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Technical art history : painters' supports and studio practices of Rembrandt, Dou andVermeerWadum, J.

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Citation for published version (APA):Wadum, J. (2009). Technical art history : painters' supports and studio practices of Rembrandt, Dou andVermeer

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Download date: 04 Feb 2019

Bibliography 1984-2008

1984:

• B. Kierkegaard & J. Wadum, "Pilastrar, Kannilurar og Rosetti!"", in Mondu/l. (1984), pp. 11-17.

1986

• "To 'nye' malerier af Egill Jacobsen fra 1934-35"; "Two 'New' Paintings by Egill Jacobsen from 1934-35", in EgillJacobsen /I (ed. Per Hovdenakk). K0benhavn/Copenhagen 1986, pp. 73-88.

• "Billedanalyse af 5 malerier fra 1934 til 1976"; "A Pictorial Analysis of five 5 paintings from 1934 to 1976", in EgillJacobsen II (ed. Per Hovdenakk). K0benhavn/Copenhagen 1986, pp. 73-88.

1987

• B. Kierkegaard & J. Wadum, "Handelshusene i Klaksvik", in Tidens Tand, vol. III (1987), pp. 22-33.

• "Malerier pa samleband. Ny! Iys over Christian IV's Vinterstue pa Rosenborg Slot", in Museums magasinet XXXIX(1987), pp. 8-10.

"Sebastian Vrancx' vrerksted og Rosenborg Slot", in Iconographisk Post, vol. IV (1987), pp. 24-42 (Eng. sum.).

F. de Graaf & J. Wadum, Een dansfestijn doorgrond. Technish en kunsthistorish onderzoek naareen Vlaamsschilderij. The Hague 1992. (Eng. sum.).

N. Christie &J. Wadum, "De grond der zinnen", in The Mauritshuis Nieuwsbrief (5) I (1992), pp. 9-11.

"De betere klimaatdoos". in The Mauritshuis Nieuwsbrief(5) II (1992), pp. 8-9.

"Conservering in het Mauritshuis: de groiende achterstand", in The Mauritshuis Nieuwsbrief(5) 1Il/IV (1992), pp.10-11.

"Gravures naar Cornelis Floris en gesculpteerde maskers in kasteel Rosenborg. (Copenhagen)", in CORNELISFLORIS Jaarboek 1990 (1991), pp. 41-49.

"Portretten in miniatuur - minimaal belicht", in The Mauritshuis Nieuwsbrief(4) II (1991), pp. 6-7.

"17th c Flemish Panel Makers' Red Chalk Master Marks", in K. Grimstad (ed.) ICOM-CC 9th Triennial MeetingDresden Preprints vol. II. Los Angeles 1990, pp. 663-666.

"Mestermrerker pa Flamske 1600-tals tavlemalerier", in Meddelelser om Konservering (4) vol. III (1989), pp. 129­135 (Eng. and Fin. sum.).

"Vinterstuens masker", in SKALK no. IV (1989), pp. 7-10.

"The Winter Room at Rosenberg Castle: A Unique Survival of Antwerp Mass-Production", in APOLLO CXXVIII(1988), pp. 82-87.

B. Broos & J. Wadum, "Het 'Dochters schilderijtje' van Adriaen van der Werff', in Delineavit et Sculpsit IX (1993),pp. 11-16 (Eng. sum.).

"Infrarood reflektografie als ontdekkingsmetode: een case study", in Decorum jaargang XI, 1 (1993), pp. 28-30.

B. Broos & J. Wadum, "Vier panelen uit een boom"/"Four Panels from One Tree", in Mauritshuis in Focus I(1993), pp. 13-16.

"Recent Discoveries on Antwerp Panel Makers' Marks", in Technologia Artis III (1993), pp. 96-100.

1988

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1989

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•1990

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1991

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•1992

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1993

•

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1994

• Vermeer Illuminated. Conservation, Restoration and Research. With contributions by L. Struik van der Loeff andR. Hoppenbrouwers. The Hague 1994.

"Conservering en restauratie in het Mauritshuis"/"Conservation and Restoration in the Mauritshuis", in Mauritshuisin Focus I (1994), pp. 13-14.

233

• J. Wadum & E. Hermens, "Het verslag van een bedoeking"/"Report of a Relining", in Mauritshuis in Focus I(1994), pp. 23-26.

• "Vermeer in het Iicht"/ "Vermeer illuminated", in Mauritshuis in Focus II (1994), pp. 7-9.

