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Visual Communicators By Sophia Taylor

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Page 1: Visual Communication

Visual Communicators

By Sophia Taylor

Page 2: Visual Communication
Page 3: Visual Communication

VLADIMIR KONCAR • Visual artist and designer.

• Diary Type Project- which is work in progress- Started in 2007.

• Thoughts= Symbolic link between the font and the reflections

• Uses a range of ways (materials) of conveying a message out to the world!

• The words convey the message powerfully due to the way the type is made Eg with the objects

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OSCAR WILSON • Specialising in image creation and hand crafted typography.

• In some of his work, he may think of the image shape before thinking about the type.

• Integrating both image and type, helps convey creativity and power in the message.

• Helps the viewer to relate to the image, by reading and making relations between the text and image.

Page 7: Visual Communication

Test work for Quirk and Hyll -

Less Plastic

Page 8: Visual Communication

The Ashes: A Secret History

Page 9: Visual Communication

Totally London- Visit London Project.

Page 10: Visual Communication

Hebrew typography Experiment

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ODED EZER

His work is very different which

makes his ideas and experiment

fascinating.

I like how he is combining art, science and

technology into his experimental typography.

Using his own language as a

project to make a new typeface is so

amazing

Page 12: Visual Communication

Oded Ezer’s homage to Milton Glaser’s I <3 NY logo

Page 13: Visual Communication

The TypoSperma Project

Half human (sperm)

Half letter

Page 14: Visual Communication

Face Type

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STEFAN CHINOF

Each piece is very imaginative and

gives a great impact!!

Love how he has graphically made

the type come alive, with the extra

imagery.

Using symbols as an overall

image, filled in with type.

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CRAIG WARD • Works with expressive and experimental typography.

• Uses image with typography, using words that are to do with the image, to fit in the shape.

• Other works, he has mixed media, such as ink and water and ink and blood, to give a greater effect when reading it.

Page 22: Visual Communication

“The Economist”

Page 23: Visual Communication

“GQ”- Craig Ward

Page 24: Visual Communication

“Don’t Die From a Broken Heart”

Page 25: Visual Communication

“Hirsutura”

Page 26: Visual Communication

Research