project fwoar t206 final project
DESCRIPTION
By Project Fwoar ProductionsTRANSCRIPT
Treatment: Taken
Scene 1
Captain Anker is shown lifting weights vigorously. He has a
short flashback of a mission briefing that took place only hours
ago.
Scene 2
His commanding officers brief him on the mission as he sighs
with disinterest. He appears apathetic in comparison to the
excited officer and subordinates. During the briefing it is
explained to the audience that the Earth was vacated of human
life 100 years ago due to over-pollution. Humans have been
living in space colonies for the past century. Scientists agree
that the time to return is good, if only for a check-up on
Earth’s habitation possibilities. The flashback ends with a loud
salute.
Scene 3
We are brought back to the present as he drops his weights to
the floor. He mumbles to himself, questioning the importance of
the mission and wondering what’s so great about a world humans
left behind. He puts up the weights and showers himself clean.
Scene 4
The scouting party’s ship exits the Hero, a large military
compound, and closes in the on the Earth. The passengers of the
ship notice that the Earth looks bad, possibly worse than the
condition it was left in. One of the passengers asks Captain
Anker to take a look. The ships instruments assess that the
planet is indeed worse off than how the humans left it. The
ozone layer has not improved and the planet is dry and scorched
by the sun. The instruments also indicate life on the planet’s
surface. Next to Anker, a woman is concerned about the planet’s
condition. The woman is Aldana Nikla, Anker’s wife, the ship’s
pilot. Anker asks why this is so big of a deal to her. She
becomes sad and explains that her grandparents always told her
stories about the Earth’s beauty. Anker vaguely tries to comfort
her, with no result. The ship is then beamed down to Earth in a
landing pad.
Scene 5
In the advanced city of Hebron, the party is introduced to the
leader of a race called the Nefilims. The leader calls himself
Hemim. He appears hospitable at first, until the party asks him
why they are living on their planet. Hemim doesn’t take too
kindly and gets into an argument. Hemim threatens their lives
and orders them to leave the planet and not return without
resistance. Anker and his crew return to the Hero.
Scene 6
Back at the Hero, Anker is called by Wagner, his supperior
officer’s office for another briefing. The human leader, Chester
Bloodgood, breaks the news to Anker that Earth is no longer
hospitable and may never be again. Chester adds that human
forces will gather for an assault against the Nephilim. Anker is
less than enthusiastic, questioning why they should bother
fighting for a planet that’s already lost. He storms out of the
office, unsatisfied with the answers from Bloodgood.
Scene 7
Anker enters Aldana’s quarters and tells her the situation. She
reacts excitedly to Anker’s dismay, and they get into a small
argument. Aldana wants to avenge Earth, the once beautiful
planet from her childhood fairy tales, and Anker wants to avoid
an arbitrary conflict. Anker storms off and prepares for another
hopeless venture.
Scene 8
The ship is closing in on the Earth to survey the capabilities
of the Nephilim. During their surveillance they are found by the
Nephilim and come under fire. They attempt to retaliate but the
ship suffers heavy damage and crashes.
Scene 9
Anker is the only survivor, having worn his seat belt. He finds
Aldana amongst the rubble, bleeding to death. He tearfully
apologizes and Aldana forgives him. With her dying breath, she
whispers, “I love you…”Filled with rage, Anker contacts the Hero
and delivers an order for a tactical planet destroyer strike
while he distracts the Nephilim.
Scene 10
Wagner appears in command of the mission to launch the planet
destroyer. We see him frantically interacting with subordinates.
He appears a bit shook up, but determined. The scene is quite
frantic.
Scene 11
Anker rushes towards the capital and sends the Nephilim into a
panic with his combat skills while the Hero closes in on the
planet.
Scene 12
Anker is seen in the midst of the city. He battles in a very
heroic way. The sun is coming down, making the scene more epic.
He is hit in the knee, and falls to the ground, screaming but
continuously fighting.
Scene 13
Wagner is shown pressing the final button to launch the planet
destroyer. He is very shaky but after some hesitation presses
the button.
Scene 14
Anker keeps fighting. He destroys many enemies while kneeling.
