tokyo 2010 design studio_ryan cameron moroney & sarah merican
DESCRIPTION
These the final presentation panels for my level 5 Architecture Design Studio at RMIT. The building is a 20th century Fashion Museum in Omotesando and is inspired by the Avant Garde Fashion Pioneers of Miyake, Yamamoto and Kamakubo. The Interior is a play on traditional domestic Japanese propotion and the exterior on the role of fashion in the public realm.TRANSCRIPT
MAIN RENDER FROM STREET VIEW
React . Reshape . Change
PLANS 1:500
PERSPECTIVAL SECTION
STRUCTURAL STRATEGY
LOWER GROUND
GROUND FLOOR
LEVEL ONE
LEVEL TWO
LEVEL THREE
LEVEL FOUR
LEVEL SIXTEEN
LEVEL SEVENTEEN
LEVEL EIGHTEEN
LEVEL FIVE
LEVEL SIX
LEVEL SEVEN
LEVEL EIGHT
LEVEL NINE
LEVEL TEN
LEVEL ELEVEN
LEVEL TWELVE
LEVEL THIRTEEN
LEVEL FOURTEEN
LEVEL FIFTEEN
RUNWAY PLAN 1:250
ROOF TOP BAR PLAN 1:250
Parking Area 200m2
Storage 80m2
Entrance Hall 300m2
Loading Area 60m2
Souvenir Store 50m2
Public Restrooms 20m2
Administrative Offices 100m2
Restrooms 20m2
Open Space 100m2
1920s space 18.75 m2
1930s space 18.75 m2
1940s space 18.75 m2
1950s space 18.75 m2
1960s space 18.75 m2
1970s space 18.75 m2
1980s space 18.75 m2
1990s space 18.75 m2
1920s space 18.75 m2
1930s space 18.75 m2
1940s space 18.75 m2
1950s space 18.75 m2
1960s space 18.75 m2
1970s space 18.75 m2
1980s space 18.75 m2
1990s space 18.75 m2
1920s space 18.75 m2
1930s space 18.75 m2
1940s space 18.75 m2
1950s space 18.75 m2
1960s space 18.75 m2
1970s space 18.75 m2
1980s space 18.75 m2
1990s space 18.75 m2
1920s space 18.75 m2
1930s space 18.75 m2
1940s space 18.75 m2
1950s space 18.75 m2
1960s space 18.75 m2
1970s space 18.75 m2
1980s space 18.75 m2
1990s space 18.75 m2
1920s space 18.75 m2
1930s space 18.75 m2
1940s space 18.75 m2
1950s space 18.75 m2
1960s space 18.75 m2
1970s space 18.75 m2
1980s space 18.75 m2
1990s space 18.75 m2
1920s space 18.75 m2
1930s space 18.75 m2
1940s space 18.75 m2
1950s space 18.75 m2
1960s space 18.75 m2
1970s space 18.75 m2
1980s space 18.75 m2
1990s space 18.75 m2
1920s space 18.75 m2
1930s space 18.75 m2
1940s space 18.75 m2
1950s space 18.75 m2
1960s space 18.75 m2
1970s space 18.75 m2
1980s space 18.75 m2
1990s space 18.75 m2
1920s space 18.75 m2
1930s space 18.75 m2
1940s space 18.75 m2
1950s space 18.75 m2
1960s space 18.75 m2
1970s space 18.75 m2
1980s space 18.75 m2
1990s space 18.75 m2
1970s space 75 m2
1980s space 75 m2
1980s space 75 m2
1990s space 75 m2
1970s space 75 m2
1990s space 75 m2
Open Space 100m2
Temporary Exhibition room 300m2
Runway 40 m2
Seating area 100 m2
Restroom 20 m2
Backstage 50 m2
Skybar 100m2
Bar 30 m2
Restroom 20 m2
SKYBAR
RUNWAY
OPEN SPACE
TEMPORARY EXHIBITION
PERMANENT EXHIBITON
PERMANENT EXHIBITON
PERMANENT EXHIBITON
PERMANENT EXHIBITON
PERMANENT EXHIBITON
PERMANENT EXHIBITON
PERMANENT EXHIBITON
PERMANENT EXHIBITON
PERMANENT EXHIBITON
PERMANENT EXHIBITON
PERMANENT EXHIBITON
OPEN SPACE
ADMINISTRATION
SOUVENIR STORE
ENTRANCE HALL
BASEMENT
Anodized Aluminium Streck Metal Opaque White Glass Panels Glass Framing Steel I-beam Exoskeletal Structure Structural Steel Waffle Concrete Floorplates and Concrete Waffle Walls and Partitions Service/Lift Core and Fire Stairs
Restrooms
Bar
Zen Garden
Lifts
Lounge area
Restrooms
Backstage
RunwayLifts
Seating Area
Sarah Merican . Ryan Cameron Moroney
Sarah Merican . Ryan Cameron Moroney
Axonometric diagram Exhibition floorplates and Exhibition floor to floor Exhibition Exhibition void diagramExhibition circulation diagram Exhibition space diagram
Handbag displayShoes display
Clothes display
Glazing
Opaque polycarbonate
Cloth Panels
Timber (Cyprus pine - treated and untreated)
Public
Private
Stable
UnstableSout
h Elev
ation
Lanew
ayWest Elevation
Omotesando
The Human Body The Typical Tower Type Program as Architectural Body
Typically Stacked
Applying the Rule to reappraise the architectures program in
the essence of the Avant Garde Designers
Change . Constant Reappraisal . Constant Reshaping . Questioning
Applying the Rule in the essence of the Avant Garde
Designers - plotting an organic line.
