rembrandt, anatomy lesson of dr. nicolaes tulp , 1632
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Rembrandt, Anatomy Lesson of Dr. Nicolaes Tulp , 1632. Rembrandt, The Anatomy Lesson of Dr. Nicolas Tulp, 1632, (65 x 86 in.), Maurithuis, The Hague. Thomas de Keyser, The Anatomy Lesson of Dr. Sebastiaen Egbertsz de Vrij , 1619. The Syndics of the Clothmakers ’ Guild , 1662. - PowerPoint PPT PresentationTRANSCRIPT
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Rembrandt, Anatomy Lesson of Dr. Nicolaes Tulp, 1632.
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Rembrandt, The Anatomy Lesson of Dr. Nicolas Tulp, 1632, (65 x 86 in.), Maurithuis, The Hague
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Thomas de Keyser, The Anatomy Lesson of Dr. Sebastiaen Egbertsz de Vrij, 1619.
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The Syndics of the Clothmakers’ Guild, 1662.
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Rembrandt, The Syndics of the Drapers’ Guild, 1662, (oil on canvas, 75 x 110 in,), Rijksmuseum, Amsterdam
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The Company of Frans Banning Cocq and Willem van Ruytenburch; known as 'The Night Watch‘, 1642.
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Rembrandt, The Night Watch: The Militia Company of Captain Frans Banning Cocq, 1642, Rijksmuseum, Amsterdam
Govert Flinck, The Militia Company of Captain Albert Bas, 1645, Rijksmuseum, Amsterdam
Govert Flinck, The Militia Company of Captain Albert Bas, 1645.
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Cornelis Ketel, Company of Captain Dirck Jacobsz. Rosecrans and Lieutenant Pauw, Amsterdam, 1588
Thomas de Keyser, The Company of Captain Allaert Cloeck and Lieutenant Lucas Jacobsz. Rotgans, Amsterdam, 1632
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Backer Elias Rembrandt
Helst
The Kloveniersdoelen, Amsterdam, headquarters of the militia companies of the city, decorated with a series of group portraits in the early 1640’s
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Reconstruction of the Great Hall of the Kloveniersdoelen, Amsterdam (from Gary Schwartz, 2002).
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Reconstruction of Rembrandt’s print studio in the Rembrandthuis museum, Amsterdam
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Rembrandt, Three Crosses, 1653, drypoint on vellum 1st state.
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Three Crosses, 1653, 2nd state on vellum.
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Rembrandt, Three Crosses, 1653, 4th state, drypoint and burin, printed on rag paper with a heavily inked plate.
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Drypoint lines
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Christ Healing the Sick (Hundred Guilder Print), etching, drypoint and burin,ca. 1649.
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Portrait of Jan Six, 1647, etching, drypoint and burin
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Portrait of Jan Six, 1654.
Portrait of Jan Six, 1647, etching, drypoint and burin.
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Rembrandt, Standing Male Nude, pen and ink, brush and wash on paper / Student of Rembrandt with corrections by Rembrandt, Standing Male nude, pen and ink, brush wash and white heightening on paper / Rembrandt, Male Nudes and woman with a baby, etching.