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Unit 29: Music Video Production Pre-Production Booklet for Music Video Name: Henry Vines Order of contents (italics show areas you must add in yourself) Song Lyrics Meaning of the song Storyboard Script Mood board Props list Locations Shooting schedule Call sheet Risk assessment Clearances

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Page 1: henryvines.weebly.com€¦  · Web viewThere are a few codes and conventions that are apparent when watching and analysing different Hip-Hop music videos. The first one I am going

Unit 29: Music Video Production

Pre-Production Booklet for Music Video

Name: Henry Vines

Order of contents (italics show areas you must add in yourself)

□ Song

□ Lyrics

□ Meaning of the song

□ Storyboard

□ Script

□ Mood board

□ Props list

□ Locations

□ Shooting schedule

□ Call sheet

□ Risk assessment

□ Clearances

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Rules for your production

Your potential track must conform to the following criteria:1. It must provide opportunities for original and creative work2. It must have a clearly definable target audience3. It must be generically identifiable i.e as clearly belonging to a particular

genre/sub/genre4. it must be of digital quality and in an appropriate format for capturing to

Adobe Premiere Pro CS55. The track must have been missed and recorded to a high standard, including if

using an independent artist (e.g. local band)6. You need to be able to prove you have checked ownership and have sought

permission to use the track.

Your choices will need to:1. Be filtered out by your teacher if unsuitable (please anticipate the likely

'secondary' audience at Henley (parents, younger children, principle etc)2. Inspire the group to make a creative, original music video that uses and/or

challenges conventions3. Be suitable for broadcast on mainstream music television so- No swearing- No sexually aggressive language/imagery- Avoid drug related lyrics/imagery

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Song

Song titleWitness

ArtistRoots Manuva

GenreHip Hop

What are the conventions of music videos from this genre?between a male and a female.There are a few codes and conventions that are apparent when watching and analysing different Hip-Hop music videos. The first one I am going to talk about is the use of low angle, upward looking camera angles. This type of shot can be used in a variety of different ways for a variety of different reasons, although their is one main reason why it is used specifically in this genre of music video. It is most frequently used to insinuate power and status with in a music video, as well as to show the importance of a character(s) in a text.

How are you going to meet these conventions in your video?

Style (in-concert and ‘as live’ footage; animation (stop motion, digital); interpretative; narrative; impressionist; surrealist; pastiche; parody; referencing; homage)

There will be some stop motion and it will be a pardoy

Costume

Various items including trac ktops and hats

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Lighting

Its going to be quite a light video as it’s a comedyLocations

In Sams car, and around cranbrook driveShot types

Some quite long shots and some extreme close ups.

LyricsInsert the song lyrics below

Taskmaster burst the bionic zit-splitter

Breakneck speeds we drown ten pints of bitter

We lean all day and some say that ain't productive

Could that depend upon the demon that you're stuck with

Cause right now, I see clearer than most

I sit here contented with this cheese on toast

I feel the pain of a third world famine

Segue, we count them blessings and keep jamming

Tis him - scumbag, scum of the earth, his worth was nil

Until he gained the skill of tongues

From fifteen years young straight to my greyback self

I stay top shelf material, jerk chicken, jerk fish

Breakaway slave, bliss

Generate Gs and then we stash 'em in the Swiss

Fools can't see this, audio pistols

A fistful of hip hop dons, I progression in the flesh

Esoteric quotes, most frightening

Duppy took a hold of my hand while I was writing

Let go me ting, duppy, let go me hand

I summon up the power of Banana Klan

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Witness the fitness

The Cruffiton liveth

One hope, one quest

(Repeat x4)

Swigging that deep root juice, now we deh pon a boost

Set them spirit dem loose, go head go slash up the noose

With conclusive proof about the truth, the right

Cause whether we hitch hike or push bike or travel kind of trash

Manifest that with wholesome roots rap

Manifest that, yeah!

I do my zing way, ain't nothing else I know

Gone up in the life with this here rag-and-bone flow

Squeeze the pain from my belly and set my soul free

Travel over ocean, land and sea

Face nuff stress and difficulty

Flung back from the brink, gwan in kinda stink

We don't give a frig about what dem fools think

Frig your network, our dett work will speak for itself

Proof of the trophy and the champion belt

Come sun, come rain, come hailstone pelt

Bwana see me with some old time shit

Let the whole world know we's on some off-key tip

Mega-manic when time the pressure start lick

By the hook or by the crook, by the poop or by the kick

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He's sickly cryptic, spitting the code

And most proud to present that Cruffiton mode

And it shows that the bro's done seen a few sleights

Life throws scenarios, reality bites

We in collision with the beast

Lost we religion now we can't get no peace

Idiot weakhearts want fe take I for chief

Stoop to their level and we plotting cold grief

But we should know that discipline maketh the geez

Separation of the DAT from the rap, that's a must

Proceed set speed with the Cruffiton touch

Proceed set speed..Cruffiton, y'all

Meaning of the song

Does the song have a meaning? If so, what is it?There’s not really a meaning behind it.

