someone’s picture by jon fishback€¦ · the few minutes leading up to the analysis may seem...
TRANSCRIPT
February 2011 Volume 67, Issue 8 Special points of inter-
est:
How to Critique
someone’s picture -
we need help!
G S C C C b e i n g
planned for OKC,
you’re planning on
being there, right?
OCC sweeps all five
pictorial print divi-
sions - Wow!!!
Inside this Issue:
The Pain and Pleas-
ure of Critical
Analysis by Jon
Fishback
1, 3,
4
Meetings, Work-
shop Schedule,
Announcements &
Visitors
2
Competition Images 4-9
Photo Ops 9
GSCCC Convention 10
Scores of “15” 10
Competition Results 11-
13
Annual Club Certifi-
cate for Club with
Highest Points
14
Oklahoma Camera
Club, Inc.
Founded 1931
The Pain and Pleasure of Critical Analysis
by Jon Fishback
image can be made better through experience
is only part of the skill needed in proper analy-
sis. Saying something nice about the image
may do more harm than good.
Kind words regarding a photograph may seem
condescending if they have no substance. Sim-
ply saying that the subject is pretty, is saying
something about the photograph over which
the photographer may have little control, and
is probably obvious to everyone. Comments
pro or con must have substance. Most mak-
ers will recognize superficial comments and
Analysis-Paralysis may set-in. Cont’d Page 3 . . .
Jan Lee PPSA awards Dennis Corbin
PPSA his PSA recognition for the third
highest accumulated number of accep-
tances for all US residents and 4th for the
Whole World
Congratulations Dennis
One of the most difficult moments in the life
of any photographer is hearing an analysis of
his/her work. The few minutes leading up to
the analysis may seem like an eternity. The
event itself may feel like watching your first-
born perform in her first Christmas pageant.
This feeling is difficult to shake and may be
around for years for those who continue to
exhibit. I call this Analysis-Paralysis, AP for
those of you who love acronyms.
One of the most critical elements in reducing
this anxiety is the proper analysis by whoever
is doing it. Properly done, the analysis can
reduce the stress of the moment, and go a
long way toward making future events much
easier for the maker.
New members of camera clubs, PSA, or any
group, whose aim is viewing graphic art, may
be especially vulnerable to AP. If part of the
group‟s goal is to keep new members and
make them old members, AP may need to be
addressed at every level.
Analysis is much more complicated than just
saying something nice about a photograph
and then explaining how it could have been
made better. This has been the popular be-
lief in clubs for years. Persons who are suc-
cessful in exhibiting are many times ill pre-
pared to conduct analysis. Knowing how an
Meetings
February 8, 2011: CANCELLED
Competition: Assigned Competition , Identifi-
able Oklahoma: Prints - Monochrome A & B,
Color A & B, Nature & PJ. Moved to Feb. 22
Judges: Debbie Devonshire, Randy
Carr, Ward Conaway Will judge prints at
next meeting.
Program: TBA
Refreshments: The McCreary’s
February 22, 2011:
Competition: Assigned Competition, Identifi-
able Oklahoma: Projected Images - Open
A&B, Creative, Monochrome, Nature & PJ.
Judges: Dennis Corbin, Lorraine Caddy,
TBA
Program: TBA
Refreshments: Jim McIntosh
Workshops Photography 101 Workshop: Photography 101
Workshop will meet at my house, 6309 N.
Harmon Dr., 10 AM Saturday, February 19,
2011. We will discuss camera features. What
does that thing-a-ma-jig do? Bring your camera
and manual. Ed Lamb at 721-4714.
Photoshop/Elements Workshop: The next
meeting will be February 25th, 7:30 pm, at Tom
and Carol McCreary’s, the subject is
“Selection in Photoshop or Elements” .... bring a
photo that you have used selection in to move or
be moved to another photo. If you have any ques-
tions or suggestions, please contact Carol and
Tom McCreary’s, 425 SW 53rd, 634-1817.
Beginning Imaging Workshop: Wednesday,
February 9 at 7:30 pm at our house, Jan and
Wally Lee’s, at 14045 Osage Drive, Ed-
mond, 751–8179. Bring any pictures you
want to discuss or play with in Elements,
we'll discuss sizing images if anyone needs
help and any questions anyone may have.
