoen and nervou.snest ($0 preva• lf:nt AmOrlS British tndd~ Of a few yean ~ck) hu va.ni~.

Also, trlbtllt should be

fc~1:,/o H:ts '::\ :.:an~ togelbtr s iflc-e 195-4 and Improved ll.$ SOUDd 2,J] I.be time. Despite n.imO\lr.1 ol an oceasion.11 rumpus and lm­mlnent br-tak•UJH m11sldans s1kk to him. ti~ brinas • stability to his ban.d a.nd ll shows.

From the flrs-t few bu.s or

l OU IS ARMST-ftONC: " Louil And the 8ig B•"ds 1928~30" ( P.,lophone PMC7074). Anotht, c• • lno,dina,y set of hrs­to,iic Armstrong perfo,,n. -..,ui.._. r,om P•r~h9n•, this time with big ha11ds of 1928• 30 .-io,.t.Jgc, Ho"" C-in )'OY dct.tH the ffl•ll­nifit"tnt trumpet pu1,. -'1J.es? Two tahs of •· Some Ot These D.tys," one with 'W"OUI, HC ,.mot1g rue pfC!.thut.s fo, iconnoiu.eurJ. Vit•I st11Jl for icollccto,s.

KENNY WHEELER, " Windmill Tilter " {Fo"• ,.,.,,,. STU494). T,um­pctC!r Wheele-r confirm, his shhu• H ,1 m.~jo, sofoiit a"d ~dds a,iothc-r dl~n,ion with his com­po1ing~r,.ngln3 s•ill,. A scnslti.-e, «usion•ll1 b,illi,a.,r ut of ori.1i,i,1'1,, well pl•yed by John D•,ikw01th'1 Orch~o,.1.

1hls albwn yoo know k's • skilled, rtcu.ta.r unit pl&Jfna well•rt·he.al'Md arrange.mtnb. No a roup of mu.,Jlclan• mttlin1 for I.be ftrst 11.tne in lbe srwllo could product .l'OUAd$ lilct Chis.

A wtlk1eun-•d aJ,um of the month. May wt act m.•ny mort frOm Uw Welsh crew.--JACK Htn"TON.

XENNY CLARXE. fR:ANCY BOLAND ANO THE BAND i.lVt AT ROH­Hlt'S: ALBUM 1 •• Vol­c.-no" ( Polydo, 583 054) . ALBUM 2 " RH c.._.,.,., " irotyd.... ~al OSS) . Hund,eds of jna enthusiHh who uught ,his hbulou, bud .u Ron"i• Scott"s Club jr,. London hne bHn • ;11t­ing to, Hlesc two •Iii-um•. They won't bt di,­aPjlointe.d. Powetho11.111 ~ection wor'k spiced with nciting 1-oloi.

VARIOUS ARTISTS: •• J.11u E--."losion ! •• I Coh1mbf.a SUSI ). Ch.up and••· ctllent safnplt, of Brithh j.au from the Uni• downc 1t.1ble:. St.111 Tucty (aboYt), R«~ dell • Carr, Amancio D'Sih1a, Mike- T.ayto,, l~ H•uiott, 8ill Runo, John M.,,.. ,, C"y W•n~n.

LESTER 'YOUNG, COLL-MAN HAWKINS. WILLIE SMITH, ETC: " Su:•pl-.onH ., C M.c,-c111y SMWL21026). A compudh1m w h i c h brings tc,a:cstbe, P,ct, Hawk, ~ltoisti Willie Sn1ith .1nd Peta 8,o,.n 11nd re,.orilt He,i,'ie H.a)'~ l'lltt p{us cthtf',-PUtQd 111id-Fo,riin.

LINDA HOYLE isn't exa.ctly a household name. But given the breaks she certainly could .be.

Her- exc.lUo& vocaJ talent ean be burd wlth Affinity and "'fflclenlly lm:pruse<t lhe CllStomers 11 Ron.nk Scou•s Up­staJ:rs room tor the bo$.s to book them for the main )au. room opposite Le5 McCann from July 14.

Unda hu the bask: prob­lems which race z nuf'l\bt-r of toay"5 singers .and musicians - she Is a jazz 51,.er by inclination Y., .-..Jls<s that h"' futurr must lie 1n PoP m"'lc.

She names Billle Holiday U brr biqes:t influfflce lhough I can detect t.races of Juh~ Drlseoll and 8e5slie Smith in heT' s-lncina. The result,. in rac~ 15 quite original and SM has the ablllty to project h<n<II on •lag•.

• J dld ll$ten I<> Beosle Sm.1th quit~ a lot. and to

Mildred Bolley as -~• sbe told me. "1\-1)' father had • lol nf old_ ~rat.Med 785.. That's reaUy my era. rd lo\ie to do their stuff but I ca.n•t rta.U)I today •

.. Julie? Yes I 5Upp05f' she must han Influenced me. I used to go alld Usteo to bet before sb wu popu• lar IM.ause our oraanlst v.--as so k tto on Brian Au,tr. I always admired htr control."

Affinily hu: ex.lsted as such fa.- tm mon1tu - .. Five of them without me. .. ~}'5 Linda. "I tr~ to do a Jani!. J0plin at the start and had lo lake fi,.,e m0131.h$ off to rest rr,.y "Olce. ..

Linf-.1.rp of the group iS Unton Nam (orpn). Midi .. ! JOpp (tti), MO F05ter (bass) and Granl ~ell (drs) - alJ exeepl ~1ich.ut • re former Suss.ex llnive:rsil)I s tu• dents.

.. I ..... ., t'RK•&ed (0 a (e-llow at SuS5U and through hlm met Linton who was then ph1yinx with a jazi trio." Linda e.x-pbiins he< mttl.lng -.,1th the group.

"'That was b.tore. h@ started golng bakl •nd tw1e look from those bea.utnul eyes and l was pu:Uy In his hands.

.. I was al a Teachers' Tr.tin-

Linda Hoyle­the next most likely girl

Ing College at Watford and dolrtg, the ocaslonal folk club thine - whith I hated.

" Linton and the othtt-5 decided Lhey didn't want to ao Into computers, or whatever I.hey were sup-­pMtd lo be doing. and rormed a group. They had a male s-lnger bul when he didn't want t o do 1 date l did U lnSlead and becJlme the r~ular singer. The name or Affin1t)I? ll came rrom the 11Ue or an Oscar Peterson aJbun,."

Faced with the choice or doing a degree or going pr-')JKSton.a.l As • Sclnger, l .lnda opted for music " Prftnarlly because I wanted t.o earn a good living.'"

She also writt'S the lyrics

for <>rllln• ls by members or Affll'lily.

"' Tbey all wrke. extept Grant. a.nd I lhink Mo Is the best... she lokt me. ~ The trouble is they lack con.fldente in theh' own lhlngs :,,nd keep learina them 1.1.p, but we have ju.st .$1:a.rted doing some origin.al things on stage."

Despite a habit of $ellding herself up. she givl!5 a lot of Uloughl to her Job.

"J'd really Hke to sing like Mi.lH Davis p lays," she admits. "I want to eel to lhe stage 'Nflere 1 leave out thlng5 rather than put 100 much ln - I reel thnl i$ exle of the gll"Cat things about BIDie Hoti.. day, lh~ way sht knew what to leave out or a melody."

Does she feel any qualms

MELODY MAK ER, July 5, 1969--Page 19

LINDA: a habit of sending herself up

a bout playing be(ore a ,-----------------------------jau audiel\ce ln tho maln room at Ronnie's?

... A:s we a.re playing oppo­slte le$ McCann k won'l b,e too bad." she says. .. After all he tend.¥ lo a·ppeal to a wide.r au .. dience th.an most.

-i And the boys d.Jd a rn.~lh ~OWrUl• b-,t without. lll.t.

'that broke them in and they were getting quite g;ood receptions."

BOB DAWBARN

OUT TODAY

Gilli the gteat

NEW ~occet weekly! 1t Rood Bobby Chorlton'• Wffldy

diary

* World Cvp ,~tell ;tr Socc:ers.enie - new Goal

f«atu,e

Paa~ 20-MELODV MAKER, July 5, 1969

SOU N D SEN S E Compiled by Chris Hayes

T"A:1~8 ~: f(i:::. '~; manlpuJate lhe 5P0ons1 but now can you explain the lechn.lqut or jug blowing'? - B. Thompson, Wey­mouth.

Our jug ph1yers art: J&.mes Makepiet.e Chamb~rs and J. Arthur Tomes, who ad1,1ise )OU to obuain a ooe gall0n cider jug. drain the cont~nts, put the jug 10 the lips and blow across the 1op. For a more rugged

Tell me, how do you blow a jug?

f~~t. w\rf ~!~ng na~~~jy if you drain a one gallon .stone ginger beer ju.g. Don't forget lo clean it out afteT U.SI:! w i1h a reputable anti• ,e-p llc. There are no books oo the subject, 10 you'll hsvl" to ~xpe-rime.nt a little and practise hard. Remem• bl!1", CVl!tl the virtuo!li

~~~:d _!00J36's ~Jft1;t r:i Kerr'5 Whoppee. Band).

• W"~: •• "' ':Ci\~, or ~: Vesta commerelrll? (1\1. Rees, Wolverhampton). Has lhe Guinness llntle. b~n recorded? {J, Norris, Ba<b). Who was rcSpOn.BibJa ro.r the mu.sic o" the Dulux advertisement? (H. H11rold, Bre.ntwood).

Vesta J ingle was wriUen, u:~n~~n:~d ~3,duc:ed r~ri orche.1Lr11 and eight sin,ers. 'The lyrics weTe specially written for the product by 1he advertising agency rep-

1e1.enting the manuraclur~5. ·nie tune t& untitled, but ls described as a con te.tnpo­rary piece of romantic music. Guinness Jingle is " Take Oh TaJ<e Those Lips Away," written b)' Dick Hyman, published by No• vello, t.nd recorded by the CHtf Adams ChoraJe on MCA MU 1047. Oulux Jingle: ts. "Oul ln The Country," w ritten by Man,. fred Mann and Mlkc. Hugg

r;j ~~e~d J~Xe~r5~ pt; Mike Lf'ander, on MCA MU 1079.

• wn~~th! of~~~: the appearance or a wm~ pet? - James Dyk~ 1.-1.JIM.

In th~ir contemporary trumpel manual, Know Before You Blow (H• nten, 21s), Herb Alpert and Ollie Mitchell recommend that the lacquer finish should be cleaned with a soft, damp oily clolh and pre.served

with wax. To clean n silver finish, vse. a good grade. or .silver polish. The. boOk, which contains a sleeve with 8 plastic record bear• 1ng an 1ntro<lueUon by Herb Alpert and warm-up ex• 11mpl~ by Ollie Mlle.hell, shows tiow 10 think and trafa Lo become strong

=~lo,~~r:n;:~l~i~~?~~~ the •

HOW do I g1> aboul makJnai:

used. b~e~h:Tr.Jd.rn;,:. band.sf - John Booth, WJr• n!L

Steel drum1 uo made from

::nir ~~~o ~~e ~!Quhe~1:.~:. wbkh b IJ)pro:11.Jmatet.y 6i11 d eep for the tenor, I01n for the alto 1nd I Sin for the bass. The dtplh bu a lot 10 do wlt.b the actual tone. The can ls cut

~fiar':,51~1e1!1e:~mchi:e1, '°:t1J

1$ ihe quickest method. or II

~~~i•:~a~~~c~~::Sb ~°n11/I!;/ • can, ln which the cork or etp is situated, should only be

tl.!ied for the baa, a.nd mw:t be r i&hlly corked. WMn the c:a.11 ls r.ut to ffl_g, the (Ill.'.!! ia beat e n with a h•mmer inlo 21 concav~ s:h.ao,e to • ltt.tch U\t metal s!Jffidenlly. The tenor l'J 11.mk detpcr than the •ho or ......

Dirdde where you are goll

~af,!a~r ~u~::1:n~8~ :~,k

these out in Hmi-drc\M

:f!~t:1:ete!~ut: J~ !,en~

drum, kaYlnc 1he centre for the. <circular notes which are 11 hlJh er tone. The seml-drclM and drdet are now 5rooved wllh • hlmf1Jtf and • .-.:ma.II btunt-Ngl'd punch, Tbe drum iii tempered fot 5-10 minutes, which means he11e.d over • tlrt and 1mmedia1t.ly cookNI With a>ld water, ll is MW rud)· for lunlng. which I• aecompllsh.cd by uppJnl"-(lown tor low notes anti up for Mah .., ...

The beaters used 11r• wooden .sticks. slmllar to dnim,tkk.s, abou, 61n-8Jn Jn ltnath, bound with Nbber, an tumple Min,: the lnnttr cube or • bkycle tyre. Start blndln1t the rubMr round tbt: •lick at lbe: beltini end, Wnpping two or thne Hmu Ill ftnt •nd

<lttc1ltt1~!; * l>c11~J~c1i11!; For expert advice on pur chasing and p laying-see your local dealer

:===s=c=o T=L=A=N o==-:-..j ;::/ ::::::::1::::1::::o_L_A=N=D=s =::'.,I I SWTQ EIGlMD I o .... , eoo 1ruu111T1•n1 .. 1nc.1

, .0001 ol KCHMH1tt in 1tock It

BIGGARS

Cil¼liiAMii 2'71•1 SAUCtll£HAU. STREET

GLASGOW. C.2. 81'5t 1e,m1, f..n• •t M t1i1ie•

PETt. S EATON ,a HoSN P11irll. r.,,.e;e

Edinburlili, I . N1-Wlngton 3144 F,o, 111 ~u•k:a•I II\J.UIHll•nu

11'\d A.ccnsoria1

IIORTNERN ENGLAND

J. P. DIAS LTD. 149-151 80TCHERGATE

CARLISLE A.poo,nitd tt1m.Mond Ot1-l•r•

~ f223$$

KAT WESTWORTHS Melody House

17 Cannon Street Bfrmingham 2

91 rr11,l'lglil11J1·1 f•vo1.1,C1• mi,src: 11\oi,

T•I• M IDI.AND ,o,I.J

BAND BOX (Wolverhampton) LTD,

2:1 SNOW" H'IU WOlVUU-lAMP'TON

Th• Tnstn,m•n1 yo;,a lfJo IHltil'lg wm ti. 11•':

1.J: i."r:

11:omp,el'lln•

H.r. ind Plrl ••clun'II• 1.aclliti .. .1\f1l11tN•

P'hOM Wolwrh.ampton 21420

l

LYON & HALL LTD. Main agcnls for

Hammond & Philic orda Write, phone or call

92 Westem Road Brighton. Tel. 27991

r~TI WEST ENGl,\~1 BROWNS

OF 8fll$TOI. LTO.

Barg:ain Centre of Ealing, London. T ympano El­ectric Conga/Bongo box £35. Vox Sym• phonic bas., hand pain­ted puke yellow £25 , Fender Stra t, nice machine £75. Selmer I S in. speaker cabinet, very h igh mileage £1 5. D..allas President bass 50 watt amp, and 18in. cabinet £50.

rrir1~!t. ~=r~n!t ~~ ~:Id~~

g~11•i :r11=~:.

1~eed~rntl~t,:

nurnber or drums needed for a .stetl band ls lhre:11' (tenor, alto and bau), but there It no llmlt. In TriDidad th.ere &rt!! ,led band1 lhe .size of a run orchN-tH. playln& not only

:-!!f~bull.•A.•l5o4nd ci.:=

mr.islc. ~ERRY GODIN (Gerry CobJn. lllld lb~ M~llo,. tonu Slttl U.nd). ., W'~Mpro:~ ~~ ~ rvr::,~ "u.~u ~~ 1t't~ 49:19)1 - Arnold J ttPI)-,, Glooculer.

MUJlcal difec.ton were Charles Rl1.tkwl!U on A Man Wlthou1 Love. Spa.nJ:1h Eyes

i~nn:0H:r~~•n:n ffn•t-i-t~ My £ye, Otr You, From Ht:r& To Eternity, A Man And A Woma.n. Qu•ndo .and Up and

~wwo:;:rr:r~~~::. c.,~~ Me, By 1be Tbn.e t Cill!t To Phoe:nlx • t1d The Shadow Of Your Smile.

• J S it pDsJlble to pun.hue a

u 1i1J~;1c.t!:!0 uk':i!::n~ D1i.nkworth and Ome1t111: Colt•

:,&11, ,b~ w~~.:~:u°ftnl~ P.A.W#<I .MI.Dcht:!lttt,

PluUc ,axophonu are vuy n1lable and h•ve- an u eetltnt .ound. 'fht:lr desiao U baud on the wo.rld-famoia BuCK.hu Arl• tocrat. The only t naa U

:":,h:~=b:::i"'~~~= are no longer made1 S9 t1'e.y arr rather sc• rc:e. but we h.a"ve • couple for N it at C30. Th~

Ka°:'~tee~ ~~~~J":1 b! rt~lN~~;rantt~~ 81~~ Sha.fles:bury Avrnut, London, W.C/l..

• I FJND 1h.u new sets or

strln&,1 kae their bfle a:htt aboul t,.-o d'-)'•. J UH Dladt Dia.mood strings hrned • snnl-tone below concert on. an Eplphone Tuan cult.ar. I pllJ :about half and half w1th pl.eetnun and fioccrna.Us,

f~ •~e ::.'!~~ ~:,P~r~ houn • day. - Peter J. Bnwn, London, S-.W.J6.

PTac:tltlna .-1~ hDUtl dlil)' PUl.s e:ri;«Jsi\'e wear &nd tear on 1he slrlnp and rreLS. If you've had the 1ultar ror some tlme, the freLs could now be • lftoe: w~m. Olli.Jin& frlcUon on lhe iawer 5fde. or the fret$. It b poulble. of course. that lhe Ju1n1f being

~m::ed f•r~~-the5tr1J!t

J!~~~h T::1~;, :~:lnp~le:~:. 2407 in our eataJoaue, price t i 1716d per set. and obla.ln• able at most musleal U'I· atnarn,nt 1l'lop,. U Ulese­pc,inls do no& ttctlfy the trouble, take the guitar to the dealer from whom )'Ou bouaht

ORNErrf it and get his opinion, -ROSETI"l AND CO LTD, 138-140 Old Stru t, London, E.C.l

• wn~; ltsLI~~~ b:~=-lhr:! r~log. My 1?'-0UP 1J m.1.ldna • demo disc. 500n and I want 10 set • proft':Hfoa.al .-1,und. - R S., Manchester.

