the unforgettable faces, the fine art of medical diagnosis (1)

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Page 1: The unforgettable faces, the fine art of medical diagnosis (1)
Page 2: The unforgettable faces, the fine art of medical diagnosis (1)

The unforgettable faces

the fine art of medical diagnosis

(1)

Page 3: The unforgettable faces, the fine art of medical diagnosis (1)

Making 'ward rounds', doctors have uncovered genetic disorder, syphilis, murder and all manner of ills...

Page 4: The unforgettable faces, the fine art of medical diagnosis (1)
Page 5: The unforgettable faces, the fine art of medical diagnosis (1)

Las Meninas, art and genetic disorder...

Infant Margaret of Austria, Albright Syndrome: a typical Café-au-lait skin pigmentation on the face, eyes are

prominent and telarquia as part of precocious puberty.

Maria Barbola, achondroplasia: a typical large head, bulging forehead and short limbs.

Nicolaus Pertusato, pituitary nanisms: short stature (dwarfism), prominent forehead, depressed nasal bridge,

underdevelopment of mandible.

Page 6: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas1656-57Oil on canvasMuseo del Prado, Madrid

Page 7: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas (detail)1656-57Oil on canvasMuseo del Prado, Madrid

Page 8: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas (detail)1656-57Oil on canvasMuseo del Prado, Madrid

Page 9: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas (detail)1656-57Oil on canvasMuseo del Prado, Madrid

Page 10: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas (detail)1656-57Oil on canvasMuseo del Prado, Madrid

Page 11: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas (detail)1656-57Oil on canvasMuseo del Prado, Madrid

Page 12: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas (detail)1656-57Oil on canvasMuseo del Prado, Madrid

Page 13: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas (detail)1656-57Oil on canvasMuseo del Prado, Madrid

Page 14: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas (detail)1656-57Oil on canvasMuseo del Prado, Madrid

Page 15: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas (detail)1656-57Oil on canvasMuseo del Prado, Madrid

Page 16: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas (detail)1656-57Oil on canvasMuseo del Prado, Madrid

Page 17: The unforgettable faces, the fine art of medical diagnosis (1)
Page 18: The unforgettable faces, the fine art of medical diagnosis (1)

The diagnosis of art: Caravaggio's jaundiced Bacchus...

This is no simple hangover.

Bacchus was, of course, ‘affable and hospitable at every hour’; in other words, a chronic alcoholic.

And presumably Caravaggio had seen chronic alcoholics, jaundiced and dying of liver failure due to cirrhosis.

Page 19: The unforgettable faces, the fine art of medical diagnosis (1)

CARAVAGGIOYoung Sick Bacchus c. 1593Oil on canvas, 67 x 53 cmGalleria Borghese, Rome

Page 20: The unforgettable faces, the fine art of medical diagnosis (1)

CARAVAGGIOYoung Sick Bacchus (detail)c. 1593Oil on canvas, 67 x 53 cmGalleria Borghese, Rome

Page 21: The unforgettable faces, the fine art of medical diagnosis (1)

CARAVAGGIOYoung Sick Bacchus (detail)c. 1593Oil on canvas, 67 x 53 cmGalleria Borghese, Rome

Page 22: The unforgettable faces, the fine art of medical diagnosis (1)

CARAVAGGIOYoung Sick Bacchus (detail)c. 1593Oil on canvas, 67 x 53 cmGalleria Borghese, Rome

Page 23: The unforgettable faces, the fine art of medical diagnosis (1)

CARAVAGGIOYoung Sick Bacchus (detail)c. 1593Oil on canvas, 67 x 53 cmGalleria Borghese, Rome

Page 24: The unforgettable faces, the fine art of medical diagnosis (1)
Page 25: The unforgettable faces, the fine art of medical diagnosis (1)

Bruegel's interest in human physiognomy and caricature is clear...

A man on the right wears spectacles, implying inability to see the truth.

