warm up place the following labels (dark ages, age of feudalism, golden age and age of faith) in the...
TRANSCRIPT
Warm upWarm up Place the following labels (Dark Ages,
Age of Feudalism, golden Age and Age of Faith) in the order you feel best describes the era 500- 1400 in Europe. Number one should be your first choice, write a one- two sentence explanation why you placed the label you did as your number one.
Art and PatronageArt and Patronage Italians were willing to spend a lot of
money on art./ Art communicated social, political, and
spiritual values./ Italian banking & international trade
interests had the money.
Public art in Florence was organized and supported by guilds.
Therefore, the consumption of art was used as a form of competition for social & political status!
1. Realism & 1. Realism & ExpressionExpression
Expulsion Expulsion fromfromthe Gardenthe Garden
MasaccioMasaccio
14271427
First nudes First nudes sincesinceclassical classical timestimes..
2. Perspective2. Perspective
Perspective!Perspective!Perspective!Perspective!Perspective!Perspective!
Perspective!Perspective!Perspective!Perspective!
First use First use of linear of linear
perspective!perspective!
Perspective!Perspective!Perspective!Perspective!
The The TrinityTrinity
MasaccioMasaccio
14271427
What you What you are, I once are, I once was; what I was; what I am, you will am, you will
become.become.
PerspectivePerspective
3. Classicism3. Classicism
Greco-Roman influence.
Secularism.
Humanism.
Individualism free standing figures.
Symmetry/BalanceThe The “Classical Pose”“Classical Pose”
Medici “Venus” (1c)Medici “Venus” (1c)
4. Emphasis on 4. Emphasis on IndividualismIndividualism Batista Sforza & Federico de Montefeltre: Batista Sforza & Federico de Montefeltre:
The Duke & Dutchess of UrbinoThe Duke & Dutchess of Urbino
Piero della Francesca, 1465-1466.Piero della Francesca, 1465-1466.
Isabella d’Este –Isabella d’Este – da Vinci, da Vinci, 14991499 1474-1539
“First Lady of the Italian Renaissance.”
Great patroness of the arts.
Known during her time as “First Lady of the World!”
5. 5. Geometrical Geometrical Arrangement of Arrangement of
FiguresFigures The Dreyfus The Dreyfus
Madonna Madonna with the with the PomegranatPomegranatee
Leonardo da Leonardo da VinciVinci
14691469
The figure as The figure as architecture!architecture!
6. Light & 6. Light & Shadowing/Softening Shadowing/Softening
EdgesEdges
ChiaroscuroChiaroscuro
SfumatoSfumato
7. Artists as 7. Artists as Personalities/CelebritiesPersonalities/Celebrities
Lives of the Lives of the Most Most Excellent Excellent Painters, Painters, Sculptors, andSculptors, andArchitectsArchitects
Giorgio VasariGiorgio Vasari
15501550
Renaissance Renaissance FlorenceFlorence
The Wool FactoryThe Wool Factoryby Mirabello Cavalori, 1570by Mirabello Cavalori, 1570 1252 – first gold 1252 – first gold
florinsflorins minted minted
Florentine lion:Florentine lion:symbol of St. symbol of St.
MarkMark
Lorenzo Lorenzo the Magnificentthe Magnificent
1478 - 15211478 - 1521
Cosimo de Cosimo de MediciMedici
1517 - 15741517 - 1574
Florence Under the Florence Under the MediciMedici
Medici ChapelMedici Chapel
The Medici PalaceThe Medici Palace
Filippo Filippo BrunelleschiBrunelleschi1377 - 14361377 - 1436
ArchitectArchitect
Cuppolo of St. Cuppolo of St. MariaMariadel Fioredel Fiore
Filippo BrunelleschiFilippo Brunelleschi
Commissioned to build the cathedral dome./ Used unique
architectural concepts. He studied
the ancient Pantheon in Rome.
Used ribs for support.
Brunelleschi’s Brunelleschi’s “Secret”“Secret”
Brunelleschi’s Brunelleschi’s DomeDome
A Contest to Decorate the A Contest to Decorate the Cathedral: Cathedral: Sacrifice of IsaacSacrifice of Isaac
PanelsPanelsBrunelleschi Ghiberti
Ghiberti – Ghiberti – Gates of ParadiseGates of ParadiseBaptistry Door, Florence – 1425 - Baptistry Door, Florence – 1425 -
14521452The Winner!The Winner!
The Ideal CityThe Ideal City Piero della Piero della
Francesca, 1470Francesca, 1470
David by David by DonatelloDonatello
14301430
First free-form bronze First free-form bronze since Roman times!since Roman times!
