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    FIELDBOOK

    2010

    discovery + design

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    WHAT IS ETHNOGRAPHY?

    Both a methodology and a product of research, ethnography is

    a grounded, inductive method, that heavily relies on participant-

    observation. These days, the term ethnography is used fairly loosely

    and expectations and nal outcomes vary as much as the people

    calling themselves ethnographers.

    It meets people where the action occurs

    It is inductive

    It does not go into the eld with answers running

    It is focused on systems, practices, and beliefs

    Everything is data

    It is focused for business objectives

    It is best done in teams

    It uses culture and shared knowledge as the center of investigation

    WHAT IS ANTHROPOLOGY?

    In a nutshell, anthropology is the study of all that it means to be

    human and the cultural context within which we l ive. In essence,

    anthropology answers the question:

    Whatdoesitmeantobehuman?"

    It's the scientic study of humankind; from species origins throughdevelopment to modern day (including the mall, boardrooms,

    and ofces).

    Anthropology encompasses a holistic view of a person and

    their environment by blending sociology, linguistics, biology

    and psychology into a more complete picture. As with all social

    sciences, it embraces an inductive approach to understanding

    and starts from a cultural perspective.

    Anthropology is also comparative and cross-cultural.It is a comparative eld in that it examines all societies, ancient and

    modern; simple and complex. It systematically compares data from

    different populations and time periods. However, the other social

    sciences tend to focus on a single society whereas anthropology

    offers a unique cross-cultural perspective by constantly comparing

    the customs of one society with those of others.

    ANTHROPOLOGY & CULTURE

    Everything begins with culture.

    Culture is a set of shared, learned beliefs, values, norms, traditions

    and taboos.

    Every purchase decision is made within the cultural context:

    Geographic culture (Indian, American, NorCal, Silicon Valley)

    Industry culture (engineers, product managers, nurses, taxi drivers)

    Company culture (Microsoft, Yahoo, P&G, Harley Davidson)

    Lifestyle culture (surfer, emo, techie, biker, neat-freak)

    Religious culture (Buddhist, Hindu, Catholic, Atheist)

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    INDUCTIVE METHODS INDUCTIVE METHODS

    THE INDUCTIVE APPROACH

    Begins with specic things - observations or discussion with informants.

    Based on the accumulation of observation, you may want to build ageneral idea on that observation.

    Inductive reasoning moves from specic observations to broader

    generalizations and theories.

    Start with specic observations and measures, begin to detect

    patterns and regularities, formulate some tentative hypotheses that

    we can explore and nally develop conclusions or theories.

    Inductive reasoning is more open-ended, holistic and exploratory,especially at the beginning.

    Uncover the unexpected activities, intrusions, and interactions that

    ultimately impact decision making, use and performance.

    Attempts to understand why, not simply what.

    Attempts to understand the contexts (processes) in which people live

    and work.

    PATTERNS

    OBSERVATION

    INITIAL HYPOTHESIS

    THEORY

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    RESOURCE FLOW

    The study of the complex issues around how resources are attained,

    used, repurposed and disposed of within a household or community

    is calledresourceow. In essence, it is a process by which people or

    companies catalog the purchase journey.

    Statistically, humans are alone only a small percentage of their lives.

    We exist in family units, social webs, neighborhoods, work structures

    and other organizations. All resource input (salary, crops, material

    goods, other captial) will inevitably be ltered directly or indirectly

    by multiple individuals, including pets. This is true even for those who

    live alone, except in extreme cases. For ethnography in a business

    context, you should rarely concept resource ow in a 1:1 ratio.

    A good way to start is to ask an individual in the group to drawrepresentations of those things in the home, ofce or community

    that bring in money or goods.

    Next, have them do the same - but focus on those things that take

    out money or goods.

    There will be debate about these representations from other

    members of the group (in public and in private).

    The goal is to get people talking about how the process works and

    the factors inuencing it.

    Make sure to document observations and diagram the resource

    ow.

    Try to keep any and all participants actively engaged through

    discussion and cooperative diagraming. It's okay to hand your

    informant your pen and paper.

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    SOCIAL NETWORKS SOCIAL NETWORKS

    The old adage "no man is an island" and "nobody lives in a

    vacuum" are true. We live in a complex network of relationships and

    communities that shape our worldview, behavior and inuence our

    daily behavior.

    A social network is the socio-cultural group made up of individuals

    or institutions called "nodes." These are connected by one or more

    specic types of interdependency, such as profession, title, kinship,

    common interest, dislike, etc. They can also be constructed around

    relationships of beliefs, knowledge or power. Social webs help illustrate

    the multivariate roles people play across a range of socio-cultural

    strata.