He then catches glimpse of the planet destroyer rapidly falling
towards Earth. In his last few seconds, he dedicates his last
kill to Aldana, his lost love.
Scene 15
We see the remains of Earth and the Hero blazing by. Earth is
mostly gone and almost impossible to recognize. Wagner’s voice
is heard, but he is not seen.
Scene 16
Wagner’s voice continues as we see him giving a speech in a
Burial Ceremony. The people who attend appear to be military
figures. During his speech, Wagner honors Anker, Aldana, and the
rest of the crew. Anker in particular is hailed as a hero, as
the humans begin a new era.
1
1 INT. REC ROOM – DAY 1
Aboard the military frigate, the Hero, CAPTAIN ANKER is
vigorously lifting weights in a rec. room by himself.
His body is extremely well-toned and he is covered in
sweat and near exhaustion. A flashback occurs when his
face is shown, breathing heavily.
2 INT. FLASHBACK: BRIEFING ROOM – DAY 2
The room is very grey and plain, and a bit crowded for
its size. Anker is sitting among several men in
military uniforms and lab coats, listening to WAGNER,
his superior.
WAGNER
Today's the day men. We're gonna go home!
The men in the room (subordinates) begin to cheer and smile,
except for Anker.
WAGNER
The brilliant men you see here
(he motions to the scientists)
have decided that now is a good time to see how
home's doing after a century of healing.
(he stands up and looks away from the
group with wishful eyes)
It's been a hundred years since we left Earth,
after we so shamelessly polluted her beautiful
skies! Well, we're gonna do things differently
now!
SUBORDINATES
Yeah!
WAGNER
We're gonna go show our children the world
our parent's had. The world we will inherit!
Our REAL home!
SCIENTIST
We're finally going home!
The men around the room begin to shake each other’s
hands and give each other hugs, while Anker remains
stationary and apathetic.
2
WAGNER
Anker, I'd like you to lead the expedition
to see the planet's condition. Whaddaya say?
ANKER
(sighes)
I suppose if I must.
WAGNER
Sit straight soldier! You'll have ALDANA to
keep you company!
ANKER
(perks up a bit, before slinking
back down)
Trying to soften me up, huh? Is that even
within regulations?
WAGNER
I wrote quite a few of those regulations,
I'm sure I can find a loophole for an old
friend.
ANKER
(shrugs)
Fine.
WAGNER
When you get there, you can plan your future
together, try to smile a little!
ANKER
Bribing me? You're not serious enough for
this job, Sojo.
WANGNER
(gives a big smile)
(laughs)
Anker sighes while the men around the table continue
to celebrate.
WAGNER
Alright you crazy bastards. Attention!
All the men in the room, including Anker stand up and
3
face Wagner.
WAGNER
We're gonna make some history today!
Dismissed!
ALL
(salute)
Sir!
3 INT. REC ROOM – DAY 3
The flash back ends and Anker drops the weights with a
loud bang. He pants for a moment and mutters something
the audience can't hear. Then, as he puts the weights
away, he speaks clearly.
ANKER
Earth, what's so special about it?
(he places the weights on the rack)
We left it behind 100 years after we
destroyed it, why bother taking it back? It
may be too late.
He mumbles again and grabs a towel. He leaves the room.
4 EXT. EARTH'S ORBIT – DAY? 4
A small reconnaissance ship, called the Legend, is
entering the Earth's atmosphere. The sky is full of a
thick smog, inhibiting the passenger's ability to see
anything. The ship begins to fly horizontally after a
minute, as several instruments aboard the ship scan the
planet's condition. Inside the Legend, all is quiet as
everyone waits with baited breath to hear about how
Earth is doing. The scientists look distressed. One
passenger calls for the captain through a small
microphone, and Anker enters the scene.
ANKER
Something the matter?
SCIENTIST 2
Sir, the Earth...it's...worse.
ANKER
(raises an eyebrow and cocks his
head)
4
What do you mean?
SCIENTIST 2
The atmosphere, the air, the terrain, all the
data suggests conditions have worsened from
the conditions of the planet that were last
recorded.