Example of Sartorial Modernity at playComme Des Garcon Spring / Summer 2007
Questioning the ‘normal’ body type and what is beauty
The Garment - Comme Des Garcon
Fashion Tower Skin - Questioning the extruded linear tower type
The Distincive Avant Garde Sartorial Characteristics
Slicing - Contouring the Program
Creating the space between body and garment
Rectilinear body reinstated with ‘reformed’ outer skin.Site Response
Skin opening as entrance - dramatic pull over adjacent laneway and upwards into the sky. The ‘ill defined
destination of fashion’
Final Skeletal floorplate Structure
Skin opening as entrance - dramatic pull over adjacent
laneway and upwards into the sky.
SITE PLAN 1:1000
RESEARCH & PRECEDENTSFORM TRANSLATION DIAGRAM JAPANESE AVANT-GARDE FASHION > ARCHITECTURE
EXHIBITION VIEW
Large screen projection onto buildingNew Museum of Contemporary Art - SANAA
PERMANENT EXHIBITION - SPATIAL ARTICULATION DIAGRAMS
Axonometric diagram Exhibition floorplates and Exhibition floor to floor Exhibition Exhibition void diagramExhibition circulation diagram Exhibition space diagram
Handbag displayShoes display
Clothes display
Glazing
Opaque polycarbonate
Cloth Panels
Timber (Cyprus pine - treated and untreated)
1
Axonometric diagram Exhibition floorplates and Exhibition floor to floor Exhibition Exhibition void diagramExhibition circulation diagram Exhibition space diagram
Handbag displayShoes display
Clothes display
Glazing
Opaque polycarbonate
Cloth Panels
Timber (Cyprus pine - treated and untreated)
1950s
1940s
1930s
1920s
1990s
1980s
1970s
1960s
1950s
1940s
1930s
1920s
1990s
1980s
1970s
1960s
Exploded Axonometric diagramExhibition spaces
Axonometric diagramExhibition spaces
Exhibition floorplates andstrcuture
Exhibition floor to floor circulation
Exhibitionstair circulation
Exhibition void diagram
Exhibition circulation diagram
Display system
Axonometric diagram Exhibition floorplates and Exhibition floor to floor Exhibition Exhibition void diagramExhibition circulation diagram Exhibition space diagram
Handbag displayShoes display
Clothes display
Glazing
Opaque polycarbonate
Cloth Panels
Timber (Cyprus pine - treated and untreated)
Legend
Anodized Aluminium Streck Metal
Tatami Mat
Large Projection onto buildings Japanese Creepers New Museum Of Contemporary Art - SANAAJapanese Avant-garde Fashion designers - Rei Kawakubo, Issey Miyake and Yohji Yamamoto
1950s
1940s
1930s
1920s
1990s
1980s
1970s
1960s
1950s
1940s
1930s
1920s
1990s
1980s
1970s
1960s
Level 4
Level 5
Level 6
Level 7
Level 8
Level 9
Level 10
Level 11
Level 12
Level 13
Level 14
“A constant reshaping and a requisite freedom of mobility of forms manifested as a socially replicated aesthetic restlessness.”
Toby Slade
PERMANENT EXHIBITION 1:500
ARIAL PLAN 1:1000MEDIA FACADE AND WEATHER ADAPTATION DIAGRAMS
PROJECTION DIAGRAMS