J. Wadum, IJ. Hummelen, B.A.H.G. JOtte, W. Kragt, L. Sozzani. "Research Programme Microclimates: Paintingson Panel and Canvas", in Preventive Conservation. Practice, Theory and Research. Summaries of the Posters atthe Ottawa Congress. 12-16 September 1994 (one page; no page no.).

"Skivestuens trofreer - Et fors0g pa en tolkning", in /CO - /conographisk Post IV (1994), pp. 28-36 (Eng. sum.).

1995

• "Johannes Vermeer (1632-1675) and His Use of Perspective", in Preprints Historical Painting Techniques.Materials. and Studio Practice. University of Leiden 1995, pp. 148-154.

• "Hobbema doorgelicht"/"Hobbema examined", in Mauritshuis in Focus I (1995), pp. 21-23.

J. Wadum & N. Costaras, "Johannes Vermeer's 'Girl with a Pearl Earring' De- & Re-Restored", in Restauration.De-Restauration. Re-Restauration... ARAAFU, Paris 1995, pp. 163-172.

"Vermeer in Perspective", in exh.cat. Johannes Vermeer, National Gallery of Art, Washington, D.C., RoyalCabinet of Pictures Mauritshuis. Zwolle 1995, pp. 67-79.

• "Primuersel of Imprimatura?", in kM XV (1995), pp. 39-40.

• N. Costaras & J. Wadum, "Verseeckert sijn van altijt te duyren. Vermeers gerestaureerd", in Natuur & Techniek IX(1995), pp. 670-681.

1996

• "Les audaces techniques de Vermeer", in Dossiers de rArt XXVII (1996), pp. 30-39.

"Des perspectives curieuses et extraordinaires", in Dossiers de rArt XXVII (1996), pp. 42-49.

"Vermeer and the Spatial Illusion", in The World of Learning in the time of Vermeer (exh.cat.), MuseumMeermanno-Westreenianum (Museum of the Book). The Hague 1996, pp. 31-49.

'''Gemalde m6gen einige hundert Jahre bestehen, was genOgt...' Zwei Gemalde von Johannes Vermeerrestauriert", in RESTAURO III (1996), pp. 172-177.

"A Preliminary Attempt to Identify Rubens' Studio Practice", in J. Bridgland (ed.) ICOM-CC 11th Triennial MeetingEdinburgh Preprints, vol I. London 1996, pp. 393-395.

• "Microclimate Boxes for Paintings: A Manual", in J. Bridgland (ed.) ICOM-CC 11th Triennial Meeting EdinburghPreprints. Poster Summaries, vol II. London 1996, p. 984.

"Vermeers perspectieven", in kM XVII (1996), pp. 32-34.

1997

• "Vermeers zielgerichtete Beobachtungen", in cat. Johannes Vermeer. Der Geograph und der Astronom nach 200Jahren wieder vereint. Stadelsches Kunstinstitut und Stadtische Galerie. Frankfurt am Main 1997, pp. 31-38.

Newsletter No.1, ed. J. Wadum &A. Phenix. ICOM-Committee for Conservation, Paintings I & II. Spring/Summer1997.

• "Panelen "van een stuck en gelycke formaet'''', in kM XXIII (1997), pp. 26-28.

1998

• "Raising Awareness at Public, Professional and Political Levels", in Tutela del patrimonio culturale: Verso unprofilo Europeo del restauratore di Beni Culturali. Summit Europeo, Pavia. 18-220ttobre 1997. Lurano 1998, pp.247-249.

"Microclimate-Boxes for Panel Paintings", in U.H. Vielhaber (ed.) Die Kunst zu verpacken...• Z'SymposiumBundesverband Deutscher Diplom-Restauratorlnnen 19. November 1994 K61n. K61n 1998, pp. 22-24.

J. Wadum & P. Noble, "Rembrandts Anatomische les gerestaureerd"/"Rembrandt's Anatomy lesson restored", inMauritshuis in Focus I (1998), pp. 26-28.

• "The Antwerp Brand on Paintings on Panels", in E. Hermens (ed.) Looking Through Paintings. The Study ofPainting Techniques and Materials in Support ofArt Historical Research. Leids Kunsthistorisch Jaarboek XI.Baam/London 1998, pp. 179-198.

• "Peeter Stas: An Antwerp Coppersmith and his Marks", in A. Roy & P. Smith (eds.) Painting Techniques History,Materials and Studio Practice. Contributions to the IIC 17th International Congress Dublin 7-11 September 1998(1998), pp.140-144.

234

• B. Broos & J. Wadum: "Eenentwintig keer onder het meso De restauratiegeschiedenis van De anatomische lesvan Dr. Tulp", in cat. Rembrandt onder het meso De anatomische les van Dr. Nicolaes Tulp ontleed. DenHaag/Amsterdam 1998, pp. 39-50.

