two west culture field book
TRANSCRIPT
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FIELDBOOK
2010
discovery + design
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WHAT IS ETHNOGRAPHY?
Both a methodology and a product of research, ethnography is
a grounded, inductive method, that heavily relies on participant-
observation. These days, the term ethnography is used fairly loosely
and expectations and nal outcomes vary as much as the people
calling themselves ethnographers.
It meets people where the action occurs
It is inductive
It does not go into the eld with answers running
It is focused on systems, practices, and beliefs
Everything is data
It is focused for business objectives
It is best done in teams
It uses culture and shared knowledge as the center of investigation
WHAT IS ANTHROPOLOGY?
In a nutshell, anthropology is the study of all that it means to be
human and the cultural context within which we l ive. In essence,
anthropology answers the question:
Whatdoesitmeantobehuman?"
It's the scientic study of humankind; from species origins throughdevelopment to modern day (including the mall, boardrooms,
and ofces).
Anthropology encompasses a holistic view of a person and
their environment by blending sociology, linguistics, biology
and psychology into a more complete picture. As with all social
sciences, it embraces an inductive approach to understanding
and starts from a cultural perspective.
Anthropology is also comparative and cross-cultural.It is a comparative eld in that it examines all societies, ancient and
modern; simple and complex. It systematically compares data from
different populations and time periods. However, the other social
sciences tend to focus on a single society whereas anthropology
offers a unique cross-cultural perspective by constantly comparing
the customs of one society with those of others.
ANTHROPOLOGY & CULTURE
Everything begins with culture.
Culture is a set of shared, learned beliefs, values, norms, traditions
and taboos.
Every purchase decision is made within the cultural context:
Geographic culture (Indian, American, NorCal, Silicon Valley)
Industry culture (engineers, product managers, nurses, taxi drivers)
Company culture (Microsoft, Yahoo, P&G, Harley Davidson)
Lifestyle culture (surfer, emo, techie, biker, neat-freak)
Religious culture (Buddhist, Hindu, Catholic, Atheist)
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INDUCTIVE METHODS INDUCTIVE METHODS
THE INDUCTIVE APPROACH
Begins with specic things - observations or discussion with informants.
Based on the accumulation of observation, you may want to build ageneral idea on that observation.
Inductive reasoning moves from specic observations to broader
generalizations and theories.
Start with specic observations and measures, begin to detect
patterns and regularities, formulate some tentative hypotheses that
we can explore and nally develop conclusions or theories.
Inductive reasoning is more open-ended, holistic and exploratory,especially at the beginning.
Uncover the unexpected activities, intrusions, and interactions that
ultimately impact decision making, use and performance.
Attempts to understand why, not simply what.
Attempts to understand the contexts (processes) in which people live
and work.
PATTERNS
OBSERVATION
INITIAL HYPOTHESIS
THEORY
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RESOURCE FLOW
The study of the complex issues around how resources are attained,
used, repurposed and disposed of within a household or community
is calledresourceow. In essence, it is a process by which people or
companies catalog the purchase journey.
Statistically, humans are alone only a small percentage of their lives.
We exist in family units, social webs, neighborhoods, work structures
and other organizations. All resource input (salary, crops, material
goods, other captial) will inevitably be ltered directly or indirectly
by multiple individuals, including pets. This is true even for those who
live alone, except in extreme cases. For ethnography in a business
context, you should rarely concept resource ow in a 1:1 ratio.
A good way to start is to ask an individual in the group to drawrepresentations of those things in the home, ofce or community
that bring in money or goods.
Next, have them do the same - but focus on those things that take
out money or goods.
There will be debate about these representations from other
members of the group (in public and in private).
The goal is to get people talking about how the process works and
the factors inuencing it.
Make sure to document observations and diagram the resource
ow.
Try to keep any and all participants actively engaged through
discussion and cooperative diagraming. It's okay to hand your
informant your pen and paper.
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SOCIAL NETWORKS SOCIAL NETWORKS
The old adage "no man is an island" and "nobody lives in a
vacuum" are true. We live in a complex network of relationships and
communities that shape our worldview, behavior and inuence our
daily behavior.
A social network is the socio-cultural group made up of individuals
or institutions called "nodes." These are connected by one or more
specic types of interdependency, such as profession, title, kinship,
common interest, dislike, etc. They can also be constructed around
relationships of beliefs, knowledge or power. Social webs help illustrate
the multivariate roles people play across a range of socio-cultural
strata.
