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Mir MIMI MP' ler 1Vol. 18, No. 894 July 25, 1964

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WHOIN THEWORLD

Columbia Prez GoddardUeberson - In theN:3ws Via New Master-Work Mail Club, SpokenWorld 'P AcquisitionsAnd 'Summer Stock'Releases Stories OnAll h. his Issue.

recordworld

Formerly

MUSIC

VENDOR

In the opinion of the editors, this week the following single and album are the

recordworld

RECORD NO.

502(IITP 104)Tinto 1,20

AVILIMER ONE PICKS

HIE'S IN TOWN(Goftin-King)

THE TOKENSArranged and Produced BYBIG TIME PRODUCTIONS

Eng. Brooks Arthur

B.T.O POPPY Iteconli les 5963

Total Withlnstru. !tromp.

Screen Gorns-ColumbmMut.c - IMl

orwo male singing groups shoot out the top picks thisweek. The single is from The Tokens who have latchedonto a cool Coffin -King tune called "He "s In Town." ThisB. T. Puppy release is geared to teen Interests and willbe in high gear soon The album is the one The FourSeasons have built around their stapendous PhilipsRecords "Rag Doll" single. "Ronnie" is also includedas are a number of other songs designed to set offThe Seasons' specialized sound.

A, K. EUFA

RAG DOLLTHE 4 SEASONSFeaturing Rag Doll and Ronnie 14-stand 10 Other Brand New Hit Songs

BATE IT IOW NC FUNNY FA4.--: AN ANGEL 111IE0 ILIGTOT Ni PILLOWTHE SETTING SUN NO ONE Cutlf-!-1121 TOUCH OF YOU- NAACP 1ANGER

....... ! ........ ..........os BRO%iirAT rnaGET

THE ANImALSIS HERE

NUMBER 1 in mum

THETH

H

E RISOUSE OF

G sunM M H -132E4

RECORDSA division of Metro -Goldwyn -Mayer, Inc.

This LastWk. Wk.

July 25 July 18

recordworldm.VENDOR

Wks. onChart

1 1

163 2

4 3

5 6

6 5

118 9

9 8

14* 27* 2213 4

14 11

15 10

* 2511 1

18 13

19 12

20 23

* 34* 33* 3224 18

25 20

26 31

27 19

28 15

* 7730 21

31 24

32 26

47 55

RAG DOLLFour Seasons-Philips 40211

A HARD DAY'S NIGHTThe Beatles-Capitol 5222

I GET AROUND 9Beach Boys-Capitol 5174

MEMPHIS 9Johnny Rivers-Imperial 66032

DANG ME 1Roger Miller-Smash 1881

CAN'T YOU SEE THAT SHE'SMINE

The Dave Clark Five-Epic 9692

EVERYBODY LOVES SOMEBODY 5Dean Martin-Reprise 0281

LITTLE OLD LADY FROMPASADENA

Jan & Dean-Liberty 55704

GIRL FROM IPANEMA 1Stan Getz & Astrud Gilberto-Verve 10323

WISHING 9f& HOPING 6Dusty Springfield-Philips 40207

UNDER THE BOARDWALK 4Drifters-Atlantic 2237

KEEP ON PUSHING 6Impressions-ABC 10554

MY BOY LOLLIPOP 9Millie Small-Smash 1893

NOBODY I KNOW 4Peter & Gordon-Capitol 5211

DON'T LET THE SUN CATCHYOU CRYIN' 10

Gerry 8 The Pacemakers-Laurie 3251

I WANNA LOVE HIM SO BAD 5Jelly Beans-Red Bird 10-003

NO PARTICULAR PLACE TO GO 8Chuck Berry-Chess 1898

PEOPLE 13

A WORLD WITHOUT LOVE 12

FARMER JOHN 5

STEAL AWAY 5

I BELIEVE 5

YOU'RE MY WORLD 6

CHAPEL OF LOVE 13Dixie Cups-Red Bird 10-001

I STILL GET JEALOUS

TRY IT BABY

9

Barbra Streisand-Columbia 42965

Peter & Gordon-Capitol 5175

Premiers-Warner Bros. 5443

Jimmy Hughs-Fane 6401

The Bachelors-London 9672

Cilia Black-Capitol 5196

Louis Armstrong-Kapp 597

Marvin Gaye-Tamla 54095

REMEMBER ME

6

6

6

Rita Pavonc-RCA Victor 8265

BAD TO ME 8Billy J. Kramer & Dakotas-Imperial 66027

WHERE DID OUR LOVE GO 2Supremes-Motown 1060

DON'T THROW YOUR LOVE AWAY 9Searchers-Kapp 593

GOOD TIMESSam Cooke-RCA Victor 8368

LITTLE CHILDREN 15Billy J. Kramer & Dakotas-Imperial 66027

HANDY MAN 3Del Shannon-Amy 905

TELL METhe Rolling Stones-London 9682

This LastWk. Wk.

July 25 July 18* 651-6 42

31 40

* 5739 41

40 43

41 45

42 46

52 59* 60 9041 28

48 30

* 8688

* (-)* 7353 51

54 58

55 56

56 49

* 94* 8759 48

60 50

61 66

76

79* 95* 9866 61

80

Wks. onChart

HOW GLAD I AM 4Nancy Wilson-Capitol 5198

HEY HARMONICA MAN 6Little Stevie Wonder-Tamla 54096

SHARE YOUR LOVE 7B. B. Bland-Duke 377

AL -DI -LA 3Ray Charles Singers-Command 4049

DON'T WORRY BABY 10Beach Boys-Capitol 5174

ANGELITO 6Rene & Rene-Columbia 43045

MIXED UP, SHOOK UP GIRL 3Patty & Emblems-Herald 590

JUST BE TRUE 3Gene Chandler-Constellation 130

DO I LOVE YOU 5Ronettes-Philles 121

C'MON AND SWIM 4Bobby Freeman-Autumn 2

I LIKE IT LIKE THAT 4Miracles-Tamla 54098

PEOPLE SAY 3Dixie Cups-Red Bird 10-006

LOVE ME WITH ALL YOURHEART 16

Ray Charles Singers-Command 4046

YESTERDAY'S GONE 13Stewart & Clyde-World Artists 1021

AIN'T SHE SWEET 2Beatles-Atlantic 6308

SUGAR LIPS 2Al Hirt-RCA Victor 8391

WALK DON'T RUN,' 64 1Ventures-Dolton 96

I'M INTO SOMETHING GOOD 3Earl-Jean-Colpix 729

LAZY ELSIE MOLLY 6Chubby Checker-Parkway 920

FERRIS WHEEL 5Everly Bros.-Werner Bros. 5441

I WANT TO HOLD YOUR HAND 3Boston "Pops" Orch.-RCA Victor 8378

WALK ON BY 14Dionne Warwick-Scepter 1274

HOW DO YOU DO IT 2Gerry & The Pacemakers-Imperial 3261

SHE'S THE ONE 3Chartbusters-Mutual 502

WHAT'S THE MATTER WITHYOU, BABY 12

Marvin Gaye & Mary Wells-Motown 1057

HELLO DOLLY 24Louis Armstrong & All Stars-Kapp 573

YOU'RE MY REMEDY 4Marvelettes-Tamla 54097

IT'S A SIN TO TELL A LIE 3T. Bennett-Columbia 43073

SOMETHING YOU GOT 5A. Robinson-Tiger 104

SUNNY 3Neil Scdaka-RCA Victor 8382

SOLE SOLE SOLE 2Siw Malmkvist 8. Umberto Maracato-

Jubilee 5479

THE WORLD I USED TO KNOW 9Jimmie Rodgers-Dot 16595

LOVE IS ALL WE NEED 3Vic Dana-Dolton 95

This LastWk. Wk.

July 25 July 18

68 54

(-)* (-)* 81 89 9115 75

16 53

77 70

78 83

19 85

(-)81 78

99(-)* (-)(-)*(-)

(-)100

90 97

91 92

92 96

93 93

94 (-)

95 (-)

96 (-)

97 ()98 (-)

99 (-)

100 (-)

Wks. onChart

FIRST NIGHT OF THEFULL MOON

Jack Jones-Kapp 589

LITTLE LATIN LUPE LU 1Kingsmen-Wand 157

A TEAR FELL 1Ray Charles-ABC Paramount 10571

WORRY 1Johnny Tillotson-MGM 13255

ANYONE WHO KNOWS WHATLOVE IS 2

Irma Thomas-Imperial 66041

EVERYBODY NEEDS SOMEBODY

TO LOVE 2Solomon Burke-Atlantic 2241

A QUIET PLACE 6Garnett Mimms-U. A. 715

PEG 0' MY HEART 5Robert Maxwell-Decca 23637

WHAT HAVE I GOT OF MY OWN 5Trini Lopez-Reprise 0276

IF I'M A FOOL FOR LOVING YOU 6Bobby Wood-Joy 285

I CAN'T HEAR YOUBetty Everett-Vee Jay 599

IT AIN'T NO USE 5Major Lance-Okch 7191

JOHNNY LOVES ME 1Florraine Darlin-Ric 105

BEG ME 8Chuck Jackson-Wand 154

HAUNTED HOUSE 2Gene Simmons-Hi 2076

IT WILL STAND 1Showmen-Imperial 66033

SAY YOU 1Ronnie Dove-Diamond 167

WHAT CAN A MAN DO 1Ben E. King-Atco 6303

I SHOULD HAVE KNOWN BETTER 1The Beatles-Capitol 5222

BABY COME HOME 1Ruby & Romantics-Kapp 601

INVISIBLE TEARS 1Ray Conniff Singers-Columbia 43061

IN THE MISTY MOONLIGHT 2Jerry Wallace-Challenge 59246

BACHELOR BOY 2Cliff Richard-Epic 9691

ONLY YOUWayne Newton-Capitol 5203

IT'S A COTTON CANDY WORLD 2Jerry Wallace-Mercury 72292

NIGHTINGALE MELODYLittle Johnny Taylor-Galaxy 731

SHE'S MY GIRL 1Bobby Shafto-Rust 5082

A HOUSE IS NOT A HOME 1Brook Benton-Mercury 72303

I WANT YOU TO MEET MY BABY 1Eydie Gorme-43082

RINGO'S THEME (THIS BOY) 1George Martin Orch.-United Artists 745

HEY GIRL DON'T BOTHER ME 1Tams-ABC Paramount 10573

JAMAICA SKA 1Ska Kings-Atlantic 2232

LOOKING FOR LOVE 1Connie Francis-MGM 13256

7

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70

50

30

10

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100

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,S1V7Zak1)&cm ci4K144

OVERNIGHT

SENSATION

TERRIFIC SALES!

LASTKISS

J. FRANK WILSON AND THE CAVALIERSJOSIE 923

kag.

thesoundof the60's

JAY -GEE RECORD COMPANY INC.318 West 48th Street, New York 36, N.Y. PL 7-8570A DIVISION OF THE COSNAT CORPORATION

THE

ORIGINAL INTERNATIONAL

HIT

CLIMBING ON ALL CHARTS!

SOU! SOLE

SOLESIW MALMKVIST & UMBERTO MARCATO

JUBILEE 5479

PICKED BY EVERYONE

EVERYWHERE ORDERS POURING IN!

HE'S IN

TOVINTHE TOKENS

B. T. PUPPY 502The Token's GrealeN1 Hil

4 RECORD WORLD-July 25, 1964

TEAR -OUT

GUIDE.

This LastWk. Wk.