The Liberation The Liberation of Sculptureof Sculpture
DavidDavid
VerrocchioVerrocchio
1473 - 1473 - 14751475
The Baptism of ChristThe Baptism of Christ Verrocchio, 1472 - 1475Verrocchio, 1472 - 1475
Leonardo Leonardo da Vincida Vinci
Vitruvian Vitruvian Man Man
Leonardo daLeonardo daVinciVinci
14921492
TheTheL’uomoL’uomo
universauniversalele
The Renaissance “Man”The Renaissance “Man”
Broad knowledge about many things in different fields.
Deep knowledge/skill in one area. Able to link information from
different areas/disciplines and create new knowledge.
The Greek ideal of the “well-rounded man” was at the heart of Renaissance education.
1.1. Self-Portrait Self-Portrait -- da -- da Vinci, 1512Vinci, 1512
1452 - 15191452 - 1519
Artist
Sculptor
Architect
Scientist
Engineer
Inventor
Leonardo, Leonardo, the Artistthe Artist
The Virgin The Virgin of the Rocks of the Rocks
Leonardo daLeonardo daVinciVinci
1483-14861483-1486
Leonardo, the Artist:Leonardo, the Artist:From hisFrom hisNotebooks of over Notebooks of over 5000 5000
pages (1508-1519)pages (1508-1519)
Mona LisaMona Lisa – da Vinci, – da Vinci, 1503-41503-4
A Macaroni MonaA Macaroni Mona
ParodyParodyThe Best Form of Flattery?The Best Form of Flattery?
A Picasso MonaA Picasso Mona
An Andy Warhol MonaAn Andy Warhol Mona
Mona LisaMona Lisa OROR da da Vinci??Vinci??
The Last Supper The Last Supper - da - da Vinci, 1498Vinci, 1498& Geometry& Geometry
RefractorRefractoryy
Convent Convent of Santa of Santa
Maria Maria delle delle
GrazieGrazie
MilanMilan
horizontal
vert
ical
PerspectivPerspective!e!
The Last Supper The Last Supper - da - da Vinci, 1498Vinci, 1498
Detail of Detail of JesusJesus
The Last The Last SupperSupper
Leonardo Leonardo da Vincida Vinci
14981498
DeterioratiDeteriorationon
A Da Vinci “Code”:A Da Vinci “Code”:St. John St. John oror Mary Magdalene? Mary Magdalene?
Leonardo, the SculptorLeonardo, the Sculptor
An An Equestrian Equestrian StatueStatue
1516-15181516-1518
Leonardo, the Architect:Leonardo, the Architect:Pages from his Pages from his NotebookNotebook
Study of a Study of a central central church.church.
14881488
Leonardo, the Architect:Leonardo, the Architect:Pages from his Pages from his NotebookNotebook
Plan of the city of Imola, 1502.Plan of the city of Imola, 1502.
Leonardo, the Scientist Leonardo, the Scientist (Biology):(Biology):Pages from his Pages from his NotebookNotebook
An example of An example of the humanist the humanist desire to desire to unlock the unlock the secrets of secrets of nature.nature.
Leonardo, the Scientist Leonardo, the Scientist (Anatomy): (Anatomy):
Pages from his Pages from his NotebookNotebook
Leonardo, the Leonardo, the Inventor:Inventor:
Pages from his Pages from his NotebookNotebook
Man Can Fly?Man Can Fly?
A study of siege A study of siege defenses.defenses.
Studies of water-lifting Studies of water-lifting devices.devices.
Leonardo, the Engineer: Leonardo, the Engineer: Pages from his Pages from his
NotebookNotebook
2.2. Michelangelo Michelangelo BuonorratiBuonorrati
1475 – 15641475 – 1564
He He represented represented the body in the body in three three dimensions dimensions of sculpture.of sculpture.
DavidDavid
MichelangelMichelangelooBuonarottiBuonarotti
15041504
MarbleMarble
15c15c
16c 16c
WhatWhat
aa
differencedifference
aa
centurycentury
makes!makes!
The PietaThe Pieta
MichelangeMichelangeloloBuonarrotiBuonarroti
14991499
marblemarble
The Popes as Patrons The Popes as Patrons of the of the
ArtsArts
The Sistine The Sistine ChapelChapel
MichelangelMichelangelo Buonarrotio Buonarroti
1508 - 15121508 - 1512
The Sistine Chapel’s The Sistine Chapel’s CeilingCeiling
Michelangelo BuonarrotiMichelangelo Buonarroti1508 - 15121508 - 1512
The Sistine Chapel The Sistine Chapel DetailsDetails
The The Creation Creation
of the of the HeavensHeavens
The Sistine Chapel The Sistine Chapel DetailsDetails
Creation of ManCreation of Man
The Sistine Chapel The Sistine Chapel DetailsDetails
The Fall The Fall from from GraceGrace
The Sistine Chapel The Sistine Chapel DetailsDetails
The Last JudgmentThe Last Judgment
3.3. Raffaello Sanzio (1483- Raffaello Sanzio (1483-1520)1520)
Self-PortraitSelf-Portrait, 1506, 1506 Portrait of the Artist Portrait of the Artist with a Friendwith a Friend, 1518, 1518
Baldassare CastiglioneBaldassare Castiglione by by Raphael,Raphael,
1514-15151514-1515 Castiglione Castiglione
represented represented the humanist the humanist “gentleman” “gentleman” as a man of as a man of refinement refinement and self-and self-control.control.
