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THE LOW BRASS PLAYER’S | [email protected] | THE SEVEN DEADLY SINS December 2009 “THE MORTAL SINS” I. Bad Posture/Instrument Position Low Brass Ergonomics: Instrument to player Finding and Maintaining the Neutral Position II.Incorrect or Unnatural Breathing Keep it Natural Creating the Right Result- external focus Body Mapping III. Misformed Embouchure Embouchure: the “Brass Players Bridge” Correct Formation of Embouchure Common Problems The Midwest Clinic Innocent Beginnings: “Jammin’ on the Front Porch” John Mueller, DMA-University of Memphis IV. Improper Air Speed Airflow Vs. Mouthpiece Pressure Changing air speed with register Switching from High to Low Brass V. Incorrect Mouth Formation Focus on the vowel Monitor Tension VI. Improper Articulation Air & tongue stroke Controlling note shape The Beneficial Smear VII.Bad Sound Concept Aural image Jazz & Orchestra Concept “SECONDARY SINS”

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THE LOW BRASS PLAYER’S

| [email protected] |

THE SEVEN DEADLY SINSDecember 2009

“THE MORTAL SINS”

I. Bad Posture/Instrument Position• Low Brass Ergonomics: Instrument to player

• Finding and Maintaining the Neutral Position

II.Incorrect or Unnatural Breathing

• Keep it Natural

• Creating the Right Result- external focus

• Body Mapping

III. Misformed Embouchure

• Embouchure: the “Brass Players Bridge”

• Correct Formation of Embouchure

• Common Problems

The Midwest Clinic

Innocent Beginnings:“Jammin’ on the Front Porch”

John Mueller, DMA-University of Memphis

IV. Improper Air Speed• Airflow Vs. Mouthpiece Pressure

• Changing air speed with register

• Switching from High to Low Brass

V.Incorrect Mouth Formation

• Focus on the vowel

• Monitor Tension

VI. Improper Articulation

• Air & tongue stroke

• Controlling note shape

• The Beneficial Smear

VII.Bad Sound Concept

• Aural image

• Jazz & Orchestra Concept

“SECONDARY SINS”

THE SEVEN DEADLY SINS PAGE2

(901)678-3780 [email protected] memphis.edu/music

“MARCHING BAND DILEMMA”

Presentation vs. Good Posture & Technique

• Tension: Nip it in the bud!

• Relaxation drills & posture resets

• DCI and your Low Brass

• Euphonium Quick fix: go “Old School”

Brass Performance and Pedagogy; Keith Johnson; Prentice Hall

The Breathing Gym; Sam Pilafian & Pat Sheridan; www.breathinggym.com

The Breathing Book; David Vining; Mountain Peak Music

A Complete Guide to Brass, Third Edition; Scott Whitener; Schirmer

Guide to the Euphonium Repertoire: The Euphonium Source Book (Indiana Repertoire Guides); Lloyd Bone, Eric Paull; R.Winston Morris, editior

Guide to the Tuba Repertoire, Second Edition: The New Tuba Source Book (Indiana Repertoire Guides); R. Winston Morris editor

Jazz Conception Series; Jim Snidero; various instruments; easy, intermediate, advanced; jimsnidero.com

Practical Hints on Playing the Baritone (Euphonium); Brian Bowman & James D. Ployhar; Alfred Publishing

The Remington Warm-ups; ed. Hunsberger, Accura Music

Song & Wind; Arnold Jacobs/Brian Fredrickson; Windsong Press

The Trombonists Handbook: A Comprehensive Guide to Playing and Teaching the Trombone; Reginald Fink; Accura Music

“RESOURCES”