July 25 July 1$

recordworidEsi

Wks. onChart

* 9 A HARD DAY'S NIGHT 3Beatles Soundtrack-United Artists UAS 6366

2 1 HELLO DOLLY 12L. Armstrong-Kapp KL-1364: KS -3364

3 4 RETURN OF THE DAVE CLARKFIVE 1

Epic LN-24104

4 3 GETZ/GILBERTOVerve V-8545: V6-8545

5 2 HELLO DOLLY 24Original Cast-RCA LOC-1087: LSO -1087

6 5 FUNNY GIRL 14B'way Cast-Capitol VAS -2059: SVAS-2059

7 7 ROLLING STONES 5London LL -3375

8 6 COTTON CANDY 10A. Hirt-RCA Victor LPM-2917

* 16 PINK PANTHER 11H. Mancini-RCA LPM-2795: LSP-2795

10 8 THE THIRD BARBRA

STREISAND ALBUM 23Columbia CL -2154: CS -2154

11 12 A WORLD WITHOUT LOVE 5Peter and Gordon-Capitol T-2155

12 10 THE BEATLES SECOND ALBUM 15Capitol T-2080: ST -2080

13 11 HONEY IN THE HORN 39A. Hirt-RCA LPM-2733: LSP-2733

14 17 JOHNNY RIVERS AT THEWHISKEY A' GO GO 6

Imperial LP -9264

15 15 SHUT DOWN, VOL. II 18Beach Boys-Capitol T-2027: ST -2027 24 BEATLES SONG BOOK 6Hollyridge Strings-Capitol T-2116

17 20 CALL ME IRRESPONSIBLE 12A. Williams-Columbia CL -2172: CS -8971

18 14 GLAD ALL OVER 17Dave Clark Five-Epic LN-24093: BN-26093

19 19 LITTLE CHILDREN 6B. J. Kramer-Imperial 9267: 12267

20 22 SOMETHING SPECIAL FORYOUNG LOVERS 17

R. Charles gingers-Command RS -866:RS -866 -SD

21 27 I LOVE YOU MORE AND MOREEVERY DAY/TEARS AND ROSES 5

A. Martino-Capitol 1-2107: ST -2107

22 25 BEWITCHED 6Jack Jones-Kapp KL-3365

23 13 TODAY, TOMORROW, FOREVER 9N. Wilson-Capitol T-2082

24 23 TODAY 16New Christy Minstrels-Columbia CL -2159:

CS -8959

25 32 THE MANY SIDES OF THESERENDIPITY SINGERS 5

Philips PHM-200-134

26 26 THE SECOND BARBRA

STREISAND ALBUM 41Columbia CL -2054: CS -8854 37 THE INTERNATIONAL TEENAGE

SENSATION 5Rita Pavone-RCA LPM-2900

28 29 CHUCK BERRY'S GREATEST HITS 9Chess LP -1485

29 18 MARY WELL'S GREATEST HITS 10Motown 616 (mono only)

44 I WALK THE LINE 5Johnny Cash-Columbia CL -2190 58 WONDERFUL WORLD OF MAKE

BELIEVE 3J. Mathis-Mercury MG -20913

00 top LinThis Lest Wks. onWk. Wk. Chart

July25 July 111

62 THE UNSINKABLE MOLLYBROWN 3

Soundtrack-MGM E 4234

33 38 MEET THE BEATLES 27Capitol T-2047: ST -2047

34 21 BACK IN TOWNo47

Kingston Trio-Capitol T-2081

35 31 LETTERMEN LOOK AT LOVE 1Capitol T-2083

36 28 IT MUST HAVE BEEN SOME-THING I SAID 11

Smothers Brothers-Mercury MG -20904:SR -60904

31 33 MORE THEMES FOR YOUNG

LOVERS 8P. Faith-Columbia CL -2167

38 35 WEST SIDE STORY 143Soundtrack-Columbia OL-5670: CS -2070

39 30 CALL ME IRRESPONSIBLE 9J. Jones-Kapp KL-1328 69 DON'T LET THE SUN CATCH

YOU CRYIN' 4Gerry 8 The Pacemakers-Laurie 2024

41 34 FROM RUSSIA WITH LOVE 14Soundtrack-UA UAL -4114: UAS-5114

42 45 SPEAK TO ME OF LOVE 9R. Conniff-Columbia CL -2150

43 36 REFLECTIONS 9P. Nero-RCA LPM-2853

44 40 BOYS BOYS BOYS 8L. Gore-Mercury MG -20901: SR -60901

45 42 WHO'S AFRAID OF VIRGINIAWOOLF 15

J. Smith-Verve V-8583 V6-8583

46 41 HIGH SPIRITS 10Original Cast-ABC Paramount ABC 0C-1

47 52 IN THE WIND 33Peter, Paul & Mary-Warner Bros. WB-1507:

WS -1S07

48 41 THE AMERICAN TOUR 10Ed Rudy & The Beatles-News Documentary II

49 43 SHOWTIME 10J. Brown & His Orch-Smash MGS-27054:

SRS -.67054 63 THE FABULOUS VENTURES 3Dolton BLP-2029

51 59 DEAD MAN'S CURVE/NEW GIRL IN SCHOOL 5

Jan 8 Dean-Liberty LRT-3361

52 51 LET'S HAVE A PARTY 6Rivieras-Riviera U.S.A.-102 65 I WISH SOMEONE WOULD CARE 4I. Thomas-Imperial LP -9266

54 54 THE BARBRA STREISAND

ALBUM 61Capitol CL -2007

55 49 INTRODUCING THE BEATLES 25Vee Jay LP -1062: SR -1062 68 FADE OUT-FADE IN 3Original Cast-ABC Paramount OC-3

57 39 NEW ORLEANS AT MIDNIGHT 9P. Fountain-Coral CRL-57429

58 48 LILIES OF THE FIELD 13Soundtrack-Epic LM -24094: BN-26094 70 PRESENTING THE BACHELORS 5London LL -3353: PS -353

60 46 KISSIN' COUSINS 11E. Presley-RCA LPM-2894: LSP-2894

61 61 SWINGLE SINGERS GO BAROQUE 8Philips PHS-600135

62 50 MANHATTAN TOWER 15R. Goulet-Columbia OL-6050: OS -2450

63 53 BY REQUESTB. Lee-Decca DL -4507

64 56 SHANGRI-LA 16R. Maxwell-Decca DL -4461: DL -4421

This LastWk. Wk

July 25 July 18

Wks. onChart

65 55 AIN'T THAT GOOD NEWS 19S. Cooke-RCA LPM-2899: LSP-2899

66 73 STAY AWHILED. Springfield-Philips 600-133

67 61 MEET THE SEARCHERS 17Kapp KL-1363: KS -3363

68 79 ON THE MOVE 17Trini Lopez-Reprise R-6112: R9-6112

69 60 SERENDIPITY SINGERS 20Philips PHS-600 35

70 72 JOAN BAEZ IN CONCERT, VOL II 36Vanguard-VRS-9113: VSD-2123

71 74 MOONLIGHT AND ROSES 4J. Reeves-RCA LPM-2854: LSP-2854

72 65 I WISH YOU LOVE 14G. Lynn-Everest 5226: 1226

73 71 DISCOVERY 9V. Carr-Liberty LRP-3554

74 83 DAWN 20Four Seasons-Philips PHM-20014: PHS-600124

15 64 LOUIE LOUIE 29Kingsmen-Wand 657 (mono only)

16 51 CHARADE 33H. Mancini-RCA LPM-2755: LSP-2755

86 DANCE DISCOTHEQUE 3Various Artists-Decca DL -4556: D1-74556

18 76 WHEN LIGHTS ARE LOW 9T. Bennett-Columbia CL -2175: CS -8975

19 88 HAMLET 5R. Burton and Cast-Columbia DOL-302

80 87 I'LL SEARCH MY HEART 2J. Mathis-Columbia CL 2153

81 77 HEAR HEARSearchers-Mercury MG -20889

82 84 ENCHANTED WORLD OF

FERRANTE & TEICHER 5UA UAL -3375: UAS-6375

83 75 MARVIN GAYE AND MARYWELLS TOGETHER

Motown 613

84 78 TOM JONESSoundtrack-UA UAL -4133: UAS-6133

85 82 FOREVERP. Drake-Smash MGS-27053: SRS -67053

86 80 SUSPICIONTerry Stafford-Crusader 1001M

87 91 ROBIN AND THE SEVEN HOODS 2Soundtrack-Reprise F-2021

88 81 THE EARLY HITS OF 1964 18L. Welk-Dot DLP-3572: DLP-25572

89 94 ROGER AND OUT 2R. Miller-Smash MGS-27049

90 85 FOREVER 8B. Vaughn-Dot DLP-3578

91 95 BILL BLACK PLAYS TUNESBY CHUCK BERRY 2

Hi -HL -12017: SHL-12017

92 (-) HERE'S GODFREY CAMBRIDGE-READY OR NOT 1

Epic FIN -13101

93 (-) THE FIRST NINE MONTHSARE THE HARDEST 1

Len Weinrib and Joyce Jameson-Capitol 1-2034

THE BEST OF HENRY MANCINI 1RCA LPM-2693: LSP-2693

THE CARPETBAGGERS 1Soundtrack-Ava 45

SHANGRI-LA 8V. Dana-Dolton

BTO0DANCE28COME THE HITS 7

SArAnityVNyeGADinDGREATEST HITS 1

irgadb2NTE AT THE GREEKTHEATRE 20

100 90 DIMENSION:

30-6009

10E. Light-Command RS -857: RSD-857-SD

94 (-)95 (-)96 92

91 93

98 89

99 97

9

23

12

11

New Rack Jobbers MeetMftrs. At NARM July 2.8CHICAGO - The Mid -Year

Meeting and Person -to -PersonSales Conference of the NationalAssociation of Record Merchan-disers, Inc., will convene at theSheraton -Chicago Hotel Tues-day, July 28.

At the Board of Directorsmeeting on Monday, July 27, itwas announced by Jules Mala-mud, NARM Executive Director,11 applications for RegularMembership in NARM will bepresented for approval. This isthe largest number of recordmerchandisers ever to apply formembership in NARM, at onetime. The 11 companies whohave filed applications are thosewho were invited to attend theNARM Convention this pastApril in Miami Beach, as ob-servers. They were so impressedwith the operation of the asso-ciation and with the association'sdedication to the interests ofthe record merchandising seg-ment of the industry, that theyimmediately filed for member-ship at the beginning of theassociation's fiscal year. Thenew rack jobber members willbe included in the Person -to -Person appointment scheduleswith the manufacturers.

The Person -to -Person SalesConference sessions, which willbe preceded by an OpeningLuncheon for all Regular andAssociate (manufacturer) mem-bers of NARM, will begin Tues-day afternoon, July 28. The 20 -minute appointments betweeneach rack jobber and each manu-facturer at the Mid -Year Meet-ing have been set up accordingto a pre -arranged schedulewhich each manufacturer whohas registered for the Mid -YearMeeting will receive in advanceof the meeting. The Person -to -

Person Sales Conference ses-sions, now in their fourth yearof existence, is a highlight ofthe association year for manyof the Regular and AssociateMembers. Manufacturers in at-tendance include Columbia Rec-ords, RCA Victor Records, Capi-tol Records, Decca Records,Mercury Records, Dot Records,Epic Records, Warner Brothers,Reprise Records, Liberty Rec-ords, MGM/Verve R e c o r d s,Cameo Parkway Records, ColpixRecords, Disneyland Records andLondon Records.

The Mid -Year Meeting isstrictly business, and the timingof it this year, will enable themanufacturers, many of whomhave just completed their dis-tributor -sales meetings, to pre-sent their fall and holiday pro-grams and product to the rackmerchandisers.

Report on CRDCThe Regular Members will

meet (before the Person -to -Per-son) in a closed Breakfast -Meet-ing (Tuesday, July 28). At themeeting, the record merchan-disers will hear a completereport from their attorney, anti-trust specialist Albert A. Car-retta, on the Capitol RecordsDistributing Corporation situa-tion, as regards the recordmerchandisers who have beencut-off from buying Capitolproduct from CRDC. Carrettahas been in close contact withthe Bureau of Restraint ofTrade of the Federal TradeCommission on this matter, andwill report to the membershipon the current status of thecase. Other matters relative tothe operation of the associationwill be brought before the Reg-ular Membership at that time.

LA Convention A First For VJLOS Al N GE LE S - Randy

Wood has set the Beverly -HiltonHotel as the site for Vee-JayRecords' first annual Los An-geles distributors' convention forJuly 21, with over 75 distrib-utors from the U.S. and Canadain attendance.

In addition to President Wood,other Vee-Jay toppers, includingVice -President Jay Lasker, A&RDirectors Calvin Carter andSteve Clark, A&R staffer LeeYoung and Comptroller MarkSands, will conduct the meetings

which will emphasize the qualityand range of new albums beingprepared for the fall market onboth Vee-Jay and its subsidiarylabel Tollie, and to meet Vee-Jay artists in person.

Wind-up of the conclave willbe a gala banquet at which anumber of the company's artists,including Hoyt Axton, GeorgiaCarr, Victor Feldman, SamFletcher, Bill Marx, Cliff Nor-ton, Ray Whitley and MasonWilliams, will perform.

Mr. Freeman Regrets . . .LONDON-Sorry I can't write my "London Lowdown" column

this week, but we've got a postal strike on over here. And I'vecome to the aid of my country and am too busy sorting out our28,000,0000 letters! Sincerely,

Alan Freeman

U.S. SongsLabel HereNEW YORK-Leiber (Mike)

& Stoller (Jerry) joined withBert Bacharach and Hal Davidto form a new label, U. S. Songs,with George Goldner assumingthe same executive managerialduties with the new diskerythat he holds with Red Bird,Daisy and Tiger Records, alsoLeiber & Stoller enterprises.