    Simply put, knowing a target's social network is the gateway toethnographic insight. Remember, in a social network:

    Subjects and their actions are viewed as interdependent rather than

    independent or autonomous units

    Relational ties (linkages) between subjects are channels for resource

    ow (either material or nonmaterial)

    Network models focusing on individuals view the network structural

    environment as providing opportunities for or constraints on individual

    action

    Network models conceptualize structure (social, economic, political

    and so forth) as lasting patterns of relations among subjects

    When conducting eldwork, it is imperative that you document,

    diagram and explore a subject or group's social web. This knowledge

    will help you discover motivating or inuential factors; negotiated

    self-images, relationships, resource ow and the foundation for

    structural/functional behavior.

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    RECIPROCITY

    Reciprocity is how we dene the informal exchange of goods, labor

    and even ideas. Since virtually all humans live in some kind of society

    and interact with others, reciprocity is fundamental to the nature of all

    cultures.

    Knowing and diagraming reciprocity allows the researcher to explore

    the transfer of resources (resource ow) and the give-and-take of links

    in a social network. There are three types of reciprocity:

    Generalized reciprocity: The same as virtually uninhibited sharing

    or giving. It occurs when one person shares goods or labor with

    another person without expecting anything in return. What makes

    this interaction "reciprocal" is the sense of satisfaction the giver feels

    and the social closeness that the gift fosters. Between people whoengage in generalized reciprocity, there is a maximum amount of

    trust and a minimum amount of social distance.

    Balanced or Symmetrical reciprocity: Occurs when someone gives

    to someone else, expecting a fair and tangible return at some

    undened future date. It is a very informal system of exchange. The

    expectation that the giver will be repaid is based on trust and social

    consequences; that is, a "mooch" who accepts gifts and favors

    without ever giving himself will nd it harder and harder to obtain

    those favors. Balanced reciprocity involves a moderate amount of

    trust and social distance.

    Negative reciprocity: Includes what economists call barter. A person

    gives goods or labor and expects to be repaid immediately with

    some other goods or labor of the same value. Negative reciprocity

    can involve a minimum amount of trust and a maximum social

    distance - it can take place among strangers.

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    GENDER, CLASS & POWER

    Gender, Class and Power cant be overlooked when doing eldwork.

    While these are often topics we avoid in our society, they are part of

    the cultural landscape and have to be considered when capturing

    data.

    Power can vary from hegemony, perceived as legitimate, to the threat

    of violence. Class is the relation to the means of production, especially

    the right of direct access to the fruits of production. Gender is best

    understood as the relations between men and women. The three

    together constitute the fundamental social, economic, cultural and

    political relations that determine any social system or network.

    When taking in a setting and taking notes consider the following:

    What roles do men and women play in the context?

    How are communities divided along economic lines?

    How important are racial and ethnic distinctions for the group and

    how is this expressed?

    How is power exercised within the group?

    How do these considerations shape both the research plan and the

    nal design of a product, service or message?

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    DOCUMENTATION

    Capturing everything in the field can be a daunting task. But there are

    some basic tips that will help make the process smoother:

    Write notes as soon as possible to avoid information being lost.

    Capture major themes and broad ideas within 24 hours and share

    them with your team.

    Write down all personal details about the setting (number of people,

    location, use of space, gender dynamics, product use, etc.).

    Note direct quotes as well as your impressions.

    Note moments that produced changes in the context of discussion.

    -Achangeinstorysetting,topicortemporalshift.

    Note moments that produced emotional responses.

    Note or draw expressions, body language, and non-verbal

    communication.

    Remember, the camcorder is only one of the tools you bring to the

    field. Field guides, notebooks, sketchpads and cameras are all part of

    the toolkit, but more importantly, so are you.

    HANDSPOSTURE

    FEET

    EXPRESSION ATTENTION

    OTHER

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    WHY THE INTERVIEW?

    The interview is where you will receive a large percentage of your

    information on subjects or groups. The ability to conduct a successfuland insightful interview will determine the depth of information you will

    be able to collect and the and the validity of that information.

    KEEP IN MIND:

    Reading off a line of questions will create a barrier between the

    researcher and the subject as well as produce a stale wooden

    rapport.

    Ask open-ended questions rather than simple yes/no queries. Dont

    leadthesubject.

    Questions should be clear and phrased in contextually intelligible and

    appropriate language.

    Its an interview, not an interrogation. Establish a rapport.

    Get to know the subject(s). Ask them questions about the house,

    family, life, etc. Its important for them to trust the relationship and to

    be open.