Simply put, knowing a target's social network is the gateway toethnographic insight. Remember, in a social network:
Subjects and their actions are viewed as interdependent rather than
independent or autonomous units
Relational ties (linkages) between subjects are channels for resource
ow (either material or nonmaterial)
Network models focusing on individuals view the network structural
environment as providing opportunities for or constraints on individual
action
Network models conceptualize structure (social, economic, political
and so forth) as lasting patterns of relations among subjects
When conducting eldwork, it is imperative that you document,
diagram and explore a subject or group's social web. This knowledge
will help you discover motivating or inuential factors; negotiated
self-images, relationships, resource ow and the foundation for
structural/functional behavior.
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RECIPROCITY
Reciprocity is how we dene the informal exchange of goods, labor
and even ideas. Since virtually all humans live in some kind of society
and interact with others, reciprocity is fundamental to the nature of all
cultures.
Knowing and diagraming reciprocity allows the researcher to explore
the transfer of resources (resource ow) and the give-and-take of links
in a social network. There are three types of reciprocity:
Generalized reciprocity: The same as virtually uninhibited sharing
or giving. It occurs when one person shares goods or labor with
another person without expecting anything in return. What makes
this interaction "reciprocal" is the sense of satisfaction the giver feels
and the social closeness that the gift fosters. Between people whoengage in generalized reciprocity, there is a maximum amount of
trust and a minimum amount of social distance.
Balanced or Symmetrical reciprocity: Occurs when someone gives
to someone else, expecting a fair and tangible return at some
undened future date. It is a very informal system of exchange. The
expectation that the giver will be repaid is based on trust and social
consequences; that is, a "mooch" who accepts gifts and favors
without ever giving himself will nd it harder and harder to obtain
those favors. Balanced reciprocity involves a moderate amount of
trust and social distance.
Negative reciprocity: Includes what economists call barter. A person
gives goods or labor and expects to be repaid immediately with
some other goods or labor of the same value. Negative reciprocity
can involve a minimum amount of trust and a maximum social
distance - it can take place among strangers.
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GENDER, CLASS & POWER
Gender, Class and Power cant be overlooked when doing eldwork.
While these are often topics we avoid in our society, they are part of
the cultural landscape and have to be considered when capturing
data.
Power can vary from hegemony, perceived as legitimate, to the threat
of violence. Class is the relation to the means of production, especially
the right of direct access to the fruits of production. Gender is best
understood as the relations between men and women. The three
together constitute the fundamental social, economic, cultural and
political relations that determine any social system or network.
When taking in a setting and taking notes consider the following:
What roles do men and women play in the context?
How are communities divided along economic lines?
How important are racial and ethnic distinctions for the group and
how is this expressed?
How is power exercised within the group?
How do these considerations shape both the research plan and the
nal design of a product, service or message?
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DOCUMENTATION
Capturing everything in the field can be a daunting task. But there are
some basic tips that will help make the process smoother:
Write notes as soon as possible to avoid information being lost.
Capture major themes and broad ideas within 24 hours and share
them with your team.
Write down all personal details about the setting (number of people,
location, use of space, gender dynamics, product use, etc.).
Note direct quotes as well as your impressions.
Note moments that produced changes in the context of discussion.
-Achangeinstorysetting,topicortemporalshift.
Note moments that produced emotional responses.
Note or draw expressions, body language, and non-verbal
communication.
Remember, the camcorder is only one of the tools you bring to the
field. Field guides, notebooks, sketchpads and cameras are all part of
the toolkit, but more importantly, so are you.
HANDSPOSTURE
FEET
EXPRESSION ATTENTION
OTHER
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WHY THE INTERVIEW?
The interview is where you will receive a large percentage of your
information on subjects or groups. The ability to conduct a successfuland insightful interview will determine the depth of information you will
be able to collect and the and the validity of that information.
KEEP IN MIND:
Reading off a line of questions will create a barrier between the
researcher and the subject as well as produce a stale wooden
rapport.
Ask open-ended questions rather than simple yes/no queries. Dont
leadthesubject.
Questions should be clear and phrased in contextually intelligible and
appropriate language.
Its an interview, not an interrogation. Establish a rapport.
Get to know the subject(s). Ask them questions about the house,
family, life, etc. Its important for them to trust the relationship and to
be open.