The first release, "Show YouMean It, Too," by Me and Them,will be out in a week or two,at which time distribution willhave been set up around thecountry. In some cases, the dis-tribution will be different fromthe arrangements for Red Bird,Daisy and Tiger. Leiber, Stoller,Bacharach and David are super-vising all sessions and are ex-pected to announce new artistacquisitions to the U.S. Songslabel soon.

Noga Starts DiskeryBEVERLY HILLS, CALIF.-

Helen Noga, head of Noga En-terprises, has started her ownrecord label, Pharos. The firsttwo singles, "San FranciscoBay Blues" by The Nomadsand "Cricket" by The Polaras,have been getting much airplay in Southern California.

Motown's MaryStill ContractedDETROIT-Barney Ales, Vice

President of Motown RecordCorp., has announced that MaryWells is still under contract toMotown. Motown's legal depart-ment has sent telegrams to rec-ord companies believed to be ne-gotiating with Miss Wells advis-ing them of her contractualcommitments.

When Berry Gordy Jr., Presi-dent of Motown, learned thatMiss Wells apparently was re-ceptive to negotiations fromother companies, he was "sur-prised and hurt in view of MissWells having recently had theNo. 1 record in the country, 'MyGuy', as well as an extensivethree year sales and promotioncampaign to build her to thestature she has today."

Mrs. Aberbach DiesMONTICELLO, N. Y. - Mrs.

Anna Aberbach, mother of Jul-ian and Gene, heads of the Aber-bach group of world-wide pub-lishing concerns, died July 12.Mrs. Aberbach leaves her twosons and their wives and Jul-ian's three grandchildren, Belin-da, Ronnie and Dolphi Andrew.Mrs. Aberbach is buried inBethel Cemetery, Paramus, N.J.

JG Internat'lSet By Blaine

NEW YORK - Steve Blaine,President of Jay -Gee Record Co.,Inc., a division of The CosnatCorporation, has announced thecreation of a new label to beknown as Jay -Gee Internationalwhich will serve as the U.S. andCanadian distributor for for-eign masters that they havealready acquired and for thosewhich are in the process of con-summating deals around theworld.

Jubilee Records (another Jay -Gee subsid) is currently click-ing with an import called "SoleSole Sole" by Siw Malmkvist-Umberto Marcato, a currentchart record in the United Statesas well as a Top 10 record inEurope. Jay -Gee International'sfirst release is "LiebeskummerLohnt Sich Nicht" by Germany'sNo. 1 singing star, Siw Malm-kvist. This record is currentlyNo. 1 in Germany.

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

0

recordworldFormerly Music Vendor

17th Year of PublicationPublished Weekly by

INTRO PUBLISHING CO., INC.200 W. 57th St., New York 19, N.Y.

Area Code 212 CI 7-6250

Doug

Dave

Publisher

BOB AUSTINa

Editor-In-Chlet

SID PARNES

McClelland

Finkle

Ted Williams

Terry Moyes

Editor

Associate Editor

Research

Advertising

West Coast Representative

Ted Randal1608 Argyle, Suite 101

Hollywood 28, Calif.Phone: 213 HO 4-8268

Nashville Representative

Ed Hamilton214 No. Main StreetGoodletsville, Tenn.

Phone: 615 UL 9-1933

SUBSCRIPTIONS: One year (52 issues) U.S.and Canada-$5; Air Mail-$20; Foreign-Air Mail $35. Second class postage paidat New York, New York. DEADLINE Platesand copy must be in New York by 12 noonFriday.

1111111111111111111111111111111111111111111111111111111111111111111111111111111

6 RECORD WORLD-July 25, 1964

This Summer's Most Sizzling New Singles

Are On Columbia Records

SAM HILLClaude King 4-43083

INVISIBLE TEARSRay Conniff 4-43061

VC0tUFABIA:MMARCAS REG. PRINIED IN US .A.

0

THEME FROM "A SUMMER PLACE"The J's With Jamie 4-43068

WAH-WAIIINI ciwONE PIECE TOPLESS BATHING SUIT

The Rip Chords 4-43093

RECORD WORLD -July 25, 1964 7

N L E S REVIEWS

PICKWHITSTHE HOUSE OF THE RISING SUN (Al Gallio, BMI)

TALKIN' BOUT YOU (Progressive, BMI)

THE ANIIIALS-MGM 13264.

The Animals have this one in thenumber one spot on English chartsthese days. The reason why is appar-ent after one listen. The intensity ofthe slice is undeniable as it is lead byrelentlessly driving organ and guitarwork.

I'LL SET MY LOVE TO MUSIC(E. B. Marks, BMI)

VOGLIO BENE AL MONDO (E. B. Marks, BMI)

IriLF A-4 Corners 105.Milva is an Italian songbird who has

a robustness and purity in her voicethat is most reminiscent of a JaneMorgan sound. Her song is the themefrom "Mondo Cane #2"-a melodythat many may find prettier than"More" from "Mondo Cane #1."

BECAUSE (Ivy, ASCAP)THEME WITHOUT A NAME (Beechwood, BMI)

THE DA1E GL1RK FII E-Epic 5-9704.

This Dave Clark outing is slowerthan what has gone before, but it's apretty one and an attractive one. Theboys sing directly and the ingratiatingsound should parley itself into bigsales once more. The flip is anotherextremely pretty Clark tune, an instru-mental.

AND I LOVE HER (Unart, BMI)IF I FELL (Unart, BMI)

THE BEATLES-Gapitol 5235.

The Beatles go through two of theslower tunes from their new screentuner, "A Hard Day's Night." Ofcourse, the ditties are by John Lennonand Paul McCartney and they incor-porate the L-McC trademarks of soft,subtle harmonies and simple lyrics.

WHEN YOU COME TO SCHOOL(B. F. Wood, ASCAP)

I'M GOING STEADY WITH A MEMORY(Mills, ASCAP)

MADDY HILL-Columbia 4-13088.

Maddy is given one of the prettiesttunes of the summer here. It's aboutlove lasting after the end of the sum-mer months. The arrangement is mel-low and banjoey. Teens will know ex-actly what this one is about.

I'LL ALWAYS LOVE YOU (Jobete, BMI)

BRENDA HOLLOWAY-Tamla 54099.

Brenda puts dynamism into her ren-dition of this strong song. The orches-tration is economical and allows thethrush to show off her vocal abilities.Ballad is a good one and will mean muchto the success of the side.

A HOUSE IS NOT A HOME (Diplomat, ASCAP)YOU'LL NEVER GET TO HEAVEN (IF YOU

BREAK MY HEART) (Jac, ASCAP)

DIONNE 11 IRII K-Scepter 13&2.

Dionne follows her "Walk on By"smash with a side that is, if anything,better than its predecessor. The tuneis the powerful title ditty from theincoming "House Is Not A Home"flick. Thrush wails forcefully. She also(toes extremely well on the flip, a softand pretty thing.

A HARD DAY'S NIGHT (Unart, BMI)CARRIBE (Record Songs, ASCAP)

Emm it LIGHT ANDTHE LIGHT BRIGADE-Command 40450.

Enoch and the Brigade climb aboardthe Beatle bandwagon. The full ork-emphasis on the brass-tune swingsalong with a lot of drive and shouldget attention from all areas. Big bandfans, Beatle fans and fans of just plaingood music will like.

DREAM SKA (Andante, ASCAP)SKA FACE (Lad, BMI)

KER BILK-Arco 6311.

Acker comes up with one of the besttunes the ska has produced to date.His soulful playing of course helpsthe mood and the insistent ska beatmakes the whole atmosphere click intoplace. Could be a biggie.

STAY AWAKE (Wonderland, BMI)A SPOONFUL OF SUGAR (Wonderland, BMI)

L01 IS P11111.4-Prima 1018.

Louis does a pair of the tunes fromWalt Disney's "Mary Poppins" film.The top side was a lullaby when tune -smiths Robert and Richard Shermanpenned it, but Louis changes all thatinto a raucous fun -for -all.

MOZAMBIQUE (Paris, ASCAP)HAUNTED HOUSE BLUES (Showboat, ASCAP)

THE PILLAGE STOMPERS-Epic 5-95702.

The Stompers have a razzmatazz tunethat sounds as if it could be geographi-cally located somewhere between Ethi-opia and Dixie. There's a touch of theexotic and more than a touch of South-land jazz. Will have listeners marchingaround gaily.

A SPOONFUL OF SUGAR (Wonderland, BMI)FEED THE BIRDS (Wonderland, BMI)

MARY MARTIN AND THE DO -RE -MICHILDREN'S CHORUS-Kapp 605.

Mary Martin lends her purity andjoie de vivre to this tune from the"Mary Poppins" pis. The song is aimedfor the kids, but all Mary Martin fanswill relish her particular singing tal-ents. The other side is also from theDisney film.

I COULD CONQUER THE WORLD (Unart, BMI)HOW WOULD YOU LIKE ME TO LOVE YOU

(Leeds, ASCAP)

THE !I/WI ELLES-World Artists 1025.

The Shevelles are feeling on top ofthe world and they tell about the ex-hilarated sensation on a rinkytink rockside. The lyrics are literate and cleverand the tune is the same. The boys doa commendable chant job. Watch thisone go.

ME JAPANESE BOY I LOVE YOU (Jac, ASCAP)EVERYONE BUT ME (Unart, BMI)

BOBBY GOLDSBORO-United Artists 672.

Bobby has a quiet little Oriental -styletune that can boast an exceptional me-lodic line. The story is cute and alto-gether appealing. It's about a Japaneseromance and should catch listeners' fan-cies. Bobby sings it gently and sensi-tively.

ANGELITO (Epps -Gil, BMI)LATIN VILLAGE (Exotica, ASCAP)

MARTIN DENNY-Liberty 55717.Martin turns his baton to "Angelito"

and gives it a fresh and, needless tosay, exotic rendition. The enchantmentwoven is worth a few listens and willappeal to many buyers. Could put thistune on the chart again.

LET ME GET CLOSE TO YOU(Screen Gems -Columbia, BMI)

THE FACE OF A CLOWN (Moss Rose, BMI)

SKEETER DAVIS-RCA Victor 47-8397.

Skeeter is multitracked and joinedby a chorus for this one that has aningratiatingly syncopated beat and acute lyric. The melody is also invitingand should help make this anotherbead in her strand of hits.

P. S. I LOVE YOU (Commanders, ASCAP)SINCERELY (Arc, BMI)

THE PLATTERS-Mercury 72305.

The Platters revive this great one andgive it their personal touch which is justabout all it takes to produce a terrificside. The orchestra plays right alongwith the magnitude of the session.Could do it again for song and singers.

RECORD WORLD-July 25, 1964

E----11Merijr N L S REVIEWSSWEET WILLIAM (Budd, ASCAP)

WHAT AM I LIVING FOR (Tideland, BMI)

MILLIE SMALL-SninA 1920.

Millie has another boyfriend and an-other hit. Her ska ditty has bounce anda crisp brightness to it. The trumpetsback her up as before. And successseems to be just around the corner forthe side.

DON'T STAND UP IN A CANOE (BMI)IF YOU LOVE ME LAURIE (BMI)

RONA IE D NTE-Ilusie I olee

Ronnie is having his problems. Heand innumerable girls are carrying onin a canoe, and it's silly and goofy.The side is also silly and goofy andextremely infectious. Ronnie and somegirl songstresses sing out the happychoruses.

WHAT KINDA LOVE? (Dundee, BMI)WISHING (Nor Va Jak, BMI)

JIMMY GILMER-Dot 16642.

Jimmy has a midtempo item thatshould have teens answering its call.The situation is stock rock fodder andgets a good rendition from the talentedsinger. The flip features a Buddy Hollytune that is also good listening.

DARLA (LeBill, BMI)SOMEONE NEW (LeBill, BMI)

RICK IND THE KEENS-Tollie 9016.

Rick and the others sing a song abouta new girl next door. The lass is Darla,and Rick just goes into falsetto singingabout her. Beat is cha cha and hasa pleasing "Love is Strange" sound. Theguys do a nice chanting job.

PEARLY WHITE (Fred Rose, BMI)FOGGY RIVER (Milene, ASCAP)

ALLE.1 CURTIS-Hickory 1268.

Allen Curtis sings to a girl he knows.The beat is slow and deliberate and justthe right thing for slow dancing. Achorus backs him up in order to pro-vide a rich, mellow sound that teens willlike. This could become a big one.

DON'T FEEL RAINED ON (Cape Ann, BMI)(JUST A SUMMER AGO) MAGGIE

(Blue Grass, BMI)

BOBBY DOYLE THREE-Towne House 112.

The Bobby Doyle Trio has an ex-tremely pleasant sound which is totallyingratiating on this mild rhythm num-ber. They chant about not feeling badif love goes wrong. The advice is framedin a nice tune and could do well for thethreesome.