ANKER
I see.
The passengers all become quietly distraught. They
share data with others as Anker watches them all
silently. Anker notices a young woman, his wife and the
pilot of the ship, on the verge of tears. She sniffles
and Anker walks over to her.
ANKER
What's wrong?
Aldana, Anker's wife, is looking out the window. She's
not sobbing, but looks like she may any second. She
doesn't turn to Anker, but responds to him.
ALDANA
It's not here. I've waited years for this,
but it's not here...
(her voice cracks)
ANKER
(puts his arm around her)
This wasn't out of the question, dear...
ALDANA
(looks back out the window)
My grandparents told such a different story.
They told me about green fields, forests,
blue seas, and sunsets that go beyond the
horizon.
(she sobs)
ANKER
(looks at her, hugs her tightly, but
says nothing)
SCIENTIST 3
Sir! We've detected life on the planet's
5
surface!
Anker and Aldana perk up. They look out the window, the
planet is burnt orange and dry. The Legend comes into
view of a city with lightly colored buildings that
stretch high into the sky.
ANKER
The hell?
5 EXT. HEBRON – DAY 5
The Legend hovers over a city of enormous towers linked
by bridges and catwalks into a web of steel. The ship
doesn't have a place to land, but the ship is grasped
in a tractor beam. The ship is pulled down to a landing
pad, where several tall purple creatures surround the
ship. The crew on board the ship cautiously lets down
the landing gear and lowers the loading ramp. The few
soldiers on board scramble for weapons, as Anker
retrieves his calmly. They slowly exit the ship, to be
greeted by large purple creatures. Anker exits first,
with Aldana close behind. The two species stare at each
other for a few seconds, before Anker opens the
conversation.
ANKER
Uh...hello. My name is Anker Nikla, do you
understand me?
The purple creatures are very tall and look strikingly
similar to humans. Their faces are slightly more
defined and their eyes appear sharper and seem to look
down on all the humans (besides the fact that they are
taller). They all stand perfectly straight, and move
very little, like statues.
ANKER
G-r-e-e-t-i-n-g-s. Do you un-der-stand me?
BAPPERT
(steps forward)
We can understand you, idiot.
ANKER
(jumps in surprise)
Ah! Er, hello. *Ahem * My name is Captain
6
Anker, we come in peace. What is this city
doing here?
The creatures all give him an incredulous look.
ANKER
This is the home of the humans. What are you
all doing here?
BAPPERT
Your home? This is the home of the Nefilim,
we've been living here for years. What are
YOU doing here?
ALDANA
This is our home! What have you done to it!?
(she charges at Bappert)
Our ancestors built this world and now it's
all gone! Did you do this?!
Anker stops her from moving forward, and the Nefilim
grit their teeth. They part and a rather prestigious
looking Nefilim appears before them. His clothing is
lavishly ornamented, with jewelry stringing from his
coat and a large pope hat-like crown.
EMIM
This is the city of Hebron, home of the
Nefilim. Why do you claim what is ours to be
yours?
ALDANA
It IS ours!
(Anker restrains her)
EMIM
Pretentious little creatures...I would advise
that you leave this place.
ANKER
Who are you?
EMIM
My name is EMIM. I keep the world of the
Nefilim safe. And you are trespassers. Leave
this planet at once, we will not be swept
from our own home by greedy children.
7
(he turns to one of the Nefilim
standing next to him and mumbles an
unintelligible order)
I would suggest that you do not return, or
else we will have to take matters into our
own hands...
ALDANA
I would SUGGUEST you to give it back!
ANKER
(picking up ALDANA)
We will be going.
Anker carries Aldana back to the Legend while the crew
displaying obvious expressions of anger. The scientist
sprints ahead of everyone and then suddenly stops to
pick up samples of Hebron plants from the nearby garden.
He hurries back onto the ship as the loading ramp to
the Legend retracts. The legend takes off and returns
to the Hero.
6 INT. HERO WAGNER’S OFFICE – DAY (SPACE) 6
Wagner is sitting in office alone. His office is
cluttered with papers all over his desk and walls. His
entire back wall is a window that looks out into space.