HypoCheck Schedule Oklahoma Camera
Club
Inc.
Meetings: 7:30 pm
2nd and 4th Tuesdays
50th and N. May Ave.
Central Presbyterian
Church
For club information
Contact
405.751.8179
Page 2 of 14
Board of Directors
President Tom McCreary
PPSA
1st VP Derrell Dover
2nd VP Lee Donlon
1yr. Dir. Charles Taylor
APSA
1yr. Dir. Jim McIntosh
2yr. Dir. Randy Carr
2yr. Dir. Jaci Finch
APSA
Treasure Brad Smith
Secretary Wally Lee
Announcements
GSCCC Convention Committee
Meeting Feb.26th, 2:00 pm at Tom and
Carol McCreary, 425 SW 53rd, 634-
Assigned Competition February
meetings will have assigned competition,
all divisions. The subject is “Identifiable
Oklahoma” (or home state for members
living out of state). Since this assignment
was made early last year, any images taken
after January 1, 2010 are eligible. This is an
exception to the rule that images need to
have been during the current club year.
Board Meeting The Board will meet
on Tuesday, February 15, at the home of
Tom and Carol McCreary, 425 SW 53rd,
at 7:30 pm. If there is any interest, we will
meet at 6:00 for dinner at Chili‟s, I 240 and
South Walker. Please let Tom know at
More Stars: Tom McCreary PPSA,
earned his 1st and 2nd stars in CPID, and
Debbie Devonshire earned her 1st, 2nd
and 3rd stars in CPID. Way to go, keep it
up!!!
Visitors: (1/25/11) - Jim Worthington
[email protected] from OKC visited us and I
recognized Jim from having worked at Kerr
McGee, nice surprise. Jim learned of us on
the WEB and has an interest in photograph-
ing landscapes and buildings. Welcome Jim,
please come back again. Joel & Susan
Lane [email protected] also from OKC
visited us having met the club at the Zoo.
Joel and Susan have wide variety of photo-
graphic interests - I believe we fit right in.
Welcome Joel and Susan, please come back.
Page 3 of 14 HypoCheck
The Pain and Pleasure of . . . Cont’d from page 1 . . .
Club Dues
Individual $30
Family or Joint $40
(other rates available as
well as partial for less
than year)
Make Checks Payable To
Oklahoma Camera Club
Mail To
Club Treasurer
Brad Smith
1008 NW 18th,
Oklahoma City, OK
73106-6417
Contact
“I really like this photograph” may make
you feel good; however it does not help the
maker unless you can articulate why.
Many times the person doing the analysis
leaves out the most obvious. After all is
said and done regarding rules and regula-
tions about composition, lighting, and im-
pact, how does the photograph make you
feel? Sometimes the photograph will evoke
a certain feeling and step beyond the rules.
This gives the analyst another positive tool
to set up the help the maker needs.
Often, when confronted with a photograph
that has a myriad of obvious flaws, the
knowledgeable photographer as analyst may
be so anxious to help he or she may not
even be able to see the positive aspects of
the image. A type of tunnel vision sets in
and the positive comments are rushed and
many times shallow. It takes patience and
understanding to ignore what needs to be
done and comment intelligently on what
was done properly.
Many times it is not what is said that is
painful, but the way it is said. Positive com-
ments regarding a photograph have no busi-
ness in the same paragraph or breath with
assistance in what can be done better. An
example might be: “The foreground is well
handled, however is slightly out of focus.”
The maker may only hear the out of focus
part, and worse than that hasn‟t a clue as to
how the foreground was well handled. A
better approach is to discuss the fore-
ground in a substantive manner. “To me,
the foreground is well handled. Notice
how the dark band of the foreground steps
your eye into the lighter middle ground and
then to the darker background. This layer-
ing of hues, in my opinion, adds dimension
and impact to the image.”
Notice also the use of the personal terms
TO ME, IN MY OPINION. These terms
anchor the analysis to the analyst‟s personal
opinion, which, after all, is what it is.
Never use the connecting words, „however‟
or „but‟ or any word that ostensible “drops
the other shoe.” This technique doesn‟t
work; the receiver may only retain the
negative comment.
After finishing with what was done prop-
erly, a short pause may allow the maker to
relax and even reflect on the fact that this
process is not so bad after all. When writ-
ing the analysis always separate the good
from the help area by placing them in sepa-
rate paragraphs. The tendency may be to
re-address previous positive comments, to
emphasize the help part. Do not do this.
