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A quick presentation of The Tate Modern in London England

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Page 1: Tate Modern
Page 2: Tate Modern

The Tate Modern is the most important gallery of modern art in the United Kindong

Located in Bankwing London, the gallery counts with a permanent collection of international modern art, and includes works of some of the most important artist form the twentieth century

Page 3: Tate Modern

OPENING HOURS

Page 4: Tate Modern

Free entrance

• Sunday – Thursday, 10.00–18.00 • Friday and Saturday, 10.00–22.00• Christmas closures

– Closed 24, 25 and 26 December– Closing at 18.00 on 31 December – Open as normal on 1 January

Page 5: Tate Modern

GETTING HERE

Page 6: Tate Modern

• Tate Modern Bankside

• By boat– Tate Boat runs every 40 min

along the Thames between Tate Britain and Tate Modern.

• By Underground– Southwark, Mansion House

and St Pauls

• By bus– Routes 344 & 381 stop on

Southwark Street

• By train– Blackfriars (800 metres

approx.)

• By bike• By taxi or car

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EXPLORE THE TATE MODERN

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• Level 1: Main Entrance– Turbine hall

• Level 2: River Thames Entrance– Café

• Level 3: Collection displays– Poetry and Dream – Material Gestures

• Level 4: Exhibition– Espresso bar

• Level 5: Collection displays– States of Flux – Energy and Process

• Level 6: Members Level• Level 7

– Tate Modern Restaurant

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PERMANENT COLLECTION

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 At the heart of this wing is a room devoted to painting and sculpture from the 1940s and 1950s, showing how new forms of abstraction and expressive figuration emerged in post-war Europe and America. The surrounding displays suggest affinities between the radical innovations of this era and the work of earlier artists, but also show the legacy of those ideas among contemporary practitioners who have continued to develop the language of art in new and unexpected ways. On display until 23 October 2011

 

MATERIAL GESTURES(LEVEL 3 – EAST WING)

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• Francis Bacon and Anish Kapoor (Room 1)

• Material Gestures (Room 2)

• Rothko (Room 3)

Francis Bacon: Estate

Montattico

Pace Borza

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• Expressionism (Room 4)• Evoke moods or ideas avant-garde artists

• Distinguished Voices (Room 5)• Artists condemned to the shadows avant-garde artists

Henri Matisse: Luxembourg Gardens (1901)

Henri Matisse: The Snail (1953)

Edvard Munch: The Scream (1893)El Greco: View of Toledo (1596

and 1600)

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• Claude Monet and Abstract Expressionism (Room 7)

• Cy Twombly (Room 8)• KwieKulik (Room 10)

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POETRY AND DREAM(LEVEL 3 – WEST WING)

  The displays in Poetry and Dream show how contemporary art grows from, reconnects with, and can provide fresh insights into the art of the past. The large room at the heart of the wing is devoted to Surrealism, while the surrounding displays look at other artists who, in different ways, have responded to or diverged from Surrealism, or explored related themes such as the world of dreams, the unconscious and archetypal myth.

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Giorgio de ChiricoJannis Kounellis (Room 1)

Poetry and Dream: Beyond Surrealism (Room 2)

Jean Painlevé (Room 2)

Poetry and Dream:Surrealism and

Beyond (Room 2)

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Elements of Chance (Room 3)

John Heartfield (Room 4)

Pablo Picasso: Convulsive Beauty (Room 5)

Joseph Beuys (Room 6)

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Lamia Joreige (Room 7)

Dark Humour (Room 8)

Realisms (Room 9)

Ai Weiwei: Sunflower Seeds (Room 10)

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The central space of this wing is devoted to the early twentieth-century movements Cubism, Futurism and Vorticism. These avant-garde artists broke with traditional ideas of picture making, seeking a more dynamic and fractured visual language to represent the complex reality of modern life and the machine age.

STATES OF FLUX (LEVEL 5 – WEST WING)

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Umberto Boccioni & Roy Lichtenstein (Room 1)

Cubism, Futurism, Vorticism (Room 2)

After Impressionism (Room 3)

Japanese Photography and the Bauhaus (Room 4)

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Bridget Riley (Room 5)

Braco Dimitrijevic (Room 6)

Pop (Room 7)

Jenny Holzer (Room 8)

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David Maljkovic (Room 9)

Architecture and Power (Room 10)

Double Life (Room 11)

Marcel Duchamp and Richard Hamilton: The Large Glass

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 The displays in Energy and Process look at artists' interest in transformation and natural forces. A central room focuses on sculpture of the late 1960s made from a diverse range of everyday materials - sometimes industrial, sometimes organic - rather than those associated with fine art.

ENERGY AND PROCESS(LEVEL 5 – EAST WING)

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Kasimir Malevich and Richard Serra (Room 1)

Beyond Painting (Room 2)

Arte Povera and Anti-Form (Room 3)

David Hammons (Room 4)

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Marisa Merz (Room 5)

Luciano Fabro andMichelangelo Pistoletto (Room 6)

Do Ho Suh (Room 7)

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Vito Acconci (Room 8)

Igor and Svetlana Kopystiansky (Room 9)

Sculpture from the Janet Wolfson de Botton Gift (Room 10)

Abraham Cruzvillegas (Room 11)

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ON THE INTERNET

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• TATE OnlineTate Kids, Young Tate

• TATE BLOG• itunes - Flickr• Social media– TATE-Modern–@TATE

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FUTURE

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THANK YOU