Moot drummcra tl1htf.ln aH skins a.s rnuch at poulblt, but at the ,-,na lime maldo1 sutt­none of tht.: dnnm boom. If

r!~nl":~::. ~:!n~r.t ~!:'1~ uud. A lm at ucb drum

~~n:~~~C: :c~,,:J°~ib~y drum tutor, Orumhe:at. pu~ lishrd by t-"eldm•n. • l 10&. -Onunmt't and h~.dJe:r ROY \VI.WAMS

• I tt:~; ~~·:::; ::~a! 10 I.S '8 Vox Co1LUl'ltu, ud Sbu,-. mlcropltona, .bi.It I eanno« obtain h .ougb treble tone ud I wouJd Ulut rfletb, A, I UH. Vox ooluinns._ would I obtain lbe reqvJnd

:;=;11tttt;f ~~lllEd~~ CiuddConl.

"lbc low f.reque:ney resiionte of most of the Popular Shun mterophonu iJ 100 &ood for :'c!5:,or~l~n!_ ~~t ~~~~~ sbJeld 01 with an a.m,pfifier

i~:c~ \Ir~ a ~e hue.:~,\ :~:t~~o;~i~ ws~un:t!rur~~ a.nd thtrerora &Ive mort treble. There. may mo be some mf:s.matdllng betwun lhe: ~mplifter and the four column !!peak-en, whleh Should be checked by an bput. When more th.lo 011t pa1t of speaktTS are mnn~ced ~o an amplifier, the hnpcdanc:e

~~~es ac:~lnaf:~0~:,'!!:

u.rta(n modftctUODJ are cat• rlr<i oul to the general wiring

~~~ ~,h:eef:m~!~ui!; person 10 invatlg• te thl1 to cniure. the utmost pel'tomi• An~ rrom your cqulpmenl,

We an do the: Job, - VOX SOUND EQUIPMtNT LTO~ Wtsl Slf'ff(, Eritb, K~t.

• ~ro5::_tb:C,Geoc1:t~~ :=: .:~:r?t ~,.n~. wr:: doa, South.ampion...

I c•n' t. rem~titr wha pr~ drutt>). but l lblnt lb~ rrmalndu were Tomar.y

~~•~e:cu(t~•~~!°~tn~t

::~f (~S:1; 8~e

8~~.:; ~-=~ ~a:e ~,!~~)l

- G'EORGE CHJSHOLM.

• wHi:r~:a:~: ~~-:::: - C.Outance James, ~ w• Ce:r.

The COMJ)OHT WU Jahnnf H• wbwurUJ, talented l)U;t• player WiUt lbe nnlontc .teo,o: or humour. wha Wat a atatwart of I.be Ttd Ht.atb Band. He uve. up plQlng fiw Ye.Ari' IJO to COOCffltl"lltl! Ofl wrltlna, Hls basic lh~c, for 1 hames TV w-.is Ul~ded to

~r:;~eol~11 ~~dwh~"!'ffl be heard dai!y for the nexl ab yearY. He wrote the tbtmt: used bY nv for all soccu lntemaUonal1 and be cantrt­bulu all the pop l'IU.Sle be..rd In Big lkndwinnu Hoa: and CoromiUon StreeL He JUpplies

~(~~u1~ G. 'tc~~u 1:!d ;: res;u111.sible tor tha 11icn.aLurt tune- Dr Fanny Cnidodt's Colourful Cookery. Re does mUJlt in. • Hc?iter vtin for J ohnny Monia'a Zoo Time aod =~o:'1nf. olher r•mltl:ar

• WH~w:-~•Y:: -~'; ~ mat11ha "1 - J. Howdl, Barkh1g.

1, !~u:~lY;1i~~:;!n!~ :if~ ~: P~-Ji~m~y ~,rs ~l. Qu.aym, who 1$ an ab,olure. gas. - Et.TO~ JOUN. R. S. KITCHEN LTD.

LEEDS & NEWCASTLE SpaclaHsts ln Dance Sand

Instruments -~

Top Ccar of Denmark Street, London. Gib­son original Les Paul Junior £1 35. Gibson 330 Sunburst. Immac­ulate £120. Marshall 100 wall 24 x 12 cabs. new £180. Premier, blue pearl Ludwig 400 Sn, S'Zyn 602 Avedis cymbals. Cases £ 145. Ludwig d/bea t oyster blue Custom Cymbals. l-..dwig Throne cases £225. TRADE TALK

C. JEAVONS 35 Percy Street

NOwcastJe upoo l)'ne. 1 Tel. 2089S

For ,11 ,r11.1,1ul 111.flltlffll.lll.S ll'ld

~ ~ ALFRED MOORE LTD.

BRADFORD SpMl;afi.s1 in 011nce 8.and

lnttl\..ments.

ANDREAS MUSIC CENTRE Mlk•r--R91>11lr~llilet

CiUITAR SP ECIALIST 8ou1oultl • M~doltn• tut. • 8an}o. ltc.

&a TU'tf:~~£ if/tr N,8

·., ii.

ltOME COUNJ(ES

HUNT'S MUSICAL SUPPLIERS

~6 & 28 St.. Leonard's Road Windsor. Derks. Tel .. WK 63988

Spflcl1li$1.S In all IVPH of l~U\lffl• f!tl

€>range of New Compton Strcef, London. Vox prorntype, rare instru­ment £30. Left-hand Fender Precision, as new £80. Harmony bass. Bargain £45. Rickenbacker 2 P/Ups, Amerjcan custom £ 150. Vox body Fen­der neck and p/ups £75,

Pan Mu,ic of W~rdour

Street, London. Gibson 5.G, special £135 , Fen­der St rat Sunburst, as new £ I 00. Fender Ja1zzmaster, white, good £90. Fender Cus­tom Telecaster, black £110 Clar;net lewing­ron model 4 1 £20,

' l l"' 'l'<ft.; ""~ l •f Lt "'I.! • f> Jl;( Vt Afl,iC f {~

H• A l fl rt Al 1r. ,1,.r-

• J, and T". ManhaJJ Lld, wh.ose. &mfllflers •ne u.sed by do.i.t: .aonew~~ ~•;: ~ B'madw•y, Ea.Jing, London, W'.$, mana~ by Chri• SbttWln, who hu btta w1th them for o¥U- lf!"t'D yun. They AN' 5elllri1 bras!!, w~od\,vh1dt, l\lh:tr.li and •m pllfiers, Jnc100log th~• to,­:«.hool \de. Wlth thl! openln1 of the new s.bowroom, they have closed th~lr orlgin• l shop Jn Ha.nw~ll Their factory «.m.alru. al Illl!tcblcl', when they :iuo hue ~nother .shop..

es~ey •nd Hawke> have acq·u\ted the. world dlt­tributlon ,..gbt1 ot a ranee of bl&h • cinlllJ' ~mptlllcalion

~~~,m•;~n~~!::::1 L~l

eomprbln.1 le-•d, ba_sj and orxan speakena and pUblk addreaa s pt.a.kt.rs • .nd

::.f,0fi~':ia -r:~ u~1:·~ ~r

80ou~u,

2~~: foi:,

1 lln, 1 $1,i .and I Sln htOY)'• J1uty Goodm.111 sl)(l!llen and art! ~vaJJ&ble: ~na:lr OT In comhlnadon or " ria, " of .unp6fie.u and .t;pHU:r cabl• DC!lf,

IIAlu 1'uwe:n, ~1hlgerla.ad r«:k and roll drummu. who 15 a cl(nld1.n, and a r.p,ne11tl• th•c ()f the A\'Nlla ZUdJWI Cymbal ~ h •:1 writtu • =~:e d~ ~!\ ~ T~ Onunmin.,, which It avaU.r.le frvm Haiitea P\t.bllc.ation1 1t 7• 6d. ll Cffl'en bau 11:1d snare drum.1, ride eymb..r._ t.am.1on,~ aod hl•hat.5, with ~ Hcrlon on 811 But.

IIMU.Jlc lor lh'II UamlH t{&u commudaJ on TV• dtled Air ar .A.rb rrom l.he Sulll!' No J In O (8WV 1068J by BWl, jJ now awa.ilable from Brillth and Coatfotatal Mu.sic Aa.111:nclu ltd, who pubhh &1T&llll!mll!Dls for .-olo p1ru and IWO guib:n., written by lffl'° MaJrancs.

FOCUS ON FOLK

DOLLY ANO SHIRLfY COU.tH5

TttE ALBUM Top 'Jwtnty mart In the wlndow of KJ\fV'.- OxfOrd Strffl. 111ioWrootn had a.n un• usual LP at nu:mbtt twelve. recenUy: Shirley Collins' .. Anth~m"t in Edt-.n .. record on the new Huvest lobel

Qu,q don'I muo. much UI fwk. sia.&crt, &Od Oial'5 lhe way It 1hould ~. but If HM\I"• pluloa wa, uy ,,.. flec:don ol Wes /UClkUI, 11'1 S<lme-tftliic. of • trlbut• to Sh.bitiY'• dete.tm.ln.alk>n lO llel!t • stnl&lll cou...e ktwft'n btt1-tlf and bet .......

Now th• t •ppreclaclon fen kMl.p hiu ,:'"- bKk lo the rolk revival u • .tt•nchrd - ttpbdn1 thr- old critt,rla ol d~I dtonn r• llngt and ablfily to rar1 about on $1.aV - Sblrlt>y I• at1t.in1 UM: A'COlnlHon 1ht' hu ~ for.

Hung up on sackbuts and crumhorns

Tl11• 1u«na or ·· Antl11Pi1n •• muu 'oe p.utl)' due to 1lsru Dolly COllln11 1col"in, for t.it,e mM.lnaJ-typ,: bud ot .a.d'butJr; •nd cornets- and aumborns whlt::h •ecom• pa.ale.. b.,. throughout - 11, • 1ttanp way, ""d ta:~l-­•11)' Jn I.ht oVHtl.lfT, h rt• m.liub ,.. ol 81ood swear •nd T•.an' l'in:l all:lum -but lhr'Ol.l&b 11 •U, 5'1frley's •l.atJnJ: 11&:nd, out HU • bMmG., Just a.1 1t hat lh'°"aboitt ht, cardf'.

FOi' if Sbirkir'• •in1-1n&. hu JoQmud • fal,Jy 11.nJaht eou~e, t()Wllrd'J Ill pttHOI•

FOLK NEWS THE DUB-LINERS, the Ian ~=• ~r;tf.; &itb;ou_:~ Oavt 5Wa.rbrkk, llod comp«e Dornhd< 8e.bAn lake part In

~:m!01~t "tf1 .::)'.r~.~

H~~~~ht F~u.r5tu•cr).. Robtti Han and Jlmm,- M•cG~,o, btgln a l.1te--nt1ht Utltvl1uon n,1~ ro, sec Sroda11d in the .eu1umn ll will run for 13 wttlu w1UI an option for anolhu .sbc.. RObln inO Ji.rnmy hoPt- 10 1ntrod1M;t folk 1rtlsu: from •II OYtr Britain lhrouch­au1 lht> 'll't'Cit-'I

da.)' •ullmitll)', the fUIII.'. t'sn't bt lnNt or hl'.r •cee>m• paa.lm"nts. Htt OWtl IMU'U• mutal vrrork hu ••",.Y' bttn rudlmmta,y, wbkh ls pe,rhaPtl v.."by r~td pro• d~~rt b&Ye belfl ltm,ned to tr-•.m her wllh lnsLru­me-ntaJ \'lrcuosJ llkic Davy Graham. 5be: rn.1de • COO· uu1,erslal album wllh Davy • few ytws •10, Iona b~ forte a mon crnlln ap­proadl 10 foll: aeeorupa.ol• m•..oll had bttn made .. rt'· spt"Ctable.. throuJh the WO~ or C.tthy, 1M Pml• an&Jt and Jarach and Rm• .......

TM ColBH•Gnh•m eolllbOra• Lion wu • lailurti a.rtlt• lie.Ry. It mun h,. 11,hn1t1 .. ,. today, but 1uch bi often tbir f• te ol pl(l,r,etn. Tb.at Decca

Th~ Oraoge Bluuom ,Soucd, one> of the C<>untry'a l~dlnC blu,grus banclt. bl vie ,t,(()rdtd an album and 1inglll! with produc-er Sc>b John•1on, who produced Bob Oyl•n,, Leonard Cohtn, Flau and Scruq,. Johnny C.•h and Ma.rt)· Robbins 11mong <1ther1. The- group hope to ao 10 America in the a1,1tumn for a promoifonal -vi5il and lo .S@tembtt appMr for • wttk with lhe Conies {n lht=lr La\i! niibt thOW at tht- F.dinburih F'esalv.al

Ir-1th a:iogi=r Jlm Mt'Cun ls the gu~t of Marth, Wln•or

FIFTH CAMBRIDGE FOLK FESTIVAL

CHERRY HINTON HALL 1 · 2 ·3 AUGUST

The DUBUNfRS ,,_ PATRICK SKY AUX CAMPBELL • The YOUNG TRADITION

DAVE & TONY ARTHUR • JOE LOCKER NOEL MURPHY and SHAGGIS

The JOHNSTON$ If-- MAGNA CARTA Plus! Plus! Plus! • Licensed Bar• Buffet•Camping

Tickets 17/6 day, 30/ - weekend, lrom: MILLERS Sidney S1ree1. Cambridge 54450

album Is- in fQfflir ways: more inu~rtstinJ to bea.r to­day, wll.h the benelh of hln(l.sl&hl '11owlng 1.1s to hear so man)' other- thfnp in em'lvyo 'Nit.hln B.

'" I Ilk. lub.1011, htr tdt or

=i:~,;;t~ ,:i:::.::s~~ a nurmltr of olbu ,Olk u d

::"' ~ft''(, •::1'~mm:: reN\'•nc-e to wb•t Shlrlt)' Is doln1 than o.,,y C raham'1 arab-d111td b lllff bad. It would bt Mn.ltn61! If rf'¥1vall5b beau to

!_hi!".\ f1:[: l' W!~r=~h~nF. about usl~ tbl!.H: old C':lu-1lcll lnnrumt1'U.l mat'ly hf.t-1>l•J1• tbey are old, ror cxnpc du.rlnx • b rief p~rlod when th~ 100k the placr. of

and Redd 5ulllun at London"$ Trnubadour club un Satur dly, witb Tim Gl"ffnwood aur-JitlriJt on Sunday. 001.eE artist.a lln~ up for 1he club In July lncludt: Gut)' Lock.ran (12), Dawt Waiu a nd M.arfan Seu.I (13). Maureen Kennedy.Martin (19) ~o,~r ~~~::o;:,"~nc:•ir;,;~1:~ Zaya Q:7).

Makotm PriC"e is in charge or the guitar workshop al Ketlt rolk festival on July 11,

l!s;:,-d ~;TT:~,! ~~~b ,~•a11,~ on July 14, tbe

~, WIii• U (19),

rantle.lah (21), ff.ill Hat, anor (22.) ,

Chrluy Moore. has broktn r:i:~1tt~dv!fth :~1::roo5~"fi ~rkrr. 2:: ~~~:iy. at Ch~lr.: w•• 1n lr-tJand where he appeart':d on Sh•y He:al)i·s-8allad Sheet television serlu. He-: Js. ll pre.Ml ~utOna a.n album for Me.tCtJry. ritle.d

~";.1~ &°11a~I~ ::lu~ n:~d

• ,~A ~obj~ T~a:~1.on ;.rrr:h~ u.mberland, fofk club Tomor• row (Friday) and Al the Sw1n, ~II Lane_ Wblcfsor, on Jul,y

S.yJ Heather Wood: " This club hu a tuptrb rHldent group, T~d UnJon, who d ropped in on our al& at Ctti.l Sharp How.e r ecently, and

lb~k~:1s:s11:~;-~~ al lhe Castlt', f•irfield Wtsl. King­'IIOfl on July 19 Royston W ood WIil bt IOON.' •olo \lrQ('k 1n tt\e futun.• and ttft Yr, Rnal dale- Ills 1: t,l'DUJI will be a t Cedl Sh.up House on SfPtt'mbt-:r :to. ~.t1~':sn to'i'~m i& R:hd~:J Ont Van Roni!' and ~he e11n be CCN'IISClNI ll 01-801.-1412.

--------------------11 ~:~~ it •• ~:,11•~~r;i~~~ LO

Gr&ilnS: lo En&ll•h ehur"hu. th He ancnton. uf t b e modern oboe. trombone. ll'WtlPft •ltd fiddle hav• pl a:,NI • Vf'ry .1,mtll plrt In tradlllodal muJlt:,

This dOKn"t m6ltt'T 10 Shlller, who admits frankJy she UU-tl thf.m ~U:M! :'the Hkes th,e s.ound. though l.bey #re. oo more 1radlllonal th.111 1.tM J• lrin& b,1njo, a.ultar, movnl•ln. duktmtr Of Eng. Us Ii eonr.tnln.a fnowNI by • numb4:f o f rrvlv.llstI.

The medlewal band tln't u pt.I r1.tble H • sulngMI In• au-wnt'IU )' OU can Clln')" un,d"r )Our am,. of t'OU.fM;, wbltJI l.t p.robabl)' jUJt H well, ro.. much H Shlr• ley may k.nocll: hu own

~~~10a:~~t~! Z ~t;, ~!

rtr;ht and l\Ol ml!N!ly • stn,1i:r1r with a blind v.1:ikh hu made tier 1n1dl :a v.alu­ab·lt conflltutnl of tht ~ \lflia.L

" I sltall rontlnu~ to work Wltft uony 00 rN'Ofd .ind •l con~." ~• s•Yi• '" For bt•l•ntt, -.t:l'lt< hu done • lovtl}' &rranaemffll of .. SI• D11kts \Vent a..F1.thlna 1' for

::fna°io' a:1~tlu,:·~1~.::

Arad The Lady: , .. The whofe ldu t>f dNth In

fnlk musk ls fa.sclnatln&, no, In • m0rbkl w.y, but

~f.°!t u~~ta01!,h8::"ft" r:.~

mNn•. 1• R-.it now that •Anthe-mi' la

fl"'allp nut h'c <u1-1hlftf: I can say J hive. dona and

~~fr~1 ~~1nt\1 "0Jo~f!.~; mi, wholr fu1u,e dt-nlop. ment.''