The positive reinforcement has been done
and can only be degraded by further com-
ment. Make the help comments as succinct
as possible and above all make them perti-
nent
In the previous example one might say,
“The foreground appears to be slightly out
of focus to me. I think a sharper foreground
may have given this photograph a bit more
impact.” Then stop, and go on to any
other help that can be rendered. Never
belabor an obvious flaw, saying it two dif-
ferent ways is redundant at best and only
adds to the makers AP.
One of the most difficult things in analysis is
the need, many times, to completely alter
the way one speaks or writes. The use of
definite terms such as „always‟, Cont’d Page 4 . . .
Page 4 of 14 HypoCheck
“Analysis is
not designed
to find some-
thing wrong. It
is designed to
see something
right, and then
see things that
may be
improved upon.
“. . . The maker
must always be
left with the
impression that
the improve-
ment is their
choice. “
~ Jon
Fishback
The Pain and Pleasure of . . . Cont’d from page 3 . . .
must always be left with the impression
that the improvement is their choice.
New members of PSA are taking advantage
of an analysis service designed just for
them. Along with many additional services
for new members this analysis service is
provided on the PSA new member web
page, http://www.psa-newmember.org/J
Jon Fishback
Director
(PSA) New Member Pictorial Image Analysis
Email: [email protected]
„never‟, „must‟, „should‟, are usually not the
best words to use to analyze photography.
Substituting softer terms such as „may‟,
„might‟ or „consider‟, may go a long way to-
ward making AP easier to handle, and leave
the analyst room to be wrong.
Analysis is not designed to find something
wrong. It is designed to see something right,
and then see things that may be improved
upon. Analysis is not designed to correct
what is wrong, but to suggest what may be
done to improve in the future. The maker
January Competition Cont’d next page . . .
Another Time, Another Place
Charles Taylor, APSA
Costal Ship Vignetted
Carol McCreary APSA, PPSA
Hoof and Mouth Rhino
Tom McCreary PPSA Celebrating the Goal
Jack Melton
Nature will bear
the closest
inspection. She
invites us to lay
our eye level with
her smallest leaf,
and take an
insect view of its
plain.
~ Henry David
Thoreau
Page 5 of 14 HypoCheck
January Competition Cont’d next page . . .
Sand Carver at Work
Carol McCreary APSA
Out of Frame Photographer
Carol McCreary APSA PPSA
Backyard Gazebo
Jack Melton
Agony in the Dirt
Carol McCreary APSA, PPSA
Red Surf Boards
Tom McCreary PPSA
Spiderman
Randy Carr
HypoCheck
Page 6 of 14
January Competition Cont’d next page . . .
Taosino
Charles Taylor APSA
“Hey _ Mon”
Randy Carr
Zion Nat’l Park
Jerry Duncan
Yellow Soccer Kicker with Eyes Closed
Carol McCreary APSA, PPSA
Taos Church Grain
Carol McCreary APSA
Elder Wisdom
Charles Taylor APSA
Flamingo Portrait
Tom McCreary PPSA
We are
always looking
for more
articles or
ideas to
share.
Please send
them our
way!!!
Snug at Home
Jan Lee PPSA
Page 7 of 14
HypoCheck
There is one
spectacle
grander than
the sea, that is
the sky; there
is one
spectacle
grander than
the sky, that is
the interior of
the soul.
~ Victor
January Competition Cont’d next page . . .
Old Mementos
Carol McCreary APSA
After the Last Flight
Jan Lee PPSA
Size Matters in Basketball
Jack Milner
Wine Press
Carol McCreary APSA
Bikers’ Flare
Debbie Devonshire
Safe!
Jan Lee PPSA
On the Move
Robert Green
King of Beasts Poster Edges
Brad Smith
Flames of a 57’
Brad Smith
Page 8 of 14
HypoCheck
When gifts
are given to me
through my
camera, I
accept them
graciously.
~ Minor
White
January Competition Cont’d next page . . .
Yellowstone in the Winter
Robert Green
Behind the Bloom
Jan Lee PPSA
Three Towers
Jan Lee PPSA
Door’s on the Latch
Aloma Anderson
Tiger Stare
Ward Conaway
Page 9 of 14
HypoCheck
Our first
teacher is our
own heart.