MISSISSIPPI *%??**&% (Sam Fox, ASCAP)SEA LION WOMAN (Sam Fox, ASCAP)

NINA SIMONE-Philips 40216.

Nina moves right along on this tunewhich has to do mostly with civil rightsand couldn't be more topical. The infec-tious tune is likely to carry this oneright to the top. A powerhouse of con-troversy-the real title of which is "Mis-sissippi Goddam "

WHAT ABOUT MINE (Four Star, BMI)IN THIS WORLD (Lar-Bell, BMI)

JANUARY JONES -20th Century Fox 523.

January is full on spunk on her newside. Her voice is full of life and power,too, and she wails away on a torchy rockand roll item. Plenty of action in the ar-rangement and a helpful chorus too.Good for many listens.

DOWN SO LONG (T. M., BMI)IN MY TENEMENT (T. M., BMI)

ROOSEI ELT (TRIER-Ric 112.

Roosevelt has his hold on a soulfulBobby Darin tune that will enlist thesympathy of listeners. The delivery isstrong and solemn at the same time andis the stuff sales are made of. Watch tosee this one catch on.

SINCERELY (Arc, BMI)DON'T YOU JUST KNOW IT (Ace, BMI)

PAT BOONE-Dot 16641.

Pat reprises the old sentimental fa-vorite, and it's just the thing for hisvocal talents. He's smooth and invitingon the side and listeners will want tohear the song all over again. The flip isalso an oldie, but with a fresh Booneboon.

I WISH YOU LOVE (Leeds, ASCAP)HELLO DOLLY (Morris, ASCAP)

HARRY "SWEETS" EDISON-Sue 101.

Harry makes this one extra sweet. It'sa reworking of the recently popular tune.His mute makes the music enticing andalluring. This is a moodsetter that willserve dancers well. The playing is softall the way around.

ORGANIZATION (Ironmarch, BMI)HONDA HAWK (Ironmarch, BMI)

BOB SUMMERS-Crusader 107.

Bob has an interesting instrumentalthat has a catchy theme which all theinstruments get for one or two go -rounds. The beat is perky and ingratiat-ing. Could turn into a big disk.

DON'T LAUGH AT ME (D. Toff, BMI)SOMEWHERE (Chappell, ASCAP)

ROBERT SILVER-World-Wide 200.

Robert is a singer with a strong,deep voice. He gets to give it fullshowing on this pretty ballad. A chorusand big orchestra back him up, but he'sway ahead already with his first-ratecrooning.

SA-BA-HOOLA (Carlson, BMI)CHICKEN' PICKIN' (Carlson, BMI)

LONNIE ti-Fraternity 932.Lonnie has a groovy instrumental

that features the same driving rhythmsof his previous hits. The teens seemto like it like that, so there's no reasonwhy this one won't repeat success ofthe past. Mack's playing is at the topof his form.

THE GIRL WITHOUT A TOP (Lar-Bell, BMI)

TWO WRONGS DON'T MAKE A RIGHT

(4 Star Sales, BMI)THE 4 PREP'S-Capitol 5236.

The Preps use their velvety har-monies to tell about a girl in a toplessbathing suit. It seems she creates quitea stir and the stir makes for a cute sidethat should do all right now that top-less suits are in or on.

HEY LITTLE PEARL (LeBill, BMI)

ANGEL GIRL (Crock, BMI)R0.\ WILLIAMS -Pastel 404.

Ron talks sweet to his little girl anda girl chorus responds affectionately.In the back a group of harmonicasgoes through their antics and the up-shot is a cute ditty that deserves to getsome attention.

WHY DON'T THEY LET US FALL IN LOVE(Mather Bertha, BMI)

CHUBBY DANNY D. (Mother Bertha, BMI)

VERONICA-Phil Spector 2.Veronica asks a question teens will

want to hear the answer to. She doesit to a Phil Spector -Ellie Greenwich -Jeff Barry tune that has all the mak-ings of a hit. It's cute and staccato andhas a nice arrangement.

ALWAYS SOMETHING THERE TO REMIND ME(Blue Seas, ASCAP)

MAGIC POTION (Ross-Jungnickel, ASCAP)

Lou JOHNSON-Big Hill 552.Lou has a wailer of a torcher here

as he recalls his lost love. The tune isby the ubiquitous team of Burt Bach-arach and Hal David and bespeakstheir writing talents. Lou gives fullvoice to the proceedings, and the diskcomes off attractively.

RECORD WORLD-July 25, 1%4 9

PICK HITSWOODY ALLEN

Colpix 518.

Woody has found a humorous way tomake money from his neuroses and morepower (or more problems) to him. Thisdisk has his live audience in continualstitches, with hilarity likely to carryover to disk listeners who can identifyor feel superior to the much put-uponAllen. As an added incentive to buyerswho cook, the liner usual notes have beenreplaced by a number of exoticrecipes(?).

THE LAWRENCE WELK TELEVISION SHOW10TH ANNIVERSARY

Various Artists-Dot 3591.This album is calculated to delight

all fans of the Lawrence Welk TVerbecause all the members of his tellyfamily get a chance to show off onthe bands. There's singing and playingby the whole bunch and plenty of funfor listeners.

Si ,41///7/WerSHOW

17.10711117

1101M11.!Ini' WWI! MI MOM

111111 Imam eaunworsavm omit -

111/10.0,11MIVa,111.11111.11111111

HAVE A SMILE WITH MERAY CH IRLE..S-ABL Paramount 495.

Ray sings some oldies and somenewies. The only prerequisite is thatthey be on the bright side. There's alot of fun packaged here and Ray andThe Raelets are responsible for everyounce of bounce. "Smack Dab in theMiddle" and "The Naughty Lady ofShady Lane" are two bands.

THREE WINDOW COUPE

THE RIP CHORDS-Columbia 2216.The Rip Chords mix surfing with hot

rodding for an album of slick rocksounds. Their recent hit, of course, ishere, but there are a number of otherreasons for buying. Teens'll know whatthe excitement is all about and wantto join in.

iHREEMPIXANCOUPErirr 2771 SITOKT

HELLO LOUIS!

BOBBY HACKETT-Epic 24099.

Bobby pays tribute to Louis Arm-strong and his compositions on this ami-able and relaxing disk. The tunes swing,but never too wildly. This is one to sitback and listen to. Fans of Louis, Bobbyand Dixie will cotton to the sounds."Someday You'll Be Sorry" is just oneof the bands.

THE TILLOTSON TOUCH

JOHNNY TILLOTSON-MGM 4224.

Johnny has "I Rise, I Fall" as well ashis new single, "Worry," on this one. Healso includes an inviting group of popand country standards. He treats themrespectfully and honestly and comes upwith a clutch of expert bands.

THE MOST IMPORTANT JAll ALBUMOF 1964/65

CHET BAKER-Colpix 476.

Chet's back and Colpix has got him.And that's quite a coup. After a longwax absence he shows now that he haslost none of his sensitivity and he hasmastered the fluegel horn. The pure,soulful, deeply felt music will involve

ing his voice like a substitute horn.

JENNIE

JENA IE SMITH-Dot 3586.

Jennie's pure voice sounds mightyfine on a dozen Steve Allen tunes.Thrush is known mostly through herassociation with the Allen TVer, butthis album will get her more attention.She sells the songs and the disk shouldsell as well.

SUMMER SURF

DICK DALE AND HIS DEL-TONES-

Capitol 2111.Dick has some more surf sounds for

his fans. His distinctive tones and waywith the music fad will attract ad-mirers. Sometimes he sings and some-times he just plays, but all the bandsare exciting either way. "Never onSunday" is probably the best knowntune included.

TONIGHT AT NOON

CHARLIE MINGUS-Atlantic 1416.

Mingus goes through five of his owncompositions here and the resultantsound is a curious mixture of contem-porary jazz and contemporary classicalmusic. The musical lines are unique andfascinating. So are some of the titles,like "Passions of a Woman Loved."

KEEP ON PUSHING

THE 111PRESMONS-Alit. Paramount 493.

The Impressions make a good one onthis album on which they mix themoods up successfully. They do theircurrent high -riding single and add anumber of other rockin' ditties. "TheTheme from 'Lilies of the Field'" is oneof the songs that gets red carpet treat-ment.

10 RECORD WORLD-July 25, 1964

LOUIS PRIMASINGS A LULLABY?

"STAY AWAKE"IS A REAL SLEEPER!

IT'S FROM

THE GREAT NEW WALT DISNEY FILM

"MARY POPPINS"PLUS

"A SPOONFUL OF SUGAR"(MARY POPPIN'S SONG)

BOTH ON

P-1018

SPECIAL DEAL FOR DISTRIBUTORS CALL COLLECTIMMEDIATELY LAS VEGAS AREA CODE 702 736-2046

RECORD WORLD JuIv 25, 196411

Show Scene

The Play Is The Thing Again:RCA Has 'Othello,' Col 'Roses'

BY DAVE FINKLE(Ed. note: Last week "RecordWorld" examined the potentialBroadway musical caster scene.Events this week have drama-tized the growing importance ofthe spoken word caster. The fol-lowing article explores the devel-opments and potential of thelatter field).

Acquisition of the recordingrights to two of the most no-table theatrical productions ofthe just -completed season servedlast week to underscore the in-creasing importance the spokenword disk plays in the busi-ness. Activity surrounding thesewing up of such album rightsrecalls the excitement gener-ated when sales potential ofmusical comedy albums wasfirst being exploited.

The two new acquisitions arethe much acclaimed LaurenceOlivier London production ofShakespeare's "Othello," whichwill come from RCA Red Seal,and the "sleeper" of the Broad-way dramatic season, "TheSubject Was Roses," which willbe a Columbia three -disk re-lease.

The significance of the"Othello" pacting is in the factthat the rights probably cameextremely high (although theannouncement mentioned nosale price), since bidding onthe rights was reportedly andinevitably very strong. Furthersignificance was added byRCA's Veep and General Man-ager, George R. Marek, in an-nouncing recording plans. Hesaid, "We are proud to be re-leasing it (`Othello') and willwork to see that this is only abeginning of our re-entry intothe dramatic field." The three -LP disk is slated for releasenext month.

(RCA recorded Olivier anumber of years back doingspeeches from "Hamlet" and"Henry V"-two of Olivier'saccoladed film productions ofShakespeare. Label also re-leased a complete "RichardIII," starring Sir Laurence. Inaddition, John Gielgud recordeda complete "Hamlet" for thelabel and the Old Vic recorded"Macbeth." Victor's main creditin contemporary drama field isArchibald MacLeish's "J. B.")

ALL THE NEWSin the

WORLD of RECORDS

MUSIC

record

52 NEWS PACKED ISSUES FOR $5.00

at less than 10c A BIG COPY

record world 200 West 57th StreetN. Y. C. 19, N. Y.Enclosed Is Check For $5.00 Check one

Name

Company

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The Olivier "Othello," inwhich the famed actor essayedthe role of the Moor for thefirst time and won unparalleledpersonal praise, is part of hisNational Theater repertoire andwas staged in conjunction withthe Shakespeare 400th anniver-sary. More than likely the pro-duction will be brought to theStates - an eventuality thatcould only aid sales on theRCA disks.

Col's signing of "The SubjectWas Roses," was announced byprexy Goddard Lieberson andcan be understood as Col's con-tinuing desire to be connectedwith the prestige productionsof the year whether immediatesales success is indicated or no."TSWR," is the season's biggestsucces d'estime but not yetsucces de box office.

By and starring relative un-knowns, the play opened on theMain Stem late in May, anotoriously chancy time for astraight play to raise its preemcurtain. Although the three -character show received thebest reviews of the season fora dramatic offering, there wastalk of closing the showquickly because of poor boxoffice response. The play hasstuck it out, however andweekly grosses have been gain-ing continually.

The waxing of the Frank D.Gilroy opus caps off a year inwhich Col was more active onthe spoken word front that it

George R. Marek

was on the muscial comedy one-certainly an indication of thechanging times.

Label's straight outings in-clude Richard Burton's "Ham-let" (at 79 on Record World'schart this week), Alec Guin-ness' "Dylan," "Spoon RiverAnthology" and off -Broadway's"In White America."

Time PaymentsThe Col philosophy, offered

by company's Robert Burr in arecent Record World interview,seems to be that the word diskadditions to the catalog willmore often than not pay off intime, and in the meantime theslower moving items will bebuoyed up by the immediatesuccesses.

