The 2009 VMAs: The Occult Mega-Ritual

Sep 25th, 2009 | By Vigilant | Category: Vigilant Reports

From unexpected drama to shocking performances, MTV’s 2009 Video Music Awards managed

once again to raise eyebrows and get people talking. What most people however missed is the

occult meanings encoded into the VMAs. The TV event was in fact a large scale occult ceremony,

complete with an initiation, a prayer and even a blood sacrifice. We’ll look at the symbolism that

went on during the show.

MTV’s Video Music Awards have often incorporated dark and strange acts, even containing

some occult symbolism. This year’s version has however outdone itself. The show left most

people wondering what was wrong with Kanye West or trying compute the madness of Lady

Gaga’s performance. The only way to understand the real meaning behind those performances

is to look into esoteric teachings. Fact is, the whole awards show took the most common rituals

of occult orders and reenacted them in a show witnessed by the entire world.

This year’s VMA’s were very different from other awards shows. They focused on a very limited

number of artists (Beyonce, Taylor Swift, Lady Gaga), while ignoring many others who were

equally successful. The “chosen” artists became characters in the VMA’s ceremony and acted

out different ritual dramas. This might sound totally crazy to the average MTV viewer but those

acquainted with the practices of occult orders (such as Freemasonry) can decode the references

to sacred rituals. There are numerous types of fraternities and rituals, from the most noble to the

most infernal, and they have existed throughout History. The VMAs were decisively inspired by

dark, sinister and even Satanic ceremonies. Let’s look at those rituals.

The High Priestess’ Words of Wisdom

Madonna’s sermon

Madonna, the music industry’s High Priestess, the revered “elder” of MTV, opens the show with

a very solemn eulogy for Michael Jackson. She admittedly never really knew or “connected”

with him but she was still chosen to pay him tribute. Madonna is a well known and publicized

adept of the Kaballah, the esoteric school of Judaism which is studied in most occult orders.

Rabbi Ariel Bar Tzadok explained how she uses (or abuses) Kaballah symbolism in her music:

“I discovered that Madonna’s famous dabbling with sacred Jewish mysticism has taken an

interesting turn. In her latest music video for the theme song of a new James Bond movie, the

“material girl” of old is transforming herself into a “Kabbalah girl.” Aside from the traditional

Madonna blend of music and sensuality, in this video we see Madonna has a Holy Name of G-d

tattooed onto her right shoulder. Tattooing, mind you, is a practice forbidden under Torah Law,

all the more so abhorred by the Kabbalah. Granted the tattoo may not be real or only temporary

but nonetheless, any expression of performing a forbidden act is itself forbidden and

inexcusable. Unfortunately, Madonna’s abuse of Kabbalah and traditional Torah Judaism does

not stop here.

Later in the video we see Madonna winding leather straps around her left arm in the exact same

format and style as holy tefillin are worn by religious Jewish men. Tefillin consist of a small

leather box containing scared parchments. These are then strapped to one’s left biceps, and the

strap is wound down the left arm and around the hand. Granted Madonna did not go so far as to

defame the tefillin boxes themselves. Yet, it is quite clear that the wrapping of the straps around

her arm is done in orthodox Torah style. This act of hers is pure sacrilege.”

-Rabbi Ariel Bar Tzadok, Madonna’s Kabbalah – Not Kosher

http://www.koshertorah.com/PDF/madonna%20kabbalah.pdf

Madonna’s tribute focused on the fact that MJ was “otherworldly” and “a king” but that she

insisted on the fact that he was also a human being. Wisdom that can only be imparted by the

High Priestess, while members of the audience bowed their heads and meditated on those

words. Her words had a deep Kabbalisitic resonance. The speech was followed by a video

tribute to Jackson, which oddly started with Thriller, displaying on a huge screen the face of MJ

as a decaying zombie who is risen from the dead. We then hear Price’s verse in the song saying:

“Darkness falls across the land

The midnite hour is close at hand

Creatures crawl in search of blood

To terrorize yawls neighbourhood

And whosoever shall be found

Without the soul for getting down

Must stand and face the hounds of hell

And rot inside a corpses shell

The foulest stench is in the air

The funk of forty thousand years

And grizzy ghouls from every tomb

Are closing in to seal your doom

And though you fight to stay alive

Your body starts to shiver

For no mere mortal can resist

The evil of the thriller”

It is only fitting that MJ’s greatest was included in his tribute. But this was a rather gruesome

way to start a posthumous tribute. Someone, somewhere made some odd choices, but this

somehow fitted the “vibe” of the rest of the show.