    Add depth with follow-up questions.

    Have the subject actively demonstrate their points if possible.

    -Mytruckmakesasound.=Getinthetruckandcheckitout

    NON-VERBAL PROMPTS

    What you do and how you interact with your subject(s) is just as

    important as what you say. Body-language and signage by yoursubject(s) is also important. Make sure to pay attention to the detials

    even if you're making notes. Remember:

    Remove coat (coats and objects are interpreted as barriers).

    Mind that your notes or camera are not directly between you and

    the subject.

    Maneuver subject(s) into a seated position not facing an immediate

    point of egress.

    The subject should feel secure, but not enclosed.

    Be aware of your body language and inection.

    Be observant of the body language, gesture-calls, posture, eye

    movement etc. of the subject(s).

    Silence is your friend.

    Nodding but not saying anything will produce silence, which

    the subject will often try to ll by continuing deeper into a line of

    explanation or discovery.

    THE ART OF THE INTERVIEW

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    THE ART OF THE INTERVIEW

    GENERAL INTERVIEW OUTLINE

    Establish rapport

    Transition to a broad category-oriented line of questioning

    Transition to brand/product specic line of questioning

    Focus conversation

    Thank subject(s) and distribute incentive

    QUESTION CATEGORIES

    Self-Philosophy

    - Ask the applicant about how they feel or think about a particular

    topic/product.

    - Examine how a change of perspective could or would change the

    direction of future actions.

    Leading

    -Asks general questions that motivate the subject to elaborate more

    on the current line of questioning or on a specic topic.

    Cultural Framework

    - Ask questions about how the applicant believes other people in his/

    her situation would feel.

    Context

    - Asksabout past situations involving the topic of conversation, and

    asking how the situation occurred.

    - Describe setting/location.

    - Log time/date

    Mapping

    - Diagram - mentally or on paper - how people, places or things

    regarding the topic are connected

    PROBE DEEPER

    -How do they treat the brand/product? Is it a commodity? Is it used to

    satisfy the subject or is it being purchased for someone else?

    -Are there any inherent biases? Are these linked to socio-economic

    status, ethnicity, religion, region, sex, age or gender?

    - How does the category play into daily life or social sphere?

    - What emotions or feelings are directly associated with the specic

    brand/product?

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    THINGS TO LOOK FOR

    NORMS

    Cultural norms guide good marketing, design, and development.

    For example, cultures shape how people understand what is food.

    While it is seen as strange to eat bugs in the West, they are a major

    source of protein in many parts of the world.

    Uncovering how people internalize these cultural norms gives us insight

    into what makes sense and allows us to design brands that will

    resonate rather than confuse or offend.

    What do people wear in a given context?

    How do people greet each other when meeting for the first time?

    PROCESSES

    How people get things done is another signicant point of investigation

    for an ethnographer. It shows us how cultural roles, beliefs about what

    is correct, and the order in which events take place shape interaction

    with place, and tool or a brand.

    What rituals accompany preparing dinner?

    How do people nd their way in a retail environment?

    Note all the steps in any activity described by the subject(s).

    MEANING

    People have to make sense of the world around them and assign

    meaning to their shared lives.

    Rituals, morality, cosmology, even how we choose to clean our teeth

    are all endowed with meaning. For example, knowing that you wear

    black to a funeral stems from associations we have between that color

    and death.

    How do people dene cleanliness?

    How do people pray?

    Ethnography uncovers not only the meaning people assign to theworld, but how that meaning comes about.

    WHAT PEOPLE SAY vs. WHAT PEOPLE DO

    It isnt enough to ask people questions, because what they say and

    what they do arent always the same.

    Look for what is going on in the physical space, look for body

    language, and look for interactions between people.

    People may call themselves green, but what do they drive?

    Do people have a tell when asked a question?

    Look for contradictions and make sure to ask people to demonstrate

    what they say.

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    THINGS TO LOOK FOR

    HOW PEOPLE SOLVE PROBLEMS

    Look for ways people adapt things to solve problems in unusual

    ways. For example, using stickers on cell phones to tag whatbelongs to them.

    Look for the tools people use to accomplish tasks.

    Look for work-arounds people develop to manage and control

    their environment.

    HOW PEOPLE ORGANIZE

    How people organize things can tell you a lot about how they

    understand and manage their world. Ask people to explain howthey conceptualize things and how they relate to each other.

    How do people organize their refrigerator?

    Where do people store their "important" papers?

    ROLES PEOPLE ASSUME

    How does behavior change in a given context? What sort of things are

    socially unacceptable in a given context? You should look for changesand roles people seem to adopt in a given setting. Systems of hierarchy

    and power are typically a visually obvious example.

