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    Conceptual ArtElisabeth Schellekens

    T g v j. F v g , w v x f , w v , v g w x gg . T , wv, w -g . A g. A , v -g v g :

    .

    1. C A W I I? 674

    1.1 I

    1.2 T L A R A

    1.3 A M

    1.4 A I

    1.5 S R2. T P C A W ? 674

    3. Fv P T 679

    3.1 T Df A

    3.2 T Og M A

    3.3 T A V A

    3.4 T I A

    3.5 T Cgv V A

    4. F Q 689

    Bg 690

    Conceptual Art Cg 2009 E S

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    1. Concepul Ar Wha I I?

    1.1 Introduction

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    [] w w, w w w . L w, g Lw C C , vg w g g: w v w T g, g , g g w . (W 2002, 6)

    O g, x v- w 1966 1972 (L 1973).1 Ag g w f J K, RM, J B M R, w. W w- v D, S, S, A Ex Fx g, M-

    Elisabeth Schellekens674

    1. T , wv, v 1961 Nw Y

    H F gg Fx G(W 2002: 8).

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    g. M , , g v - g w g g. A, , .Y v , -1960 1970 g, . Tj g v g , , x.

    W g g w g fv x g, v w v w g . F g w g g g -

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    Nv, , g , g g, () .

    1.2 The Limits o Art and the Role o Artists

    F , g g w w . T , w g g ,

    x w . I , , -g v x j w, ,

    675Conceptual Art

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    , g g g .

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    g w g. Cg M D Fountain, Bottlerack, vw w j w . T w process material thing, g g g g, g -g . T agency -g - . I , -g w g, w g f w w v . C , v

    M D P (1968), H A I (1969), V W, , rapprochementw -g g v v . T w J K, x - , - . (G 1999, 39).

    1.3 Artistic Media

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    1.4 Art as Idea

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    g . I - , , , .

    Elisabeth Schellekens676

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    T w f w -

    -g f. I g w -g j-. Mv, g vw w w w v, gg - w. F , - v w

    g v.1.5 Semantic Representation

    F , w , v, gg , , v. I , w g semantic illustratie. T , v v g g , v. I - v w

    gg g on w , -g g, vg g. S v w w

    677Conceptual Art

    Richard Long,A Line Madeby Walking, 1967.

    Piero Manzoni, Sculturavivente, 1961.

    Bruce Nauman,Playing a Note onthe Violin While I Walk around theStudio, 1968.

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    v , g -v , g g w . Ag, - g g-.

    2. The Philosophy o Conceptual Art What is it?

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    Elisabeth Schellekens678

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    .

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    3. Five Philoophicl Teme

    3.1 The Defnition o Art

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    . Nw v w ; w , w v w g, w w w x . (Wz 1956, 32)

    Df g x , -v N-Wg Wz g - x w w g - amily

    679Conceptual Art

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    resemblance ( Wg 1953, 66-71). F w IX w?,w w w g w. I gf g v,w g j w .

    T , g g, w w . O , x w , v g v g - . A , , notg f w g . W j could be w , notg v j is w .M , xg w , g -,

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    , w w g , j w v ( )

    Elisabeth Schellekens680

    2. Tw : () Gg D' I T A;() J Lv' H Df A. F (), X w X w g ( w) g . F (), X w w g ( v) v , , , g v - w . T w

    x w, z .F , D 1973 Lv 1979.

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    x g . S w , , xv vg g g wv j w. T x A WBrillo

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    3.2 The Ontology and Media o ArtC v g w - w g , , v, gv x g . T j , -g w - j, w v- v -g x,

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    [] v see g w, hear v z , notice g ,eel w v, , . T , v vwg, g, g, w . B v v, j, -, jg g , , . (S1965, 137).

    681Conceptual Art

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    T , g, g w gg g , x, L VLaGioconda, g jg w - x . B g g f- x , v . I , g, g gg w , w W D M Vertical Earth Kilometre (1977)3, w w x ? M , w w gg w w ?

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    Elisabeth Schellekens682

    3. T g , g, w w .

    Walter De Marias Vertical Earth Kilometre(1977)

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    , , v w v w , w g w v w w w (.g., Dv 2001; Ig 1973; W- 1980) Bg gg w w v , vw w w w, allw, . M f, v v- - (C 1988). Ag , w g , , w w v g w.

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    ?3.3 The Aesthetic Value o Art

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    683Conceptual Art

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    Hwv, gg , g v w , v v w v.C : cognitie aestheticv. I w T B, w x x w , w vg x v w (B 1977, 271).

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    w, w v w g . P w x gv ggw w x ( S 2007)

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    Elisabeth Schellekens684

    7. F B (1914) F (1920) g gf . A, B (1958) f g w gvg

    .8. F v g, B 1995.

