tamio hoshika works in finland
TRANSCRIPT
TAMIO HOSHIKA WORKS in
FINLAND
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Realism of Movement Exhibition -Challenge to the visualization-
Tamio Hoshika星 加 民 雄
Main solo exhibitionSojo Gallery(2007)Contemporary Art Museum Kumamoto(2004)Tsukuba Museum(1999)Art Space Rashinban(1999)The Museum of Saitama(1993)
Main group exhibitionREALISM OF MOVEMENT EXHIBITION/THE EMIL CEDERCREUTZ MUSEUM(2015) Modern Art Association/ Tokyo Metropolitan Art Museum(2015-1991)CONTEMPORARY ART FESTIVAL/ The Museum of Modern Art Saitama(2015-1993)CONSTELLATION 2014 [20 artists Exhibition]/ The UENO ROYAL MUSEUM(2014)Dialogu of four artist's work in the exhibition space/ Kumamoto Prefectural Museum of Art(2011)Image of Today Ⅴ[6 artists Exhibition](2001)Contemporary Art Exhibition of Japan/ Tokyo Metropolitan Art Museum(1999,1997)Exhibition[France-Japon]/ Grand Palais, Tokyo Metropolitan Art Museum(1994,1985,1983,1982)International Art Exhibition/ Tokyo Metropolitan Art Museum(1990)
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Realism of Movement Exhibition -Challenge to the visualization-
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Realism of Movement Exhibition -Challenge to the visualization-
KAUKAISET VIERAAT
Minä odotin läpi pimeän talven nousevaa aurinkoa lämmintä tuulta
Keväällä kosketin valkoisen patsaan poltettua pintaa
kuljetin katsettani silkin sävyisiss valon ja varjon illuusioissa
Saleissani soi hopeinen huilu pianon koskettimen kevyt painallus
Henry Flinkman -
「暗く長い冬の終わりに白い彫刻のほおをなでる。視線を移す先には絹のような色彩の間
で織りなす光と影の幻想。銀のフルートの音色に踊るピアノの鍵盤‥‥‥」
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Wave Motion illusion 1955-2015Mixed media / wood, acrylic, aluminum plate, cutting sheet, illustration board / 20152100×10000mm
人間は波動の中で生きている。私が生を受けて
60年、波長も振幅も年によって異なる。その
歩みを動きと色で表現した。
My life is like a wave. Both its amplitude and
frequency have been varying over time during
my life. Well, now I am as old as 60 years.
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Motion illusion 09・R&B・01Mixed media / wood, acrylic, aluminum plate, cutting sheet, illustration board / 20092100×7000mm
一見、規則正しく板が配列した平面作品のよう
であるが、見る人が左右に動くとドミノのよう
な板が一斉に動き始める。縞パターンと板との
間で生じる錯視効果を活用した視覚芸術作品で
ある。
At first sight, it seems like a planar arrangement
with regularly arranged boards, but as the
viewer moves left and right, the boards like
Dominobegin to move together.
It is a visual art work utilizing the illusion effect
that occurs between the stripe pattern and the
plate.
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Realism of Movement Exhibition -Challenge to the visualization-
3.11 TSUNAMIMixed media / wood, acrylic, aluminum plate, cutting sheet, illustration board, mirror / 20121200×4000mm
2011 年 3 月11日、巨大地震が東北地方を襲っ
た。私の友人も亡くなり、私が住んでいた石巻の
町は跡形もなく失われた。時間とともに記憶は風
化する。無数の板の裏面に津波の写真を貼り犠牲
者を追悼した。
On March 11, 2011, unexpectedly, that mega
quake took place in the “Tohoku” area. Tsunami
destroyed numbers of houses and killed many
citizens including my friends in Ishinomaki city
where I lived. As time goes by, our memory fades
away. Here, I express my mourning to quake
victims. I put some pictures on the side of the
boards of my work in order to remain us of the
memory.