    How do people react when they have to leave something behind?

    How do people take turns when talking?

    How does body language change between people?

    Try to uncover the social and cultural roles people are playing.

    PEOPLE'S "STUFF"

    What kinds of stuff people have with them can signal what it is they

    see as important.

    What do people carry with them?

    What do they wear?

    How does the setting change this?

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    HOUSE KEEPING

    Get permission before you start lming, sketching or taking pictures.

    Make sure your equipment is working properly.

    If working in teams, assign roles and determine expectations for

    each team member.

    Determine who you want to talk to and why you want to talk with

    them.

    CAPTURING DATA

    While it sounds daunting, try to capture everything you see, hear,

    smell, taste and feel.

    Use video, photos, notes, maps and sketches. Include details aboutfamily, friends, food and environment.

    Include details about emotional responses as well as your own

    feelings (uncovering personal biases will help improve analysis in the

    long run).

    Be sure to get your thoughts recorded as soon as possible after

    leaving the eld.

    OBSERVATION

    Observe reality, not just what people want to show you.

    While observing, look for adaptations and inventions, body

    language, events that change behavior, social hierarchies, things

    people care about, anything you see as irrational or surprising.

    Engage in what you are observing. It is through action that many of

    the best questions and observation occur.

    INTERVIEW

    Remember that you are talking, not interrogating. Listen long

    enough to put your participant at ease and feel like he/she is

    being heard.

    Be focused enough to get useful information, but general enough

    that the participant can guide the conversation into unexpected

    areas.

    Ask open-ended questions, do not use a script, and be willing to

    ask nave or obvious questions.

    The key is remembering that the participant is the expert, not you.

    ETHNOGRAPHIC METHODS

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    WHAT NOW?

    Setting Objectives

    Fieldwork always produces vast amounts of interesting data. It's what

    you do with that data that makes a difference.

    The rst step after leaving the eld is to set objectives and end results for

    the insights.

    This means dening:

    Budgets

    Time frames

    Innovation vs. improvements

    Back and front end needs

    Cultural Practices

    Abovethewaterline,

    Aspects of culture that are explicit, visible, taught.

    Atthewaterline

    The area where implicit understandings become talked about,

    explained.

    Belowthewaterline

    Hidden" culture: the habits, assumptions, understandings, values,

    judgments. The things we know but do not or cannot articulate.

    - Irrational behavior is perfectly rational to the person doing it.

    Domains, Variables and Factors

    The next step is to start to articulate the broad topics (domains),

    variables within domains and specic factors that create variables.

    It is a little like molecular biology. Atoms combine to make molecules,

    molecules combine to make compounds.

    Uncovering insights and making sense of behavior is similar to

    uncovering layers and linkages that build to form an organism.

    Things to Consider Before You Dive In

    Where and how will your idea be used by the consumer?

    Are they an adult? A nine-year old? A soldier?

    Understanding the context of use and users should direct where the

    product will be used.

    Is it in the car? On a laptop? In the backyard? In a retail

    environment?

    What functions your product must fulll?

    Culturally

    Is it about your product or something bigger?Design for how people live, not what they tell you.

    Technically

    What are the elements of that task in a real life setting?

    What are people doing now to make do?

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    WHAT NOW?

    What are the barriers?

    Dene cultural barriers.

    Dene cost barriers.

    Dene platform barriers.

    Dene biological barriers.

    All of this comes down to understanding the context and cultural

    process of the user, shopper or consumer.

    What Now: Nuts and Bolts

    Now that you have categorized data, brainstorm as many possible

    insights as possible.

    Selectthe5keyinsightsandwriteonpost-its.

    - Post on easel, whiteboard or wall.

    - Cluster insights into similar categories.

    -Vote down to 5-7 key insights on which to focus.

    Break into action groups.

    Groups will generate long list of potential solutions.

    Brainstorming Tools:WriteIt,SayIt,PostIt;BrainWriting;Forced

    Connections

    Evaluate and converge on 3 ideas.

    Decision Tools:Cluster;DotVoting/SilentVote

    Facilitator assists groups in rening 3 ideas to solve the problem.

    Groups will evaluate ideas and develop rough prototypes of ideas.

    Tools: Pluses,Potentials,ConcernsandOvercoming.

    Who, What, When, Why, How focus on what it will take to implement.

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    Have fun out there!

    CONTACT:GAVIN JOHNSTON

    CHIEF ANTHROPOLOGIST, TWO WEST DISCOVERY + DESIGN

    DIRECT 816.581.8202 | 816.471.3255

    [email protected]