In r.et, untns Dolly I.aka, up the co.ncntJn• - which Is, .1fttr aJJh rt;lated U> tht Rule

~•~b:1:y•!t.~l:.:; fn~~! ~d~m/J~~e't~Jo~llh ht-r

.. l'n rea.fly b4!c--.,me Tm­mcfftd ln 1he s~p, once •1 .. tn. You kn0\111, Jou of

;~"rf!r ~e~'°r:~ ~.::,: ro11nd of t lubJ, nlght 1Ucr nisht. gtU lO being !iOrt of :automatic-. You wind )'our • se.1' up •11d go OYt :;and pU• form Hice • robol and U.e .onp bttln 10 me.:in I CP :tn d Jen 10 )'OU.

,. I lhlnk f went t hrou1h II bit of 1hat a coupfe of }'tiln q,o. Lot, of ~pie drop OUI lhen, but 1 kept going tomttiow, 111d now I'm h.avln1 a ~•I tlmt, IUrYI• Ing a lot ol new song.s, reall}' gel(]ng Into the old on·es a.11.aln.

" MO$t of lhffn a r~ tndl-1lonaJ, the same sort or thlna l'\' t' always done, ~part from tht wni:i John M:11n,h•ll " ' r ote for '.i\inthtm'I' about lbe women whose men didn't tomt baotk from the Hrn war. I always: ftnl,h w:itb tbal on• nn-,,..

.. I think nnlshlnR with • chorus. son,1, or 110methlna cb~ul I.hat 1bey aU know, l.s a brt 100 euy. l'vt nolh•

~h~•~n•~~;":: S:"fo•~e~ t-,cptrftnt:t' to sland the-re anid be suna a1 by an 11u,dJ. .....

.. Bui I.be gn!AI thing \od:ll}' Is that audi t nce.s- 11rt more. p,~.,.ed th.I.I'! ever 10 •ll .s1111 and llsten. You don•• ha'-·e 'to malte mudt of lll'I tff-or1 fCJ rtAt:h l h tm, he­caUS(: fe~•er hoe drifted In Oul of t:urio,:ir.}' for a IJ)lH of cnttri•inrnll!RL They're in (he dubs now beea\!St they"~ lnt1't'ietttd, and )'OU can roe.1 IL"

MELODY MAKER. July 5. 1969--P11s:o 21

r•.-,•.•,•.···········•··········•·•·'•'•··· ·····•····•·•·•·········•·•·;·'···•·•···· .·•·•·.. .·.·.·.·.·.·.·.·.·.·.·.·.·.·.·.·.·.·.•.·.·~·········••··•·

111111111

1; II ,ll\1!111111111!1

THURSDAY

WHITi:. 81E!A,II, J<i:ln,e,h!) R11•d. H111,1ru;l!1w.

STRAWBS YETTIES ALAM HOWARD

FRIDAY

AT CDUSUf§ . 4' c,ec-k SL, 7 30.11

VIEW POINT I 1~~~;~~~,:~~':cim~n

1111nr'.

J ONATHAN EL..PHICK, FiclHlna. tlOC'k.S I..Hnlloll Road, hlng&Wll

SATURDAY

" ANC.l.1Ut5,'" Tl!OOIH~TOJI,

SAFtROH AT COUSINS, ~, Cnlt-k ~t ,

7'1!011

RON GEESIN ,\Jl•nlthl S~1on l'Z•i

GAS WORKS VICTOR BROX

SATURDAY cont. WEDNESDAY

FOLK COURIERS THI! HOL V GIIIOUNO. 4A Of•

N.ACS HEAD, 205 Vorll ROIi.fl, itJlHUS ,.l.ACli, 9A'rSWATER:

""'"'" JOE STEAD RONNIE CAIRNDUFF H Ooil~ ROH 5tMMONOS. DAVE COl>Plift.

TROUBADOUR, 9.JO.

TIM GREENWOOD

MONDAY A CIEll.lOH AT CATFORO 1115-

ING IUH,

HAMMERSMITH MORRIS

OAYIE COOPIR. RON SIMMONDS

AT 11ANGUfC UUO. Tb, \'lor-­Jaf'd. kh:hrnond. S: pm .

AL STEWART NHl Wt-~k

JOHN JAMES ENFl~CLU•

The Hop Pulr-.. 6akn SI, Enfit>lcl.

DIZ DISLEY JIM CAMP&!LL

F l N• Att &: IODIE FUtll:V IIC!fl{• ."· Hoya l Oak, Wu ldU!,UIC' .

lniroduc-et ,...

TINKERS THIE. llt~\'11rl IUIG

Alh•ni PJi•ll-••)' f'•mlt•n Tnwn HMI. R'alf llarr•IL

W UTMINSTU HOSPITAl. FOL.IC CLua. Cul Ill 1um1ne1 re«u for iin u,nlnc 1of /olt wtu

CORDON CIL TRAP 11 Pag:e .s,. - U bll1- rvut.-

PIM fOII( -BOIAIIACI( Pe.n&Oftc.•1 l.arnwaU JULY 1.12 incl.

MARTYN WYNDHAM-READ Brenda WooHoo -John the rl>h

HDT£LS J/4 per word

$TONEHALL HOUH H:OTll!L (.2(1 mtnU{H w .. , End). Ylnrt-c1 .. , r"°m 11nd. brullfut bo1e1. ""''"~ from %18 6d dal]y_ not UID C'Old, fully ,.,.,. , ,.,111 hHlff •II NOn,;,, ShrtWt'.Ml/ bath Jnclulivt, T\'/Rad.lO

~7W1Jiit~i!"~a!r\~~~rti~~-;: huUl, London. s~ IH4WJ" JM~

CE01u:;E ROBEY. S••e-f' Shcteu•---------tlniad. fm~\lr)' Park $\atk>n

DAVE WARD HOUSES FOR SALE AT THE CELLAR, i RG",lC'Q\I CltARLIE H-.Rov.

Part RO.lild, London. ~Wl. s rim

J/.f per word MAt.NIJl'lCI.NT couNTIIIJ

M.,UtTIN WYNDHAM REA.O wnh HAHPS'fEAO CLU8, Bfdl'IUJ TON't OIANIF • nd TONY 5HAW. Strul. ,,tr ~lbU~)' SUHI, NW1.

CROWN, TWICKIENHAH GEORGE DEACON JO•AHM KliLLY

LEVTO .. SCMOOL. RH•lt R H.d. 21,.

HR.ATCH KEITH CHRISTMAS

MALCOLM PRICE So~~h~1~: ~tir~JYFJ~C~J:r:::: 1;,o rim.

Pa.NU1'S, Kine• Arm,. !U 61,:hops1•tto,

COH IE ALL YE S INC.E•S F•EE

THli fO'C'AlTLE Club • l tlU! C11Mt<-, hlrflcld Re.ml, J<i:Jna;uoa

JOHN MAKIN Adv•n« • • ,..,.1n11: l flb JUI). l"HE YOUNl;j. TllA.DtTlON,

THE lCS pruent• THI IIIHJ­DEHT$ - not ~ l'lt'W arwp. bul f41Ur 0.-11 £WAH MACCOLL, P ~ C. C. Y U!EGEIII. U NION

l~:4E0~N·w~11 ~~/l p~1lle,r .StN'ft,

THE PEEL EM:5 Tbt' Kln1rs s11 ,reo:1. Wlclitp ll!' .1-iltt•t. off Mullll"""':i. SJr .. c-t :-.nr Lh•erpciot Slret!I s11Uon, JOii PAUUilt lnlro­ducr:J

JOHNNY SILVO AIJIIG THli JIRIOAY Jl'OLK.

""'lt4~ COMPASSH, TUH91RIOGE

GAS WORKS WALTO N•OH•THAl>IIIES, HII>

Chur(h StrHI,

NIGEL DENVER!

TUESDAY

AT FOX. IS.LINCTON, N. l . ROY AUSTIN BOB LOCKYER

CLIFF AUNGIER pr«:atonl&

JOHNNY SILVO Al lhl' Dunatl'!l.n Club. Thi!. C11ppw.t Tower 11.tld'f' Rnlld S£1.

FOLK CIEHTIIIE, FULHAM

JACQUIE & BRIDIE Tlw Swan, 41PPOliHt' fulhlnt 8r1i11d••Y St• Uon,

THMEE HORSUHOES FOLK CLUB. IIHth SI • Xr HamplllHd TUbo p 1 s!,on11

DEREK BRIMSTONE 11ml )'U>~r h11••"' THE •XILH

HOUSII; . Owuliwlllo;; (1.1.1111 Lat.f wllh superb JCUd.~nJ. boahna ,........ IWf! r-rinvitu lO'lt 01 il<tlll111f:d MbiorbrndJ. fou.r j;1Uilrf11.

!~,.:i~ni..:_ s":i:1~1r1e:~~d.t~:• n;,' c-hl'r, f'lu Yot'.l•)'·CHn«'dd, 01111• Nw, lh W10l"3 Tt!I Dala U:$

CLOTHING J/- per word

C:fl~/tH T .:5HUlTI 11.l!mr-mbo.'. C'rUII;\ ' .. C'Ol>JUr phOto~ on Whll•

i~~~.l,!s ul~:?~" (~~~, :tn mlour pl\ot.o T .,_1i1r1 plu •· Tract 20tn JI J.tlln pOJll'r I ~.~r TU ~tfrt 0ri1' ~~:~nJ'I m~'rr~ bl1,;l: phl>to <1n rt11 shirt n, Rock h~'c l!Cl<'k LH!l41 R1rbard o· Chut:l: &i<rr)' 1' &t\1n - , c-olour, - 1.1~ rlli:.h $<1nd I"O.s lo - R~ Tt'klllt:l, .4"? Waodll!I\(', talruollt1' Stall' 1.iu- IIJ 1tilrt rr•<p,urto Small ml.'dlum, tir IHii;CI Mona-1 bat:~ ,;uui,nlt'f'

FOR HIRE 1/- per word

THC 81EST MO• I Lt: DI.J. COTHl.13'U1; l!QUIPHEJifT ,or }Utt or PUR:hu• from .,,WHA,. AUDIO. - n ••4'M

PUBUCITY J/. per word

r u a LICITY. rnulOul' CMJ1> ruu-.Nlc:t God"Wln. IH• U UH,

--------------

SPORTING RECORD' s SENSATIONAL

WEEK-END WINNERS

W@ok ofter week the WEEK-END WINNERS RED RED LETTER SERVICE hits fhe jockpo/. Order ii NOW LETTER from your newsagent

SERVICE REFUSE AlL 1M1rAr10Ns. t00K rnR THE KARL DALLAS ,..._ ___________ c_H_Eo_u_E_R_Eo_so_R_D_E_R ____ _,

CLASSIFIED ADVERTISEMENT DEPARTMENT "MELODY MAKER", 161-166 FLEET STREET, LONDON, E.C.4.

Enqui,los, 01 . 353 5011, hi. 171, 176 & 234

PRESS DATES. Every effort will be made Jo include cloisifled odverti,ement, received of)er 10 a .m. on the Friday pre·vjou5 lo week of publication.

CLASSIFlt0 ADVERTISEMENTS BROUGHT INTO THE OFFICE WILL BE ACCEPlED UP TO AND NO LATER THAN S p.m. ON THE MONDAY PREVIOUS TO DAY OF PUBLICATION

ALL CLASSIFIED ADVERTISING MUST BE PREPAID

PUBUC NOTIC£S J/.f pt'f word MUSICIANS WANTED 11- per 1.DOrd

I IIIAlL IIRHS ir,ullnlf .,.~ RMH, lUMr(8 lnh•nd In APPi)' 10 au11:v COUNTY 110ROllCJ-f CJOUNCH. for a llffnno hi t,11 r r J Ml 1111 li'nln-

!;1 nm;::~J(A~f::~m•wk1~:tf:!/ u~~ t:::r~HI~~~,•-~lihl! o~;~~fO:! 1t1wrt>IDr. ,nu~I lu1 "Ut;lfll!fed In 'IHlilnJ ... ,.m, c:LBI\K at th(' OUM\' COUX'l'V NIIKOUC:H COUN• t:U, 11\ ih1 TOWN HALI •• R\JMV • Hhln 11,w,u:,.,n !l•i• n f publlrll· 01"1 "' lhl.t • <l~ t> r l ,

SPECIAL NOTICES f/ 4 per word

ACICMOWLEOGED aJ u,. Ila-Ill IYOR MAUlANTS' POSTAL cou••s- ,o, PLIICTll:UM ;ind FtNGl!Rn·vLI! GU1TAII. L.rJefll H,)kllun Vf 11.111:ltl In j:IO(k -Polrlt<'Ulltti: t'IOR HAIRANTS 0,VftC-1,~Yll•, s• Ra U1.tl§n,p Vl..att, 1,nndl)II, WT.P-IAD