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Realism of Movement Exhibition -Challenge to the visualization-
Uplift of the waves 13 × 3Mixed media / wood, acrylic, aluminum plate, cutting sheet / 20122000×1340mm
波は美しい。同時に波打ち際にはたくさんのゴミが
寄せられる。それは生き物である地球の浄化作用で
ある。私たちは、地球という巨大生物に寄生する小
さな生物であり、津波は癌細胞と化した核への排除
作用なのか。平穏で美しい波であることを願いつつ
‥‥‥
The wave is beautiful, indeed. However, it conveyed
a lot of debris to the coast. Is this one of purification
actions of the earth? We all are small living things,
whereas the Earth is a giant creature. The Tsunami
may be one of the functions of the Earth to exclude
its own malignant tumor. Of course, I personally love
peaceful waves.
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Illusion ・012・R・8×4Mixed media / wood, acrylic, aluminum plate, cutting sheet / 20121650×1650mm
連続的に配列したサイン曲線による一連の作品
で、「Illusion 04・Y6 × 4」より縞幅を広くし、
ダイナミックな表現に進化させた。
This represents the array of “sine” waves as
a dynamic version evolved from the work “I
Illusion 04・Y6×4”
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Illusion 04・Y6×4Mixed media / wood, acrylic, aluminum plate, cutting sheet / 20041820×1820mm
連続的に配列したサイン曲線、それを1本ずつ
サイン曲線に沿ってずらすと規則正しく集結す
る箇所が生まれる。集結した箇所に突起状のア
クセントを設けることで錯視効果は高まる。
This continuous array of “sine” waves causes
our illusion as if they were gathering onto one
central spot.
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Realism of Movement Exhibition -Challenge to the visualization-
Lips tremble 24Mixed media / wood, acrylic, aluminum plate, cutting sheet, illustration board / 2014830×2400mm
唇のマークを貼った2組の羽板は、愛を心待ち
にする女性。「早く私に気がついて‥‥I love
you」と観客にメッセージを伝える。
Two pairs of blades with lip illustration indicate
women’s hidden eager “Please look at me!
Please love me! …I love you so much.”
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Realism of Movement Exhibition -Challenge to the visualization-
Vibrato in the eyeMixed media / wood, acrylic, aluminum plate, cutting sheet, illustration board / 20151650×2400mm
インパクトある赤いピアノ、24組の枯葉の
マークを貼り付けた羽板、風に吹かれ目でビ
ブラートしながら名曲「枯葉」が流れてくる
‥‥‥
This red piano illustration with a total of 24
pairs of fallen leave blades appears to play the
famous French song of “Fallen leaves”.
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Realism of Movement Exhibition -Challenge to the visualization-
Motion illusion white space-OMixed media / wood, acrylic, aluminum plate, cutting sheet, illustration board / 20162000×650mm
日本美の表現には余白の思想がある。静寂の中
の緊張感とかすかな動きの瞬間を白で表現し
た。
In the Japanese art, the white vacant space
does not mean “nothing”, but it represents a
graceful moment of silence and tensions. This is
a sort of Japanese philosophy.
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Tamio Hoshika Exhibition space Ⅰ
From the left:Wave Motion Illusion 1955-2015
Motion Illusion - white space・O
Lips tremble 24
Vibrato with eyes(small works)
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Tamio Hoshika Exhibition space Ⅱ
From the left:Lips tremble 24,
Illusion 012・R8×4
Illusion 04・Y6×4
Vibrato with eyes
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Realism of Movement Exhibition -Challenge to the visualization-
Tamio Hoshika Exhibition space Ⅲ
From the left:3.11 TSUNAMI
Motion Illusion 09・R & B
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Tatsuo Hoshika exhibition space Ⅰ
北欧のデリケートな光はその地でしか味わえない。冬の間、
閉ざされた室内から見る雪の上に差し込む光、春になり、待
ちわびるように芽を吹く木々、その喜びは私の心と同化する。
日が沈まない白夜もその魅力であるが、冬から春にかけての
光は格別である。低い角度から差し込む光は、風になびく木々
を通し映り込む影となり繊細な動きとデリケートな光の色を
奏でる。
We can enjoy the “flavor” of delicate sunlight in Northern
Europe. For example, Sunlight shed on the surface of snow in
late winter; brilliant sunlight shed through trees in early spring.
