what if space isn't neutral
TRANSCRIPT
WHAT IF SPACEISN’T NEUTRAL?As part of a workshop at the Oxford Internet Institute
June 27, 2016
Presented by Dan Klyn
The practical and theoretical resources that both fields can rely on to tackle [these questions] are very different.Patrick Allo
precision
findability
fitness
legibility
LoA
Informative-ness
Informational Actions:
1) alter the appearance of information
2) form an integral part of the design process we should focus on
Info-architectural
Actions:
Informational Actions:
1) alter the appearance of information
2) form an integral part of the design process we should focus on
1) alter the situatedness
of taxons
2) form an integral part of the
architectureprocess
we should focus on
It is clearly bad for the sciences and the arts to be divided into ”two cultures.”
It is bad for both of these cultures to be operating strictly according to
“professional standards,” without local affection or community responsibility.
It is even worse that we are actually confronting, not just “two cultures,” but a
whole ragbag of disciplines and professions, each with its own jargon more or less unintelligible to the others, and all
saying of the rest of the world, “That is not my field.”
Wendell Barry
There is a specific archetypal structure… an invariant structure, a “presence” that manifests itself in anything which lives.
Where every choice to situate material in space has been circumscribed by the sensethat even a small act of carelessness in the environment would be tantamount to a disaster.
A geometrical field of relationships that comes into focus under certain conditions; the single most powerful property of which is the way that all of the parts work together.
1. LEVELS OF SCALE2. STRONG CENTERS3. BOUNDARIES4. ALTERNATING REPETITION5. POSITIVE SPACE6. GOOD SHAPE7. LOCAL SYMMETRIES8. DEEP INTERLOCK AND AMBIGUITY9. CONTRAST10. GRADIENTS11. ROUGHNES12. ECHOES13. THE VOID14. SIMPLICITY AND INNER CALM15. NOT-SEPARATENESS
What would it be liketo live in a mental worldwhere one’s reasons for making something functionallyand one’s reasons for making something a certain shape, or in a certain ornamental way are actually coming from precisely the same place in you
?
Alexander, C (2007). Empirical Findings. Environmental and Architectural Phenomenology, Vol. 18, No. 1, pp 11-19.
Alexander, C. (2002). The Nature of Order. Berkeley, California: Center for Environmental Structure.
Alexander, C. (1983). The Timeless Way of Building. Oxford, England: Oxford University Press.
Alexander, C. (1983). Unpublished Speech Transcript. Cambridge, MA: Harvard Graduate School of Design.
Arango, Jorge (2013) … For The World Wide Web. https://jarango.com/2013/06/28/for-the-world-wide-web/
Berry, Wendell (1981). Solving For Pattern. Chapter 9 in The Gift of Good Land: Further Essays Cultural & Agriculturall. New York: North Point Press.
Greco, Paronitti, Turilli and Floridi (2004). How To Do Philosophy Informationally. Information Ethics Group, Oxford University Computing Laboratory.
Credits