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This application supports the intention of the applicant to enter the Drama Extention Program or Dance Academy.

ROBINA ARTS EXTENSION EXPRESSION OF INTEREST

This application supports the intention of the applicant to enter the Drama Extension Program or Dance Academy.

Please complete all sections of this expression of interest form and email to Mr Liam Mathers (HOD of Arts) - [email protected] or in person with printed copies of this form and supporting evidence.

Critical Evidence - Required Dance 1 x filmed piece of solo choreography (jazz, ballet, contemporary or lyrical) 1 - 2 minutes

Drama 1 x filmed monologue - You’re a Good Man Charlie Brown (available below) 1 - 3 minutes

Notes for video submissions

The video frame should capture the full body (head to toe) of the applicant while dancing/performing

• Limit movement of camera if possible • Sound quality should be audible (you may like to test prior to final performance) • Most new phones and tablets have suitable recording devices should you have

no access to other recording equipment. Submission can occur through the following channels:

• USB stick to the RSHS Administration (labelled with student name) • Via OneDrive Link • Through a VIMEO link supplied by applicant to the above email

SECTION 1: PERSONAL DATA

STUDENT NAME: MALE FEMALE

CURRENT SCHOOL:

YEAR LEVEL: now Year level you are enrolling in (2021):

PARENT NAME/S: MOTHER FATHER

STUDENT'S MAILING ADDRESS

PHONE CONTACT: HOME MOBILE

EMAIL CONTACT: PARENT 1 PARENT 2

PLEASE INDICATE THE AREA/S YOU WOULD LIKE TO AUDITION FOR:

DANCE DRAMA

SPECIFY AREAS OF EXPERTISE:

DANCE

(Specify styles: Ballet / Jazz / Funk / Tap / Musical Theatre, etc.)

DRAMA

SECTION 2: Supporting Evidence Supporting evidence provided in this section is optional. However, it is recommended that evidence is provided to support the application. Scanned copies of certificates, reports and references are acceptable. Some or all of the below categories may be provided.

1. PREVIOUS EDUCATION IN ARTS AREA: (Private Tuition, School Classes, Examinations)

2. SCHOOL EXPERIENCE: (Activities relating to this field undertaken at school)

3. PERFORMANCE EXPERIENCE: (Concerts, Eisteddfods, Exhibitions, Recitals)

AWARDS RECEIVED: (Competitions, Exam Results)

5. FUTURE ASPIRATIONS IN THIS FIELD:

Application Checklist I have completed all sections of attached application form.

I have specified which area of the Arts I wish to be considered for (please note students are welcome to apply for more than one area).

I understand that it is a requirement of the program that I display appropriate behaviour and attitude across all areas of learning and am aware that should my behaviour be less than exemplary I may be at risk of losing my Extension position.

As the parent/guardian of: I support this application.

Parent Signature: Date:

Student Signature: Date:

Monologue You're A Good Man Charlie Brown

Written by Clark Gesner, from the comic strip by Charles Schultz.

Charlie Brown: I think lunchtime is about the worst time of day for me. Always having to sit here alone. Of course, sometimes, mornings aren't so pleasant either. Waking up and wondering if anyone would really miss me if I never got out of bed. Then there's the night, too. Lying there and thinking about all the stupid things I've done during the day. And all those hours in between when I do all those stupid things. Well, lunchtime is among the worst times of the day for me.

Well, I guess I'd better see what I've got. Peanut butter. Some psychiatrists say that people who eat peanut butter sandwiches are lonely...I guess they're right. And when you're really lonely, the peanut butter sticks to the roof of your mouth.

There's that cute little red-headed girl/boy eating her/his lunch over there. I wonder what she/he would do if I went over and asked her/him if I could sit and have lunch with her/him?...She’d/he'd probably laugh right in my face...it's hard on a face when it gets laughed in. There's an empty place next to her/him on the bench. There's no reason why I couldn't just go over and sit there. I could do that right now. All I have to do is stand up...I'm standing up!...I'm sitting down. I'm a coward. I'm so much of a coward, she/he wouldn't even think of looking at me. She/He hardly ever does look at me. In fact, I can't remember her/him, ever looking at me.

Why shouldn't she/he look at me? Is there any reason in the world why she/he shouldn't look at me? Is she/he so great, and I'm so small, that she/he can't spare one little moment?...S/HE'S LOOKING AT ME!! S/HE'S LOOKING AT ME!!...

Lunchtime is among the worst times of the day for me. If that little red-headed girl/boy is looking at me with this stupid bag over my head she/he must think I'm the biggest fool alive. But, if she/he isn't looking at me, then maybe I could take it off quickly and she'd never notice it. On the other hand...I can't tell if she/he's looking, until I take it off! Then again, if I never take it off I'll never have to know if she/he was looking or not. On the other hand...it's very hard to breathe in here. Whew! She/He's not looking at me! I wonder why she/he never looks at me? Oh well, another lunch hour over with...only 2,863 to go.

(Please change the sex of the observed character where appropriate)