VOCALISTS WANTED I / - f)er word

AfT'llACTIYJ; •nd e11pffl•n et,;t

~~m~~ vr,~1:~tvr,i~rl,t!!rb '"' AYAILAIIL~ GINL ffK'Jllh,t• rr,r

ro:•111• nth!•. i\llfi., m1111.- .irU!U._ ~1::~:ep, V;~~ll.:«1•ney - Stle

Ulll:UloOUJ;; f V'OCALl!i"f. h'l"JIII• ~,.J;; ~t ... HU1), <Ar ml'.,M)',

r, ~l~I .... ~~l~l~,Ll~.7J, 11:,;;~~!nf•P~ ~f!:,w111.!;:'i1 t .. ':ii,:~ Nwl:u!1

dw~~ ~w,_ C~Ol,l fl J.OIU,tl'IC ( DAC!N•

HAM) . - S4$ '40Q. llf,ftOW fJ fll l(D '"'Ul•11,iJII) \Ucll •

I .1Rll !1h-i11t-111.ir t11r ni.m,• Mll,AI ~\1Hl\ fh•i, "1~1

MALli VOCALIST. IJfllJl"'Ul\'1•

'lt,::~, ,~n;T..1!',1j•'•!~:111nP :Clt'lt H.AMt t.6Wii6 il!OUIH enL

~~~•'~:!~>J .. ~~ d ::t )1!''' "~:~: o!f'ld •lnac;U\'I' COMM£JIC.1Ht. $f.f"TEH Bl!ll l., LONDO~ AA.LL•

OOH •EilDEfllC-V_ - W.r11t. :,;• ,.":;"1,~\l~hlOl(• •!'I~ II p,1.,lbl,t ,uicoi.otMG "AODUCIU 1\lt!tl -.

&..hml (•Wtt (1111\Pnny ,._ .. - 011,: ,.,, r-~~j! .. lt~0d~~~~ , ~~d •l~l~J:. .-.l•ll UI Wllflrlnfl 111 G.-rrn.n, S•IO S•1t•001 a,,i,1 ,\(ru,ue:an

A • A.ND. ll CaYa.lry Dan d . 11,11

~~d ~ l~c:~:f~:1~ r

1~t:'J w~~: Wll'ld p)a)'Hlf, 01.he.r Ln.ll r\Jtfl.l!cl'.IU corulclered. E1puteoced 11.nd t.e-. 1lnnt"~ p ine Apply to lla l'.ld• ma11e.-. t UI/JZlh ao,al L.an~r.ts, ( :.1tt.er1c.-t Camp, Yorb.

ALTO / TIENOII / CL.Alltl, Vocal,

~~--~H~I. ~t!:11du!~ l:hr"Prfi11~,HII 111,Chlll r.nod lltl'lld - ;.tu t;r t•n•"lld, " K;u111r'"-" Vi~\"fl ,11 ~ I, m,1u.1v All~l"nJI l'68

jt\J~~~:!0

: 11~1 !::;il~lt~=~•ul~~~I~~: n .. w,,- l11 tt111,;,e i,llt)11 ,1,crr • •111

=~~~" :.,~,~~,; c::1h!~!l) - ~h•· a ASS AND DlllUt04Elll pro•

t~~t•l~~ O•~~~Uli ~r<1:1o.: : r;1n:;.; Lh jtt,

DAS$ GUITA.Aln . r.~uel l:t'.Or. m,11 1raJ'l1S)tlrt tor r t!.!11rmlt11¢ xruup. - r.:ve.111n,::,, 11-1. 111,Q& uris-.

QA SS GUITA RIST U!ftUl r itd for

fn~~=i (o~~:~J'N:~~:~rJfit'~ir•: l ,._Ymt R t',:I, :?:Hit. • A.SS (;UITAtllST / o•<.ANIST, tA1~ nsf'"' 11 ... , .... ,,.,._ w .. rir -

g,:•J:n1:;n:11~

11F~ii°'~h/tlf Nt'" IMS P ~AYUI. do11ltHu1 11111ar,

r.-qultl!IJ. Gtll)d r1to11dt', ,~'fl,'.IUl.al ,

~;~ c;:111~'i'uln:r!~'lln\ii:•: ;11H::~ ""'•'"' fu tl'(1Hr1 ;111:1ow,·tr1L -B1tx iJ.O?

1.1::s~Q~~~r~~:~~• ~"':.,a,,~~. ll' lll:._d11)'11 tAllh'J'

lh•~~c.1:,...-~:i~ ~w;,. 1:~-:,.r~n .. l"llt' COMPETENT DRUMNUI hn

pn,~,~~••• or 1111m1 r," tn,up !'iewr1" 1•1::ui:.ME:11~1.t~~·s:"GL~~~;

15T fur ,,,un, f)n•r.-ulun•t wiJO: •nr; ~r11i.p k,oeurdlnc itn!I [lit(' cnnlriu:IJ ""'" tun~p11r t t-1 ~n~r.1t0ti:::, b 111 m••n1 11n 11ut1,

0 11u,ot et1 A ND 0110111., o ff Wllnl.:.ll V1,~~1•. f'll U,rnl,pr .. Pop

~1til:10~nr,i11~:nilra"'r.1~:f;'!1:r'· 1ST ABIISHlD 8100 BAND

teqVI,.. HEAVY

DRUMMER re<.ording, e,c .

Phone: 969 7867

l'ir.!.::~it f/~'."~,\;ln;/~1!'Z 1._o_R_U_M_M_<•-. -,-,m-,-.• -,.- 1'-,-.-,._,o • ., CUlllTI.S mod .. rn J.ttt fJU IJ\l4tt,

rQ~~~C:.~~' ltll~~~in~ ?,~ ~i:1![~~~~7-~n~::j::n:- 0:::

"'"""• OOV. ~ti~ 1 t,u 1 Or1.1rnm11r r..r t'tlo1bll4"h t-d ..u-:ml•r,r .. h,t_11'1 - SM 1,lif,

MAU.& JUU,U

GOSPEL SIN GERS

"(rill ... & 1 ,0 •• .-Jo " ,lithlod)' Ma,~11,••, 161 / 144 'l••I .$1, .. 1,

t011d11111 t ,C,4

VOCALISTS J/ . per word

UiMI-PitO \'Uutll•I fOl!Q11lrr~ ~~:~~· 1-.r"°jlll, mu~I r l'!OC llhll!IC,

VEIIS ATllE Ct41l v~~lll-1 11H!b ,,)!,. 11u1rte1, l>~Nd "' 1O111~,u~)' ...- .51, l~lt

SITUATIONS WANTED JI- (H!r word

DISC JOCll(E.Y aul1ab11' for

t;;c;~1~q~:' ,.!~.~ ',g:;t•fl Ur;\. -

U.lCTlllONICS" WI A,ib<l wam• l~~oi;iu ~"~;••• 11,~11/nu,~ e1~::::,~ p,t1m~C.mt 4111!M

ut•UllllHC.• o AUS1'11tAL1AN IIJ111. ioc, .. , . 1-l!ll!tl J"l.tlilllim In :;~~~:1,1,:0 d1~c,,~~.!"~;/"'" rrcma,,

l1GH1S~ow H:EU. STOOY C._,.PLOYMIEN'r AHO NOUS£ IN

~r:..~~:iuwpi:tl~ot.wf)'l,~,L"C HOl!IIE Wl!JT, 1SU MA.AKCT, SA.N FJlANClSCO, klOl.

,,:;.r"~r:~"V:,,AN:nEdD ~df ':~11~ 1t1tr41 •PPb - 1U:Jt 311)1'1,

DRUMMER tMj',llr.-d f..,...

MIKE MORTON SOUND .. ORCHID BALutOOM, P\JRlEY

Good ,o1ca,..,. i- b,cood<olta­lfl.,111 769,19"31 beh,h" 1 l •l2 My

c:,~::1sC.,0 ~~':,c.~tY~~"Pir~:n~ 111111 4hn wm,1n •s~•• In 30, ablt

~~.r":~:~:rd:t',1~c:~•ez~1: 1· :i_~t~ COMNENC.INC S~plr m bcr 1. 1.0MDON BALL1100M Jtl=:SIDl:N• CY. lltu: ICIO

01lC.AH l.5T '"' fl l!W lh,1nm111td,

fr~,:m~,i~~t':dA~~.~. u~r, .f.\~": pl1on11 Wt:UOll•IUJ11tr- Mafl! J!l!Q) ,,r

~!~e ·n:.er•n•~~~b~he~ (:flR:~:: WHIOIHi"UJK>r •M11n1,

OllGANln / " "-"IST w• rlll'd trn 1/eff.llWe S..PIECI: • AND, Wo t•• Ink" US F'at<'U JfCO dub,s ln Ci8R• N AN1', Ro!!11d , j.us, POP.II and 11un­.,.,c1,. 1400 IIHllllhl )'. IUl t UfllC

~u1J11:,t~ 'An':i~;!o::~"e~~w~11:~~~-d•r . 1111n La.,:emd, Cl!rro1ny.

ORGA N IST WAHTEO f')r 1:ro1.1 p I~~~! !r1,:.-l~i vtopl$, t;.1111~1on

OM.CiANIST / GUITARIST; ;roup t:~::~C\!,: ~~,!;r:~n • p,;:~r::· OR<..A.NIST WA NTED (prdu

alllJ 11:lmmi:mlll, fnr lmmcid iill(' 1)nc nl11"l1lirH tn Crrmany.-01 ~J.I ....

OWIGINAL 1r 11up . hirmu111. i,nad ltolllfj drummrr, und"r 7J wanl•d - BPll. 8-41 RJt:h fDtd 31 :ih1•phll'IJI~ lllJ~b '

fllAN l~'fS a.no CJilnl•l•YOUl\Jol duH. and .all IYP8 11f e n lU • 1alnf'U IUI!. r~ulrl!IL O tt))' l!l rJ,l rl.l.ss petlormiers nttd :ips,1,-. -:1-67 ISH

f'I.ANISTS, DRUMHIIAS, O•CAN·• ISTS , TfUOS, nc., wre.ltend )01111111,e worl, Luadun 111rea. -•• Baadwa,11:1>n, ., 11111 1460 o r lf12 SIOl,

PIANISTS FOR S OUTH LONDOtil 111 tce t-e nd lounjl!I wor k.- Top rs1111, - CIA)'18.UJ'A, BIS ~SIi ,day.,

PIANISTS. START WORK THIS COMING WEEM:li:ND, Whit' rb11W:1! g f rnu11;• work, l-$ RlfhU: Yltll!!k}J. AU • re11Ji, x~w, lfl(lruwcl r•ll••· - C1AymAn's-. BUIIIOPJl-'111 ~sn l4H).

SC.MM"AO. 'l~UI b~ml rt1tul,H euuari.1 .ond h .lllllhf1'11•1 - lU 41i•dM

T IENOR OOUBL.INC. '¥1bt'A, \lt.114!\, YlllhlM, tt•~(I o1ml J VUd f1lt~ll•r. UJ\ i)fllY - 'Tfl M Y, vua-~u.

VOCALIST •n\l n\\lflcUn• r" ~IC1!8r/O;Jtlr:reul't1 JOit, CfOIJ.P

WANTtD

Lead Guitarist for G 10 1.1p Work. Apf"y: WEST DRAYTON 23-45

ENGAGEMENTS WANTED BAIIIS MUSICAL SBIVICES l/~--4 .dUrtl•t:mmta 1UICkr U\11 httdlh• . ,. NOT M:IC9P•d

Wltb M X..-S.

- -l ht• mol11l1• mu<o,c m.l._,r,,

t>atHB •"-•• 1\ ,,-.,e, "', .. c,.,

re\:or iffiH11 tiiayJ • AL• OG LIGHTS HOW QJ.,05

1711,$, E~l U /Tt!C!:y iton 11(.IJ 214~ FOIi! ,SALi!, ('ftmplctl' milbll~

0:JuOUaq,uc uni\, - OI<'il!l II'?~ afl,or 7 itM,

GEOFF • U CIC (e&•LuJ:ern~,, w,. ftC.9 a,y;dla~,r. lnr dlln"" cir. Al» Cop d,11nCTU if re,. ~~'!°ws~ Ccuuaet H1rry W)11•

MO• ILE OIICOTHEQUE m~slt: ( OT all Otutiof!A. - PhJlll" i)!. UH. atter 1 prn

P•oc•us1ve A N D WETll0--5,.ECTIY!' S OUNDS, - 411-!ff ,,., n ~ NG m:~ 1,f:tb~::lllnlli 1tttHJon.11.

H UND AND AllOUN D f llr • U ;,;~1c::l' •:rm

1~t.tUl1till, - Ol•tJIS.

TAlllTANTHIEVUE OFf"E'llS l'OU

~,;0~f!!\:.~~ibfr 11~:,:~

01~v.~:r1;~:i "d¥1C.C Pfd!tt,- plume Ot "714 tl:11 Mn) 1lmt',I

T'f'AII( 14oe1L.,f" llliW:Olheq\o,, Jlf'UOJ)AbH r~th, l.l~llnf ..-« 11<tli, Go-C• f ttb ,, rt'IUlre4 -l ... HU ,.m

~i§~,~.ET /· \ llri~11•• s.,. poe,,- . rt.•• ..,,4 T•--.. t• ,yp-..h !. 3' .... ft

Ct4, HA, P»J.J6 .. tJ>, . g.u .. .. ... ._. .. ,, ... ,s. t~.~r ~..;u u ..... .

A I" '\lltl(o;fl'Cl(l Nio •S1 • ...... lo,,1

=~~~~~~ ·-­... _ .... -.., "-•J.wi. ....... r,.. ........ nu.o

~&p.$16 .. 1 .... ,.. ............ -•-"""b',,.._ . ., .. ,,.

fC,, ..SC. 11 S.U). Al• .....-00, .... ..,. s...,,. .............. S.--ielt '-'• ,LIU..O, P&P SI•, .. -"',.,"°/. ~ ..... .....,,,.,..,.,. [C,, .,tc.., &.IJ.O..•~

AVIIIGII BOOU: N•77":l.k,W91111t"-•• "~~---~--.s.i-w ...... .._ ...... .. '""~ .. ..-.1 ..... .. ""--•..-.aillooi. i.t4, ... ............. ~,._~ s.,.,. ... ,, ow,u.., ... P&f' SJ &. o,-"' '-, JOI• l»• fl·-' t .. iw,_ 11:,fl. cl U/J CC.. p W , .... ,. Mail erder.or coll: D. l•w11- lJd.. ID • • MM271, U4 Gt.,.,...,., St~ lONDOH, W1A, 2Dl. ~ • ei1ull ••r••· Coll•r1 olJo wekOIIM o, n, fdgbcuu,11 s, •• a.JI it.a C.,..ldM&tlMkl,,S,ai1,U , lll,WWGH.uA, 11k11 ot I 76 l1III M.-,SHunoo. ·

OGKTWEICH1 n11 ~ drgllOI\. Oo<li; t,t.,.• or ••d, l.i••i 34, Joo, 3a;,._ hop ONLY 19/td. f+ 2/ Jd.p. 6. i,.).o.tiv•l')'M 14 .,.._ Moe• )I bacti; lil"'o•o .. 1n $t11d P.0 "4• to Shhl• y t , 111 SI W l l!'l,ole I HrMt, t-doft. w 1, ,..;;it, d.toil, of la• aind <o&- 'MIIM"'-

TopTen Still al No. 1

tt.• ~T4Mo1 ........ (_....,.. ~ NOW~T

17/-1+ 1/0 p&p}

r .. ~i.~ ......... t.ho 11, • .., , ............ ,., ....... -."._ ........ ,...~,

• ~!i~~M:i '"""Ulooe,;""-'• •i• ~ .. , c.... .... ,. ......... t- ~ • d •IM• t. PVC ..... , .. -,+•­.,1119---. .. ,...... ........... .,,.---. w.. eo.....,. S.M!

29/ 6

(i;~· n.. ...... tA.tapill­... ,.•.tlk••·

JOi-lf- tl•P•Pt u• 21- •-• 'v• .,_,......,

£1 1+- 1/· p&p)

M..e,rffll"""-"'-",..~• • • • wl1hh1 1 d111•

.S.l'df>.0 . loi

TOP TEN CLOTHING

ID•pl. M.1) 20-24 EMERALD ST.

LONDON, W,C.1 FJft ....trodvim,y t~ c,I

fop ,_ Mftt """' yow Of'Wf'

MELOOY MAKER, July .5, 1969-d>tge 23 -------------~~------------------NEXT WEEK

In Hyde Park with the Stones

BLUEBEAT HOT 10

, 111 DREAM ""'°' It- UNITY-iel

2 121 THROW ME CORN W-1o.1; ~ 1:..UU-3"

, ,, , FREEDOM TRAIN ltl'\9',I w,._ CI.U-17

• 1•1 DON'T PLAY THAT SONG Darrict ......._,, C.1.U-11

• '" HOW LONG WILL IT TAKE Po1J;1li.t CAS-lU

• c•1WHO YOU GONNA RUN TO fhe T1e;t,,,,q,.,., CA.MH lit

FULL COVERAGE OF THE CONCERT OF THE YEAR IN NEXT WEEK'S MM

, 1101 WHAT AM I TO DO Tc,ri.7~oi1 W..OU em,

• 1• 1 SINCE YOU'VE BEEN GONE Erit h"-, CAM.H-?0

• 171 HAILES SELAISE/ BLUES DANCE

Mike Raven i-,r A,,r~ NU lt,t,,1-o.tt

10 1•1 HEART DON'T LEAP ~ Wol~ fl!Jl.lU-<0

Nrw 1nu.ns MHO Ml JOJlllllf \OVINO

C.lftd<,,..,_ tl! ... 'l) NWIH .. ,llll

n..v~ PIJNUII SOIIIHOOT TO I.OYI

on the new sounds ~~ ~II )U

t.OYI 0, M'r u,1 c-.i..w.-. IUUfT,,Qt

1'.C.t.. ., f .T.,L 4'-'1 ......,.N,_ '"" .. ,.. PAMA RECORDS

71 ,,. • • _ .. _. •••

'-"'-.. N.W.10 --· a, ... , n.u11•

• ID BLIND DATE MAX

ROMEO BRITISH TOUR

PLUS THIRD KING

BAND EAR CRIMSON

RADIO JAZZ • r101h St.Ml.•nl T lme.

FRIDAY (II} 4.10 a.m. J; Jazz Uttlh,,litd

i::~ :.:"H~"J:k 1/:S Pe~· J~!~ 0 11 0114! ( P4!t4!r Cl•yton, 111.iph Sh•~n. L.onard IFUlhtr) ••• ,s U: Nina S l,,.0111. U . JG T : D11 .. • Ellln511od 0~ (Fr1, Sat). n .o T: All Stllr lillH,.,1111 fo, 01111• Ellln11ton lirthda, H u,1 Wlllt~ HOMH (Fri, SH) •

SATU•DAV (S) 11. s • ·"'· J : Finch aandwa1on ,

:io.:,o IU: Jau On It.cord (Steve Illa<-•). :Z.O P-"'· E: lud Free. -•• L•ndcui • .._ 2.JS H2; R•dlo Jp;r, M•s u:lnt. •·»: 11: Jatt

~.~:)' ('tt"!C: ... NIC!te.!~at•~:J

~r;-:'lhJ!~~"'::.:o"d t"<Jf;")ir~~= Sh••'-'"•· U.S J : Jan. 11..5 Al: Mlch1I RIICllllt'i Trio and •rtat11tct llthMa- Scatt. u . u .Al: Gtt To l<MW J a,u. U.10 •·"'· •: 00-CUr Jan.

SUNDAY (I) U.S p.m. J; Fl11d•1 •a11d•••

Ci~nd4:9 .:.·:.·. 1.-:-1~: ~::\~

Kn- Jan. 10.0 •1: MIiie lt•ve n"s lit and 8 sflow. U .O • l a nd 2: eest of J.u •" Rtu4'd, (H11mph). u., T: No• Yori!: (Jen, Fon end P op Cutts).

NDNDAY (T) •

,,:::,s J ~"'c1!!~~-"~1 ... ~,a::,.,<:a:; Alt1vi1- KOf'lllor). u;u A): Frea JUL U.)CI T : 9obb:r M.atllttt

1::~i11;!)~ ~:2.f"!~r!~ "::bi.:; T rC>Up Stiow.

1UHDAY (I)

H:;oJa'!!'. s!l er~:u•;:~atf! Stereo (Charles Fov). l . >O E:

{!1 -:.:'!Pf~e1t L~t.~:• ■~n~~ UJ.)O O: J.ttt Jovn,11. :io.W Vi Ju.,: Cllrftlr. 11.0 U: M• t lllfl Ire"'"· U.JO T: Ja(.111t C.ern, ROJ Kral,

WEDNESDAY (I) 7.)0 V: 9top Arou"d Europe

( Pop ond JU:.t), 0,15 Bl: Jeu Wo,l shep (Ian Carr-DO.ft ••n• dtll GNllp play MIIJh: lro"' ll:8U's 1E11rojau .,.,,. •.ts II:: Jazz Wcwltshop. 10~ E: (1) Td Hfflh 0,11. (2) Tl'iPII Lopu 0) krnanl Peiffer ($) John111 Hodgu. It. JO Q: Old Time Ju:z. lOM AJ: l.arl lhstlct: (Hu1uo1 9t•na H.le), U.JO T ! Louie A,..,strent., 12. U a .m. IE: Ju:i.

THUllt$DAY ('10) UJO p.ffl. T: .. oo4. Swelt

•11d THn.. Pr+tr.lffllllH •11bJtct to d t.&nft, Kl!Y TQ STA'flON$ AMO

WAYIU.t;Nc;TH$ tN N n'H:S A: RTF Fnnu. 1-1.1211. 2,kl, J-M8.. I : IIC l .•21117. 2,lSOO I

:::· =.:11!:' {J'" I -m~· :; HIIHrtum 1-402, 2,.291:. J : MN 541 / ,._ / m. o : 9 R MU11kh ns / 117. 0: HR Ft'Hkfu,t SCM,. T l VOA 2$1 .• U: llt•dlo 8r•me1t l:21. 'I: Radio Elrunn rn,,

"If this is to be a business ef producing music that sells, then I personally want no part of it. I want this to be a business of music which is good - and which sells because it is good."

Mike Hennessey, Record Retailer, I 8th June, 1969

Because we subscribe to these principles Because we wish to make our contribution Because it is time to own up and B ecause, for us, the future il. now

have joined forces, together with Brian Auger Trinity - Black Sabbath - Blossom Toes Circus - Cooper - Julie Driscoll - Family - Gary Farr -Grail - Mike Hart Leviathan - Spirit of John Morgan

- White Trash

Call Dave, Sue or Bob. Tel. 499 1651 oYi 499 3860 11-19 Stratford Place, London, W.J

Pn,:t 74-MELODV MAKl;:R, .hi.I)' ~. 1969

0 0~~~ov Off 50UTkAU HOADWAf IUJtlllOc.t •0,1,01

~ ~ ~-~g~ ~ ~~ ~J} (U/~IJ;r?owte ~ ~ SUN0AY,JULY6H>, 7.30p.m.

0)' ( LYCIUM,_STRANO, w.c.2) ~~ :~~HAM·sBLODWYN PIG FARX

nll NO .. llCOn .t.aMi NOlnlCOil AYmUI

IOVTMAI.L. M10!IUSUC •unJ.14 IAIL, IOVn!A.U WUJ., ,_,,, 120 2!07, 101 O• l9J,

{£~ M1dn1ght~0own t@ JC FRIDAY, JULY 4th JC oa. ANDY 0 1>1m.n uGNU IUPHROOfflHAINIOW

OJ BONZO DOG 10~ Next Sunday: LIVERPOOL SCENE

~ BAND f l-----~ &o IDLE RACE o~

MUSIC EVERY NIGHT

(:' VELVET OPERA 'J ~5SEDALIA • PETER HAMMILL?& 0 , CRAB NEBULA LIGHTS }; ~ D.J. ANDY DUNKLEY Cit o~ ADMISSION :20/· io

~ ......... ,.,. ~ ~f loo prQduchM of S U cotd1 oa"lly) ~~

0 ~ Eriquidc$ Please ring 01 734 746,A c_;) 0 ~,

~o--.~~ ~ O~;;_~.,..Q

and Sunday lvnc.htlmr;,, 12-2 pm

Ad,..,,, ... ,ft h•• •supt Sethn6or ot Ad"' u ,o., l,et cill ' " "'""-~ cil

THE KENSINGTON THE TALLY HO! RlJSSfll GARDEN) t<>llA.NO !IOA.0 tOl!TE$S ROio !CfN'flSn " OWN

1tfH S,NGl ON W l -6 H W.) a.,, .-, 17 7) l l 91C)l7.,P'Q• e,,,.,,. 63,tl•,1 ) 7 ]U o,,

STAN GRllG QUARID wilh DA VI SIIIPHERD

,.. .. ,.s-1111 .... nD WOOD JAIZBANO

S....W~l-11p,.. ---·· DANNY MOSS

AHDMll1""'"°°11AHD s-do),~11,- 11<7p.-..

Bill NII.E'S GOODTIMI BAND

KB,.,,~r,,_ .. ,.y , t.Soy&- lp.lfl.

BRIAN GREIN NEW ORllANS STOMPERS

r,•.,~ . .. n p .... JOK~:~AHll~~~ ~

COUN ,o.ttOOk (hlo) ~'""""'"''•-. \7•"7p.,..,_ ,.-,d~ N"r1, t-lo.JD11"'-

T-'U Y HO! BIG BAND Motl-, 6 11 p.•

,_.,, ...,,,. OHNNYRICHARDSONTRI Spadal 0-f NIAH LIMON Oft ,-..

''"';lj:loiiii'oox' • BOSSA4

OAYI ALLAN PROMOTIONS

BEAT CONCERT '69 THE LOV1,AFF AIR

THE CASUALS SIGHT and SOUND, SUNSHINE, SHOO

STRING BAND, SPRINGFIELD PARK GARRY BUCHANAN CARIBBEAN BAND

pfu, ,vpporting Cilroupt- and Stal' P•nonolWiH

b~ult.lfteftn •nil !Mor I 1• <• M -, ... - -•-• l ... Ju. .,,., ...... all ... , . ,.., '--~..::::: wll 1M •

SATURDAY, AUGUST 30th, 1969, 3.30 till late ROYAl IANCASHIRE SHOWGROUND, BIACKPOOL

lld:• b In • d v- • IJ/ ., • 11 ,ti.. My ll .S-, r.N-l.,. 11• P O .,.,II\ t!~,Pf4, oddf•loed _,..aa.,. M De .. Alb~ ,,~, o.l .....,.._ Cr,:i.-,S,,,_ Slr'I\-.....,• iar --' ~

OPEN EVERY NIGHT

WHISKY A' GO GO

I ~J PORTRAIT 1 :·;-:' MILTONS FINGERS

CE!JL.ua

COUNT SUCKU SOUND SYSTEM ..,,,......,

SAM&MAY ,ao.11a.,ua1u

Soh.lf-dti,-• .My,~ ,10M JAMAICA

THE ETHIOPIANS lom4.y, Juty ~

RAY&JOHNNY Wf1H THI lll.USJON:S

Chib o:1pe·n 7 n['1h?-1 c •••II

.... ~-di~·;.·;;~; .Nitih~--Tuo&do,,, Thu"day ond

Sunday Gent"s Fr•• Night h•ry Wcdnesdoy JOHNNY HOWAR~

BAND lAURA LEI e DANNY STRtn • TONY STEVEN

.,._, ,.._,, lt '4M,111wr~~c.ta,l1.11 ... WU t l.&1'1116

GEORGECHISHOLM r~ •-n "• ..,......, ,..,,. DENNY OGDEN OCTET ..._,__...,...,. _ _; __ .J f W~t 111 i;"'

~ 0 ~~.:_,~0:,:.C::~~ AlAN LITTLEJOHN/

I t,:": FRONT LINE BAND : := THE PROCESSION 1:------L ~-37 WARDOUR STREET, W.1 01-437 7676 J .----S~l=R--......