Taylor Swift’s Initiation

“I’mma let you finish!”

Taylor Swift wins the “Best Female Video” award and goes up on stage to give her thank yous.

Kanye West pops out of nowhere, taking the mic from her hand, and informed her that Beyonce

had “one of the best videos of all time“. This scene has caused much controversy and has earned

Kanye the title of “Douchebag of the year” plus a the honor of being called a “jackass” by the

President of the United States. I might shock some people by saying this… but this “unexpected”

event was… STAGED! There I said it. Did you ever watch a crappy reality show and had the gut

feeling that the whole thing was scripted? Well, I’ve got an overload of that feeling while

watching that. None of the people implicated (not even Beyonce making her “I can’t believe this

is happening” face) are good actors. Furthermore, I’ve been following Kanye’s career since his

beginnings and I’ve retained one important fact about him: the only thing Kanye West cares

about, is Kanye West. So if he had to throw a hissy fit about something, it would had been about

him not winning. Not Beyonce. Him.

This scene is in fact Taylor Swift’s initiation into what I call “The Circle of Chosen Artists”. The

pupil is humiliated in front of her peers and told that she is not worthy to be on the same stage as

Beyonce, the queen of the ceremony. Almost all groups, fraternities and gangs carry out an

initiation process to test the recruit’s character, strength and worth. Swift’s ordeal was to have

Kanye ruin her first award ever and to be told that she didn’t deserve this recognition. The

rapper is known for bitching during award shows so he was the perfect candidate to make it all

seem “unexpected”.

The Prayer

“Who wants to pray to the devil with me?”

Jack Black comes out dressed as a heavy metal guy on steroids to promote a video game. At one

point he asks the audience to put their devil horns in the air and the proceeds to pray to the

“darklord Satan”. The whole thing is light-hearted and comical but I don’t see any other way a

prayer to Satan can be inserted into a primetime show without getting a truckload of complaints

by “concerned parents”. The scene starts off semi-funny but Jack Black finishes off on a more

serious note by saying: “I ask you to grant tonight’s nominees with continued success in the

music industry“. This last phrase actually reveals a dark truth about the entertainment business.

So the net result of this scene is this: everybody threw up their “devil horns” hand sign, then took

each other’s hands and prayed to Satan. This piece of pre-rehearsed comedy might have been an

insignificant skit in another show. But in the context of this one, with its many recreations of

occult rituals, the skit takes a whole other, sinister meaning.

The Blood Sacrifice

Lady Gaga’s performance was hailed as “brilliant” by many music fans. If you however ask

them what it symbolizes, their face turns into a question mark. Here’s what Gaga said about her

performance during an interview at gagadaily.com

Do you think it will be one of those defining moments people will remember at the VMAs? I know it will. I sort of have this philosophy about things: there’s never a reason to do something

unless it’s going to be memorable, unless it’s going to change things, unless it’s going to inspire

a movement. With the song and with the performance, I hope to say something very grave about

fame and the price of it.

Something grave? What? You’ll have to see.

What are you going to wear? I would say that the fashion for the performance is a representation of the most stoic and

memorable martyrs of fame in history. It’s intended to be an iconic image that represents people.

I think after watching the performance and maybe studying it after you watch it on YouTube,

you’ll see the references and the symbols come through.

The setting for the performance is very symbolic. Gaga performs in a temple or maybe an

aristocratic mansion, complete with columns, chandlers and paintings. Occult rituals, mind

control experiments and even human sacrifices have been constantly rumored to take place in

those kinds of settings. One feature I cannot ignore is the presence of two massive pillars

underneath an arch.