In particular, sunlight shed on sprouting plants make our heart
so exciting. While I like the sunlight during the white night,
spring sunlight is very special. Sunlight with low angle makes
beautiful shadow of trees that are swinging in the soft spring
breeze. Indeed, this is a harmony of sunlight and shadow.
Shadow
150×600cm
oil painting
2016
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Realism of Movement Exhibition -Challenge to the visualization-
Tatsuo Hoshika exhibition space Ⅱ
激しく熱くアルゼンチンタンゴに踊り狂う女性を情熱的な赤
と躍動感あふれる動きで表現されている。
This represent hot and passionate Argentine Tango with strong
movements.
From the left : Dawn dance / Red Angel / Libertango
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Realism of Movement Exhibition -Challenge to the visualization-
Makoto Katsuno exhibition space
光が差し込む展示室にデフォルメされた愛くるしい小太りの
女性像が点在する。それぞれの異なる動きとその表情が印象
的である。
Lovely women figures were standing in the exhibition hall that
was filled with sunlight. The movement and expression of each
deformed figure was very impressive.
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Opening Ceremony:March 21, 2016
Opening Concert:Keiko Shiga/piano & Tatsuo Hoshika/ flute, Aarne alahdensuo/ Contrabass
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Realism of Movement Exhibition -Challenge to the visualization-
Live performance by 4 artists
即興音楽のリズムに合わせダンサーが踊る。即興で踊るダンサーの動きを瞬時に捉え、
連写的に30分間でキャンバスに表現する。同時にもう一人の彫刻家は、即興ダンス
の動きの特徴を捉え、30分間で一つの立体に表現する。
Live performance made by four artists: Dancing with improvised music; painting and
sculpturing the dancer simultaneously during a limited time period of 30 min.
Pianist:Keiko Shiga / Opening Ceremony
Markku Ylipa / ISDR 2016 in Finland(Symposium)Dancer:Maarits nurminen / Opening Ceremony, ISDR 2016 in Finland(Symposium)Painter:Tatsuo Hoshika / Opening Ceremony, ISDR 2016 in Finland(Symposium)Sculptor:Makoto Katsuno / Opening Ceremony, ISDR 2016 in Finland(Symposium)
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Finale Concert:July 10, 2016
Izumi Tateno/piano
展覧会最終日、最後のアートコラボとして、
舘野泉氏によるファイナルコンサートが行わ
れた。左手だけで演奏するフィンランド在住
の世界的なピアニスト、この日、舘野氏は私
達の展示作品のための演奏曲を選曲され、涙
がでるほどの感動的な演奏をプレゼントして
くださった。感動と感謝と充実感の4ヶ月の
展示会だった。開催期間中の様々なイベント
等を企画していただいたヘンリ美術館館長、
サツさん、サンナさんなど美術館スタッフの
皆様に感謝の意を表します。
At the end of our hour-months exhibition, Mr.
Izumi Tateno joined us to play piano as his
generous art collaboration with us. He is one
of the world-famous one-hand piano player
living in Finland. For that art collaboration,
Izumi selected special music, and we were
moved very much by his piano play. Finally,
we cordially thank Henry the director of the
art museum, as well as many staffs including
Satu,Sanna for their great support to organize
this big event sccessfully.
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Articles on newspaper coverage
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REALISM OF MOVEMENT EXHIBITION
Challenge to the visualization
EMIL CEDEREUTZU MUSEO
21.3.-10.7.2016
This work was supported by JSPS KAKENHI Grant Number JP26242003.
designed by : Tamio Hoshika, Fumi Chiwata
Published by : ©2017 Tamio Hoshika