Add depth with follow-up questions.
Have the subject actively demonstrate their points if possible.
-Mytruckmakesasound.=Getinthetruckandcheckitout
NON-VERBAL PROMPTS
What you do and how you interact with your subject(s) is just as
important as what you say. Body-language and signage by yoursubject(s) is also important. Make sure to pay attention to the detials
even if you're making notes. Remember:
Remove coat (coats and objects are interpreted as barriers).
Mind that your notes or camera are not directly between you and
the subject.
Maneuver subject(s) into a seated position not facing an immediate
point of egress.
The subject should feel secure, but not enclosed.
Be aware of your body language and inection.
Be observant of the body language, gesture-calls, posture, eye
movement etc. of the subject(s).
Silence is your friend.
Nodding but not saying anything will produce silence, which
the subject will often try to ll by continuing deeper into a line of
explanation or discovery.
THE ART OF THE INTERVIEW
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THE ART OF THE INTERVIEW
GENERAL INTERVIEW OUTLINE
Establish rapport
Transition to a broad category-oriented line of questioning
Transition to brand/product specic line of questioning
Focus conversation
Thank subject(s) and distribute incentive
QUESTION CATEGORIES
Self-Philosophy
- Ask the applicant about how they feel or think about a particular
topic/product.
- Examine how a change of perspective could or would change the
direction of future actions.
Leading
-Asks general questions that motivate the subject to elaborate more
on the current line of questioning or on a specic topic.
Cultural Framework
- Ask questions about how the applicant believes other people in his/
her situation would feel.
Context
- Asksabout past situations involving the topic of conversation, and
asking how the situation occurred.
- Describe setting/location.
- Log time/date
Mapping
- Diagram - mentally or on paper - how people, places or things
regarding the topic are connected
PROBE DEEPER
-How do they treat the brand/product? Is it a commodity? Is it used to
satisfy the subject or is it being purchased for someone else?
-Are there any inherent biases? Are these linked to socio-economic
status, ethnicity, religion, region, sex, age or gender?
- How does the category play into daily life or social sphere?
- What emotions or feelings are directly associated with the specic
brand/product?
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THINGS TO LOOK FOR
NORMS
Cultural norms guide good marketing, design, and development.
For example, cultures shape how people understand what is food.
While it is seen as strange to eat bugs in the West, they are a major
source of protein in many parts of the world.
Uncovering how people internalize these cultural norms gives us insight
into what makes sense and allows us to design brands that will
resonate rather than confuse or offend.
What do people wear in a given context?
How do people greet each other when meeting for the first time?
PROCESSES
How people get things done is another signicant point of investigation
for an ethnographer. It shows us how cultural roles, beliefs about what
is correct, and the order in which events take place shape interaction
with place, and tool or a brand.
What rituals accompany preparing dinner?
How do people nd their way in a retail environment?
Note all the steps in any activity described by the subject(s).
MEANING
People have to make sense of the world around them and assign
meaning to their shared lives.
Rituals, morality, cosmology, even how we choose to clean our teeth
are all endowed with meaning. For example, knowing that you wear
black to a funeral stems from associations we have between that color
and death.
How do people dene cleanliness?
How do people pray?
Ethnography uncovers not only the meaning people assign to theworld, but how that meaning comes about.
WHAT PEOPLE SAY vs. WHAT PEOPLE DO
It isnt enough to ask people questions, because what they say and
what they do arent always the same.
Look for what is going on in the physical space, look for body
language, and look for interactions between people.
People may call themselves green, but what do they drive?
Do people have a tell when asked a question?
Look for contradictions and make sure to ask people to demonstrate
what they say.
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THINGS TO LOOK FOR
HOW PEOPLE SOLVE PROBLEMS
Look for ways people adapt things to solve problems in unusual
ways. For example, using stickers on cell phones to tag whatbelongs to them.
Look for the tools people use to accomplish tasks.
Look for work-arounds people develop to manage and control
their environment.
HOW PEOPLE ORGANIZE
How people organize things can tell you a lot about how they
understand and manage their world. Ask people to explain howthey conceptualize things and how they relate to each other.
How do people organize their refrigerator?
Where do people store their "important" papers?
ROLES PEOPLE ASSUME
How does behavior change in a given context? What sort of things are
socially unacceptable in a given context? You should look for changesand roles people seem to adopt in a given setting. Systems of hierarchy
and power are typically a visually obvious example.