The potential of these al-bums, it is becoming increas-ingly clear, because of thenames connected with themand the tie-in exposure' can beunlimited. Burton's "Hamlet"is a case in point. His lauded

(Continued on page 17)

SUBJECTIVE-The mike at the top of this photo indicates thatit's the recent Columbia recording session of the much -laudedBroadway drama, "The Subject Was Roses." Props (and appar-ently costumes, too) were used at the session to give authenticflavor to the three -disk set. Irene Dailey and Martin Sheen star.

12 RECORD WORLD-July 25, 1%4

0

s)

ROULETTE

SALES PO

2 HOT SUMMER SINGLES!

ER

t).

ANITA HUMES

"WHEN SOMETHING'S

HARD TO GET"R-4564

a °That "Memphis" man with another smash!

JOHNNY RIVERS

"BABY COME BACK"

"LONG LONG WALK"R-4565

ROULETTE

UPSINGLES COMING

1

2

3

I'M THE ONEGerry 8. The Pacemakers-Laurie 3233

LOOKING FOR LOVEConnie Francis-MGM 13256

BRING IT ON HOME TO MEShirley Ellis-Congress 221

26

27

28

MEXICAN SHUFFLEHerb Alpert's Tijuana Brass-A&M 742

SAILOR BOYChiffons-Laurie 3262

LOOKIN' FOR BOYSPin Ups-Stork 1

4 HAPPY I LONG TO BE 29 MAYBE I KNOWBetty Everett-C1 619 I, Cur, M. rear, 7230'.

5 A TASTE OF HONEY 30 SHAKE HANDS WIT -I A LOSERTony Bennett-Columbia 43073 Frankie Chervol-Mercury 72260

6 NO ONE TO CRY TO 31 IT'S ALL OVER NOWFats Domino-ABC Paramount 10573 Rolling Stones-London 9687

1 WHAT'S HAPPENING TO ME 32 SUCH A NIGHTDole and Grace-- Mantel 930 Elvis Presley-RCA 8400

8 MORE AND MORE OF YOUR 33 THE NEW FRANKIE AND

AMOR JOHNNY SONG

Nat King Cole-Capitol 5219 Greenwood Singers-Kapp 5°1

9 THANK YOU BABY 34 HANGIN' ON TO MY BABYShirelles-Sceptor 1278 Tracey Dey-Amy 908

10 DREAM LOVER 35 IT HURTS TO BE IN LOVEParis Sisters-MGM 13236 Gene Pitney-Musicor 1040

11 IF YOU SEE MY LOVE 36 SHOUTLenny Welch-Cadence 1446 Lulu and Luvcrs-Parrott 9678

12 YOU'RE NO GOOD 37 A THING CALLED SADNESS

Swinging Blur leans--Impc no 166049 Chuck Howard-Fraternity 923

13 ALL GROWN UP38 CLOSE YOUR EYES

Arthur Prysock-Old Town 1163Crystals-Philles 122

14 ALL MY LOVING39 I BELIEVE IN ALL I FEEL

G Clefs-Regina 1314Hollyridge Strings-Capitol 5207

15 I'VE GOT NO TIME TO LOSE40 BECAUSE

Day, Clark Five -5-9705Carla Thomas-AtIontic 2238

16 FOR BETTER OR FOR WORSE41 UNDER PARIS SKIES

Andy Williams-Cadence 1447Wilson Pickett-Atlantic 2233

17 YOU'LL NEVER WALK ALONE42 I'LL ALWAYS LOVE YOU

Bra ado Holloway Tamla 530.,Gerry and Pacemakers-Laurie 3261

43 BREAKING POINT18 MORE Etta James-Argo 5477

Danny Williams-U.A. 60144 HEARTS ARE MADE TO BE

19 BAMA LAMA BAMA 100 BROKENLittle Richard-Specialty 692 Sapphtr, a ABC 10559

20 PEPPERMINT MANTra4,,, a 60,01- 4010

45 MORE, MORE, MORE LOVE,

LOVE, LOVE

21 SECURITYJohnny Thunder-Diamond 169

Otis Redding-Volt 177 46 GOOFUS

22 I JUST WANT TO MAKE LOVEBent Fabric-Atco 6304

TO YOU 47 GINO IS A COWARDRolling Stones-London 9682 Gino Washington-Ric Tic

23 NEW ORLEANS 48 G.T.O.Bern Elliott and Fenmen-London 9670 Ronnie & Daytonas-Mala 481

24 I'LL CRY INSTEAD 49 MY HEART SKIPS A BEATBeatles-Capitol 5234 Buck Owens-Capitol 5136

25 MARY OH MARY 50 ON THE ROCKSFats Domino --ABC 10567 Wailers-Imperial 66045

LP'S COMING Ili1

2

3

4

5

THE CONCERT SOUND OF

HENRY MANCINIRCA LPM-2897

MOMS -WOWSMoms Mablcy-Chess 1486

SOUL SERENADEKing Curtis-Capitol T-2095: ST -2095

LOOKING FOR LOVEConnie Francis-MGM E-4229

TALL COOL ONE

26

27

28

29

30

LAWRENCE OF ARABIASoundtrack-Colpix CP-514: SCP-514

CAMELOTOriginal Cast-Columbia KOL-5620

FALL OF THE ROMAN EMPIRESoundtrack-Columbia OL 6060

THE GREAT YEARSJohnny Mathis-Columbia C2L-34

ROY ORBISON'S GREATEST

HITSWaders-Imperial LP -9262 Monument M-8000 (Mono only)

6 COMMAND PERFORMANCES 31 ENCOREVarious Artists-Command RS -868: 1 Gary-RCA LPM-2084

RS -868 -SD

1 MY GUY32 MANHATTAN

Mantovani-London LL -3328M. Wells-Motown M-617

8 TRINI LOPEZ AT P.J.'S33 ANY NUMBER CAN WIN

Jimmy Smith-Verve V-8552: V6-8552Reprise 6093

9 ALWAYS IN MY HEART34 BACH TO THE BLUES

Ramsey Lewis-Argo LP -732: LPS-732Los Indios Trabajaros-

RCA LPM-2912: LSP-291235 COMIN' HOME BABY

10 PAIN IN MY HEART J LaForge-Regina R3090 Redding-Atco 161

36 SWEET AND SOUR TEARS

11 HEY LITTLE COBRA R. Charles-ABC Paramount ABC -1954:ABCS-1954

Rip Chords-Columbia CL -2151: CS -8951

12 STAY31 BECKET

Soundtrack-Decco DL -9117 DL -79117Four Seasons-Vee Jay V1-1082

13 PROGRESSIVE PICKIN'38 ROBERT GOULET IN PERSON

Columbia CL -2088: CS -8888Chet Atkins-RCA LPM-2908

14 PETER, PAUL, AND MARY39 REFLECTING

C. Mitchell Trio-Mercury MG -20891:Warner Bros.-W-1449: WS -1149 SR -60891

15 MONDO CANE 40 AIN'T NOTHIN' YOU CAN DOSoundtrack-UA UAL -4105 Bobby Bland-Duke DLP-78

16 12 GREAT HITS 41 ON THE COUNTRYSIDE1. Rodgers-Dot DLP-3579: DLP-25579 Brook Benton-Mercury SR -60918

17 AMERICA, I HEAR YOU 42 I LOVE YOU BECAUSESINGING AI Martino-Capitol 1-1915

F. Sinatra, B. Crosby, F. Waring-Reprise F-2020: FS -2020 43 LIVERPOOL SOUNDS

18 OUR GREATEST HITS Bobby Vee-Liberty 3352

Drifters-Atlantic 809344 RING OF FIRE -THE BEST

19 THE BEST OF BUCK OWENS OF JOHNNY CASHCapitol T-2105 Columbia CL -2053

20 GLORIA, MARTY & STRINGS 45 BILL COSBY IS A VERYGloria Lynn-Everest BR -5220: FUNNY FELLOW, RIGHTSDBR-1220

B. Cosby-Warner Bros. W-1518

21 MUSCLE BEACH PARTY46 NEW ORLEANS: HOME OF

Annette- Vista 3314THE BLUES: VOL. II

22 TODAY'S ROMANTIC HITS Various Artists-Minit LP -0004

FOR LOVERS ONLY47 EVERY LITTLE BIT HURTS

J. Gleason-Capitol W-2056Brenda Holloway-Tarnla 257

23 HOW THE WEST WAS WON48 ASTRONAUTS ORBIT KAMPUS

Soundtrack-MGM-1E5: SIE5RCA Victor 2903

24 WHITE ON WHITE49 PAINTED, TAINTED ROSE

Danny Williams-UA UAL -3359:UAS-6359 A. Martino-Capitol T-1975

25 RAMBLIN' 50 WHAT MAKES SAMMY RUNNew Christy Minstrel,- Original Cast-Columbia DOL-6040:Columbia CL -2155: CS -8855 KOS-6040

14 RECORD WORLD -July 25, 1964

You May

Hear Other Versions

But This One's

THE HIT!

DIONNE

WARWICK

"A HOUSE IS NOT

A HOME" SCEPTER 1282

From The

JOSEPH E. LEVINE

Motion Picture"A HOUSE IS NOT A HOME"

Written ByHAL DAVID

BURT BACHARACH

Published By

DIPLOMAT MUSIC CORP.

SCEPTER MUSIC 254 W. 54th St., New York

Scepter 5523

RECORD WORLD-July 25, 196415

C0]

MUSIC CITYBerkeley, Calif.

1. Steal Away (Jimmy Hughes)2. Keep On Pushing (Impressions)3. Soulful Dress (Sugar Pie DeSanto)4. Help The Poor (B. B. King)5. Just Be True (Gene Chandler)6. It's All Over Now (Valentinos)7. Under The Boardwalk (Drifters)8. Rock Me Baby (B. B. King)9. Happy I Long To Be (Betty Everett)

10. Everybody Needs Somebody To Love(Solomon Burke)

LUENHAGEN'SHollywood, Calif.

1. Invisible Tears (Ray Conniff Singers)2. Frankie And Johnnie (Greenwood Singers)3. Deng Me (R. Miller)4. Memphis (Johnny Rivers)5. Angelico (Rene and Rene)6. Only You (Wayne Newton)7. My Boy Lollipop (Millie Small)8. I Still Get Jealous (Louis Armstrong)9. Litte Old Lady from Pasadena (Jan & Dean)

10. Can't You See That She's Mine(Dave Clark Five)

MUNICIPAL RADIO CO.Brooklyn, N. Y.

1. Where Did Our Love Go (Supremos)2. I Wanna Love Him So Bad (Jelly Beans)3. Under The Boardwalk (Drifters)4. Wishin' And Hopin' (D. Springfield)5. Rag Doll (4 Seasons)6. Just Be True (G. Chandler)7. Deng Me (R. Miller)8. Little Old Lady From Pasadena (Jan & Dean)9. Hard Day's Night (Beatles)

10. Everybody Loves Somebody (D. Martin)

TRIANGLE MUSIC STOREWaukesha, Wisc.

1. Hard Day's Night (Beatles)2. C'mon Everybody (Elvis Presley)3. I Get Around (Beach Boys)4. Deng Me (R. Miller)5. Rag Doll (4 Seasons)6. Memphis (Johnny Rivers)7. People (B. Streisand)8. My Boy Lollipop (Millie Small)9. Little Children (Billy J. Kramer)

10. Don't Let The Sun Catch You Cryin'(Gerry and The Pacemakers)

NEW DEAL RECORD SERVICEBaltimore, Md.

1. I Get Around (Beach Boys)2. Rag Doll (Four Seasons)3. Within' & Hopin' (Dusty Springfield)4. Memphis (Johnny Rivers)5. Girl From Ipanema (Getz & Gilberto)6. Don't Let The Sun Catch You Cryin'

(Gerry & The Pacemakers)7. My Boy Lollipop (Millie Small)8. World Without Love (Peter & Gordon)9. Can't You See That She's Mine

(Dave Clark Five)10. Chapel Of Love (Dixie Cups)

LIEBERMAN'S IOWA RECORD ONE STOPDes Moines, Iowa

1. I Get Around (Beach Boys)2. Little Children (Billy J. Kramer)3. Deng Me (Roger Miller)4. Can't You See That She's Mine

(Dave Clark Five)5. Little Old Lady From Pasadena (Jan&Dean)6. World Without Love (Peter & Gordon)7. Memphis (Johnny Rivers)8. Rag Doll (Four Seasons)9. World I Used To Know (Jimmie Rodgers)

10. Nobody I Know (Peter & Gordon)ONE STOP, INC.Woburn, Mass.

1. A Hard Day's Night (The Beatles)2. Rag Doll (Four Seasons)3. Can't You See That She's Mine

(Dave Clark five)4. You're My World (Cilia Black)5. Girl From Ipanema (Getz & Gilberto)6. Handy Man (Del Shannon)7. Farmer John (Premiers)8. I Wanna Love Him So Bad (Jelly Beans)9. Memphis (Johnny Rivers)

10. Deng Me (Roger Miller)NORTY'S ONE STOPLos Angeles, Calif.

1. Little Old Lady From. Pasadena (Jan & Dean)2. I Get Around (Beach Boys)3. Summer Means Fun (Bruce & Terry)4. Hard Day's Night (The Beatles)5. Tell 'Em I'm Surfin' (Fantastic Baggys)6. James Bond Theme (Billy Strange)7. Can't You See That She's Mine

(Dave Clark Five)8. Rag Doll (Four Seasons)9. Hey Boy -Hey Girl (Wink Martindale)

10. One Piece Topless Bathing Suit (Rip Chords)

KOSSUTH RADIOAlgona, Iowa

1. Don't Worry Baby (Beach Boys)2. Chapel Of Love (Dixie Cups)3. Little Children (Billy J. Kramer)4. World Without Love (Peter and Gordon)5. My Boy Lollipop (Millie Small)6. Today (New Christy Minstrels)7. Deng Me (Roger Miller)8. Memphis (Johnny Rivers)9. Beans In My Ears (Serendipity Singers)

10. Little Old Lady From Pasadena (Jan & Dean)

KEN'S RECORD SHOPScottsboro, Ala.