Decor of Gaga’s performance. Notice the two pillars and the arch above

Those are unmistakable Masonic symbols as depicted on this lithograph:

This obvious reference to Freemasonry hints to the occult and ritualistic aspect of Gaga’s

performance. Masons are known to carry in their lodges ritual dramas, which are live

reenactments of allegorical stories. Gaga’s performance symbolizes her rise to fame and the

sacrifice she had to make in order to succeed.

When the bloody Gaga is lifted in the air, an eerie light comes out of of between the pillars and

the dancers lift their arms in the air in praise. Many ancient religions carried out ritual sacrifices

to please the gods. Blood sacrifices have also been viewed by black magicians as the ultimate

way to collect spiritual energy. The final scene of the performance conveys the presence of this

mysterious “force” after a sacrifice.

Rising star

Right after her performance, Gaga appears dressed in an all red dress, with her face completely

covered. She is basically a walking, talking blood sacrifice. It represents the aftermath of fame,

the hellish life that follows the sacrifice, the selling of the soul for success in the music industry.

“This if for God and the gays”

Pink’s Masonic Initiation

There is no way a Mason can watch this performance without recalling his initiation into the

First Degree. Here’s a description by Mark Stavish:

“The candidate for initiation is stripped of all material possessions and dressed in a strange and

peculiar garb (…). This includes a blindfold and a length of rope called a cable tow.”

He continues

“The blindfold used represents secrecy, darkness and ignorance as well as trust. The candidate

is led into the lodge room for initiation but is not able to see what is happening. He is bound

about the waist and arm with the cable tow.”

-Mark Stavish, Freemasonry: Rituals, Symbols and History of the Secret Society

The initiate is blindfolded, attached to a cord with the left breast and left leg exposed

Pink is blindfolded and bound with ropes. Her costume exposes her left breast, exactly like

Masonic initiates. Instead of having her left leg exposed, Pink’s costume bears a diamond pattern

which is very reminiscent of floors in Masonic lodges.

Eastern Star Lodge

Pink’s performance was a dizzying display of acrobatics which undoubtedly left her (and the

viewers) totally disoriented. This is also a feature of Freemasonry’s First Degree initiation:

“His eyes are then bandaged against and a cord in the form of a noose is passed round his neck.

At this point the novice is entering the marginal stage, associated with ordeals; he cannot see,

his sense of direction has been confused and he has been dressed like a victim for execution.”

-J.S. La Fontaine, Initiation – Ritual Drama and secret knowledge across the world

Pink’s performance was yet another blatant reference to ritual dramas in occult orders.

Taylor Swift’s Acceptance into the Order

“Can we try this again now?”

After Swift’s public humiliation, Beyonce, the queen of the ceremony, calls her up on stage to let

her “have her moment”. She appears from backstage (as if awaiting her cue) in a red dress which

is strikingly similar to Beyonce’s. A reader of this site has noticed that, at the moment the two

singers hug, a strange phrase appears on the screen behind them saying “RDFO IL 40 PRO DEL

ATO”. I have no idea what that means, but it was there. If you solve this enigma, be sure to post

it in the comments. **Editor’s note** Pretty sure it means “Ilford Delta Pro film”.

Is this a computer glitch or a coded message?

Taylor Swift being called on stage represents the fact that she is now accepted as an equal to

Beyonce and part of the “chosen ones”. The matching dresses also convey this sense of

belonging to a new group. She has “passed the test” – the ordeal of being humiliated – and she

can now reap the rewards of being an insider.

To Conclude

Award ceremonies like the VMAs define and crystallize the pop culture of an era. It consecrates

the chosen artists while leaving the others dwelling in the shadows of anonymity. As seen above,

the whole show was heavily permeated with occult symbolism, primarily focusing on the

“initiation” aspect of it. Why is MTV exposing young people (who know nothing about

occultism) to such rituals? Is there a subliminal effect on the viewers? Are we educating the new

generation to accept these symbols as part of popular culture? There is definitively a second

layer of interpretation in many of MTV’s products. To decode those symbols is to understand the

inner-workings of the entertainment industry.