the art of pitch

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THE ART OF PITCH

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Page 1: The art of Pitch

THE ART OF PITCH

Page 2: The art of Pitch

pitching is a long learning

curve

Page 3: The art of Pitch

yet can be approached as a scienceRobert Cialdini

The Principles of Persuasion

David RockDirector of the

Neuroleadership Institute

Dan PinkA Whole New Mind

Page 4: The art of Pitch

what % of your workis not on the market

because you did not convince the decision

makers ?

Page 5: The art of Pitch

Xwork

frustrationmissed

opportunities

Page 6: The art of Pitch

P I T C H

Page 7: The art of Pitch

Elevator pitch ?• Dale Carnegie

ELEVATOR PITCH3 minutes to convince

Page 8: The art of Pitch

workload time to pitchX

Page 9: The art of Pitch

concise

so it needs to be

Page 10: The art of Pitch

concise

catchy

so it needs to be

Page 11: The art of Pitch

concise

catchy

call-to-action

so it needs to be

Page 12: The art of Pitch

concise

catchy

call-to-action

so it needs to be

Page 13: The art of Pitch

case study:Otis, the first

 elevator pitch  short

straight

show

Page 14: The art of Pitch

_CONTENT: what do you want to say?

_PERSUASION: how do you say it?

Page 15: The art of Pitch

_CONTENT: what do you want to say??

_PERSUASION: how do you say it?

Page 16: The art of Pitch

S O W H A T ?that’s how you often feel

when someone finishes his pitch

Page 17: The art of Pitch

what do you want them to

KNOW

prepare

Page 18: The art of Pitch

what do you want them to

KNOWwhat do you want them to

FEEL

prepare

Page 19: The art of Pitch

what do you want them to

DOhow do you want them to

FEELwhat do you want them to

KNOW

prepare

Page 20: The art of Pitch

WHAT’S IN IT FOR THEM?

_who is your audience?

_what are their KPIs?

_where does motivation comes from?

Page 21: The art of Pitch

how do youtrigger action ?

Page 22: The art of Pitch

change is often perceived just

like this mountain.

Page 23: The art of Pitch

far away, hard to achieve,

dangerous.

Page 24: The art of Pitch

not changing is often perceived just as staying

home.

Page 25: The art of Pitch

it’s comfortable.that’s what

we’ve always done.

Page 26: The art of Pitch

but are you sure it’s safe?

Page 27: The art of Pitch

BENEFITS AND RISK OF CHANGING

BENEFITS AND RISK OF NOT CHANGING

Page 28: The art of Pitch

NO

CHAN

GECH

ANGE

BENEFITS RISKS+ +-

-your audience perceive

the great benefits… …and very little risk in

changing

your audience perceive little benefits…

…and high risks in not changing

Page 29: The art of Pitch

NO

CHAN

GERISKS

+and showing the

risks of not changing might be

your best ally.

Page 30: The art of Pitch

CLARITY

Page 31: The art of Pitch

_THE CONTENT: what do you want to say?

_THE PERSUASION: how do you say it?

Page 32: The art of Pitch

_BE UNIQUE

Page 33: The art of Pitch

a Hollywood study showed the

importance of first impression

Page 34: The art of Pitch

I SLEEP_slickness_trying too hard_not clear / organized

I LISTEN_passion_wit_quirkiness

or

Page 35: The art of Pitch

greek taught us_ethos

_pathos

_logos

Page 36: The art of Pitch

ETHOS_who are you?

_why are you legitimate?

_what is your reputation?

Page 37: The art of Pitch

PATHOS_your sentimental affect with your audience

_what’s our story?

_why would I want to do this for you?

Page 38: The art of Pitch

LOGOS_make sense

_be organized

_run them through your reflexion

Page 39: The art of Pitch

ATTUNEMENTget into people’s mind

what do they think about?

Page 40: The art of Pitch

they probably never heard about your project before…

and need to understand a lot

of inputs

Page 41: The art of Pitch

the objective:

recreate your

EURÊKA MOMENT

Page 42: The art of Pitch

…then leave room forCOBUILDING

Page 43: The art of Pitch

THE ULTIMATE PITCH TOOLBOX

Page 44: The art of Pitch

ONE WORDyour powerful idea should be summerized

in one word that you want them to remember.

Page 45: The art of Pitch

SEARCH

Page 46: The art of Pitch
Page 47: The art of Pitch

J’ADORE

Page 48: The art of Pitch
Page 49: The art of Pitch

QUESTIONS?questions trigger the attention of your audience as they will try to come up with the… make sure their

answer is the same as yours.

Page 50: The art of Pitch

"IF IT DOESN'T FIT, YOU MUST ACQUIT”

rhyming taglines and messages tend to work better on retention

and persuasion

RHYMING PITCH

Page 51: The art of Pitch

TWITTER PITCH

Page 52: The art of Pitch

question

Page 53: The art of Pitch

inform

Page 54: The art of Pitch

promote

Page 55: The art of Pitch

SUBJECT PITCHone line makes you stand out

PITCH ADVICE

Page 56: The art of Pitch

FAIRY TALEa common way to organize your pitch

is to follow the fairy tale rythm.

Page 57: The art of Pitch

ONCE UPON A TIME

_start with a real and personal example to anchor your topic in reality

Page 58: The art of Pitch

ONCE UPON A TIME

EVERYDAY

_show how your example is relevant to everyday life situations

Page 59: The art of Pitch

ONCE UPON A TIME

EVERYDAY

ONE DAY

_introduce the game changer that is threatening or creating new opportunities

Page 60: The art of Pitch

ONCE UPON A TIME

EVERYDAY

ONE DAY

BECAUSE OF THAT

_explain the changes in the industry and how it might affect them

Page 61: The art of Pitch

ONCE UPON A TIME

EVERYDAY

ONE DAY

BECAUSE OF THAT

BECAUSE OF THAT

_explain what you need to change to adapt to the new situation

Page 62: The art of Pitch

ONCE UPON A TIME

EVERYDAY

ONE DAY

BECAUSE OF THAT

BECAUSE OF THAT

UNTIL FINALLY

_what are the objectives? what will be the new situation after the change?

Page 63: The art of Pitch

PRATICEYOUR PITCH

Page 64: The art of Pitch

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