~ Cheyenne
Proverb
January Competition
You Lookin’ at Me?
Robert Green
Skinn’n
John Key
Home from the Sea
Aloma Anderson
Photo Ops: Feb 5 Ponca City Fly-in, Regional Airport, Ponca City, Go early enough for breakfast.
Feb 5, 6, Heart of America International Finals Youth Rodeo, Expo Center,
Shawnee, Includes activities from Bull Riding to Goat Tying. 405/447-3623
Feb 5, 19, Eagle Watch, Lake Thunderbird State Park, Norman - Eagle lovers gather
at the nature center and caravan by car to designated spots aground the park. 405/321-4633.
Feb 11-13, OK Horse Fair, Duncan. Trial and ranch horse show. 405/226-0630
Jan 18,19, USS Batfish (submarine) Living History Display, Muskogee
Feb 18-20, Battle of Round Mountain Reenactment, Jim Thorpe Park, Yale - Firing
cannons and smoking guns puncture the air in this Civil War-era winter encampment, created by
the townspeople where Union and Confederate soldiers square off.
Mar 2-6 OKC International Auto Show, State Fair Park, OKC
Mar 4-6 Timed Event Championship (rodeo), Lazy E Arena, Guthrie
Mar 5 Mardi Gras Parade, downtown Norman
Egret with Stick
Wally Lee PPSA
By: Lee Donlon
Page 10 of 14
HypoCheck
Gulf States
Convention in
OKC
April 14 - 16
2011
Announcements
The Gulf States Camera Club
Council Convention
here in “Oklahoma City” mark your calendars!!!
“Sores of 15”
Randy Carr, “Hey_Mon”
Monochrome Pictorial Prints,
Class A.
Carol McCreary APSA,
PPSA, Sand Carver at Work,
Color Prints, Class A.
Tom McCreary PPSA,
Flamingo Portrait, Nature Prints.
Congratulations Guys - Well Done!!!
Page 11 of 14
HypoCheck
Ward Conaway Mabry Mill, Virginia 2 Fall, Linville River HM
Competition Results - Prints
January 11, 2011
Name Entry No. 1 Place Entry No. 2 Place
Color Prints - Class A
Randy Carr Indian Air 2 THOR 2
Charles Taylor Elder Wisdom 2 Lily After Rain HM
Carol McCreary Sand Carver at Work 1 Taos Cross 3
Tom McCreary Cemetery at Christmas — Red Surf Boards 3
Jack Melton Dream Boat HM Grand Lake Sunset —
Color Prints - Class B
Vickie Jenkins Beautiful Butterfly 2 Fenced in Fun 2
Jerry Duncan Zion National Park - Utah 1 No Entry —
Monochrome - Class A
Jack Melton Bench on the Beach — Backyard Gazebo 2
Carol McCreary Out of the Frame Photographer 3 Coastal Ship Vignetted HM
Charles Taylor Another Time, Another Place 3 Taosino 2
Randy Carr Fight Time HM Hay Mon 1
Monochrome - Class B
Vickie Jenkins Union Station, Kansas City, MO 1 Grandma‟s House 2
Jack Melton Red Head — Nature Re-Grows Nature‟s Fire —
Jaci Finch Lion in Shade 3 African Warthog 3
Tom McCreary Flamingo Portrait 1 Hoof & Mouth Rhino 2
Vickie Jenkins Nature‟s Multi-Colored Beauty HM Bug - Off —
Nature
Vickie Jenkins Just Me and the Fish HM Just Chilin‟ in Bricktown HM
Jack Melton Celebration of the Score 3 Rub My Tummy HM
Carol McCreary Yellow Soccer Kicker with Eyes
Closed
3 Agony in the Dirt 1
Randy Carr Spiderman 1 Cat Walk 2
Photojournalism
John Key Floridians HM Red Eye Reef 2
Vickie Jenkins Eli 3 Pops 2
Bob Green Procession of Pronghorns 3 Yellowstone in Winter 1
Ward Conaway Wolf #1 3 Tiger Stare 2
Vickie Jenkins The Colors of Fun (2) 3 Adorned Horse HM
Carol McCreary Amanda Sketch 2 Leah Dancing 2
Brad Smith King of Beasts Poster Edges 1 King of Beasts Glowing Edges —
Jack Melton Dreams of a Pony 3 Flames of a “572 2
Jan Lee Behind the Bloom #2 1 Early Fall in the Smokys 2
Debbie Devonshire Biker‟s Flare 1 Hyena 2
John Key Old Old Cabin 3 Soo Line Steam Engine 2 2
Carol McCreary Shannon‟s Eye Contact HM Mission with Light Ray 2
Bob Green Winter Bison 3 Ghost Tree HM
Jan Lee Three Towers 1 Snug at Home 1
Aloma Anderson All Eyes 2 Old Porch Rocker 2
Vickie Jenkins Cute, Clueless and Carefree HM Waiting on Parole —
Jack Melton Cute Little Bird 2 Eyes of the Predator 3
Wally Lee Hot Springs Scenic #2 Mono 2 PInnacle-Col Nat Monu-Mono HM
Debbie Devonshire Forest Ceiling HM Wanting Out 3
Name Entry No. 1 Place Entry No. 2 Place
Competition Results - Digital
January 25, 2011
Continued Page 14
Beginning Color
Creative
Monochrome
We‟re on the web!