Melchior, tightly holding a golden pot of frankincense, shows bilateral facial drooping, partial ptosis and

premature frontal balding, all features of myotonic dystrophy.

Page 26: The unforgettable faces, the fine art of medical diagnosis (1)

BRUEGEL, Pieter the ElderThe Adoration of the Kings1564Oil on wood, 111 x 84 cmNational Gallery, London

Page 27: The unforgettable faces, the fine art of medical diagnosis (1)

BRUEGEL, Pieter the ElderThe Adoration of the Kings (detail)1564Oil on wood, 111 x 84 cmNational Gallery, London

Page 28: The unforgettable faces, the fine art of medical diagnosis (1)

BRUEGEL, Pieter the ElderThe Adoration of the Kings (detail)1564Oil on wood, 111 x 84 cmNational Gallery, London

Page 29: The unforgettable faces, the fine art of medical diagnosis (1)

BRUEGEL, Pieter the ElderThe Adoration of the Kings (detail)1564Oil on wood, 111 x 84 cmNational Gallery, London

Page 30: The unforgettable faces, the fine art of medical diagnosis (1)

BRUEGEL, Pieter the ElderThe Adoration of the Kings (detail)1564Oil on wood, 111 x 84 cmNational Gallery, London

Page 31: The unforgettable faces, the fine art of medical diagnosis (1)

BRUEGEL, Pieter the ElderThe Adoration of the Kings (detail)1564Oil on wood, 111 x 84 cmNational Gallery, London

Page 32: The unforgettable faces, the fine art of medical diagnosis (1)

BRUEGEL, Pieter the ElderThe Adoration of the Kings (detail)1564Oil on wood, 111 x 84 cmNational Gallery, London

Page 33: The unforgettable faces, the fine art of medical diagnosis (1)
Page 34: The unforgettable faces, the fine art of medical diagnosis (1)

This is not the outcome of a romantic tragedy...

This is the result of a brutal murder.

What we are looking at is a picture of a woman who has had her throat cut after desperately trying to defend

herself from a knife-wielding killer.

Page 35: The unforgettable faces, the fine art of medical diagnosis (1)

PIERO DI COSIMOThe Death of Procrisc. 1500Oil on panel, 65 x 183 cmNational Gallery, London

Page 36: The unforgettable faces, the fine art of medical diagnosis (1)

PIERO DI COSIMOThe Death of Procris (detail)c. 1500Oil on panel, 65 x 183 cmNational Gallery, London

Page 37: The unforgettable faces, the fine art of medical diagnosis (1)

PIERO DI COSIMOThe Death of Procris (detail)c. 1500Oil on panel, 65 x 183 cmNational Gallery, London

Page 38: The unforgettable faces, the fine art of medical diagnosis (1)

PIERO DI COSIMOThe Death of Procris (detail)c. 1500Oil on panel, 65 x 183 cmNational Gallery, London

Page 39: The unforgettable faces, the fine art of medical diagnosis (1)

PIERO DI COSIMOThe Death of Procris (detail)c. 1500Oil on panel, 65 x 183 cmNational Gallery, London

Page 40: The unforgettable faces, the fine art of medical diagnosis (1)
Page 41: The unforgettable faces, the fine art of medical diagnosis (1)

An Angel With Down Syndrome in a Sixteenth Century Flemish Nativity Painting...

The artist regarded people with Down’s as angelic.

As, indeed, they are.

