REFERENCEhttp://www.healthline.com/human-body-maps/eye-cross-section

https://en.wikipedia.org/wiki/Eye_of_Horus

https://en.wikipedia.org/wiki/Eye_of_Ra

http://www.touregypt.net/featurestories/eyeofhorusandre.htm

http://norse-mythology.org/tales/why-odin-is-one-eyed/

http://www.illuminatirex.com/illuminati-symbol-great-seal-one-dollar-bill/

http://www.marketplace.org/topics/economy/marketplace-25/creepy-eye-back-dollar-bill-ex-plained

http://www.spiritscienceandmetaphysics.com/scientists-discover-that-eyes-are-windows-to-the-soul/

https://www.psychologytoday.com/blog/sideways-view/201412/the-secrets-eye-contact-revealed

https://en.wikipedia.org/wiki/Eye_of_Providence

http://consciousreporter.com/spirituality/corruption-sacred-symbols-all-seeing-eye/

http://www.gotquestions.org/free-masonry.html

http://www.livescience.com/18392-reading-jumbled-words.html

FUNCTIONPOETIC SYMBOL FOR PERCEPTIONThe eye is used as the sacred symbol in many religions and ancient civiliza-tions as the eyes are truly the windows to our soul. They reflects our deepest state of conscioudness as a whole. Looking people in the eyes can let us have a deeper understanding of an individual physically, emotionally and mentally. This process occurs in a subconscious level.

PERCEPTION OR DECEPTIONWhat our eyes see is both our perception and deception of the world. What we see is not what it is. What we see is not what we think we saw. Images and colours are presentend to us as something we are capable of understanding and something we want it to be understood. Our perception of our life and the world are ultimately an unbreakable illusion we bestowed upon ourself.

HUMANITY IN THE EYESSymbol of eyes normally represent the essense of humanity in the form of hu-mane values such as wisdom, life, sac-rifice and protection. The eyes can be considered as the representation of an individual.

Our eye are capable of conveying com-plicated emotional messages and cre-ate empathy link with another individ-ual regardless of barriers of any sort. Connection with other living species is made possible through this charateris-tic.

SCALE

0.9 INCHES

1 INCHES

1 INCHES

EYES IN THE SPACEAn eye is not an eye because of its physical structure appearance. The ge-nius loci of an eye is its definition of existence and scale is irrelevant. The essense of an eye exists in different di-mension, particularly the celestial be-ing. They are often personified as hu-man eyes with action such as blinking and gazing.

Nebulae are eesentially just a cloud of dust but they reenact the properties of an eye in relation to proportion.

MOVEMENTVISUAL MOVEMENTOur eyes movement are dictated by a tendency toward focal points. This ten-dency is created by the two contrast-ing and coexisting vision in our eyes. The corelationship creates a harmony that acknowledge both as separate ex-istence yet a complete entirety.

Our eyes itself are the most prominent focal point. Our gaze are naturally leads to others’ eyes because our sub-conscious recognizes the sign of life and intelligence in them.

LIGHT & SHAD OW

ANOTHER DIMENSIONLight and shadow exists because of how our eyes are made in a ways only a small portion in the spectrum of light is visible to our eyes. Thus, light and shadow can be interpreted as the visible and invisible. Shadow is the world beyond the limitation of our eyes. Light exists in that shadow as well. Infared and ultraviolet light are an example. The world in the shadow is unbeknown tous but not always dark.

ELEMENT

DIVERGENCEOne of thte two fundamental elements of the eyes is the iris. Every individual’s iris is unque to its own. Iris common-ly adopts a fibrous pattern of intercon-nected divergence with a central void. As it diverges, transitions happens in the colour, density and structural be-havior. The phenomena recorded a dy-namic display of patterns and texture. The occassional loops formed by the interconnected fibre further enhance the momentum

DROPIn the central position of the eye is a dense void that depict a drop that seemingly engulfs the surrounding fi-bre into nothing . The void is the pupil where the light concentrates and en-ters the eye. The dull void gave its sur-rounding overlapping layers of fibres a strong presence of a 3 dimensional space. moreover, the contradiction of the dark void and the entrance of light being one is ironic.

MATERIALIT Y

HIERACHYThe eyes constitute of many layers. All of the layers are basically transparent in a figurative sense. The components in the eyes are actually quite simple and relate to each other in a manner of overlapping layers.

Each layer is in its own unique space, forming parallel dimensions that inter-act with each other closely. When the dimensions manifest in a single time-space. a solid structure is formed with the texture being thteoutline of the di-mensions.