J. Wadum & P. Noble, "Gaten in Rembrandt", in Natuur & Techniek IIX (1998), pp. 41-42.

• P. Noble & J. Wadum: "De restauratie van De anatomische les van Dr. Tulp" , in cat. Rembrandt onder het mesoDe anatomische les van Dr. Nicolaes Tulp ontleed. Den Haag/Amsterdam 1998, pp. 51-74.

"Contours of Vermeer", in I. Gaskel and M. Jonker (eds.) Vermeer Studies. Studies in the History ofArt, 55.Center for Advanced Study in the Visual Arts, Symposium Papers XXXIII,. Washington/New Haven 1998, pp.201-223.

• "Historical Overview of Panel-Making Techniques in the Northern Countries", in K. Dardes & A. Rothe (eds.) TheStructural Conservation of Panel Paintings. Proceedings of a Symposium at the J. Paul Getty Museum, 24-28Apri/1995. Los Angeles 1998, pp. 149-177.

• "Microclimate Boxes for Panel Paintings", in K. Dardes &A. Rothe (eds.) The Structural Conservation of PanelPaintings. Proceedings of a Symposium at the J. Paul Getty Museum, April 1995. Los Angeles 1998, pp. 497­524.

Newsletter No.2, ed. A. Phenix &J. Wadum. ICOM-Committee for Conservation, Paintings I & II. WinterlSpring1998.

1999

• "Antwerp Copper Plates", in M. Komanecky (ed.) Copper as Canvas. Two centuries of Masterpiece Paintings onCopper 1525-1775.) Oxford University Press. New Yor1<lOxford 1999, pp. 93-116.

• J. van der Weerd, N. Wyplosz, P. Noble, J. Wadum, S. Bryan, A. Belu, J.J. Boon and RMA Heeren, "Massspectrometric examination of the surface of an embedded paint cross-section", in Proceedings of the 47th ASMSconference on Mass Spectrometry and Allied Topics, Dallas, Texas, June 13-17, 1999/ publ. on CD-ROM only,pp.980-981.

• N. Wyplosz, P. Noble, J. Wadum, S. Bryan, A. Belu, J.J. Boon and R.M.A. Heeren, "MS/MS Analysis offlavonoidsby laser desorption and ionization - ion trap mass spectrometry", in Proceedings of the 47th ASMS conference onMass Spectrometry and Allied Topics, Dallas, Texas, June 13-17,1999/ publ. on CD-ROM only, pp. 982-983

• Newsletter No.3, ed. A. Phenix &J. Wadum. ICOM-Committee for Conservation, Paintings I & II. Winter/Spring1999.

• RM.A. Heeren, J.J. Boon, P. Noble, J'wadum, "Integrating imaging FTIR and secondary ion mass spectrometryfor the analysis of embedded paint cross-sections", in J. Bridgland (ed.) ICOM-CC 12th Triennial Meeting Lyon 29August-3 September 1999, Preprints. London 1999, pp. 228-233.

J. Wadum & P. Noble, "Is there an Ethical Problem after the Twenty-third Treatment of Rembrandt's "AnatomyLesson ofDr. Nicolaes Tulp'?", in J. Bridgland (ed.) ICOM-CC 12th Triennial Meeting Lyon 29 August-3 September1999, Preprints. London1999, pp. 206-210.

J. Wadum & C. van der Elst, "Attribution et desattribution. Les portraits de Nuremberg et de La Haye", in Dossierde l'Art 61 (1999), pp. 34-43.

• I. Horovitz & J. Wadum, "Kunst op Koper. Twee eeuwen meesterwerken op koperplaat", in kM 30 (1999), pp. 4-6.

• Newsletter No.4, ed. A. Phenix &J. Wadum. ICOM-Committee for Conservation, Paintings I & II. Summer 1999.

L. Traversi &J. Wadum, "Un tableau avec Deux enfants s'embrassant au Mauritshuis", in H. Verougstraete & RVan Schoute (eds.) La peinture dans les Pays-Bas au 16" siecle. Pratiques d'atelier infrarouge et autresmethodes d'investigation. Colloque XI/1997 (1999), pp. 99-109.

2000

• P. Noble, J. Wadum, K. Groen, RMA Heeren, K.J. van den Berg, "Aspects of 17th century Binding Medium:inclusions in Rembrandt's Anatomy Lesson of Dr Nicolaes Tulp.", in Proceedings of the International congress oncontribution of chemistry to the works of art, Art &Chimie, la couleur (2000), pp. 126-129.