brunel untvers11y studeol.$' un,on

midnite rave no.3

(artummet !litrNll'I :1o01n•I)

t1 pm •Cl•m frldfY Julvllrt,. •t <::lassie thc.a1re. wttstern avenue, park royal, nw10

{wb,e l\all09fi...,.Of~fCI~

SOFT MACHINE

MICK ABRAHAM'S BLODWYN PIG

-+ rwo exciting new discoveries

AARDVARK• GOOD EARTH + classic horror films

"' PIT AND THE PENDULUM * * HORRORS OF THE BLACK MUSEUM *

T ldl~ts ,, doc, nol 9i.1111nl.Nd'

Tho logical Pro9,eu:on toward, Perfection

AUDIENCE Solo Rop. RONDO PROMOTIONS

7 ken,ington Church Court, London, W.8 Ring Tony Hodges ot Ol-937-3793

THE CHERRY TREE WELWYN GARDEN CITY, HERTS.

Tuesday, July 8th

THE TASTE

Advance fjckets for the Nice on sole

Tuesday, Juiy 15

NICE EVERY Thursday Discotheque

EVERY Sunday Live Tamla-Saul

.... PHIL .. .,., • .,,_ , ~11 • TONY MIWNER QUINTET

Sole Agency: NEMS ENTERPRISES LTD., NEMPEROR HOUSE, HILL ST., W. l. TEL. 01-629 6341 .

FRIARS-EARTH

sAioiciv~~iicE U.Nrt

W1 wouW 1ik. ro w,c..,.ty thank. o ll 11!. dllb11- and toll.g•s !hot hli,-.. t,a.,. •-..i L.r .:; ...... 1i..-, •• iio, ,,,. k nt r-- J'U'"""-""-t, h-r u...-...,....,., 0f7 U...-erlity 6nd MondttitoH Coltge of COl'llolllW<•. w • .,,. olllO now doal11 o " " cidri(, ""'-dee ho --r 1-6<1MOnh Ol'lld weoi,ld J- HI '-o, f,,- y01J ol,oul ~)11hit.g,

08-444 3549 IPRINCfS RISBOROUGH 35,9}

THE JOHN DUMMER BLUES BAND Sole Rep.: RONDO PROMOTIONS

7 Ken1lftgton Church Court, London, W.8 Ring Tany Hadgo-s. at 01-937 3793

LIVERPOOL SCENE DRUMMER

We don' t wonl onyon• who donn'I ploy with f•ttfing

Saul Dtufflffleu. npd nol opply

Wet. a,e galng lo the U.S.A., be quick - we need you

LIZ ARNOLD (01 J--499 9478

Tu~d~J23zz tn t ne open sir

HUMPHREY lfflELTON AND HIS BAND 8 July, at 8 p . m . S/- (no odvonc.e booking)

Banersea Park Concert Pavilion

DHUT 01 nu ~rw

SMOKEY RICE "king's arms"

213 8ltl!9il'ISIO-lt 1c.,,.., of !'incl« 511 .. ,1

DISCO every Tue1doy IA Y • ANO Y'S IOAD SHOW

~t\G"11 .. ID.J.1

Adml•i..OflfrM N..oa Uv..-,,_r 5tJ-Ht S.11i.ori

IAMO

DON'T LOOK BACK - 108 DYLAN

- C;Q/NC(~:Jnlll k1Uro1"CN

ELECTRIC CINEMA CLUB 1"""11.1..1r. ,_....,, . ... 117 4-ffl

n.i..,,. M.. s.t .. l . 41 t My. -'-"• !U•

f!HT TOUR IN tNG\..AND 0,

THE REV. JOSHUA HOPKINS -·"'" TENNESSEE GOSPEL TRAIN

Clvb date:t CJYollobl• from A1,1gu11 14t+-t, 1969 LON.DON CITY AGENCY 01·1-16 :)~I

WE WISH TO ADVISE TODAY'S GENERATION THAT THEIR MASS MEnlNG FOR A FmlVAl OF MUSIC AND ART Will BE HELD ONCE AGAIN ON THE

ISLE OF WIGHT. THIS WIU BE A WUKIND OF TOTAL PLEASURE AND ENJOYMENT WITH MUSIC SUPPLIED BY THE

WORLD'S GREAnST ARTISTS AND GROUPS AUOUU tAN« HOUDAT WUIC(ND ( SATUIIDAT JOtto to WHOAT lhtl

•• th• tN, .. .,,,1v, WOODfilDf .. ,,, o••r4ctakna '1'1• - · ,. .... ly.t., Ille cf Wl11"-f

foad end l •f,..,J,m_,ft Cvmp!nli CIAd all flldlltkt fny cua,u

PETER JOHNSON ENTERTAINMENTS s. .... ,_ !G!noe,,,,m t.f'•nbf~ 1(4int i...mblrti~sl 0892-78 5115/586

SohAo-nttfor: R90J9N(lo~~6f

KIPPINGTON LODGE

JASON CREST LEVIATHAN

..,..,,._. Phi"°"

PLEASURE MACHINE ENTERPRISES PRESENT

THUNDERCLAP NEWMAN FIRST PUBLIC CONCERT

~-WHITE TRASH • SOUNDS OF SIGHT • NEXUS LIGHTSHOW PU:ASLIRE MACHINE • OAN'CE'RS • DJ 1 • TONY MERCER

•nd DAVE lURPIN

LEEDS 10WNHAn ,., •• , JULY 11 fh •••-••~-1"fCl(fTl,1 IA.l:ICRS _,. VAUANC.U, . , . , 16/ 6

N0<f MIDDLESBROUGH TOWNHAU AUGUST 8th

CLASSIFIED ADS

MELODY MAKElt l6M66 '4ffT 1',. 1.C,4

01-.UJ ,Oll I..._ t71, t 74 .-, U1111

Hyde Park

cif..t ,ovt-a~.__,, Iha

R.oll9'g SfOMI ct Hyde Pt;1rk

.tuly !Jh, go ond -

KIPPINGTON LODGE

ot lhe MARQUEE PnD JOHNSON ENTS.

om 78Sl6tS66

PERCY QUINTrT ,,,. ,_.ft, A,tJl,No,J

n.,.r, , Ju~l loo,6o,, fri., J ...... ""'-t.O.. Monlr,-Sci,., J..ly t C..,• 6'? -5.1111. . J\H)' 6 ,.,,,.._ -M,o,i, , J.il't7W.Nt.C..,~ luH., J.,t-, I DAY Off WM .. ~9 ~.y

S.I• •• ,nteillt.tl•• J•IMI. , ....... ,,.. Llfllff•ht.-111 A..--,

Ol.tOI ..-J/649•

RANCH ROOM DISCOTHEQUE

WIGSTON HOtn, IOIIGltAM OXOIL KINGHAM 209

8-130•.m OfiJNK OU.LA.TE Rl>AT, N\T 41'tt

MAGIC BOX YN•O,.T, MT Stli

AMEBA TRIAD ,W.S OU• GO GO GW.S

MRY !UIIIJAY 8-Midnighl -'OflillS:SJONRU - - - ---

[NGLAND'S rntST OJ. COMPmTION

Open 10 aJI B~ 15 ra:11rtt, cif ~r "bMl~a,,o,t,e• U...J ,,,.. lulb0ftd'911.Utfed) <:Mtlpi,.._g,-, e,yery Sur'ldl'f fCit h be'st D.J• pl1Aeton1ra=,h>,~wwmitrcdd-Jil! ~l'llal:1~31tl)

HEAVEN t!.. Orlginol Folk/Rock

fFom o 7-plece

.ruo 4 PORTSMOUTH 5 OCRCHEST!R CJ OOA'CHESiE:A 7 8RIST0 l 8 80U,i(H£.M0UTH

I 1 SALISBURY 13 BOU11-NtMOUTH 14 RECORDING I 5 Rf;00801~G lfl RECORDING 18 SOUTW.AMPTON 20 MAIOSTONE :n:a IOUftNEMOUllt 2.1 lYMf..AE.GIS

Enquiries: GOSPORT 81867. 8538S

THEGOlDENSTARQUB "6 WtsffOUlilNi IOAD

off MACICfNZIE aOAD. N.7 ,...,._. 407 •Jn _,, 11(,1 I QOI

,.._.,--,,-w~.,. .,-~--"""-....... n.....-,. .... '--r ,~ .. ,-1 ..... BELLS THE NEW

SOUL BOSS ,..v.-,-_-...,._......,.., THE DYNAMIC COUNT OWEN fk°"='"c!":'~~ ....... ~--,,.._ .. _,,,

m~a FLAMINGO AT JJ.J7 WAIIU)OUI, STUCT, W,1.

*************** ffU.. .Jut. 'f 4Ch. a p..,.. • $ Ult. FRIDA't'"$ All-NITHl SET$ AA( NOW A " MUST·· FOIi! AU • A • 8' · ANO SOUL FANs-n·s TH(

CLUBS W.I 7.30rillato

COi.DEN ASTRANAUTS

,......,..,.,.,. SOUL SHOW FRIDAY cont. SU N DAY TUESDAY A SWlNGIN SOUL .$HOW

POSITIVE MOVEMENT ~t•~it•,!~t!.!.! t!'.!. l • IC S IU(; Thsmt'$ n ci,tl, 81:olC\.tt, litENT. - B111cl: A.I..BI0N, C £01tC.E KAHN H1unp111n CltWI. Prln.n ,.tlt~I. TfM£• 0 X. P E0Pl.1.'S DAMD. k lHG'S HE.AD,

+ ,we GUIN UMOUlffa AJ'PfARING FOR lH£ FIRST TIME Friort,_iy1y•m TONIGHT All(

C:.DTHIC ~o. Ea,1 ot •ILL BIIUN5 k ll.U .Jat,1,fflfll - F ULHAM Sll:OAOWA't' . 1ianewleh. P11~un1 (::otlQ... K1n11ston

Bill NILE THE DWKS S.IU'da'f',Ju~61/l SOUL- GROUP. OOHT '-JlSS THIS

ICINGS AR'4S, W OOD CfU!I.N

MONTY SUNSHINE :~~&:nc Sllow HON-STOP

JAZZBAND ~:°!',.!!****!."'.rt:!. KATCH 22

NEW ERA JAZZBAND + ,.- MtHI THEM GALORE

""'....,,.... ........ ,.nl"l ...... ,,... .. ""..,,,....I r:t~¼~!ft N~\H~~R\f ELM l"Altl( HDTIIL, RQmc:l'!Ureh

~y. J~71h - ~Ja:uC-tN[ ..........

JOHNWARREN BIG BAND

wi$, >OHN IUIMAH 11.W AUNS-KU>MOU

f~, JvPy8tf'I ,.. ...... ...... GORDON SMITH SAM MITCHEU.

a flllNCS

~.,J!Ayhl

KENCOt.YfR ,,au utlNKD ... HOii WfAWAln ~ U..tU HM J't\lCIINf ~ ,_.,-... .... (+.ii ..... ~,

·-~~~"'-'WI C:.. ,.,.,._,_ H -.. MU ....... Oft)

STUDIO 51 (lN cot'l"h. CW.

10 /tl o:r . ...w,oa, R H n ...U Lll<UTH ,ou.ur

S--)', ,,,,.)'1 .. ,.>0 .. -

ERIC SILK'S JAZZBAND ....._,.,.._..__Mo...,.. BRETT MARVIN AND TH£ THUNDERBOllS

JlMON Pl.AGO ~ STIVI l1'l

THAM(S Hom H•-i•,-• C"•.,rt, Mi.«••.n

,....,, ,Mr •~ IRKSUA!l>HIS

lOllT1WIH JAUIWID ,.._.,.,M,1dll

TmA YAKU /AnBANO ,_.,.,M,6dil

11111 l«Ll'S lilZIAND

WOOD GREEN ,...__-r-·• ...,,.,..~~ CY LAURIE

l liokd• ... ~•r-·•~I ,_

SAM APPLE PIE (W..•f - \cllil•n....,_.,l.,J

THE KENSINGTON I UUBl 0,UClltff, W 14

...... , <19, 9, 11 U.TUl:DAY, JUlY _, .._

DANNY MOSS AND HIS 14-R>OI IWIO

LUCAS and tile MIIE COTTON SOUND

,.,., ,.,, ' OUDin~ C0WGl

S.....J.i,$CAMMIOO(_ S..<l.. h;1 6 ~ I WAN

"°"' "-'.. Aft :, OOTU OIM1tlfW..,t$ w...._ M• IAOO~ T\.,.,...,,o= ..,,,_,.,,. Al"--'4, R,Ht. 1--., WI ..... , .. , ....

COUNTRY CLUB 'JIOo MAVUl!iTOC. H llL N W..l

f"P? .. ,ut• 1la,t. Od.oP}

T--.-v, J~ lirl

BLOSSOM TOES Pf'-'5 BACH OfNKU

N•~,n.,,,,-,.y-KllTH RlLf RENAISSANCE

~ _J.,.,6!h Nl'\IIUK.~nc.

THE

FREE Ph,1t, SfCONDHAND

OJ. JERRY noyo

TONI ROCIIIT DISCTET ~:r•~tfo'!f !.*o!t .. •:i~

TH£

JAMO THOMAS SHOW FROM THE USA

WITH THt; M l :KCD CAEW

*************"** THURSDAY

BALROC LICHTSHOW

IT' S tUC~ FALCON," FALCON W OOD STATION, lllOC H· U'TElt WA Y .. LI.ANY J AZ:UUiN.

MIDNIGHT SUN ~()f\hffMf Skial C'iub,

THE EGG AT THI IOHUClt,

1 .... To\lf'nb•m Cl>l.lrl Ro.ail

THN~E TUN~. B ~l:11:toham LOUIS 5TEWART wltb • a !Afr>I H ILLE!ll Trlt1

TORRINGTON HIGH •o.t.D, NORTH FINCHI.EY

MIKE WESTBROOK CONCERT BAND

FNlUtl.DC John S1o1rm•n ~-.ll woe-• - Yotc.r K i ni!!

" WHlfflNCTON." P INNER., Tl ... ,. UCHff00T . H~r Iii n J(I

FRIDAY

4:c~•~At.R~~ •,-. $rr::~:~1 ASHKAN

"ltl) C.ROH·MIT llfhtl

NEW FRIDAY J.C. MIDLAMD ARN.$ HIN DON

f=RIOAT • • ulL Y 4

DON RENDELL RUFINA .JULLIVAN

JOHN ll'nTIFIER T RIO

0-STEltl.EY JAZZ. Cl.UIS

MR. ACKER BILK PORT5140 UTH COLLl:C..£

SHADES

SATURDAY 8LAC'X80 TTON STOHPE.RS,

Cr('t'n"'ao, Bladhlf!UJI

BLUESCENE. Cll:'OWN, TWIC­K EN MAN ,

JO-ANN KELLY rL05 NYSTUIOUS BA• IES

• art1SH c~ f'ORTLAND P U.Cl'. Wl..

PATRICK DANE ANO TH~

FRONT LINE 81(. 1111.ASS SOUNO-

lill:IC: SILi(, Ktn CDl)i'r C.11tb

LO-.OOH J .UZ G:C.ttTOC HGlrTY 1)/fft-rll, .JAn •od FILM, N.1t1.no

:: , ~ij n;. T:.:~r,1 !!:11r~:fn Jrlj~~

:t,~~t!• !rSt'>!:11~~ .. S~a~u.:,.

tmpr11YiH,d mldJC by lfelth TII)•

r::~ur!~I P~~,IH•Bul~l!.~fo;~~ll~ l'•rll'f T'tl!.Yllr Walts. DHtlr BaUt!,y; B.,r, Cuy 8.uu- 10s """' I lln:nicborne RV•4 Bu1mf">"· Kt.nl

READINGlJNIVERSITY BLUE BLOOD

BALROC LIGHTSHOW r,:~.~AL. s~~ ~~15 ~':,'t:

Wlll'I , , C..ltl~ h rm.'' ffuratd Hill S fAN EK, PETUt ICING, TE.IUt T Grammar 'SMANNOH, ltEC:. P~IT.

a 10Fo11:oco'u:Ec.E1t..r,n.dan lr..u. Ct!Dlh:> Socl~t.1 prc1:<nts JOHN

fn':,~~~~icl: ::.·cs.Nl~l':~f':~~i'. B.IIIIM' Stret'\ ffltr• 11cc- 811r

SAM APPLE PIE

• lUH LOFT MICH WYCOH H i, SPICE

Tons, FOLKI TONE, Gr-.c~ um

AYNSLEY DUNBAR

.. CLAll:ENOON," CHA.THAM

MIDNIGHT SUN TOWN HALL, tb;ltham

MIDNIGHT SUN

THE ART CENTRE BASILDON, ESSEX

GREAT BLUES CONCERT

Friday, July 11th, 8 p.m. featuring

KEEF HARTLEY and

SAM APPLE PIE Tickets 12/6, 10/6, 8 / 6, 7 /6, from The Box Office, Art Centre, Towngate

Basildon. Essex Telephone: Basildon 23953

:~•:;. EDGAR BROUGHTON BAND PLUS PLUS JODY GRIND

O.J, Jb.4''1.0TO •tlit&-,._wt'N. a..W"fclS.. Nut •"4cily; 1.IVHN)()\ IC-OU:

108 tcAa LliY'S Dla f~;UUJtfl. -Tl'lr. s wa n. Fulh•1ri nrwd• •>'

80TTI.liNIECK 81.UliS a.ua, a.u.,--, 'rner-11. Af'licl Lan", l!i U

WHITE MULE ll'IW!I !"ALI C lt:l!• N LIHOUSINI

8ROCKLliY J ACk. Lu111:hlltn11!1 J>lodltr CkVt!l•n~ Rand

11 CLAlltliHOOH," C-H.ATMA M

MIDNIGHT SUN C<>OKS, CHINCFORD

IIOY'AL ,:"OlltllT HOTEL r1rd l,th • pleb.Ir: 11n ti,~ hH1h

N EW SIIOALIA J Att IA.ND.

0 EkNIS 1'11:LD, hmrMllllf' C r f!t-n lll•n , i'IUtlUlf-:id.

ELM PARK HOTEL NF# mAA J A'CZ. BA IIIO, l.U/'l('ll·

llr11p, Jam 1JU1.le1n

CROOVESVILL'E .. WAtU: A RMS " (A.11.), 11!:PP I N(.

EDGAR BROUGHTON • AND

'ho11, Dara. Gardc-n McUI&, f./1

SKIN PIID BULL, An1,r,t laSllnr1on

TORRINGTON HIGH AO.AO, NORTH F'IHCHLl ,-

CRAHA M COLLIER SEXTET

MONDAY AT PLOUGH, STOCKWELL SW.

JIMMY LAWLESS BEXLEY. K I N T . ijl:aicll Prlo~

lf(ll'!"I. TUAl" LICHUOOT.

COOKS FERRY INN AN&E:L lt;OAD, i:OH ON"TOM

FAMILY DA VE KEEN QUINTET, La t4

NdJJ11n. Km1·• Jload Cbfl.t,H

t;OTHIC ~ - f!trl Of San~wkh

RESUR~ CLUB THE W A"VflCK

l .AST SARNET ,iOAD ( NOi. A\, l:)(AMOlliP ~U a)

CLIFF CHARLES AND COLIN SMITH

THI' O RIGINAL EAST SIDE .STOHPIR.S, Crttn Nan. Hl•h l:01d, Lt!.111on1JlOIU'

STAR-W. CROYDON EDGAR BROUGHTON

THOMAS~. Old K~nt Road, SBI R«:ordln( •Ulrt plus &o•it.(> Uo.clt11. On , of Ulf' uni in t , 01,r1unm, r1u l11 Lond nl\ on a )lond-1y an11 TUHdlU',

• ronn1e scott's

Untll J1,1ly 12th GUITAR FfSTIVAL

t1,c Grao1 0Dulcol C 1i1!1.:arkt

JOHN WILLIAMS

ond

THE BARNEY KESSEL TRIO

Upllairi f eoluring

AFFI NITY -­Mu,berihi,,,n11• -JClf)'

DownJ.loirs July 14th, fo, 2 WNkt.

THE LES McCANN TRIO

+ AFFINITY

47 Frith Stre et, W.1 Ge rrard 4752/ 4239

DENNIS FIELD I.B. EU~ PANI(. HOYlliL, Hofflt'h\,lr('h

FREE CONCERT tl l• D BULL

ANCl:L IH.lfr>I G"'l"ON

WORK & CUESTS •• CEOR(.f., " MOltOIIN . Tl:RRY

LIGHTFOOT.

RliO LION1 BRIENTF-011:D. PUb or lht Yl!at. Davi! Kf'ot'n Quln ti.t. M,1dHn JIU.

11.0ESUCK ToU°""hluu Cowrt. kd.

SECONDHAND pha. Lt1h1 Sh oW'.

TUXEDO aAHD. D\l.kl' of W n­U.IIU, N~w 8 arne1

WEDNESDAY

I LACK BOTTOM STON•lill:5, Grttnn,1u1., 8Jscthn1h.

GOTH IC ~ . ~ar1 r,f san11•1ch,

TOil' JUG. Tr,IW"Tlh Surrtr THE FltEli.

TANGERINE AGENCY

repre.enling

RAY KING SOUL BAND

THE MOHAWKS WISHFUL

THINKING (b,ooda:iih and overW90~)

ONYX (broodaut1 ood 0'¥0tH01)

THE SUN 74 Wlgmoro Sfr .. , , W , 1

101 J 935 4244/ 3195 o.nd '1043

All enquiriet VICTOR SU1CLIFfE

t , tU.a t :IN• TONT' LU TOfitY MAHH

TOt.ll' AaCHO ,.....,_ .... ~~n,,.._, •..u-. O.,"- s-.-,

Ul.!oUiAIH ftlO fri-Sol 4 MI' !Mdil....,_,_ ..

F.-....., Joi, Mfl 1108 EFFORD So,--W,,M1lltt."'-'-

DICK MORRISSEY ANO. nRRY SMITH

with th. TOHY lU TltO ,__ ... , ..... .._ ........ -'£_..,.

HAROLD Mc:NAIR --..., ~.,111,

ALAN HAVEN ,__,, Jttr•

M)8 BY-IIRHN ,,,.......,.,,.,.,,,11 H.AROLD McNAIR r......,, ... , Wl,lt

TOMN,Y WHITTLE

MELODY MAKER. July 5, 1969---PQ.&fl 25

90 Wardour Street manguoo

London W .1 n ..... ,, Mr-Wf'.JG.H.O) ~- J1.1!111lr,'7J>ll,ll?

!fdHNMORGAN • EClECTION •aA&YLON .Jf. GRAIL hldoy. J..ly .&lh (731).'L~

• THETASTE .i,. THI GROUNDHOGS ~i,l'Oq7,Julr,-h(t-ll.JG')

• THE VILLAGE lJt KIPPINGTON LODGE ~ .J,,A,,lthC,.:,0.11.0,

• THE SOFT MACHINE

• CIRCUS .i,. " NEW PATHS" • KING CRIMSON ........... ; .. U» ll-'1

• JOHN SURMAN ; !E.! ;.EAT OCTET

maRqueo Sludlos • • """ • ,,_._ • M- • •~-... , tO.lrJi-4""°"""-WI 01-4)16711

SAVOY ( w:,~:;~•;;o,) (ATfORO SATURDAY, JULY Stl,

SKATALITES EVEIY SUNDAY THE

STEVE MAXTED SHOW S1i1ndo:r, JIAy o,,lli

AYNSLEY DUNBAR

frlday,Jul1 4ri- + ECL£CTION

MIGHTY BABY . w~,.,~ ,in t•~•AdienJ • • '1i111,di,y, Jl.lly .5n1 • BATTERm LIVERPOOL • • •

5aNE • ORNAMENTS • • + JOHN PEEL • • Presenting this Soturday, July 5th

8.8.C. 2 Television "COLOUR ME POP"

TRAPEZE Contact WOLVERHAMPTON 26628/9

2.4555

KING'S HALL ROMFOR0 MARKET

Mol.doy, ,MV 1lt1

BLODWYN PIG ❖hfl·Pi 'Ii!·

COUNTRY CLUB DISCOTHEQUE

E._.ery Saturda y Night

CALIFORNIA BALLROOM -~"•'• 11-. bundub 6SIQ4

SATURDAY. JULY Slh

J. J. JACKSON c ... .._,s.,..,.,....,.Gs_ .. ..., .....

ROUNDHOUSE LODGE AVE , DAGENHAM

FA·M-iLY 11<•t10J·l-d

* RAllWAY *WfJ.UJnONf* IM Svnd,.,y, 1.JO p ffl 1 16

THE RATIO SHOWBAND

• ... • in: '>9 • ,- o~ ~ .Jo~ , 1 , ,~ • ._ ' • • •

DERRICK MORGAN'S Tour has now been extended till August

Oates available Phone:

PAMA 965 22 67/ 8 / 9

KLOOKS KLEEK U.HWAf t-oOtH 100 WHT lt&O lANt WfSI H&¥~HI\O t4 W 6

THURSDAY, JULY 3rd

JOYCE BOND

n.,,..,. M~ lO" n t001l 'tHOUITON

TUESDAY, JULY 8tl,

OTIS SPANN mvt Ml\.ltlt OfUVHT

cun CNA.IU5 .. (;OUN SMRH

OJ. AlAN SWORD I D.l. PATB

Pl'Je 26----Mf.LODY MAKER. J uly&, '1969

OILL

Lcwington l lMI fl' O

tu~A.-. w.u Jot.01,l.40~

........ . . O.J..JQ.Al ..... ,Mf

M10SAJ1°"401CU SBJilUl,..'i\ _ .. , .. C<WN~....... UI .tol°'°90, ......... , UI f'INHSl'\V ....... --_.. UO U!.MU.W..wt~ .... J &l10

fJ.NOt S...XOf'ttoHu (0'4N IOI-...........,;. • .;-_ CZ10 $fUfin ... '¥'1,_ .a,~ r;-.o."-"l10. ~ ...&110 '""'~ ........... ,. ,,.,.,., ~VOi.ii,...... 05

...... HAliVlllfl:IOhWOt, - ,_,.... &JU OlMtNt,UoY,,..., ~ 110) HOM.Ct . .... ....._ Mw ,. 04

~~l1'Jl~~-'7 ~ /IWSIC.-MINVSOHI , ....... ... ~~~ ...,._,,,....._.-006

'hl h •••~-t.._.,,il-i,,:.e ..... s.tWl'-"'" LJ••

ili~J.,, S11ol;l,1on<i~, .... , ,..._, I.Uu>!t''U" - • ....t .. ,~ &&,-,.1""'9!Alt'f• , IIIOM• C71i ~ . .... s.. t.UH"n ·•·. --...,_ e•o ~__..__., Qe

tlUfl'NTI ~s~coaor,,,o. - . ._,,. an lfYtQ.DS~_...,,1,0 DfTUN.h<...._.._...,..i 1110 ~, ...... .. _ .. &4'11 ... ootlJ.1, ,.,., .....,... 0, -COl~JOli,_,l ,. ~• """"1 IJIQJ' 1(1-.0rtMIO, -. .. ,_.... UM

,."""'""' - ·_,... Uf c.o,,(H.7.aH,, .. - "' vr,,con •.t.01. s..o4,. •~ cu

PERSONAL l/4 per word

AL• Y ANO STliVfi.. - Plt :uoit rlllt OM 11lO MU• 1lil!.r 7.lO 11111,_

a ACHELOII, n. llv~d LC)odon