PerspectivPerspective!e!
PerspectivPerspective!e!
BetrothBetrothal al
of the of the Virgin Virgin
RaphaelRaphael
15041504
Raphael’sRaphael’s Canagiani Canagiani Madonna, Madonna, 15071507
Raphael’sRaphael’s Madonnas Madonnas (1)(1)
Sistine MadonnaSistine Madonna Cowpepper MadonnaCowpepper Madonna
Madonna della SediaMadonna della Sedia Alba MadonnaAlba Madonna
Raphael’sRaphael’s Madonnas Madonnas (2)(2)
The School of Athens The School of Athens – – Raphael, 1510 -11Raphael, 1510 -11
One point perspective All of the important Greek philosophers
and thinkers are included all of the great personalities of the Seven Liberal Arts! Liberal arts= education proper to a
freeman as opposed to that of a slave Seven liberal arts=grammar, dialectic,
rhetoric and geometry, arithmetic, astronomy, music.
A great variety of poses.
School Athens cont…School Athens cont… Located in the papal apartments
library. Raphael worked on this commission
simultaneously as Michelangelo was doing the Sistine Chapel.
No Christian themes here.
The School of Athens The School of Athens – – Raphael, 1510 -11Raphael, 1510 -11
Raphael
Da Vinci
Michelangelo
AristotleAristotle::looks to thislooks to thisearth [theearth [thehere andhere and
now].now].
PlatoPlato::looks to thelooks to theheavens [or heavens [or
the IDEALthe IDEALrealm].realm].
The School of Athens The School of Athens – – Raphael, detailsRaphael, details
The Liberation of St. The Liberation of St. PeterPeter by Raphael, 1514 by Raphael, 1514
Portrait of Pope Julius IIPortrait of Pope Julius II by Raphael, 1511-1512by Raphael, 1511-1512
More concerned More concerned with politics than with politics than with theology.with theology.
The “Warrior The “Warrior Pope.”Pope.”
Great patron of Great patron of Renaissance Renaissance artists, especially artists, especially Raphael & Raphael & Michelangelo.Michelangelo.
Died in 1513Died in 1513
Pope Leo X with Cardinal Pope Leo X with Cardinal Giulio deMedici and Luigi De Giulio deMedici and Luigi De Rossi Rossi by Raphael, by Raphael, 1518-15191518-1519
A Medici Pope.A Medici Pope.
He went through He went through the Vatican treasury the Vatican treasury in a year!in a year!
His extravagances His extravagances offended even some offended even some cardinals [cardinals [as well as as well as Martin LutherMartin Luther!].!].
Started selling Started selling indulgencesindulgences. .
Birth of VenusBirth of Venus – – Botticelli, 1485Botticelli, 1485
An attempt to depict perfect beauty.An attempt to depict perfect beauty.
Botticelli’s Venus Motif.Botticelli’s Venus Motif.
10¢ Italian Euro coin.10¢ Italian Euro coin.
2002 Euro Coin2002 Euro Coin
PrimaveraPrimavera – Botticelli, – Botticelli, 14821482
Depicted classical gods as Depicted classical gods as almost naked and life-size.almost naked and life-size.
A Portrait of SavonarolaA Portrait of Savonarola By Fra Bartolomeo, By Fra Bartolomeo,
1498.1498.
Dominican friar who Dominican friar who decried money and decried money and power.power.
Anti-humanistAnti-humanist he saw he saw humanism as too humanism as too secular, and corrupting.secular, and corrupting.
The The “Bonfire of the “Bonfire of the Vanities,”Vanities,” 1497. 1497.
/ Burned books, artwork, Burned books, artwork, jewelry, and other jewelry, and other luxury goods in public.luxury goods in public.
/ Even Botticelli put Even Botticelli put some of his paintings some of his paintings on the fire!!on the fire!!
The Execution of The Execution of Savonarola, 1452Savonarola, 1452
The Doge, Leonardo LoredonThe Doge, Leonardo LoredonBerlini, 1501Berlini, 1501
Venus of Urbino Venus of Urbino – Titian, – Titian, 15581558
The Penitent Mary The Penitent Mary Magdalene Magdalene by Titian, 1533by Titian, 1533
By the mid-16c, By the mid-16c, High High Renaissance Renaissance art was art was declining.declining.
Mannerism Mannerism became more became more popular.popular.
This painting is This painting is a good example a good example of this new of this new artistic style.artistic style.