1. Haunted House (Gene Simmons)2. Deng Me (Roger Miller)3.(Viva Las Vegas (Elvis Presley)4. A Hard Day's Night (Beatles)5. Nobody I Know (Peter and Gordon)6. Can't You See That She's Mine

(Dave Clark Five)7. I Don't Love You Anymore (C. Louvin)8. If I'm A Fool For Loving You (B. Wood)9. I Get Around (Beach Boys)

10. My Boy Lollipop (Millie Small)BARKER'S, INC.

Monroe, La.1. I Get Around (Beach Boys)2. If I'm A Fool For Loving You (B. Wood)3. Chapel Of Love (Dixie Cups)4. Memphis (Johnny Rivers)5. Stealing Hubcaps (Billy Ledbetter)6. My Boy Lollipop (Millie Small)7. Rag Doll (4 Seasons)8. In The Misty Moonlight (Jerry Wallace)9. Deng Me (Roger Miller)

10. Good Times (Sam Cooke)

THE MUSIC SHOPSpringfield, Ill.

1. Every Little Bit Hurts (B. Holloway)2. Keep On Pushing (Impressions)3. Hard Day's Night (Beatles)4. Memphis (Johnny Rivers)5. Wishin' And Hopin' (D. Springfield)6. Bad To Me (B. J. Kramer)7. Can't You See That She's Mine

(Dave Clark Five)8. Nobody I Know (Peter and Gordon)9. Don't Worry Baby (Beach Boys)

10. Don't Let The Sun Catch You Cryin'(Gerry and The Pacemakers)

BELMONT RECORD ONE STOPNewark, N. J.

1. Under The Boardwalk (Drifters)2. Keep On Pushing (Impressions)3. Good Times (Sam Cooke)4. I'll Be In Trouble (Temptations)5. Somethin' You Got (A. Robinson)6. Try It Baby (Marvin Gaye)7. The Carpetbaggers (J. McDuff)8. Oh Baby (Barbara Lynn)9. Giving Up (Gladys Knight and Pips)

10. Can I Get To Know You (B. Everett)

NEW DEAL RECORDS, INC.Long Island City, N. Y.

1. A Hard Day's Night (The Beatles)2. Rag Doll (4 Seasons)3. I Get Around (Beads Boys)4. Little Old Lady From Pasadena (Jan & Dean)5. Everybody Loves Somebody (Dean Martin)6. My Boy Lollipop (Millie Small)7. Memphis (Johnny Rivers)8. Don't Let The Sun Catch You Cryin'

(Gerry and The Pacemakers)9. Can't You See That She's Mine

(Dave Clark five)10. Nobody I Know (Peter and Gordon)

ROBERTS RECORDSMinneapolis, Minn.

1. I Get Around/Don't Worry Baby(Beach Boys)

2. Little Children/Bad To Me (B. J. Kramer)3. Memphis (J. Rivers)4. Rag Doll (4 Seasons)5. The Grind (Avantis)6. Dang Me (R. Miller)7. Viva Las Vegas (E. Presley)8. Peppermint Man (Trashmen)9. People (B. Streisland)

10. C'mon Everybody (E. Presley)

I. J. MORGAN CO.Philadelphia, Pa.

1. Where Did Our Love Go (Supremes)2. People Say (Dixie Cups)3. Looking For Love (Connie Francis)4. A Hard Day's Night (Beatles)5. Rag Doll (The Four Seasons)6. Wishin' And Hopin' (Dusty Springfield)7. Memphis (Johnny Rivers)8. Everybody Loves Somebody (Dean Martin)9. Al -Di -La (Ray Charles Singers)

10. Deng Me (Roger Miller)

TOP 40 STATIONS

eta glanceWLAV-Grand Rapids, Mich.

1. Rag Doll (Four Seasons)2. I Get Around (Beach Boys)3. Wishin' And Hopin' (Dusty Springfield)4. Little Old Lady From Pasadena (Jan & Dean)5. Memphis (Johnny Rivers)6. Deng Me (Roger Miller)7. Handy Man (Del Shannon)8. My Boy Lollipop (Milhe Small)9. Don't Throw Your Love Away (Searchers)

10. Can't You See That She's Mine(Dave Clark Five)

CKLW-Detroit, Mich.

1. Where Did Our Love Go (Suoremes)2. Wishin' And Hopin' (Dusty Springfield)3. Rag Doll (4 Seasons)4. Under The Boardwalk (The Drifters)S. Don't Worry Baby (The Beach Boys)6. Do I Love You (Ronettes)7. I'm Into Somethin' Good (Earl -Jean)8. Nobody I Know (Peter and Gordan)9. A Hard Day's Night (The Beatles)

10. Mixed Up, Shook Up Girl(Patty and The Emblems)

WRMT-Rocky Mount, N. C.

1. Good News (Sam Cooke)2. Steal Away (Jimmy Hughes)3. If I'm A Fool (Bobby Wood)4. What's The Matter, Baby

(Marvin Gaye & Mary Wells)5. Every Little Bit Hurts (Brenda Holloway)6. Keep On Pushing (Impressions)7. Rag Doll (Four Seasons)8. Try It Baby (Marvin Gaye)9. I'll Be In Trouble

10. Precious Words (Wallace Bros)

KUZN-West Monroe, La.

1. I Get Around (The Beach Boys)2. If I'm A Fool For Loving You (B. Wood)3. Chapel Of Love (The Dixie Cups)4. Memphis (Johnny Rivers)

Let The Sun Catch You Cryin'(Gerry and The Pacemakers)

6. My Boy Lollipop (Millie Small)7. No Particular Place To Go (Chuck Berry)8. Stealing Hubcaps (Baly Ledbetter)9. A World Without Love (Peter and Gordon)

10. Rag Doll (The Four Seasons)

WABC-New York, N. Y.

1. Rag Doll (The Four Seasons)2. I Get Around (Beach Boys)3. My Boy Lollipop (Millie Small)4. Memphis (Johnny Rivers)5. Under The Boardwalk (The Drifters)6. Can't You See That She's Mine

(Dave Clark Five)7. Chapel Of Love (The Dixie Cups)8. Don't Let The Sun Catch You Crying

(Gerry & The Pacemakers)9. Girl From Ipanema (Getz/Gilberto)

10. Wishin' And Hopin' (Dusty Springfield)

WSPR-Springfield, Mass.

1. A Hard Day's Night (The Beatles)2. Rag Doll (The Four Seasons)3. Everybody Loves Somebody (Dean Martin)4. Nobody I Know (Peter and Gordon)5. Memphis (Johnny Rivers)6. I Like It (Gerry and Pacemakers)7. Do I Love You (The Ronettes)8. The Girl From Ipanema (Getz/Gilberto)9. Wishin' And Hopin' (Dusty Springfield)

10. Looking For Boys (The Pin -Ups)

WJBK-Detroit, Mich.

1. Where Did Our Love Go (Supremes)2. Rag Doll (Four Seasons)3. Do I Love You (Ronettes)4. Wishin' And Hopin' (Dusty Springfield)5. I Wanna Love Him (Jelly Beans)6. Don't Worry/I Get Around (Beach Boys)7. Under The Boardwalk (Drifters)8. I'm Into Somethin' Good (Earl -Jean)9. Hard Day's Night (Beatles)

10. Nobody I Know (Peter & Gordon)

WIBG-Philadelphia, Pa.

1. Rag Doll (The 4 Seasons)2. I Get Around/Don't Worry Baby

(The Beach Boys)3. Can't You See That She's Mine

(Dave Clark Five)4. Memphis (Johnny Rivers)5. Don't Let The Sun Catch You Crying

(Gerry & The Pacemakers)6. The Girl From Ipanema (Getz/Gilberto)7. Nobody I Know (Peter and Gordon)8. A Hard Day's Night (The Beatles)9. Good Times (Sam Cooke)

10. Dang Me (Roger Miller)

WLAM-Lewiston, Me.

1. A Hard Day's Night (Beatles)2. Rag Doll (4 Seasons)3. Can't You See That She's Mine

(Dave Clark Five)4. Nobody I Know (Peter and Gordon)5. Girl From Ipanema (Getz/Gilberto)6. Everybody Loves Somebody (Dean Martin)7. You're My World (Cilia Black)8. I Get Around (Beach Boys)9. Tell Me (Rolling Stones)

10. Little Old Lady (Jan and Dean)

CKWS-Kingston, Ont.

1. My Boy Lollipop (Millie Small)2. Chapel Of Love (The Dixie Cups)3. The French Song (Lucille Starr)4. Don't Let The Sun Catch You Crying

(Gerry and The Pacemakers)5. Bad To Me (Billy J. Kramer)6. A World Without Love (Peter & Gordon/

Bobby Rydell)7. Milord (Bobby Darin)8. Memphis (Johnny Rivers)9. I Get Around/Don't Worry Baby

(The Beach Boys)10. Little Children (Billy J. Kramer)

KRIZ-Phoenix, Ariz.

1. Little Old Lady From Pasadena (Jan B Dean;2. I Get Around/Don't Worry Baby

(Beach Boys)3. Walk -Don't Run '64 (The Ventures)4. Rag Doll (4 Seasons)5. Nobody I Know (Peter & Gordon)6. Angelito (Rene and Rene)7. (Just Like) Romeo & Juliet (Reflections)8. The Girl from Ipanema (Getz and Gilberto9. The Mexican Shuffle (Tijuana Brass)

10. Memphis (Johnny Rivers)

WWIN-Baltimore, Md.

1. Just Be True (Gene Chandler)2. Under The Boardwalk (The Drifters)3. The Girl's Alright With Me (Temptations)4. Keep On Pushing (The Impressions)5. Good Times (Sam Cooke)6. It's All Over Now (The Valentines)7. Where Did Our Love Go (The Supremos)8. Mixed Up, Shook Up Girl

(Patty and Emblems)9. How Glad I Am (Nancy Wilson)

10. Beg Me (Chuck Jackson)

KJR-Seattle, Wash.

I. Can't You See That She's Mine(Dave Clark Five)

2. Memphis (Johnny Rivers)3. I Get Around (Beach Boys)4. Rag Doll (Four Seasons)5. Don't Throw Your Love Away (Searchers)6. Little Old Lady From Pasadena (Jan & Dean)7. No Particular Place To Go (Chuck Berry)8. C'mon And Swim (Bobby Freeman)9. Don't Let The Sun Catch You Crying

(Gerry and Pacemakers)10. I'm Into Something Good (Earl -Jean)

WILS-Lansing, Mich.

1. Rag Doll (4 Seasons)2. Little Old Lady From Pasadena (Jan & Dean)3. Don't Worry Baby/I Get Around

(Beach Boys)4. Wishin' And Hopin' (D. Springfield)5. Handy Man (Del Shannon)6. Don't Throw Your Love Away (Searchers)7. Memphis (J. Rivers)8. Can't You See That She's Mine

(Dave Clark Five)9. Don't Let The Sun Catch You Crying

(Gerry and Pacemakers)10. Love Is The Season (J.Powers)

CHUM -Toronto, Ont.

1. Memphis (Johnny Rivers)2. My Boy Lollipop (Millie Small)3. No Particular Place To Go (Chuck Berry)4. World Without Love (Peter & Gordon)5. Don't Throw Your Love Away (Searchers)6. Do You Love Me (Dave Clark Five)7. Chapel Of Love (Dixie Cups)8. Tall Cool One (The Wailers)9. Don't Let The Sun Catch You Crying

(Gerry & The Pacemakers)10. I Get Around/Don't Worry Baby

(Beach Boys)

WWDC-Washington, D. C.