~~~1:,',~rt.!f,~a,..,!:1~:-ci~:~!?fa"11~ •ctAI. LIIUdtHI • ru. - W'rU4' 1,hh 1-·1..,n111e1on, fl Antrim ~ l. tambr ltll(t, Mus. U&A.

DAT'ELINE COMrUTlllt DATING - Tltl! M~ WAY TO MAKI! NEW FIU&NOS - tlllC"Hln a: dale, for ,r\'f'r )'One, enrywbue - FREIi

?r'!~tl(lg:~it1w~n•r~;Plol>~~, SLr..Uord Ro1.d London. ws, 'l"ft l t.tJ7 t1•2.

«URDPEAN FAtliNDSHIP Joe,. an, 9U!IINI.E¥'. PC!nCrlenCll .11 ny ag11, aU cou.nlrll"I. Stna • a,e. for tr~ Cl.ci.ill,

,rt:-~ln. P:::i'S.~~e. ·;~r ·t:e~ =:~.,•nc-;-~~ ;~:~ ~rc~r:· DvtnlCIJ,

GIRLS WAHTED I S.A..E. f11r anull. - ~.l'lill P,rnfrh•mh., 1% £1ttlJ C:OUrt Road. t.onao n, WI..

INTilODUC"JIOlrU "' new trlMlds Gt I.be OPPDl11l'. M!X :lrunr.4 by potl, Meb:lbt.r• aJt~ 16 U.jl1"Udt e<rt r,-.heu•. WrU11 for details,

~~~~t!1:n1Mai~ailo 'ni:..o:i~~~:~~ London, WCI..

JANI! SCOTT for , ,,,.uln.i f rl~d•. ln1rod,xcton.1 opp,o.cu e

!:/•l1\:n:e·1::..a11:a t~:thJf~~ t.:::~~~t . .5t/BC lfl.ddox s1r,ut,

MADDOX Plik CLUB. fli.i ltir)' be.I. Btl!'.11' Q d l ffl)C!ftt , nHr Tri•

[!~ ~~-,r~~~e·ao~~~:!: ~~: MAKli NEW fP. IENOS llf lhll

OPDNlte t.!Jt In nu ffllillt r•U•ble .and IDHPHU1h .... , aullabllt­ll'ree deull•. - ! 1'l U•) 6rum•r IIOUJII, Qu~~rl.. A.lild 1 lliN41ni, .But:•.

NAIIGAIIET' S P EN cub (Scot•

~~~~~• 'V1u •~•ft~\'itS~t~. Jo~~j.~ dlld f, Ylll.