Earth can be seen in the distance. Wagner is twiddling
his thumbs waiting. Anker enters the room.
ANKER
You wanted to see me?
WAGNER
That’s right. I want to hear about this
Hebron from you. There is too much at risk to
lose the Earth for good.
ANKER
(underneath his breath)
Sure there is…
WAGNER
Did you say something?
ANKER
(shakes his head with walking to the
8
other side of the room)
Nothing. I don’t know what the big deal is. I
just-
WAGNER
Do you not care? This place was the home to
all before us. It’s something-
ANKER
(voice is escalating louder)
It’s something that doesn’t belong to us
anymore.
(joking)
What is that old saying, “move your feet lose
your seat”?
Wagner stands up, but before he can respond, the door
explodes open. Chester Bloodgood, the spearhead of the
human race, enters the room with multiple files in hand.
BLOODGOOD
(slams the files onto Wagner’s desk)
I have news. It’s not good.
WAGNER
What did they find?
BLOODGOOD
(looks up with slight despair)
The planet has actually gotten worse at an
increasing rate. We hypothesize that the
Alien race on the surface could be the cause
WAGNER
Fucking bastards!
(shoots a concerned look towards
Anker)
So not only did they take our planet, they
turned it to shit too!
BLOODGOOD
(looks back and forth between both
of them)
So what do we do?
WAGNER
(sighs and rubs his eyes)
9
… we take it back
Both Bloodgood and Anker look up at him as Wagner
stands up with renewed vigor.
WAGNER
The planet is ours… we are going to take it
back…
(gazes around the room walking to
stand next to Anker to look at the
Earth)
…One way or another.
(Pounds his fist)
BLOODGOOD
Can we really even do this?
WAGNER
(turning back to Bloodgood and Anker)
We’ll mobilize and wipe those thieves off the
planet.
BLOODGOOD
yeah… yeah…
Anker raises an eyebrow. Turns towards the two of the
others. Shakes head.
WAGNER
With a campaign like this one, we could get
support in no time. Maybe even mobilize
within the week!
BLOODGOOD
Yeah. I will get this passed through the
board within the hour.
WAGNER
I will start my plan of attack right now.
ANKER
This fight was lost when we left the first
time! I don’t understand how you think we can
just go back at anytime! You people make me
sick!!
Anker storms out the door. Wagner and Bloodgood look at
10
one another with slight concern. They continue their
frantic planning as the doors slams.
7 INT. ALDANA'S LIVING SPACE – NIGHT (SPACE) 7
Aldana is shown carefully reviewing old pictures, presumably
of her ancestors, living happily on earth. She has tears in
her eyes, but is silent. Anker walks into the room; he
ignores her at first, but then turns around and stands in
front of her. She gazes up, and he sits down next to her,
and she puts the pictures away before he can see them.
ANKER Aldana, listen to me, it will be ok...
ALDANA
No, Anker, it might be ok with you since you
don't care about Earth, but it won't be ok
with me!
ANKER And what am I supposed to do about it?
ALDANA Caring would be a nice start! (looks up at his eyes)
ANKER
Ok, ok then, let's say I cared, what
difference would it make?
ALDANA
It would make me proud to be your wife
ANKER
Oh so this is what it's all about, pride? You
know what pride is good for? It's good for
nothing. Thanks to his god forsaken pride,
Bloodgood is gonna blow them unsuspecting
aliens away!
ALDANA What?
ANKER
Yeah, him and Wagner are planning something,
soon.
11
ALDANA Well then I better go get my gear ready!
(she begins to walk away, Anker
grabs her by the arm)
ANKER
Wait a minute! Why don't you calm down for a
second and take a look at yourself, this is
wrong!
They stare at each other for a few seconds, they are
both breathing heavily. Anker continues to hang on to
her arm.
ALDANA Let go of me. I will fight for our planet,
regardless of what you have to say about it... (she jerks her arm free
from Anker's grip)
Aldana walks to her equipment, as Anker storms off.
8 INT. LEGEND – DUSK 8
Anker is shown inside the legend. He appears
emotionless, strapped in his seat as the ship passes
through the earth's atmosphere. Aldana is flying the
ship, along with the first officer, aided by two
tactical support crew.