How do people react when they have to leave something behind?
How do people take turns when talking?
How does body language change between people?
Try to uncover the social and cultural roles people are playing.
PEOPLE'S "STUFF"
What kinds of stuff people have with them can signal what it is they
see as important.
What do people carry with them?
What do they wear?
How does the setting change this?
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HOUSE KEEPING
Get permission before you start lming, sketching or taking pictures.
Make sure your equipment is working properly.
If working in teams, assign roles and determine expectations for
each team member.
Determine who you want to talk to and why you want to talk with
them.
CAPTURING DATA
While it sounds daunting, try to capture everything you see, hear,
smell, taste and feel.
Use video, photos, notes, maps and sketches. Include details aboutfamily, friends, food and environment.
Include details about emotional responses as well as your own
feelings (uncovering personal biases will help improve analysis in the
long run).
Be sure to get your thoughts recorded as soon as possible after
leaving the eld.
OBSERVATION
Observe reality, not just what people want to show you.
While observing, look for adaptations and inventions, body
language, events that change behavior, social hierarchies, things
people care about, anything you see as irrational or surprising.
Engage in what you are observing. It is through action that many of
the best questions and observation occur.
INTERVIEW
Remember that you are talking, not interrogating. Listen long
enough to put your participant at ease and feel like he/she is
being heard.
Be focused enough to get useful information, but general enough
that the participant can guide the conversation into unexpected
areas.
Ask open-ended questions, do not use a script, and be willing to
ask nave or obvious questions.
The key is remembering that the participant is the expert, not you.
ETHNOGRAPHIC METHODS
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WHAT NOW?
Setting Objectives
Fieldwork always produces vast amounts of interesting data. It's what
you do with that data that makes a difference.
The rst step after leaving the eld is to set objectives and end results for
the insights.
This means dening:
Budgets
Time frames
Innovation vs. improvements
Back and front end needs
Cultural Practices
Abovethewaterline,
Aspects of culture that are explicit, visible, taught.
Atthewaterline
The area where implicit understandings become talked about,
explained.
Belowthewaterline
Hidden" culture: the habits, assumptions, understandings, values,
judgments. The things we know but do not or cannot articulate.
- Irrational behavior is perfectly rational to the person doing it.
Domains, Variables and Factors
The next step is to start to articulate the broad topics (domains),
variables within domains and specic factors that create variables.
It is a little like molecular biology. Atoms combine to make molecules,
molecules combine to make compounds.
Uncovering insights and making sense of behavior is similar to
uncovering layers and linkages that build to form an organism.
Things to Consider Before You Dive In
Where and how will your idea be used by the consumer?
Are they an adult? A nine-year old? A soldier?
Understanding the context of use and users should direct where the
product will be used.
Is it in the car? On a laptop? In the backyard? In a retail
environment?
What functions your product must fulll?
Culturally
Is it about your product or something bigger?Design for how people live, not what they tell you.
Technically
What are the elements of that task in a real life setting?
What are people doing now to make do?
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WHAT NOW?
What are the barriers?
Dene cultural barriers.
Dene cost barriers.
Dene platform barriers.
Dene biological barriers.
All of this comes down to understanding the context and cultural
process of the user, shopper or consumer.
What Now: Nuts and Bolts
Now that you have categorized data, brainstorm as many possible
insights as possible.
Selectthe5keyinsightsandwriteonpost-its.
- Post on easel, whiteboard or wall.
- Cluster insights into similar categories.
-Vote down to 5-7 key insights on which to focus.
Break into action groups.
Groups will generate long list of potential solutions.
Brainstorming Tools:WriteIt,SayIt,PostIt;BrainWriting;Forced
Connections
Evaluate and converge on 3 ideas.
Decision Tools:Cluster;DotVoting/SilentVote
Facilitator assists groups in rening 3 ideas to solve the problem.
Groups will evaluate ideas and develop rough prototypes of ideas.
Tools: Pluses,Potentials,ConcernsandOvercoming.
Who, What, When, Why, How focus on what it will take to implement.
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Have fun out there!
CONTACT:GAVIN JOHNSTON
CHIEF ANTHROPOLOGIST, TWO WEST DISCOVERY + DESIGN
DIRECT 816.581.8202 | 816.471.3255