1. I Get Around/Don't Worry Baby(Beach Boys)

2. Memphis (Johnny Rivers)3. Under The Boardwalk (Drifters)4. Wishin' And Hopin' (Dusty Springfield)5. Rag Doll (The 4 Seasons)6. The Girl From Ipanema (Getz and Gilberto)7. Little Old lady From Pasadena (Jan & Dean)8. A Hard Days Night (Beatles)9. Just Ain't Enough Love (Eddie Holland)

10. Deng Me (Roger Miller)

16RECORD WORLD -July 25, 1964

The Word Is Spoken Wordisks

performance and popularity forperipheral reasons spelled initialsuccess for the album, but themarket has even widened moresince then. Recently the JohnGielgud modern dress produc-tion was filmed for wide spreaddistribution by Warner Bros.meaning that many more buy-ers will be exposed to the offer-ing. (There's talk at Col of aone -record "Hamlet"-mainlysoliloquies - to accompany re-lease of the film.)

Not only the company, butstar Burton must be happy atthese prospects, because theactor has a substantial cut ofthe album and stands to makea tidy sum. The financial boonfor the actor able to commandpercentage of the disk willprobably lure other actors toBroadway and the recordingscene. And, of course, thebigger the names on the pack-age, the better the chance ofbig money sales.

Col's future activities are in-definite, but there is strongreason to believe that the labelwill tie down rights to ArthurMiller's "After the Fall," withJason Robards Jr., BarbaraLoden and the other LincolnCenter repertory members.

It was recently announcedthat Carlo Ponti has bought"After the Fall" for filming tostart in 1965 with Sophia Lorenand Paul Newman starred. In

(Continued from page 12)

this case, the added draw ofthe stars might even bringabout a soundtrack version ofthe Miller play.

It certainly can't be ruledout as unlikely that there willbe a tracker of Col's successful"Who's Afraid of VirginiaWoolf?" package. Although thecast for the upcoming "Woolf"pic has yet to be announced,it's certain that the stars willbe big ones (Bette Davis?) andeven more likely to mean diskboxoffice than the Broadwayversion, with these names addedto the reputation of the Albeeplay and the increased ex-posure. So why not take advan-tage?

An original cast album of aBroadway musical followed bya soundtrack of its eventualfilm is a matter of course now.Therefore, it's highly possiblethat that pattern will soonbe established for successfulstraight plays as well.

Soundtracks for films with-out a Broadway cast fore-runner may also become athing. Next month RCA willrelease a one -disk package ofdialogues from the RichardBurton -Peter O'Toole film,"Becket." And it's almost cer-tain that a spoken word album(as well as a musical sound-track) of UA's "Greatest StoryEver Told" will be released.The film is due for Christmas

rod

0.%(RECORDS SHOWING STRONGEST INITIAL POTENTIAL THIS WEEK)

Pop Singles I'M INTO SOMETHINGGOOD

(Screen Gems -Columbia, BMI)Earl -Jean-Colpix 729

I LIKE IT LIKE THAT(Jobete, BMI)Miracles-Tornio 54098PEOPLE SAY(Trio, BMI)Dixie Cups-Red Bird 10-006

AIN'T SHE SWEETBeatles-Atlantic 6308SUGAR LIPS(Tree, BMI)Al Hirt-RCA Victor 8391WALK DON'T RUN '64(Forshay, BMI)Ventures-Dolton 96

Long Play Albums

THE UNSINKABLEMOLLY BROWN

Soundtrack-MGM E 4234

DON'T LET THE SUNCATCH YOU CRYIN'

Gerry and the Pacemakers-Laurie 2024

THE FABULOUSVENTURES

-Dolton BLP 2029

opening. And what about some-thing like "Night of theIguana," which features notonly Richard Burton but Deb-orah Kerr's greatly praisedperformance?

With momentum gaining thereis no stopping the recording ofall types of stage or screenproductions. One area that isyet to be explored (with theexception of Capitol's two "Be-yond the Fringe" disks) iscomedy.

Humor a ProblemThe prohibitive element so

far is the visual aspect ofhumor, which though a prob-lem in transferring drama towax, is more easily surmountedthere. Usage of recognizableprop sounds (notice photo fromthe "Roses" session) helps tocreate the atmosphere andstimulate the listener's imagi-nation. And there seems to beless demand for rewrites.Edward Albee, according toColumbia spokesmen, needed tochange very little for the "Vir-ginia Woolf" sessions.

But it's in rewriting that theanswer to the whole problemlies, and that's probably whatwill be happening shortly. Theopportunities are too good topass up. For instance, it's wellknown that Neil Simon's com-edy smash, "Barefoot in thePark," was offered to manycompanies for recording, butseemed an unwise prospect be-cause of the heavy reliance onvisual humor.

Nonetheless, comedy writerSimon was also praised for thesteady flow of gags in the play.If he were able to translate thevisual facets of the play intosome kind of auditory equiv-alent, there would be a highlysaleable product. The show'sfame would certainly make itas marketable a product as anyof the dramatic presentationson wax-probably more so ifthe record sales ran in propor-tion to the show's box officereceipts.

It's reasonable to suspectthat record companies will de-cide to give this rewriting a try(maybe with a hefty fee forthe author's rewrites)-if notwith "Barefoot," with some-thing else. Everything's fairgame.

Jerry BlaineSets TV Arm

HOLLYWOOD-Jerry Blaine,President of Cosnat Corp., andPrexy of Cosnat Productions,has greenlighted the establish-ment of a television arm for thedevelopment and filming of tele-vision properties.

Blaine, who recently com-pleted filming on his initialmotion picture, "The Candidate,"will coordinate all of his filmactivities under direction of pro-ducer Maurice Duke.

!Mamie Van Doren and JuneWilkinson, who co-star in "Can-didate," have completed record-ings on three Sid Robin songs-two of which "Bikini With NoTop On The Top" and "So WhatElse Is New?"-will be releasednationally via Blaine's JubileeRecords. The third number isthe title song from the "Candi-date" pic and will be distributedsimultaneously with film's re-lease.

Blaine, meanwhile, has or-dered a first pressing of 25,000records on "Bikini" to meet dis-tributor orders and to cash inon the current "no top" swim-suit craze.

2 RECORDS

WITH 1 THOUGHT

WE'RE HITS!!

"SHE'STHE ONE"

THE CHARTBUSTERSMutual = 502

ALSO

THE NEW JOED RECORD of

"LITTLELONELYSUMMER

GIRL"by DAVID BOX

MUTUAL RECORDS1314-24 S. Howard St., Phila., Pa.

RECORD WORLD-July 25, 1964 17

Film Review

The Beatles' Hard Day'sNight' An Easy Success

BY DOUG McCLELLANDOkay, the wiseacres say, the

United Artists Records sound-track album from "A HardDay's Night" is one of the all-time smashes, and The Beatles'Capitol singles from their firstfeature film are soaring; buthow good can the movie be?

Very, that's how.The Beatles were unique-

still are, despite the similarlygimmicky groups that continueto emerge from Britain andother locales-so it is only fit-ting that their movie should beunique, too. Which it is, inspades, a melding of Europe'sNew Wave filmmaking with SamKatzman's quickie Americanfilm production, plus more thana smattering of TV's Huntley -Brinkley Report.

Virtuoso CameraworkFor here is the gray, often

dizzyingly virtuoso cameraworkindigenous to nouvelle vagueries ;the let's - get - it - out -before -thesmoke -clears scripting of aKatzman opus; and the expertdocumentary -like reporting ofan H -B effort. Indeed, alongwith the undeniable amiabilityof The Beatles (forgive themfor such recurrent referencesto people as "swine" and"clean"-the later a Liverpud-lian colloquialism?), the majordistinction of "A Hard Day'sNight" as moviemaking is thesuperb pace sustained by direc-tor Richard Lester and thedexterity and flair with which

A ROCKING NEW ONE

BYRDIE GREEN'S

"I FOUND MY PLACE"b

"I DESERVE IT"FOX 511

CHART -BOUND

"SELFISH ONE"

Jackie RossChess 1903

CHESSProducing Company

2120 Michigan Ave. Chicago 16, III.

cinematographer Gilbert Taylorliterally composes each scene.Together, they capture on filmwhat surely was not in thepractically non-existent script.The barely controllable frenzyof fan adoration was neverbetter staged for a featuremovie (if it was staged), not inthe Presley heyday, not in theSinatra years, not even in Val -lee's time. It's all here on filmfor the ages and incredulousLate, Late Show eyes of theyear 2000.

The important thing, though,is that the boys seem to beworth all the trouble. John, thefather -image of the group;George, the no -image yet, un-fortunately, but likeably soft -sell nevertheless; and Paul, fullof Irish rebellion and thepranks of the Little People.Ringo, for whom the wordfloppy was invented, who isthe most winning two -leggedlapdog in captivity, deserves atleast a sentence or two of hisawn. He has a wonderful wall-to-wall smile he is too shyabout using, and while every-thing on his face is wrong,somehow it all comes out-Barbra Streisand should for-give me-right. Actually theleast facile actor of the four,he has something innate whichthe other three have to sweatfor: he has the audience withhim regardless. Viewers will letthe others go off and shift forthemselves and miss but hardlyworry about them; but they'renot sure a roaming Ringo willbe safe, Ringo of the childlikefascination for costume jewelryand the quizzical cocked -headlook of a mutt.

And in "A Hard Day's Night,"which (with probably less plotthan any full-length, allegedly"story" film ever made) detailsa few hours in the lives ofThe Beatles as they preparefor and perform on a TV showin England, audiences shouldworry about Ringo-but notfor long. Thinking his fellowBeatles mistreat him and takehim for granted, he wandersoff for a series of innocent in-cognito adventures which even-tually land him in jail. Buthe's not alone long: he's joinedthere by Wilfrid Brambell, atrouble -making, dotty old duf-fer who is also Paul McCart-ney's grandfather (in the filmonly).

Brambell gets co-star billing,incidentally, and almost as

(Continued on page 19)

[0] COASTCAPERS

It's The Market, Not The RecordBY TED RANDAL

If you've talked to a record manufacturer or promotion manrecently you're familiar with his plaintive cry about how badbusiness is. However, in the same complaining breath it is notunlikely that he mentioned his plug record had already sold15,000 in Detroit or some other city of equal importance. Thoughhis sad tale may sound contradictory to the unseasoned ear, let'sface it, the singles record business just "ain't what it usedto be."

We all know that sales are down. That being the ease, whyis it that certain records seem to sell large amounts consistentlyin some areas? Or are all the fantastic figures we hear nothingbut hypes? In most cases I have found the figures quoted to berelatively accurate, so the key to the inconsistency has to bein the cities themselves. You may be able to get a better pictureof the situation if you will think carefully about the followingtheory:

The amount of single records sold in any given area isdirectly proportionate to the effort that must be expendedby any one radio station to acquire or keep the dominantratings in that area.

In other words, in those markets where there is a strong com-petitive struggle between two or more radio stations for thenumber one position, records are still selling well; in less com-petitive markets, single sales have fallen off considerably. Thereason for this is simple. Struggling stations sell records becauserecords are a station's basic weapons. In this battle the one whohas the best weapons and is the most skillful in displaying themto an audience wins their favor. If there is no battle the gladi-ators lose their skill, and the audience loses interest in even theprettiest weapons. What conclusion can be drawn? Start a fight,and you'll sell some records.

* *

It never ceases to be a pleasure to see an artist friend with whomyou've been out of touch for several years. Tommy Leonetti, whois a very enjoyable individual, stopped into my office the otherday, and we had a chance to say hello again for the first timein 10 years. Tommy's in town fora couple of weeks promotinghis new RCA record, "Don't Stand Up In A Canoe" ...The Astro-nauts are back in Los Angeles for an album session. They'repretty exicted about the news that their record "Movin'" is inthe Top 5 in Japan ...My wife and I spent all day on a recent Sat-urday at Disneyland with an old friend from Vancouver, B. C.,Buddy Clyde, and his recent discovery, Terry Black. Terry's Arcrecord of "Sinner Man" is one of the most popular in WesternCanada, and Buddy predicts a big future for the 16-year -old star.

Bill Marx opens at "The Losers" in Hollywood with AnnRichards for three weeks beginning Aug. 11. Last year, Ann andBill taped a very successful album of their appearance at thesame club for Vee-Jay. A & R director Steve Clark plans torecord another album with the pair using the new material fromtheir respective acts . . . Liberty A & R producer Dave Pell jetsto Washington, D.C. this week to record a "live" Bud & Travisalbum at the Cellar Door.