TACTICAL SUPPORT 1
Listen up everybody: we're gonna take a look
at their defenses, survey their military base
and then we're out of here. No playing around,
in and out, understood?
ALL (except Anker) Yes sir!
The ship continues moving closer to earth. All of a
sudden, a projectile impacts the ship violently.
ALDANA (screams loudly) We've been hit!
12
Various ship alarms begin to sound.
FIRST OFFICER
We're losing altitude, fast!
ALDANA Deploy emergency landing system...
FIRST OFFICER
ELS unusable, what do we do?? (silence)
The ship impacts the earth violently.
9 INT. LEGEND – DUSK 9
Anker appears somewhat injured, with minor cuts across
his face. The Legend is wrecked, partly on fire. There
are motionless bodies of the tactical support members
and some of the crew scattered around the ship. A
gaping hole on the side of the ship reveals darkening
orange skies. Anker makes his way through the ruble, to
find Aldana severely injured, a few feet away from her
flight station. She is motionless.
ANKER Aldana!
(shakes her) Aldana wake up!
ALDANA (wakes up, faint and weak, mumbles)
I'm...
ANKER Aldana, can you hear me?
ALDANA
I'm sorry
ANKER I need to get you some medical help!
ALDANA It's no use
(motions to a deep wound in her
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stomach, while blood quickly pours
out of it)
ANKER No! Aldana, you can't, this, can't... (sobs)
ALDANA
I'm sorry, it's... it's my fault
ANKER Don't say that!
ALDANA
But if it wasn't for... (interrupted)
ANKER
It's my fault, ok? You don't deserve this, you
were just fighting for your planet, I was the
one who didn't care, I was the one that let
this happen. I'm sorry!! I'm, so sorry.
ALDANA I love you Anker
ANKER
I love you too Aldana
They kiss softly. Then as Anker holds her head,
Aldana's eyes become motionless, as she dies. Then
Anker lays his head by her side, his eyes glazed with a
distant stare. After a few moments he gets up and
searches the ship for a radio. Most of them are trashed,
but he finds a functional one, and establishes contact
with Wagner, who is in the Hero.
ANKER Hero, this is Anker, can you hear me? (fuzzy static)
(changes channel) Hero, this is Anker transmitting from earth,
do you copy?
WAGNER
Wagner here, I copy (very fuzzy)
14
ANKER We've been hit, it's all gone
WAGNER Copy, are the others ok?
ANKER
There are no others...
(silence and static) Drop a PD on these bastards.
WAGNER Anker, I'm sorry, this wasn't meant...
(interrupted)
ANKER
No time for this, drop a Planet Destroyer, I
will distract them.
WAGNER
Understood. Anker, it has been an honor
working with you.
ANKER Yes sir!
(puts down the radio with shaky
hands)
10 INT. HERO, COMMANDING ROOM – DUSK (space) 10
Wagner is shown sitting down in front of screens
directing a highly advanced state of the art command
center. Several subordinates work around him at a fast
pace. He is silent, appears distressed but determined.
11 EXT. DISTROYED EARTH STREET – DUSK 11
Anker, carrying multiple weapons and armament, makes his way
towards Hebron, which appears relatively distant. On his way
he encounters some Nephilim, which he destroys.
12 EXT. HEBRON – DUSK/DARK 12
Anker is shown charging through the inner city, heroically
destroying every Nephilim that he can see. His face looks
15
determined, and as he makes his way he grunts battle shouts.
He is then hit by a Nephilim bullet in the knee, falls to
the ground.
ANKER Ahhhh!!!! (looks down at his shattered knee)
(breathing hard) Those mother fuckers!
13 INT. HERO, COMMANDING ROOM – DUSK/DARK (space) 13
Wagner is shown, with glazed eyes. He presses the button to
release the planet the destroyer.
WAGNER (mumbles to himself)
We will miss you Captain...
14 EXT. HEBRON – DUSK/DARK 14
As he is laying in the ground, Anker fires shots at any
Nephilim that get close to him.