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How will your visuals relate to the song? (Illustrate, Amplify or Disjuncture)

It is a funny hip hop song than a serious one so the video will be more of a parody than serious.

StoryboardInsert your storyboard hereWho?

Which characters/objects are in the scene?

Where?What is the location for the shot?

LightingNaturalAmbientTorchlightSpotlightDirection of light?

Say What?Is there any dialogue/text?

And then….?What happens? Describe the

Time?Duration of the shot / number of frames action is held for.

Camera?What is the camera angle?

Is there any

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Think carefully about the shots you will be using. Consider the range of shots/angles to give interest and perspective

ScriptDescription of what will happen in your video inc. camera movements, angles etc…

And then….?What happens? Describe the

Time?Duration of the shot / number of frames action is held for.

Camera?What is the camera angle?

Is there any

ShotsExtreme long shot

Long ShotMedium Shot

Two ShotOver the ShoulderMedium Close up

Close upExtreme close up

Camera AnglesBirds-eye view

High angleEye-levelLow angle

Oblique / canted angleWorms-eye view

Ground Shot

MovementPanTilt

Tracking ShotZoom

EditingMontage

Cross cuttingMatch cut

Shot, reverse shotEye-line match

Jump cutTracking shot

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It starts off with Sam sitting on a sofa and I take photos each time his track top changes. It then goes to Sam walking down an alley to his gate and then a clip of him walking with his dog. Then I have a stop motion of a cigarette and then Sam rolling the cigarette. I also have clips of Sam djing and then clips of him dancing with different masks and then clips of him making scrambled egg like he does in the original video.

Mood board

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Create a mood board showing what ‘look’ your music video will have. Add images showing ideas of mise-en-scene, characters, costumes and colours that will be present in the different shots.

Props List

What props / models / furniture etc will you need to make your music video?

Production Name: Witness

Producer: Henry Vines

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Item Script page Description Character/location Notes

Dog 1 Brown/ Staffordshire bull terrier

Cranbrook Big

Cigarette 1 White, small In Sams hand/ mouth

Small

Mixer 1 Silver Sams front room Quite small

Headphones 1 Silver and black Sams front room Plain

Speaker 1 Black Sams front room Big

Location recce

Complete the location recce for the final venue.

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Shooting Schedule for production:

Week Monday Tuesday Wednesday Thursday Friday Saturday Sunday

1 Filiming Filming Filming Editing Editing

2

3

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Call SheetVIIBE PRODUCTIONS @ The Henley College

Production: Witness the Fitness

Client Information: Vibe Productions

Location:Dorchester close Cranbrook drive MaidenheadBerkshireSl6

Cast and Crew:Sam Stark

Henry Vines

Role:Actor

Camera man

Phone Number:0751271700907769206040

Production Requirements:CameraTripodSD Card extreme 32gb

Brief:Record the various different clips that I would like

Other Information:No transport provided to or from locationEstimated

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Risk assessment of venue

Complete risk assessment for the shooting locations

ACTIVITY HAZARD RISKH/M/L

PRECAUTIONS IN PLACE REVIEW DATE

REVIEWER

Please leave this section blank:Risk Assessment checked by: Name ………………………………………………….. Signed …………………………………………………. Date ……………………

KEY:Activity :Describe the component part of your pursuit.Hazard : List the things you anticipate might cause harm or the things associated with your activity that have the potential to cause harm. Consider the likely harm. Risk: Assess the risk as either H (High), M (Medium) or L (Low). When concluding your assessment consider all of the circumstances. Precautions: Consider what you could do to minimise / negate the risk. In Place: Will the precautionary measures be in place at the time of the activity? Review Date: When would it be reasonable to review your assessment?

RISK ASSESSMENT

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Remember it might be whilst you are undertaking the activity. Reviewer: Name of the person responsible for completing the risk assessment.

A copy of this form should be taken on the activity or visit by the Reviewer.

ClearancesInsert copy of email sent to record label requesting permission for the use of chosen song