Page 42: The unforgettable faces, the fine art of medical diagnosis (1)

UNKNOWN MASTER, Follower of Jan Joest of Kalkar Adoration of the Christ Childca. 1515Oil on wood, 104.1 x 70.2 cm Metropolitan Museum of Art, New York

Page 43: The unforgettable faces, the fine art of medical diagnosis (1)

UNKNOWN MASTER, Follower of Jan Joest of Kalkar Adoration of the Christ Child (detail)ca. 1515Oil on wood, 104.1 x 70.2 cm Metropolitan Museum of Art, New York

Page 44: The unforgettable faces, the fine art of medical diagnosis (1)

UNKNOWN MASTER, Follower of Jan Joest of Kalkar Adoration of the Christ Child (detail)ca. 1515Oil on wood, 104.1 x 70.2 cm Metropolitan Museum of Art, New York

Page 45: The unforgettable faces, the fine art of medical diagnosis (1)

UNKNOWN MASTER, Follower of Jan Joest of Kalkar Adoration of the Christ Child (detail)ca. 1515Oil on wood, 104.1 x 70.2 cm Metropolitan Museum of Art, New York

Page 46: The unforgettable faces, the fine art of medical diagnosis (1)

UNKNOWN MASTER, Follower of Jan Joest of Kalkar Adoration of the Christ Child (detail)ca. 1515Oil on wood, 104.1 x 70.2 cm Metropolitan Museum of Art, New York

Page 47: The unforgettable faces, the fine art of medical diagnosis (1)

UNKNOWN MASTER, Follower of Jan Joest of Kalkar Adoration of the Christ Child (detail)ca. 1515Oil on wood, 104.1 x 70.2 cm Metropolitan Museum of Art, New York

Page 48: The unforgettable faces, the fine art of medical diagnosis (1)

UNKNOWN MASTER, Follower of Jan Joest of Kalkar Adoration of the Christ Child (detail)ca. 1515Oil on wood, 104.1 x 70.2 cm Metropolitan Museum of Art, New York

Page 49: The unforgettable faces, the fine art of medical diagnosis (1)

The unforgettable faces_the fine art of medical diagnosis (1)images and text credit   www. Music wav.       created olga.e.

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Page 50: The unforgettable faces, the fine art of medical diagnosis (1)

VELÁZQUEZ, Diego Rodriguez de Silva yLas Meninas The brilliant artist has painted, with admirable perfection, several pathologies of some inhabitants of the Palace.

Infanta Margarita de Austria,

murió a temprana edad, ya casada con el rey de Austria. En el cuadro la menina que se encuentra reclinada le ofrece un remedio a base de barro en un recipiente tan sencillo para la familia, lo que hace pensar que la infanta padecía de pubertad precoz. La frente y ojos prominentes, la mancha hiperpigmentada de contornos mal definidos en la piel, telarquia, baja talla simétrica y proporcional inducen al diagnóstico del Síndrome de Mc Cune Albright ó displasia fibrosa poliostótica, que en su sinonimia cuenta también Síndrome Albright.

Maribárbola, María Bárbara Asquín,

una de las damas de compañía de la infanta, era procedente de Alemania y tenía alrededor de 20 años en esta pintura. El pintor con su mayor crudeza retrató en un primer plano esta enana acondroplásica de estatura pequeña, de cabeza agrandada con frente prominente y puente nasal ensanchado, con extremidades desproporcionadamente cortas. Se dice que por estos signos objetivos ella rechazaba mirarse en el espejo, no obstante, aparece en el cuadro con una actitud de desafiante orgullo.

Nicolás de Pertusato, Nicolasito,

tenía 14 años en este retrato. Era de origen italiano y fue traído a España a los seis o siete años por el caballero Del Castillo para divertir al Rey. Por los hallazgos fenotípicos se plantea que tenía un naismo hipofisiario por déficit en la producción o utilización de la hormona de crecimiento. Su baja talla es simétrica y proporcional. Hay algunos aspectos en su perfil que llaman la atención como la frente algo abombada, el puente nasal y las mejillas plenas, por lo cual de los nanismos hipofisiarios, que son varios, podría haber padecido específicamente un síndrome Laron.

Page 51: The unforgettable faces, the fine art of medical diagnosis (1)

PIERO DI COSIMOThe Death of Procris

A Satyr Mourning over a Nymph, there is a young woman who is supposed to be Procris, killed accidentally during a deer hunt by a spear.