• "Mikroklimavitrinen ohne Feuchtigkeitspuffer. Fur Feuchtigkeitsempfindliche Holztafeln und leimdoublierteGemalde", in RESTAURO 2 (2000), pp. 96-100.

"Van Bakmaker tot Paneelmaker. Twee eeuwen Antwerps schrijnwerkerambacht", in Proceedings van hetSymposium Hout- en Meubelrestauratie, September 1999. Amsterdam 2000, pp. 1-11.

2001

• "Het laatste nieuws uit het paradijs"I"The latest news from paradise", in Mauritshuis in Focus 1 (2001), pp. 22-30.

• "De tent van Vermeer. Bedacht of niet bedacht", recensie over Philip Steadmans Vermeer's Camera. Uncoveringthe truth Behind the Masterpieces, in Vrij Nederland (28 April 2001), p. 68.

235

• "Rembrandt under the Skin. The Mauritshuis Portrait of Rembrandt with Gorget in retrospect", in Oud HoI/andCXIV (2000), pp. 164-187.

• "De Oranjezaal herrezen", recensie van Oranjezaal in huis ten Bosch in oude glorie hersteld,Rijksgebouwendienst in samenwerking met het Ministerie van Volkshuisvestiging, Ruimtelijke Ordening enMilieubeheer, 2001, in tel/us. Magazine voor VROM-medewerkers IX (2001), p. 6.

• "Intemational Council of Museums-Committee for Conservation"/"ICOM en de NederlandseRestauratiebeurs"/"ICOM-CC 13th Triennial Meeting 2002", in Cr. Interdisciplinair vakblad voor Conservering enRestauratie, vol. II, no. 2 (2001), pp. 55-57.

• "De 17de eeuw gemanipuleerd of 'A Web of Technical Mystery"', recensie van Vermeer's Camera. Uncoveringthe Truth behind the Masterpieces door P. Steadman, in Cr. Interdisciplinair vakblad voor Conservering enRestauratie, vol. II, no. 3 (2001), pp. 51-54.

• "ICOM 19th General Conference, Barcelona"/"Friends of ICOM-CC"I"ICOM-CC Congress"/"Blue Shield"/"Musealbeleid in Nederland", in Cr. Interdisciplinait vakblad voor Conservering en Restauratie, vol. II, no. 4 (2001), pp. 53­54.

• C. Villers and J. Wadum, "ICOM and ICOM-CC issues", in ICOM-CC Newsletter XX (November 2001), pp. 7-8.

2002

• "Latest news from Paradise: a preliminary attempt to identify Rubens's studio practice, Part II", in R. Vontobel(ed.) ICOM-CC 13th Triennial Meeting Rio de Janeiro 22 September-27 September 2002, Preprints. London2002, pp. 473-478.

• "ICOM-CC Newsletter 2002/1 is uit"/"ICOM-CC Voting Members"/"ICOM-CC website als afstudeerproject"/"ICOM­CC Rio 2002 Congres"/"ICOM Nederland versus ICOM Internationale Organisaties", in Cr. Interdisciplinairvakblad voor Conservering en Restauratie, vol. III, no. 1 (2002), pp. 65-67.

• "ICOM-CC's Visibility and Sponsorship", in ICOM-CC Newsletter XI (June 2002), p. 11.

B. Berlowicz, M.C. Christensen, J. Wadum, "Made in Brazil? Eckhout and Post, Dutch painters in Brazil, 1637­1644", in R. Vontobel (ed.) ICOM-CC 13th Triennial Meeting Rio de Janeiro 22 September-27 September 2002,Preprints. London 2002, pp. 394-400.

• "Trienale Meeting in Rio de Janairo"/"Uitdaging 2005", in Cr. Interdisciplinair vakblad voor Conservering enRestauratie, vol. III, no. 2 (2002), pp. 64-65.

"Characteristics of the Painting Technique of Frans Post, a Dutch Painter in Brazil in the Period 1637-1644", in E.de Vries (ed.), Albert Eckhout returns to Brasil 1644-2002: International Experts Symposium, Sao Paulo 2002, pp.273-279.

• J.J. Boon, J. van der Weerd, K. Keune, P. Noble, J. Wadum, "Mechanical and chemical changes in old masterpaintings: dissolution, metal soap formation and remineralisation processes in lead pigmentedground/intermediate paint layers of 17th century paintings", in R. Vontobel (ed.) ICOM-CC 13th Triennial MeetingRio de Janeiro 22 September-27 September 2002, Preprints. London 2002, pp. 401-406.

"Nieuwe werkgroep", in Cr. Interdisciplinair vakblad voor Conservering en Restauratie, vol. III, no. 3 (2002), p. 62.