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    g, w . O ,, v one v , g w , -g, , f v w v .8

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    g v .3.4 The Interpretation o Art

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    Tw g x . F, w - v ? M , w x artists intention w - ? Vw w . I , T IF, W B g

    v v w

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    w . (W & B 1946). A g v gf, v , . F w w g w WBrillo Boxes, w v w f , w w W x vw qua .

    Nw, v w g w w , - . M , w decisie must w vv? G- g, w v. O , w

    w g, v (.g., C 1992). O , vw (.g., Lv 1992).

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    But o which I am Not at the Moment Thinking(1969). Nv, - , g v . Hw w , , fw g ; wv ?

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    T g v

    Elisabeth Schellekens686

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    gv , vw. T wg . I w , g w gg (w w ). I w, w - , w w - w v the w.

    Hvg , w g vx w , , v w v v . W , w, w w , , v w w g w, f,

    w g. S, , w w v? I , , gv -w g , v vw.

    3.5 The Cognitive Value o Art

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    w v w v v g -g wg g , v. Ig, - v gv v w w v x-v (S 2007).

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    ,

    687Conceptual Art

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    g. A g w jg g g g g g -. I g, g x g g w.

    Uv , v v v gv v. M , xv Cv B Rg F x (B 1914; F 1920). M , J Yg vw waant-

    garde gf wg g(Yg 2001, 77).

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    gv v w . Exf ( x). A x [-, ] g (Yg 2001, 72). I - , w xf . S, x, T MThe ct o Drinking Beer with Ones Friends is the Highest Form o rt(1970) vvg g g x w, g w g - . T w . Hwv, Yg , w g x g gfgv v. I , Yg g , w w gv v v , , v .

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    W, , g ?

    Elisabeth Schellekens688

    Walter De Marias Vertical Earth Kilometre

    (1977)

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    I w , w w v x w ( ) wg g . T w wv w : content wg, kind wg . F, wg w , w , , g g w v. S, wg wg . W f wg gv w w (.g. wg E Mx- x) w (.g. wg g v), wg - g w w ,

    z, v xg w w v x f- (.g. w w x E).

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    v gg w w, g- gg w . Exg v w -v gv v g.

    4. Furter Quesion

    Many more questions centred around fv x . W g fg, w g w w x w w

    g -, w ( ) w . T , - g - vg g ( ) w, v w -. S, j g ?

    F g v, v ggvv: g w g , w, g w, w w ? C v w w v j w ?

    689Conceptual Art

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    I , v -, , w ( ) v . F - , w w g g jg w . A , w interpretation?

    F, w w w gv v v x-v? I v g gv, w v f g v.A, w v , v w w , .

    C vv j vg w w g gg v x, w .C v g-vg, g g, , .

    Bibliogrphy

    A, Ax & S B (.). 1999. onceptual rt: ritical nthology.Cg: MIT P.

    B, M. 1970. The Possibility o riticism. D: W S UvP.

    B, Cv. 1914.rt. L.

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    B, M. 1995. Values o rt: Painting, Poetry, and Music. L: Pg.

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    C, M (.). 2004. onceptual rt: Theory, Myth, and Practice. Cg:Cg Uv P.

    C, Gg. 1988.n Ontology o rt. Nw Y: S M P.

    Dv, Dv. 2004.rt as Perormance. Ox: Bw.

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    D, A C. 1964. T Aw.Journal o Philosophy 61, 571-584.

    . 1981. The Transfguration o the ommonplace. Cg M.: Hv U-v P.

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    F, R. 1920. Vision and Design. L.

    G, T. 1998. onceptual rt. L: P P.

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    G, A. 1990. Ig A L.Journal o esthetics and rtriticism 48, 205-14.

    H, C. 1991.Essays on rt and Language. Cg, M.: MIT P.

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    5, . 10 (1967), 79-83.. 1969. S C A.rt-Language: The Journal o onceptualrt1 (M 1969), 11-13. R O, 2002.

    Lv, J. 1979. Dfg .British Journal o esthetics 19, 232-250.

    . 1992. I I: A L L.Intention and Interpretation.Ig, G. (.). P: T Uv P, 221-256.

    L, L. 1973. Six Years: The Dematerialization o the rt Object 1966-1972. Nw

    Y: Pg.Mg, J. 1991. The Truth bout Relatiism. Ox: Bw.

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    Nw, M. & J. B (.). 1999.Rewriting onceptual rt. L: R B.

    P, A. 1993.Flash rt26, 56-58.

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    S, E. 2005. Sg Bvg Bvg Sg .cta n-alytica 20, 10-23.

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    Ox Uv P.S, J. 2003. T P N-P A.British Journal o esthetics,V.43, 363-78.

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    riticism,V. 15, . 27-35.W, W. K. & M. C. B. 1946. T I F. Sewanee Reiew,V. LIV, . 468-488.

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