Yet in the painting, we see no evidence of a spear wound. Instead, we see her arms covered in long cuts as if she was defending herself from a knife-wielding assailant.

Her left hand is also contorted in a position with wrist flexed and fingers curling inwards, known as “the waiter’s tip”, which indicates an injury to the spinal cord at the level of C3 and C4.

To paint Procris, di Cosimo probably used the corpse of a girl as a model, and because as an artist, he had no understanding of medicine and injury, he portrayed the model in his painting exactly as he saw it.

Without intending to, di Cosimo was able to capture this girl’s true injuries. In this way, someone with medical knowledge can extract a likely theory of cause of death.

Page 52: The unforgettable faces, the fine art of medical diagnosis (1)

CARAVAGGIOYoung Sick Bacchus

Michelangelo Merisi in 1592, fell ill and spent six months in the hospital of Santa Maria della Consolazione. Over the next two years he painted the Self-portrait as Sick Bacchus, also known as Bacchino malato.

The external sign of Bacchus's (i.e. Caravaggio's) problem is jaundice, as can be seen from the flesh tints, which match those of the peaches on the table in front of him, the slight tinge of yellow in the sclerae, and a comparison of this Bacchus with one that Caravaggio painted in 1596, an altogether healthier specimen.

Caravaggio's Bacchus is a portrait of himself while suffering from an acute illness, from which he eventually recovered. In late 16th century Rome, jaundice of unknown origin was most likely to have been due to acute infective hepatitis, perhaps caused by a zoonosis, such as brucellosis or Q fever.

Page 53: The unforgettable faces, the fine art of medical diagnosis (1)

BRUEGEL, Pieter the ElderThe Adoration of the Kings

Melchior shows bilateral facial drooping, partial ptosis and premature frontal balding, all features of myotonic dystrophy.

This condition, relatively common and with a characteristic facial appearance, would have appealed to an observant artist such as Bruegel who specialized in portraying expressive heads.

Bruegel would probably have encountered such cases when seeking unusual faces to paint amongst the peasantry.

Myotonic dystrophy type 1, the most common form of muscular dystrophy in adults, is an inherited, autosomal dominant disease characterized mainly by myotonia (sustained muscle contraction), progressive muscle weakness (especially of distal limbs, the neck, and the face), muscle wasting, and variable multisystemic features.

Page 54: The unforgettable faces, the fine art of medical diagnosis (1)

UNKNOWN MASTER, Follower of Jan Joest of Kalkar Adoration of the Christ Child

Created in the 16th century by a Flemish artist.What stands out in this sublime presentation of the Nativity is the detail of the characters standing around the crib. Two of them, an angel and a shepherd, appear to have Down’s Syndrome.

The angel next to Mary, whose single visible wing is behind the head, seems to have features consistent with Down syndrome: a fl attened midface, epicanthal folds, upslanted palpebral fi ssures, small and upturned nasal tip, and downward curving of the mouth corners. (The curly hair of this angel is not characteristic of Down syndrome but is conventional for paintings of angels.) Further symptomatic are the short fi ngers, especially on the left hand. This contrasts with the hands of Mary and the other foreground angels who have long and tapering fi ngers.

The shepherd with a ram's horn in this painting (in the center behind the angels) also has an unusual appearance that is indicative of Down syndrome. The shepherd's hair is straight and he has increased length and an up slant of the palpebral fi ssures with some degree of ptosis. In addition, the eyes are widely spaced but this apparent hypertelorism may be an artistic interpretation of fl attened nasal bridge. Whether this fi gure was intended to resemble the unusual angel is uncertain, but these features could be suggestive for Down syndrome, as well as for hypothyroidism which was frequent in this historical period.

The painting is a message from 500 years ago from the artist, of what they see as heaven here on earth: where individuals with Down syndrome are included and respected, like everyone else.