www.Oklahomacameraclub.com
HypoCheck Page 12 of 14
HypoCheck Page 13 of 14
Name Entry No. 1 Place Entry No. 2 Place
Advanced Color
Wally Lee Chilhuly Onions in the Park 3 Water Lily Opening 3
Brad Smith Azalea 4729 HM Shady Hook Overlook 3
Aloma Anderson Door‟s on the Latch 2 Home from the Sea 3
Jack Melton Grand Disney 2 Little Purple House 2
Debbie Devonshire Sibling Affection — Baboon Togetherness HM
Carol McCreary Wine Press 1 Old Mementos 1
Jan Lee After the Last Flight 1 Bumble Bee on Comfrey Blooms 3
Competition Results - Digital
January 25, 2011
Nature
Ward Conaway Sleeping Alligator 2 Red Panda —
Vickie Jenkins Deadwood HM The Tree Stands Alone HM
Jan Lee View from Potash Road 2 Grand Canyon of the Yellowstone 2
Brad Smith Saddleback Portrait 0122 HM Young Gorilla Sitting HM
Jack Melton Three-leaf Clover on My Head 3 Wild Turkey HM
Bob Green On the Move 1 You Lookin‟ at Me 2
John Key Srooms — Timber Wolf 2 HM
Debbie Devonshire Red Panda in Tree — Sibling Rivalry 3
Wally Lee Egret with Stick 2 Taking a Snooze #2 —
Vickie Jenkins All that Jazz in Kansas City, MO — Charlie Brown‟s Christmas —
Carol McCreary All Eyes on the Volleyball 2 Runner and Tongue Action HM
Debbie Devonshire Skateboarder in the Air HM Passing Through 2
John Key Chow‟n Down 3 Skinn‟n 2
Jan Lee Mountain Men Manicure HM Safe! 1
Jack Melton Size Matters in Basketball 1 Cross Country 3
Photojournalism
Page 14 of 14 HypoCheck
Editors
Doug Finch APSA
Jaci Finch APSA
Photographic Society of America
Pictorial Print Division
INTERNATIONAL CLUB PRINT COMPETITIION
Annual Club Certificate of
Award for
Highest Points
Presented To
The Oklahoma Camera Club
315 points
Large Color, Class “LC”
2009-2010
Annual Club Certificate of
Award for
Highest Points
Presented To
The Oklahoma Camera Club
297 points
Small Color, Class “SC”
2009-2010
Annual Club Certificate of
Award for
Highest Points
Presented To
The Oklahoma Camera Club
304 points
Large Monochrome, Class “LM”
2009-2010
Annual Club Certificate of
Award for
Highest Points
Presented To
The Oklahoma Camera Club
308 points
Small Monochrome, Class “LM”
2009-2010
Annual Club Certificate of
Award for
Highest Points
Presented To
The Oklahoma Camera Club
306 points
Creative Altered Reality,
Class “CAR”
2009-2010
The Oklahoma Camera
Club Excels!!!
First Place in All Five
Pictorial Print Divisions
Photographic Society of
America
International Club Print
Competition
Wow - Well Done!!!