P..,..FIUEtlDS. Drllal:1 1'nd 1.tlm ad (1,t.ace a.rel. Details :l.D...,, -Jl'lil'lnd.t Per AD ono, 11,­C:ha1SWonh ltold, Lon4on, NWI.

o!::~eaa~~~llu~~~~~n, b~~:e frH.,-Uorme:a, ~rlln n , Bo.i 17/m, aarm.11.nY,

Ill.OMA.NC~ 0 • PliN~Rll:NDS 8111\.iod / abr oAd. ThOUH oc:IS ol

W,,~~~i, - En?:::~t:u. =~~~~ AmhlJ.rll Puk. H,Jt .

UICOIR iUf Penpa lti .an,vwn.e re. - ~t• I~ fu•e. Teen.:a1e Club, Falcon Houp , Burn1111.

UNUSUAL PIN·FRIIINDSI b:·

:~~~hl~~t:rin;iff~~m:~~~~ -D11pt. JO , Bu,uu BrUann!a, u ~:.'are Grov, , Rur'o.r. wa r-

MUSIC JI· per word

A.TTEN1"10NI IIMGl!L• ERT -Monro • Jonu rtr J111.n1g w,.

~::.:r~:nl~~'°F.::~u::.I 1irtnal D~• LOUt.SE (1114'1\ W'a.ll.1

l\ln f), ~ ... Ul!IL p :1td. - ~IOpha:n,;, St ..Anlht1111 ·~ Cot~,.. Jlunl Q', Chlfflc.ler . SUHl!,'C.

lon~on•, DRUM CIT¥114Shatlo,1,.,,y Percussion Ave""london, W.1 Cenhe 437 93S3

JOE HODSON DAV£ GOLDING Bill HOADE 1M,.,1 <1.CIH)

LUDWIG DRUMS £363.12.3 with ,tond,, pedals

*~~ PAim-CYMBALS SWITTERlAND Sets from £19 to £100

HAYMAN-DRUMS £203.10.8 - 4 drum, only

H.P. fotflif1o, . 15"/. dapo1fl - Pay,nonts over 12, 18, 2 0 mltu.

St<ondhond • q ulpml!n, ond kit, olwa:,1 availabt• !wt <an.rtontJy diangfflg

Full range of Btou, Woodwind, SoJCophanQ 1n •tock Comple te Reco,de, 110dc

Send naw for <ornprehenllve s.hop icalolague-price 3/ 6 ffire S.rvfoe, Moil Ord•r, lndrum•nf Sen-king

l ,i,sttumenJ Purchau Advi«

Play safe - you get th$

REAL B~rtm:Ni QUIT.AU A.I.TO SAII.Ol'HOt,IU \' ......... .......... ..... ....._~, , ....... ~ .... . IJIS Cl_, G\. •~~ 07, 111

1:t': =-~?L~1 ~ .10 • ~ ........... "'°'' ,to\o ,_ r,i,..._c.....,~a ,....,_. Yao. o,._ o.,....,,-. -a .i,.,,....., 1~;..,,,,-

Cl UI l"l.NO!l $.&Jl,Oi,,t().t,11.$ UXI IWol ...... 01.. I"' U7 u.s a......i, OL. ...,, •~ - ,·+-m.r,. C.L. w, no NUNS "-"""'' w-,c.n..a.,--. ....... ..... l .» TrlA- faio- llllt. ,OIi, •----. ....,..,.,,._ UO ,..._ ""'°" C:'f..,,. J --• U • • • .... ..,..,.o,.,.,..1Ur,,..,. -••

.. ._ .. ..,....,. •• _.., do

TUITION 114 par word

LEARN the TECHNIQUES

"''" DISC JOCKEY bo it RADIO or DISCOTHEQUE

THE SCHO OL OF BROADCASTING off••• \'Otr, J)f'VhulorKII -~ Ii, "'5t • KCifi,o..g "-kl. fl,I daroJ, obloJnobl. It)' COM\~ th• c.oupon...

.so... ..... _ .... tr-e,~1,...,. I MevM, l O N9fflll• SfrH•1 '"'--'• I w.c.i. l•'· ,,. mu. I t,IAM,E (llledt L•-•I I I I ( ""°""'5 ,...... I L __________ J

NOW OPEN : GUITAR

STUDIO Profoa.io" ol rurt~ . douk ol ar modem

Alsa .1lrin9 lxm and bou g ulfor

Oa,tv,f,om 10 b,m.•6 P·•""·

MODERN SOUND I '28 Charin9 Crou litO<ld

London, W.C, 2 hi. 01-240 1 '67

QECORDS WANTED J/. per word

ALL YOUR ,11,.uled u ·, bou11bl. SMlcl d tUU&" for cuh OIJU by Htv.rn. - lfl l.el8'\1<in Jload, 1.lllllade, Ltfthlon Bauard, Dedrord•l'llff'.

A N Y UNWANTED t.P A b~u.rl,Vo.<lu.nc-,c1 lor ntw Sat-, - Co~ 1'tt01'll! 4Purcha,e11, Por1 ,n:i.d4e. C11t1'narYfln~b1,-,,,

G1)0D l'IUCD F01' TOP CONDI• TIO .. 115:1:. - DffAIL.S 1"0 BOX .....

fOR SALE l /• per Word

1\110LLO l!J HUtL Top l'IOIJ

t:•r-1~1d wt:._~~1111st·1cittt.'1Lt:,~ W'alctln 111• td 11J1n)' f•nt.hOr b;i,11111.lnr;, ,,.. lll\.11 l runi - Apolhl Batli':fi, U13 Wlor.h~\u aonit. 1.ond on, N •

Falt SALE. ll_y r1.1~l c Au r.tlirA, ll unique 11ncl • -U~n,J'l'C' llbur)' Df llllh .and um1- r_,-n1ur1 SOOltiah Folk lifln11s aml d anc:it lll'IUIIC'". Orchdlral p.ar;, tnd 1-h•itt OIUIIC or lhl' :SO'•i 7 c.i.tmitt$. uboe. atld

i~t1:•:~JJ>:sn•p,,~h!~~~~WJ~I~ 12:, Ufll aL ? n'cluett, - rurUt•r part1t~U1n frt)m J 4 J How,, Au tt.lctn•irra eh11lr1t10W'r l, -Pl'l11n" JSI

LIGHTING EQUIPMENT J/. {)'!r word

Ctlllµ\.P nao•n . - Tel CLMU uu.

DRUMS J/. per ,110rd

ALL D• UM!i. ,_er•u11rl•• p••r­ChlHd. ftH\ 11r leu &ii.Id, - ll•"5 ~n,.

ALL cooa q u :allt1 d.rum.s /

::~f~-~~~ 8~!~~otJr ,~1i. A 1.uow11;. cornptet• tit, \nd.u.d-

~!..:0~c~~!:r.s,cT;i:~11.l;fflm~i~~ laie ¢oruHUuon. Part fllehnc~ :fi:,,ptfd, B.aru1n U.tl, - U·ni

A t.UDWIC, CreU<h Or p r t .mler Im WUUIIG for tHb, - 'l'Op c.e::.r, tl-1411 UH

A P"f.MIER dil'tlphlll: Mil, cym11•1•. IIIC:cetkrlC!t, tlC'. Ptrt ~":f.;f: .::tl~•eci Darv,ln, t l'.5,

8A,tGAIN$ for drumm•r• • 'Wh) pt)I rllSl (U\Q"tli pr1icul l)11nnls

&:~PP'J~wD::,n tt~~!!t5 •~;:b~:: <'Ud (llllhla, In fact ,u dnirn•

;',i~~ :.~~~~':":: ,t!,-.'~~~~:t Cn,-ppc-11 ti m , 11u

o•UN KITS, cl•.an.nc. p r1r.H, alfl1 t"J"mN I• . a n maku, IC'CH• N rlH, <au.-. ••~. alnn In sti>C'II tefffl$-e:-,:itana::" - Vic O'flr1~. II Nff Ukfo rd Sht<tl. W C, 1, 1111• . UO !UH,

o•uM l(IT. D.5 - 01-lH -4lU GCOtlCI! 'WIY Sldrt:, 111u,h11c11-

1':!m!~i.~mg;~-r~''='~~a•tsa\ Hiuom Oat>! btfo,rc cirlt- a"c:l ock

UJOWIG <oQIPll'IO lo.II, eto, Cll", - 1)1-t!J ~flt

P,Ai.MIDI lltT, CH, - t 1·1H .au.

PIIEMlaR, Lulll•lr Of •lmn., drurn Ill\ .-..nt• d tar c:a•h. -ICenn., (dllJ) IUV , .. , , Cnt11lnp COP n o1,

..,:'n~:~'~ u~u:,~~~t tl.mU'fo!!,'t J'VL -4130 tEnntn1u UN U li6,

ROC.EIIS im"LII •o•rt'I. %11· d!111ru, C11tn. l llO. - U Fl!t· nlll'"uod Crnn:nl. Wtll!lJilcmt, N,20.

ltOS~ M'OIUIIS '1l. •llh eu«S1 I m"nun tlld , noo. J:mluaUnc. -•1-s•o-11:1>.

TIIU(OH KIT. VCC. ~•lo :and ll!ln llJdJl-a.n lblo mL.1111 .. a bi»m tn•w; phu lli:bt 11nU Flm offer rn'er .tlOO - ,Jotln. ~ l?t:I r.v,olnp. N'"rlh l.an d11n,

TlllXON ICIT1 I df')ms. ltlll mare. all ftnlnp, Ult. - Hf ?431 .

Ol-ua.-.llJ. benola Ch1ppt 1l fur ill dn1mm•N-' reqt.llrtmenb, nar­!:~;~ - Pl'l11ne lflJ11m~. OM'Z8•

SOl/ijD EQUIPMENT 1/-per word

A 111'_,.0DI. M.•r-Ah•II. V•1_,_ 5el• m ~r A ftlp;IJiller,P.A. W8 ftlt,d fin t!tib_ - Tt1p Gur. '1-l.fiO 2.JU •

m:!t" ~~f!a~~:Ut7oitl\l:.~b1111~t .:an. - Oraa.n, 0l•llll "'14,

Alt. SOUND equipmecu , ervk:ed •r inoltUl~d I~ anJ rrauln,mc,nt - Wr1111 er ••••Ph•no k,nl~ D•partme.1H, Jc,nnlup rJ•<'lran ic on,lnpm .. n l.l, 111/llf Dilrllnrd l11&d, l).:lr tford, tC'IICU narHflrd 10.tl tit !Un.

A NEW Sh •pull~r co1blu'°I, nnsr blft'n w...i - 01 .... 011 J:JOS,

t4Allt5HAU . FENDEII, a""p• .sad PA• •ant,-d. Wlll t'Oll•r.:I - (Day) YU~:.,~':~[t"nl~J: l!.!1Nm 4,111, ano

:f:1alll:~i ~ci~711s,~~•flm~mm MAUHALL 100, !:to. TWO 4 ll

u 11, l"lllumrni o, 'TUtcL:lhllir f lt$ q,n u - UfPrlhDIO 0 1 Oi S7lf,

ttlE.At:ZI ECNOMATIC, ' month• Uhl lliO, IMPACT, • .II IOffl ~-ull,mnA, l mUnll'I• Cid. tu palt ou,n .1nip,. n11c:1, dtum,, u,h11

-i:r:;:sn 1~;;~1(1 ~::;te and b A- 1nm•J• .ampll!Ju -rllh spHller .llU, - 4!7 ::Ht,

TWO UU! ,pHH"• .IHI - Ill• SN ·lOJ~.

TWO U!!ln 'iDOGtUIU •PO-n •n ln ct.bl'nf'I-. C41, - POL 7400.

VOX P.A,. Vlitt) 1illkl ctind.UlM, U:S I i\flH t •-!!(1-'0ffl !SSJJ

WANTf.D. HM¥ATT, l llO-WAff

~::tll:t• ,•~•:rltt ~ffutd. -5tW/2 liln spurn, tbaul-, ! f~

11(10 - Jf7-ttl1.

MODERN SOUND 128 CHARING CROSS ROAD, W.C.2

(01) 240 1167

GUITAR TUITION STUDIO

AMIUftfll GOITAU VO$ SUN:I.Mt, --,.'Iii.._ tUO GUU04 WCftOMAtlC OJ sn.M&.t THUHODt&i•o 50 QJ UVlH 2 " "' auo P J -• »tA.lL SOw PA...... ·U'O IIICQNUCKU: l, PIIJ llt.5 ~ YO& • •11 c.11. l'l iJO VM HOfNb' MAlU&An (4.5 J 18.Mft: OAVIO C..._.., t:J.0 ••• f'II.AIIILUS .J • IU 127 VOX SII-.Wl C..1-t n., NA._OHY HGA1. 16' fl'HOH nlMOI.UJf. A,,. , t"5 OAMO.tCTIO 12 t:2i JINOII. TUMOUUl ca uo IKO , ,.,u u, JINOU •AJSMAH c.11 1 tAl MATON '2 1/U U0

....... GIORGl HAYMAN Kits FROM ti 89

LUDWIG KITS STILL AT OLO PRICl OF £363 (NM~ £•20)1 FIN a.to( P.-LlftlCymblih ...Uhail.HNWOffie,..vcA

00/~lg tou

LEN STILES .......

M.AlW)fff.,__.._.,• """' cu fll"'3'd:,..__.., _ " .... ~a-. • ._ w .............. _ u,a Na'.NSMD. ... - cw 41nS010.."-'-T--fl..._ J,ol,-l,tlllCllft l,.....__.,. U.., MO,MP'\l.,....ltcoll, £U O\,IIILD .............. ..,., 01

-l .,.,,-UkAU.t • l 'l~-

~fOl)w,.,_,,_.. uia,:: 'tOX f~......--, .. \'OXAC'.>01.... tH JVO)tl-.~---,o..-

_... 0 1,1

VOJI IOO,,,. .... ..... 1•151.,_ ,_ ., .. VOi, ... . .... C-......,__

100 ... •.,.,..,..... WI RNOD:a- CIU

l'h,,_I..,....,.. .,.,..._...,_ 0.• U.IU

hny J•-••olltorfh ..... 133/ J lewl,hDM Hloh ~ S,E. 11 DUN 2tU

MAURICE PlACQUET SUMMG SW

• o~U W,\ tJD .Ill "llQ INBSlA\ _. $111&. llll catlUUl:fltf,M ... JM 8'tnllfl[ wat,& ,, ..DII l •!iOI WW\« •-- ,m MmOI l'IU.N'llllf -~· • .,...,lflllJws_.a I'll! !ii.Ut\EII I UUC:.tU,,fD. ffl

llqJ J(tl, - • rMt-Q. elf 5UIS•lfflllW. a UrL.. -f9J 6011, ~ ... IU..f!IWl1"1M. ••tt llC'a, mt i11-., mt.U. CWLnt.f1211.. .... DI UfflOI iWU I ll, a.uw_. ..m ntJilO I/II l'ltl.Rllf.., m UlJ ll.m Ot '4ffl;tr.Mm... (/\ W ltoltUr(..tll.<OIIMl. &'St i/1 "'1 ~ 1 9IQIIL a,

MJ. ;tU_ IJIDUnJ1..~ .,._,_

u .. CMuac,,1-m.o •o•o ACTOff. ¥fJI "911 111'

SOUND CENTRE.:;-2• Hl• h S-"-4 AKe1h ~. CAUJW'P :=t?....... 1W ....,.._ ...

HNlift ........ i .... .,, ..,.

H.HDn~..... ~ N'IIOflf'l,_..._. ,1'11 n-. ..... rt,,11!:IO.~f---Wt .,...._ .. m.-a.1-'-K,.- '" .$ftl,r,£l!tf'Mk- •t1 ....,,._ m .... -. "'8CJl!I. tAIUal). llll'#,C? 1,,.. ... ~ ............ --

..... 0.--llf l\JICIWIO...IQICICR ....... o.:..,.-,.;._.,~ ..,.-c-.,i ... c..t ... ,...,,,,..,,....,,.,,A ......... ii-.... .

T W MUSK ~O?, l!LLIE RD , SW t

MORE CLASSIFIELDS ON PACES 21, 22 & 25

• JET SUVICf ON ~ All MAKES

Of DIUMS UD IQUl,.1(111 TJ1f.DOC'S EASY TUMS

D•IJ"'5 AHO OlD GI.Al IOUGH1' fOtCA$H

S/N./1-IQNOCi ~G .#.,I.I

ttf't.-U HUf\lT ,cw~ rNT ~•c,i,-r,ou iJ.llf'IAllHG

4 a.,.S.:JO,-•, • <l.e•l~-.S...

_.__ L. W. HUNT DRUM CO.

lTD. M tl!'IJIINMn~im

IVlfNr/1,M,...,_~..,___ ~-,,-..,w.....nr-.i GHffJ ll'Jn

FOOTE for

BASS SllES :.:.!,!.•:~-~: •f M_, od tt<"Hdlrl,111d. todttl lttJJH,. ftltl,.ln pot1 Hct.o,gn. lJ\blfl t~Wti1.

SERVKE =.":~.:' t:•pein •Y u,hunH c.a,lttt raa.1• ef ac:uut1lu . ~,i, f!IOil , .. « •.

===:::=::_. ---~-----....•--· ====-.. ~ ----.-­,_flOOt,,.-... .. ~,--::'::.,~;,.~,~--. --- -,• =-.::-=-:=.: ~-= .. _ _____ l.ft?,IO - --·--·· ... . °'!.....,, _ __ ·--11 .. ,. - --r.--­lUIR. ._C-_a _ _...__ ,.c, _, - .~-- --G,L,-.. ,-.c.. ___ _ =~=-..... ==-... ---•-w.. .... ... ..aa,.-~1 -

..... ,. ,~ . "·· -~

" U ., .... . - , -~ (AJmllQ111LP.,,b1 .... ...,...,,_..111,.,,_,,_'--- "-.Iii>

CHAS. E. fOOTC LTD., 17 GOLDEN SQUAIU, W .1 01--437 1811

?ccte lt11J it! -------u1. •• Tl.All------~

BALAN<.:~O SET Nol Joundwo.,.ndl

Nat Florwouflodl n,. ;,,l1-• i,, i,ght ~

ltS-0 "UCHT CING"' 5'1 i!lc:Wrt plo~ :ltd Ofod

FU.f co~•.cf "td Now ot J'O"" ROf~ H0 c1eo1.,.