P. Noble, J.J. Boon, J. Wadum, "Dissolution, aggregation and protrusion. Lead soap formation in 17th centurygrounds and paint layers", in ARTMATTERS - Netherlands Technical Studies in Art I (2002), pp. 46-61.

• "Dou doesn't paint, oh no, he juggles with his brush. Gerrit Dou a Rembrandtesque 'Fijnschilder", in ARTMATTERS- Netherlands Technical Studies in Art I (2002), pp. 62-77.

2003

• "Ravished images restored", in M. Leonard (ed.), Personal Viewpoints - Thoughts about Paintings Conservation.Los Angeles 2001, pp. 59-72.

• "Report from the Chair", in ICOM-CC Newsletter XI (March 2003), pp. 1-2.

• E. Runea, P. Noble, J. Wadum, "Twee naakten van Rembrandt gerestaureerd en onderzocht" I "Two nudes byRembrandt restored and examined", in Mauritshuis in Focus 1 (2003), pp. 8-19.

"Past Failures for Future Learning", in Cristina Menegazzi (ed.) Cultural Heritage Disaster Preparedness andResponse, intemational symposium proceedings, Salar Jung Museum, Hyderabad, India, 23 -27 November 2003.Paris 2004, pp. 45-51.

"Rembrandts erster »hasslicher« Akt. ,Andromeda" von ca. 1630 restauriert und untersucht", in RESTAURO VII(2003), pp. 496-502.

236

2004

• "Restauration: les secrets rElVE~h~s du Chardonneref', in Dossier de I'art CXIII (2004), pp. 33-39.

• "Report from the Chair", in ICOM-CC e-News/etter I (May 2004), pp. 1-2.

• "'Het puttertje' gerestaureerd en doorgelicht"I"'The Goldfinch' restored and examined", in Mauritshuis in Focus II(2004), pp. 12-15.

2006

''The De Mayerne program: breaking new grounds for art science and conservation in the 21 st century", in J. Boon& S.B. Ferreira (eds) Reporting Highlights of the De Mayerne Programme. The Hague 2006, pp. 9-12.

• T. Doherty, M. Leonard &J. Wadum, "Brueghel and Rubens at Work: Technique and the Practice ofCollaboration" in A. Woollett (ed.) Rubens and Brueghel. A Working Friendship. Los Angeles 2006, pp. 214-251.

• "Rembrandt Uncovered", in cat. Rembrandt? The Master and his Workshop, Statens Museum for Kunst.Copenhagen 2006, pp. 124-148.

L. B0gh R0nberg & J. Wadum, "Two paintings in Copenhagen re-attributed to Rembrandt", in BurlingtonMagazine CXLVIII (2006), pp. 82-88.

• J. Wadum &L. B0gh R0nberg, "A unique Rembrandt Rediscovered: The Crusader', in RESTAURO II (2006), pp.110-117.

L. B0gh R0nberg & J. Wadum, "Le Croise et l'Etude d'un vieillard de profil. Deux oeuvres re attribuees aRembrandt", in Dossier de rart CXXIX (2006), pp. 52-61.

2007

• "Einblicke in die Erforschung und Restaurierung eines Gemaldes von Jacob Jordaens. Offene Werkstatt imStatens Museum for Kunst in Kopenhagen", in RESTAURO IIX (2007), pp.496-500.

K. Monrad, M. Scharff, J. Wadum, "Guldalderens skjulte tegninger. Tegning og undertegning i guldalderrnalernesprospekter fra Italien", in P.N. Larsen (ed.) SMK Art Journal 2006 (2007), pp. 58-69 (English version pp. 111-119)

T. Gr0ntoft, E. Dahlin, M. Odlyha, M. Scharff, G. Andrade, P. Mottner, J. Czop, P. Colombini, S. Hackney, J. Wadum:"Improved protection of paintings during exhibition, storage and transit - PROPAINT (EU project FP6, 044254)", in"Museums microclimates. Abstracts ofposters at the conference in Copenhagen 19 - 23 November 2007".Copenhagen 2007, p. 30.

2008

• "Die Restaurierung eines Meisterwerkes live erleben. Stereomikroskopie hilft Kunstschatze zu erhalten", inreSOLUTION - Newsletter fur Materialwissenschaff & Technologie (2008), pp.12-14.

• J. Verhave, J. Wadum, "Pa sporet af den kreative proces. Peter Paul Rubens: Kristus pa vejen til Goigata.Korsbceringen". i P.N. Larsen (ed.) SMK Art Journal 2007 (2008), pp. 4-15 (English version pp. 86-95)

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