ANKER This is for taking the Earth (shoots)
This is for destroying my ship (shoots, then looks up to see the Hero,
and the Planet Distroyer making its way
down to earth)
And THAT, is for Aldana!
A white flash is seen.
15 EXT. SPACE – NIGHT 15
Earth is show up close, slowly zooming out of the spot that
Hebron once was. Soon, the Hero appears floating in space.
Wagner's voice is heard from the beginning although he is
not visible.
WAGNER
(narrating)
Someone once told me that heroes are remembered,
but legends never die. I hope one day the Human
16
race can look back on what we did that day and
remember the sacrifice that was made that day.
16 EXT. SPACE COLONY ELITE BURIAL CEREMONY – DUSK 16
Captain Wagner is shown standing in a pedestal while giving
his speech. There are about fifty people surrounding him,
all wearing military uniforms, with hats off in their hands.
Some people are crying; most are motionless. In the center
there are symbolical crosses, one tallest with the name “Cpt.
Anker Nikla” engraved on it.
WAGNER (continuous from scene 15)
Captain Anker Nikla, Aldana, and the crew of the
Legend gave their life to revenge an evil species
that seized and distroyed the planet we once
called Earth. But with this sacrifice we are
encouraged to live our lives to the fullest, and
never take ANYTHING for granted. May they rest in
peace, and be remembered as the founders of this a
new era; an era of hope. May these legends never
die within our hearts.
Scene Shot Description Elements
1 1 Establishing Shot: The Hero traveling
through space
FG: The Hero
BG: Space, stars
1
2 Long Shot/Track In (through window):
Anker lifting weights inside recreational
room
Props: weights, towels, bench press.
FG: Window
BG: Gym room
1 3 Low Angle/Medium Shot: Anker bench
pressing.
Props: Bench press, towels
BG: Bright fluorescent lights, ceiling
1 4 Close Up: Anker vigorously bench
pressing, sweat pouring on his face.
Props: Bench press
1 5 Extreme Close up: Anker's eyes. None
2 6 Wide Shot: Officer speaking to
subordinates
FG: Officer's back
BG: Large group of subordinates
Props: Flags, chairs, military pictures and
equipment around the walls.
2 7 Medium Shot: Officer speaking Props: Flags, chairs, military pictures and
equipment around the walls, screen.
2 8 Close up/shifts to focus on background:
Anker listening to speech given by
officer.
FG: Anker
BG: Officer Speaking
Props: Flags, chairs, military pictures and
equipment around the walls, screen.
2 9 Long Shot/Panning Right: Subordinates
sitting in briefing room.
Props: Flags, chairs, military pictures and
equipment around the walls.
2 10 Medium Shot: Officer speaking Props: Flags, chairs, military pictures and
equipment around the walls, screen.
2 11 Close up: Officer's hand holding a
remote control.
Props: Remote control
2 12 Long Shot/Track Left: officer giving
presentation on screen
FG: Subordinate's backs
MG: Officer
BG: Screen
Props: Flags, chairs, military pictures and
equipment around the walls, screen.
2 13 Medium Shot/Pedestal Up: Anker's
pacing feet up to his face.
Props: Flags, chairs, military pictures and
equipment around the walls.
2 14 Medium Shot: Officer introduces
scientists
Props: Flags, chairs, military pictures and
equipment around the walls, screen.
2 15 Medium/Long shot/Panning Right:
scientists walking to the front of the
room
Props: Flags, chairs, military pictures and
equipment around the walls, screen.
2 16 Medium Shot: Scientists talking to
subordinates, pointing to screen
Props: Flags, chairs, military pictures and
equipment around the walls, screen, laser
pointer from the future...
2 17 Medium Shot: Subordinates staring at
screen.
Props: Flags, chairs, military pictures and
equipment around the walls, screen.
2 18 Medium Shot: Officer speaking Props: Flags, chairs, military pictures and
equipment around the walls, screen.
2 19 Close Up: Officer Speaking/Saluting
the subordinates
Props: Screen
2 20 Long Shot/High Angle: Subordinates
Saluting officer.