25/S JOffle1.Ho.wlfld.u11, :.,..IJd..

~.IIIC Di..-i1Cll'II ,a Upk,..d food a..1-,t.ec,1", ,;e,11

JOHN BIRCH

..... ., "°' ... ~ c...i.,1 .. - , .. _ ,,. nOn,lll ..... h .. , •1>..,..,, .. _ C.0 M()l'l'l!I: v...;,w,, lot10 • •,.. • , h- U.) HOf"l'4U c..-.- ••u G.,tt., t.O HOt"-tlU.V°""MIIIS., v, .... US HOf"Nlll l~lou t3CI ,t"'1011 1, • .,,..,, s.,,5,1 o..;,.,,., -

i. .. .,. ........ lits UMOB ~ •~ UH IIUl:'Nil~MMII ...... I.I.I IU91'f$ 0 1.,6$, ,-ri'oc1 uo c,Jtt.D Stort,._,.,, ,..... CH G.._D !li!o,"i---.dlM"f U t Gll$0ff l l ••~......_.•.,__ -1.1•1 ~o:Nr::-J 11;.:- F.J f~C:.V-,.0-,.-, USO t)QTSO.c.-t<-,O•<II '11' OtE'JCH O.S ~ . l.ollo.., loN),' 11:US (()..IIIIOHOJ~ .... ...-., ,.a '1 • Gtt·tsc,t , __ ,. tUS "--'&M0H'l' .,_, • ...,,..i,t,,~n7 ,

Selmer Musical

Instruments © Ltd /!>

ltfl'Aas AND OVHHAULS A SPfOAUT'f, msr-a. ... ss W~$H()f'$

MAGNA FLUX 1·;:~6c~~~c= ~~ .. ~:.c.;~~1~~;~~;;;6 'F' 0 (1Mf'19.>0-6 WNl:H'('I-.AII ffy $cm. 1n....-... a,h., 1 ,.__ \lftt<16 ' """

BARGAIN CENTRE !~~~~w~UNG aoAD 01-S60 0S20 I

~::;.~!:o?:u SIMMS-WATTS GEAR. ---.w1.n.1 1JD,,,. .. "' tat. as .-. Sl~WAff'I. ••• nc.,..

PUilQt n, • ...,IMN , _ _.. •OO. ..., • ..!l,o. ......... .... .

"9UJl'S ,.__ .. ___. - -

~~?i!~~! p~'!-~~,. l•.-.-.-.-.-.-.-.-.-.-.-.•~•~ .. ~"'~•~ .. ~•~•~,M~•~••~•~"~•~I ~~~~~~~~~--or white e,o.e,. M;hei power, --­,- ,-. ........ •~Wans-,..,_,.._,._

><.t.-.1 ...... ,._ .-..- .. ..... llMoMI-WAff.l lOf"- ' ""-• =:.:.:c:.-........ -...... IKMIJI S.,JP~tN UO

--- ·-- '"' s.,- ...... --..... _._ t110

..,,.,,,,, ,.1, ~ , l.•.l ""°hUtc)ffSO-~ .... --•.,. .. "' . MAISHAU It. C- -­.._. MlJltitl ..... ..r f ll 0.11 • 1-t• ,,_.o_ , tn

MMHI- tl'I-.... 0-., ••-t..., -·- ...

G,tKoi, 'Y?M ond o~ CM)lk:iMe. '-1P,0)1.~<.h pk,1ta1 • t-33 IHNAGI ROAD, l 'HAM 31

021-47$ 6l79 nA0t. ENCUltllts

..._.. .._ -i.nc..-_ .,._ uo- NAAMO.., ~- _, • -• ._ •• .,. INSURANCE

.. 11;1,,K& .... .......... . .. .. ., c---... . mo '1 ,u -- - i:u l/4 per word

7E~:: '':_--:_:_:: ~:: a,:::!~~~c,..-:5 ... !:..'.~,~r::t:!i.~ 1'ftJl «I0 .. ...,.,._ 11 __ .,...,.. __

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u.o IS.---....,_._ ,..,.._ u;. illlvrlir:ai_.ea flt". -11-HI 18". ti· "! ~ ...... o ....... - _ -- '::r::!J• !~~a:lnnc-r Roao, N!'lrtll

'WE 5P l"CIALI.S( In hTU'.llfCU4tC'

~-=•=':': .,_ _,. ~s n -,.iu,,o ~ c. .. 1'11-.. ,,uHar l n~wnn(:• t-11111!1" ,,., all

,:; ::· :· r:.:-:'.~ :::_ tll w~·:~:t";','..1:S~,::,ilh u~:,. •rti':~: ~~,-~.-"'- - w....... ......... ~~JIi i •M~ co:{:;.d)' hn"'dfi1!:f. ~:!~, .. ~tl~ :!;!~n~tlt,; I~=~ i ll~ :

THE COMPLm GROUP SE2VICE-BUY-SElL-EXOIANGE­CRE0lT TUMS - WHILE YOU W AIT AMP REPAIRS - All MAKES OF ORGAN SU VICED AND REP AIRED - EASY PARKING-FREE COFFU-GAS SERVICE FROM DAVE. RICK

ANO UNCLE ERNIE

ROD ANO aoa BRADLEY'S

TOP GEAR MUSICAL INSTRUMENTS

S DENMARK STREET, LONDON, WC '2 (Ju~t off Chorn,v Cron Rood) Phone 01-240 211812347

:~~ 'l'•I Brilhi"" 011~7 or II ~j

msTRUMENTS FOR SAL£ l / · p e.r word

A.C.OUfllt t:k'C'ttrc lwvl\le·-.trlJ1r,: 1:t.ilt • r . lfi - tl•t1.II 21tl.

111!! T:::i~1::.5~$~~A. u,.~~•"1 F-1:MOEIII: l"• ECISION •MS,

~t:.Lf..."~\..Y,e:r~ £~~ t»na~. FENDlill l'Af:CUIGtf bl.H un

blll!"tl.J fJl'ltNI, lllS - 01, 6-1!1 Q J.I

1111~~~D~ t:ll!!;f!!!,~Fu ..... ~"r.~~~ u1-m11.

Ol• JID" .IT'I..AEO ~ llUIII Ur1J1nllll)' ...... 10111 by f'te.Odh' Ktns, IH1'1 11•eO " " la,I Btllbh t .. u, u11 .. ,... •tttu"d n oo. - 11· ,n nn Ar~~~~:.H ,.,1!t11I ll:~•:';!'J• i:•!~ Ull(I - t'Vl••ph•mt> Ctl·ffl U'l!I.

, .;~!r.~~.~ - >rl!I :0~1110, n, ... Gll:11:'TSCII 11 .. u .. w l1!ldy o,-n1•,

WUO!hll, f Jt, - ~Ill Jo. 01 ?it 14U

11r:!0:!!~" Goovl'!!.!=mon ~1r.~

CY_,.w~:N •c~ufo!~riar 1/ir n.h•,

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PAN,AMlilllCAM bl.fltOnl' acau,, ph(loe, •n - 11-JM·UU

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P•gt 28-MELODY MAKER, July"· 1969

Write to Melody Ma ker, 161 Fleet Street , E.C.4. You could win your favourite album. MAGIC,

SEX APPEAL AND SCOTT

DAVID SYMONDS tint u,1per1,oupl

DAVID SYMONDS AND THE BBC l'VE HEARD conOieHog

report:,; about whether or ~l David Symonds will r!IMurn lo the BBC rouowing hls r ecent involvement ln a drugs ('358.

W HAT a cowardly and inaccurate attack on Scott W11lker! Your rG­viewer , under a cloak of anonymity, h caped scorn on Scott's latest album and c.laiffled Vince Hill was a better singer.

Wa are told to O st.rip away Scott's mystique" and " forget his" sex

DID YOU see it? "Top Of The. Pops acltiAIIY had t show h,111 of good aroupa includins

-;:;;;;'1:~d111!hi~;;mshac:~mit,y

All Ibey needed were Pi.1..: f'lo),'d and Jethro Tull tnd we would have htd one of •he a.reatt:st happtnlngs for a loui time on te.levlslon! - DAVE. THOMPSON, Ulah ·on· Sea, .......

e LP WINNER

Original I admire his programme tremendously and I and all my friends who re,ula.rl)' 11..1ne in to listen to him want to know the. d3te when he will dcfinllely return on the air. fs he now on hoUd.ay? It so. we au hope he WIii be back soon.

appeal/' then, ln the. next broo.th, that he lacks the magic or the " big league male singers."

VINOE HILL:• better singer than Scott Walker?

Ca.n you ah,.:,; us some lnformadon. please? -L M. Robtnson., Yorks.

• D<loid syo,orldA, who WQS fmed C70 recently for pos.se1siQn of C(tllna.

Well, I can't se,e much sex appeal or mysUque­a.bout Vince Hill, and In my opinion Scott's good looks are only equ.'llled by his h'emt!:ndous b.lent.. I can

~~an~~, ~rn:':ut~ can reel lhe ma.Ric in hls­volce. - MRS PHIU.lPA BAKER, Bc.tgravi.a, London.

ti•c.isAl~~:lOJ~ ~: VALERIE WIU-rE.R'S user-this week: .. w~ con• Moi.,,th!~,:· ~~di ~: !~Fl~ fidently expect that thl! exclusive. pf'erog.atlve of Dav(d Symonds will be the Black /\merlca" is sheer returning to his pr~ ~nseo.se. g,amme.s n.>h.¢n he The fact l hat Pet CJark- and comes bock ofl holiday. Tom Jones don't slnJ It ,l'ttc.n, His first programme on nothing.. Let her listen to •

his reuun will be !~:~~. :~~~ t:!0 ~~~e1a~7 What's New on Radio ,.1111,. 111nd t t•IJer1na, a.1'1-d the!\ Orie. starti,1g on July she too may undenta.nd w!:)'

808 KUR tiut s i,pc-rgroup

being1 are Jnvariably rderrc.J to a_s " souls.''

There is no human emoti.>a lbal is the exclu.s ive pre­rogative of one rae,e. - Ji. BUCK, London, SWJ9,

l CONGRA'rul.Aff Valerie Wilmer on her • rt.kit 'Bout Sou.I, but surely she ba.s mined the a,entl:81 Point th:st If soul (white soul) i.s bn,:J.t· tive of Blac.k soul (SOUL) 1hen il 1s a diminutive form.

If Ptoij.rtss i.s wanted in proa,reuive pop. the:n lhe whites wlll have to llnd thelr own European soul rather

~~lo~Pbr1~~1~[;0~~;:;.~

in scyle and content u: the onJy true progression, -ROBJN L.ECOllE, w .. 11, York.-.

1." i n Russ ian literalure human ;:======~~~;;;;:;~~ Prejudice HOW YOU KNOW

JUNGLE SOUP I, ti•• - ,pread '"' 11ood ttaWs I I Co-M 01'6 f--.ol to rhe

1111.c::iling Ol'ICI ..,1ir11ly MW s.o-,nd. MAKI THI SClHI YOUI: SCCNI

Thb Fr.day and Safwday. 11 p.m. fill 1UNi111 CN"h f1"N ky,- 10/•

FOUR HANDS CLUB .. 0•,~::gi~:":'

WITif rdcrenc.e to Mark Lindsay's review of "Ou1h Of An Ell!lclric Citiztn" in Blind Date, lronk:all)' this track hu no over-dubbh,g on 1he voice whaLsOever Ind 1r;e studio used. Studio lw;) at EMI, Is among the largest ·n the country.

The "tape hiss" pr~11i,us to the track was due to the use ot a fuu.l>ox, 1nd the whole thing was rtcor.ted l.n --- - ------,----------·! flftee:n minutes, tolaliy 5pon~ taneous, D!Jturblng was I:? -EDGAR BROUGlfrON BAND, W&JWldt,. W-.rwlclu.

July 25th WE ARE MOVING!

LONDON JAZZ FOUR Jim Pl,d1p lfluh,• Ter,or and Soprano)

Miko McNaughr (P,ono) Doryl Runswick (Bou or,d Bou Gv1to, ) Miko Travis /Drums)

:~/m:rsm':l~oor !~fti':nn>'tre first fn this fteld · - 8~b J<err-•s Who,opee Band. fonnetJ :a year ago with Sam Sp-.>'.US

~x~~osn~on C>oa)(~~:~~~~~= Seven), Vernon Dudley Bowham Knowle, (ex•B-'n,,) Ooa) and Bob K~rr (u• Vtudevilht Band) plus others. Surely the ftr1l super (comedy) aroup, - CU \'!.LES HAU.. London, SW7.

e LP WlNNEll

DEAR OLD predletable. Bob

~ithb.a:i~· ~:te~ 1zr,::~~;~~ Ft.rauson at Ronnie Scott's •­run of 1950s a.nd ev-<1 l.'.lt<!

We4~/!~e0 rf~eiu~ce ~\r;~~ FRANCIS, Totley, Sheffie.Id.

MAY I ,ay how mu.:h I t.nJo))' Mix Jone.I' Men Who ,\tall'! The Blue:s serit'S. !IC • IIH incl"uded a varle<I sele-u.ivn -,f

~~~r!'"~tt"'ici~ n~t"e~~f!'; Blu~s. pro"'idlng usttul tn• fom1al1on and eiccelle.nt tl1$• cogr,:phies.

aut J ftnd it bard 10 unders1and the omissi:Jn of John Mayall who bu done more tha.ri a nyone lO get t...,_e blues as •n accepted .1rl form in .Bri1•in. - R. TA1'SAU., Gravesnd, Kent.

1 WOULD ju.st like to thank Proo>I Harum for their ve.ry orlg,inal and hl,ghi)' ,._,,. stal'ldina single .. A S•'ty Do,=.:• which is qu.ite u., m0$l ~autiful and worthwhile J;,:.ng 1 hove. he.ard for a long t:mf'.

J am sure popular music u becoming much rno,t- of o v•Jl-d art rurm amJ I .,ooe ani;I

~~dam0

t~~r 1trfv~~! m:k1 ::~.::co~~.s ~o!~ hfif.~,! ha'le proved pouible. - M. V. WILDBORE. Orphlgton, J(tftl.

AFTER rHdlng your utid'! on the Edger Broughton Uand, J wondered ll YO\I 11tttnded the last C&mden Frln;~ F~ F"eniv.-1,

The use of four-Jetter ..ifOt'dS was penlstent through lUl their performanee. :).)!:!':t he have to be vulgar to be a f"t\,IOlut.ion:111-y? - K. PORTER, London, S.EJ5.

Transplant

REGARDING Howud fWty't LP "An.gJe •• - stand up, :I.it. "ser-101.1.s " Bob Houston who ml)t beneth by an Pnr transplant. the bcnt-r t.:J 11.v~id embarrassment on COi.• front&tion witb .. ietJOU.S " mus.le. - ROSLYN P. TAY· LOR, London, $£7.

• Plude su,atry - )'ts. Eu lran.1pbnt - no - BOB HOIJSTON.

THE IDEA of a national amatai,. son.2 t»ntest is a greet one.

Looklna Ill t.he aon~ in the c:har(jl tod.ay. one can only hot,e lhlll the best song;writ• ers Mt-. a.s yet. undlscove~d --LtN NICHOLLS. Cirttnford, AUddlese.:iw;.

1 BET lhe prop05ed amateur SOng contest 1 reed about in MM would produce .something 1hal would out• strip the EurOY!Jion Soog Conle$l it Ol))y $0JTU,."t.hi.ng came OUl of the Idea.­LESLIE LAMBERTSffiCK, 11f ord. Essex.

Burning

THIS is directed to the tan who said Bob Dylan'.s new• est triumph was fit for Coor• teen year olds.

Obviously this ls not the ooinlon ot moc!lt of the llriti.sh music publle who hAve. made It number one but 1 ~us that eha.p repreM!nLS a view of a lot of people he-re.,

All I can uy Is you re mak4

U\&" ttte same mistake. H those people who booed DyJan whe,n he went electric or Pttt:r 'TOwna:hitnd whe.n be s topped using bis guitar a., • weapo-n. Co bade •nd listen •&ain itnd )41:)u'II Sfli? th.at Dyliln,,. n~·er- reirn.ains lhe­.sJtme, he just keeps aeuJng better.- ROBIN V. SEARS, Toronto, Canada.

808 DYLAN. without •

::b11;.r~:1 b~: ~Ir~ ever known and one or the aurtbutes of hi.s boundle:u­talent Is that you can see his mental state through his .songs.

The bumlna l)yl1n u1 "Masters Of War" has gone,

C~bly0y)~~ "::· ';:u:~ -PHIUP ROYAL. UVttpOOl.

Al! 1rnq1,.ur.<is 1760 Jon.•-, Road, 01terley, Middlesex (01)-S701405

ARE YOU Tht-11 ro1,1 '1c ,ho .,,:,y wl1-c-, A Un.toll ,d.,e., li.H•ffl cnt i11 th" cln,lfied (Ol11mn, of to.4c,lo4r M .a,llc, ll[C,h thin., tno ... ,,.,_ l-,1-,. 1• Whet he r yav"•t lu,-;i"• o, s<ll.in1. loolii"t,:: fo, 11tu1iti".,"'· o, .thc, bool.i111u. M d od-; M.-•~• i, t hc,,c, 111

New role for Jack Bruce? SMALL

MINDED? help you :

SMALL ADS MEAN BUSINESS!

.._~ IACK BRUGE

JACK BRUCE has now reached the unique stage of being too good. His bass playing while with Cream was of such a brilliant quality that It drownl!d aod o.nly solution is for Jack to t.ake up lead bJmseUi overshadowl!d Eric Clapton on lead guitar. Tbe after all hls bass is already a lead jn itselr so be certainly won't lose by the move and he mlgbt develoP Into one of the best •- around. -JEREMY LASCELLES, London W2.

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