Siegel Vee-JayNat'l Sales Head

HOLLYWOOD - Bill Siegel,National Director of Rack Salesfor Vee-Jay Records, Inc., hasbeen upped to post of NationalSales Director, it was an-nounced this week by RandyWood, President of Vee-Jay.

Siegel moves from New Yorkto the label's West Coast head-quarters to assume duties un-der the new post. He will con-tinue to supervise rack sales,reporting directly to Wood.

Christys Get TVerColumbia Records' best-selling

folk singing group, The NewChristy Minstrels, have beensigned by the Ford Motor Com-pany for a major summer tele-vision series, "Ford PresentsThe New Christy Minstrels."

The program, which will betelevised nationally as the NBC-TV Network replacement for thepopular "Hazel" series on Thurs-days at 9:30 P.M., will debuton Aug. 6 and run through Sept.10. Produced by Gary Smith,the series will be taped and shoton location.

18 RECORD WORLD-July 25, 1964

Bewitching Hr.

Kapp Records' songster JackJones, right, is shown showinghis latest LP, "Bewitched," tohost Wayne Thomas during avisit to KHJ-Hollywood's "Mil-lion Dollar Matinee" show.Jones once hosted a teen showon that station, too.

Grogan To New Shaw Is Reappointed Marks GPMCapitol Post

HOLLYWOOD - Stanley M.Gortikov, President, CapitolRecords Distributing Corp.(CBDC), announced the pro-motion of Hal Grogan to thenewly -created position of Na-tional Inventory Manager.

Grogan will be responsible forthe development of procedures,techniques and controls leadingto the efficient utilization of in-ventories. According to Gorti-kov, the appointment is the firstof several aimed at obtaining"more effective management andadministration of Capitol andAngel inventories."

Epic Issues New De Rose ConcertClark 5 Single Guests SetEpic Records has released a

new single, "Because" coupledwith "Theme Without a Name,"by The Dave Clark Five, accord-ing to an announcement byLeonard S. Levy, General Man-ager of Epic.

"Because" is the original songcomposed by Dave Clark whichmarked the flip side of theBritish single, "Can't You SeeThat She's Mine." Frequent airplay of the British record byAmerican disk jockeys createda public demand for Epic to re-lease this single.

(Albums on chart 10 weeks or lessshowing greatest upward movement)

A HARD DAY'S NIGHTBeatles Soundtrack-United Artists

UAS 6366

BEATLES SONG BOOKHollyridgc Strings - Capitol T 2116

THE INTERNATIONAL TEENAGESENSATION

Rita Pavonc-RCA Victor LPM 2900

I WALK THE LINEJohnny Cash-Columbia CL 20913

WONDERFUL WORLD OF MAKE BELIEVEJ. Mathis-Mercury MG 20913

THE UNSINKABLE MOLLY BROWNSoundtrack-MGM 4234

DON'T LET THE SUN CATCH YOU CRYIN'Gerry and the Pacemakers-Laurie 2024

THE FABULOUS VENTURESDolton BLP 2029

I WISH SOMEONE WOULD CAREIrma Thomas-Imperial LP 9266

FADE OUT -FADE INOriginal Cast-ABC Paramount OC 3

PRESENTING THE BACHELORSLondon LL 3353; Ps 353

DANCE DISCOTHEQUEVarious Artists-Decca DL 4556; DL 74556

ASBURY PARK, N.J.-Band-leader Vincent Lopez, vocalistDolly Dawn and veteran lyri-cist Charlie Tobias will be guestperformers at the memorialconcert for composer Peter DeRose Sunday, July 26, at 8:30p.m. at the Arthur Pryor Board-walk Music Bowl. Frank Bryanconducts.

Mayor Thomas F. Shebellsaid that the concert will alsohonor Mrs. May Singhi BreenDe Rose, widow of the late DeRose, who now makes her per-manent home here. She starredfor many years on networkradio with her late husband,who wrote "Deep Purple" andother well known tunes.

NEW YORK-The reappoint-ment, under a new contract, ofArnold Shaw as General Pro-fessional Manager of Edward B.Marks Music Corp. and itsaffiliated companies has been an-nounced by Herbert E. Marks,President. Shaw has been withthe 70 -year -old BMI pubberysince 1955.

In the years of his incumbenceas head of the pop department,the firm has acquired a reputa-tion for aggressiveness and ver-satility that has more than keptone of the country's oldest andmost respected companies upamong the leading pop houses.(It currently has a c & w chart -climber in Johnny Cash's diskof "The Ballad of Ira Hayes"and has racked up a total ofmore than 470 different record-ings during the first six monthsof this year). Without losingcontact with the rock 'n' rollmarket - "Tell Laura I LoveHer" was a hit for Ray Peter-son, "`Wonderful! Wonderful !"for the Tymes, and "Hotel Hap-piness" for Brook Benton-Marks Music has been able inthe past three years to makestrong inroads in the show field,television and motion pictures.

Last year's hits included the"Mondo Cane" Theme, "More,"Academy Award contender, win-ner of a Grammy as the "BestInstrumental Theme" and al-ready established as a standardwith more than 80 different re-corded versions. Two other pic-ture scores handled by Marksin '63 were "Women of theWorld" and Federico Fellini's

Beatles' Film Reviewed(Cont inued

much footage as The Beatlesthemselves. He's a game cootbut also a bit of a forced fruit-cake after a while. The Londonpress compared the lads to TheMarx Brothers in this picture,a not entirely odious compari-son. (And in which case Bram-bell could be called a sort offoil for The Beatles a la Mar-garet Dumont, that grand dow-ager ravaged time after timeby Groucho.) Particularly re-mindful of the Marxes is JohnLennon when, in Groucho-likefashion, he tells a showgirl, "Ican get you on the stage," andshe replies, "Oh, where!", andhe embraces her saying, "Outthis door, turn left . . ." AndRingo, disguised in an over-size, Harpo-like coat, when hetakes it off and drops it overa mud puddle for an approach-ing pretty who smiles grate-fully and, of course, falls inup to her lacquer. There isalso a "silents" type sequence

itont page 181in which the boys frolic madlyon a field (aided by jerking,speeded -up camerwork) whichis going to be praised.

This is the picture, too,which asks the question, "Areyou a mod or a rocker?", towhich Ringo answers, "I'm amocker."

Biggest complaint: TheBeatles' thick Liverpool accentsare hard to understand evenwithout the squealing that issure to accompany showings ofthis Walter Shenson produc-tion for United Artists when itopens in August.

"A Hard Day's Night," aidedby liberal sprinklings of zestyMcCartney & Lennon -pennedsongs, is a brisk 83 minuteslong, giving adults little timefor criticism of any nature andshould also keep children en-thralled. But it's the teens,mostly, who, in the words ofa suporting player, will find thefilm "fab and all the otherpimply hyperboles."

Arnold Shaw"81/2," winner of the AcademyAward as "Best Foreign Film."Up-and-coming film scores in-clude "Mondo Cane #2,""Venere Imperiale" (starringGina Lollobrigida and StephenBoyd), "II Pelo Mel Mondo"and "I Malamondo."

In the TV field, in '63 Markspublished the Kenyon Hopkinsmusic for the award -winningseries "East Side/West Side",starring George C. Scott.Through a deal negotiated byShaw, Marks will also publishand promote the Dave Brubeckmusic for the new Garson Kaninseries "Mr. Broadway."

The Marks' calendar of fallshow scores includes the Alex-ander Cohen production of"Baker Street," starring IngaSwenson and Fritz Weaver.

2 RECORDSWITH 1 THOUGHT

WE'RE HITS!!

"SHE'STHE ONE"

THE CHARTBUSTERSMutual # 502

ALSO

THE NEW JOED RECORD of

"LITTLELONELYSUMMER

GIRL"by DAVID BOX

MUTUAL RECORDS1314-24 S. Howard St., Phila., Pa.

RECORD WORLD-July 25, 1964 19

Col's 'Summer Stock' PromoStars B'way's Jack Cassidy

By DOUG McCLELLAND

NEW YORK-Nostalgia is avery merchandiseable commod-ity in show biz nowadays whenmany believe the good old dayswere really the good old days.And singer -actor Jack Cassidyis a major force in the trend.

Cassidy recently scored onBroadway as the 1930s shopsharpie in the musical "SheLoves Me"; is currently playinga '30s movie idol opposite CarolBurnett in "Fade Out - FadeIn" on Broadway; and ColumbiaRecords has just re -packaged,re -channeled (in stereo) and re-released Cassidy's six speciallyrecorded LP presentations offamous old Broadway shows-most of them, coincidentally,also from the '30s, and each a"must" in show buffs' libraries.

Or maybe it's not all so co-incidental; for Cassidy is amusical comedy leading man inthe grand tradition, handsome,debonair, vocally superior andblessed with a personal eleganceand style the like of which hastoo long been downtrodden bythe swing-or stagger-to "nat-uralism" on both the dramaticand musical stage. Almost single-handedly, Cassidy is sneakingcharm and grace back into thetheater; and his finesse comesacross on wax, too, as provedby his six show album re-pack-agings now out as part of Co-lumbia's "Summer Stock" LPpromotion, which includes thelabel's entire hefty catalog ofnoted stage and screen packages.

"JOHNNY

LOVES ME"FLORRAINE DARLIN

s 103

BILLBOARD Breakout SingleCASH BOX Looking AheadRECORD WORLD Coming UpMUSIC BUSINESS Radio Exposure Chart

MOVING UP

ALL CHARTS

CALL TOUR RIC DISTRIB. NOW

"BREAKING OUT LIKE A SUNFLOWER"

JOE HINTON'S"FUNNY"BACKBEAT 541

**********************DUKE AND PEACOCK RECORDS, INC.

2809 ERASTUS STREET

HOUSTON 26, TEXAS

OR 3-2611

Singer -Actor Gives Rave ReviewsTo Lieberson's Producing Skill

"Up until now," Cassidy toldRecord World last week in hisMark Hellinger Theater dress-ing room, "these six albumshave been rather 'inside', evencollectors' items. 'The BoysFrom Syracuse,' for instance,was being sold in some storesfor $25 not long ago. At thetime I mentioned to GoddardLieberson, who produced themall, that it would be a good ideato re-release them, and he saidthey'd be good Christmas pack-ages. But I see they're in theSummer Stock issue, and doingwell.

"The thing that's makingthese albums sell, besides thegreat material, is the tenderloving care Goddard put intothem. He ad libbed many of thearrangements, you know, saying`This is the kind of a feeling Iwant . . .' His knowledge andtaste are impeccable. It is cer-tainly rare for a record companyexecutive to have the musicalcomedy savvy that Goddard has."

Cassidy said he'd love to domore albums like "Babes inArms," with Mary Martin; "OhKay!", "On Your Toes," "Ro-berta," "Brigadoon," with hiswife, cinemasongstress ShirleyJones, and "Boys From Syra-cuse." His bouquet to Columbiaprexy Lieberson won't hurt hischances to do so. He particularlywould like to do such as "ByJupiter," "Du Barry Was aLady," "50,000,000 Frenchmen"and "The New Yorkers." "Thesongs in those days were eachpearls, with the book sand-wiched in between. Today, thebook is all-important and themusic secondary."

Cassidy's voice has changeda bit from the time he recordedthe first of the lucky six,"Babes in Arms." "I was a realhigh tenor then," he recalled."They didn't want a big, boom-ing voice, and I had the light-ness they needed for the seriesGoddard was planning. Now I'ma lyric baritone. Of the oldershows, I guess I favor 'Oh,Kay!' Actually, though, I likewhat I did on 'Brigadoon' thebest of all.

" 'Brigadoon' was the last ofthe show series to be recorded-Shirley and I did it the yearafter we were married, in '57,and I like to think it was partlyresponsible for the City Centerrevival of the show which wasso successful it moved over to

Broadway."Shirley and I didn't do

`Brigadoon' together, incidental-ly. She was on the Coast doinga movie at the time. I did mysection here, she did hers there."

Cassidy enjoys his role in theCarol Burnett show (and, audio -wise, likes the ABC -Paramountcaster of it over the two -diskMGM recording of "She LovesMe," although "She Loves Me"is his favorite Broadway role).But he'd like to chuck the time-consuming grind of a play for aTV series. He has two prospectslined up, both comedy offerings.

"One thing to stay away fromin a TV series is show businessovertones. Remember the IdaLupino-Howard Duff series,`Mr. Adams and Eve?' It was so`inside.' The Dick Van DykeShow' takes a show biz premiseand turns it outside to make itwork. I think the best situationcomedy series on TV was the oldPhil Silvers -Sgt. Bilko series,and I'd like to do a kind ofcivilian Bilko in my show. Mycharacter would always comeup with an