Props: Flags, chairs, military pictures and
equipment around the walls, screen.
3 21 Close up: Anker's hands letting go of
weight bar.
Props: Bench Press Bar
3 22 Close up: Weights hitting the bench
press apparatus.
Props: Bench Press apparatus.
3 23 Close up/High Angle: Anker's sweaty
face.
Props: Bench Press apparatus.
3 24 Medium Shot: Anker gets up, puts
weights away
Props: Bench Press, Various weights
3 25 Long shot (becomes Medium
Shot)/Pans Left: Anker walking to
window, mumbling, begins to walk
away
Props: weights, towels, bench press.
FG: Becomes Window
3 26 Medium Shot: Anker walking out of
room
FG: Bench Press
BG: Anker walking, Weight Room
Props: weights, towels, bench press.
4 27 Extremely Long Shot/Panning Left: A
Legend exiting the Hero, heading
towards earth.
FG: Legend
MG: The Hero
BG: Space and Earth
Props: Space suits, weapons, ammunition
4 28 Long Shot/Follow Shot: Legend
entering earth's atmosphere, hazy
None
4 29 Medium Shot: Aldana and first officer
commanding the Legend.
FG: Flight Yoke, some instruments
MG: Aldana and First Officer
Props: Space suits, weapons, ammunition
4 30 Close Up: Instrument panel indicating
decreasing altitude
(reflection shows First Officer)
4 31 Medium Shot/Panning Left: Scientist
looking at instruments.
FG: Instruments then Scientists
Props: Space suits, weapons, ammunition
4 32 Close up: Scientist's face in disbelief of
the readings, turns around and calls
Anker.
FG: Scientis
BG: Anker
Props: Space suits, weapons, ammunition
4 33 Medium Close Up/Follow Shot: Anker Props: Space suits, weapons, ammunition
walking towards scientist's station
4 34 High Angle Shot/Medium Shot/Shot
Reverse Shot: Scientist talks to Anker.
FG: Anker's back/shoulder
MG: Scientist
Props: Space suits, weapons, ammunition
4 35 Close Up: Anker's face, replying
apathetically, looks at window
FG: Anker
BG: Aldana staring out the window
4 36 Medium Close Up: Aldana staring out
the window.
FG: Aldana
BG: Anker
4 37 Long Shot: Anker walking towards
Aldana.
Props: Space suits, weapons, ammunition
4 38 Medium Shot: Aldana and Anker,
looking out the window
FG: Aldana and Anker
BG: The earth
4 39 Close up: Aldana's face None
4 40 Shot-Reverse-Shot: Aldana talking,
Anker
MG: Aldana
FG: Anker
4 41 Long Shot/Track Forward: Window
tracks out to outside of ship
FG: Window, then window dissapears
MG: Earth
BG: Space
4 42 Close Up: Aldana's face None
4 43 Medium Shot: Anker and Aldana
hugging, focus then turns to
background
FG: Anker and Aldana
BG: Scientist typing into computer
Props: Space suits, weapons, ammunition
4 44 Medium Shot/Pedestal Down: Scientist
(out of frame, Pedestal in) yelling over
at Anker
FG: Scientist
BG: Anker and Aldana
Props: Space suits, weapons, ammunition,
computer.
4 45 Close Up: Scientist's face BG: Automatic door
4 46 Medium shot: Aldana and Anker
looking outside the window.
BG: Window
4 47 Long shot: Planet earth FG: Dirty Earth
4 48 Close up from outside the window:
Anker's face
None
5 49 Long shot/ tracking left: Legend hovers
over a city
FG: Legend
BG: City
5 50 Long shot: Legend pulled down to a
landing pad
FG: Legend, Beam, Landing pad
BG: City
5 51 Long shot: Legend on the landing pad FG: Legend
BG: City
5 52 Medium shot/track forward: Loading
ramp begins to open
FG: Loading ramp
BG: Legend
5 53 Medium shot/panning right: Soldiers on
board scramble for weapons.
FG: Soldiers
MG: Anker
5 54 Medium shot/ low angle: Anker
retrieving weapon calmly
BG: Other soldiers scrambling
5 55 Long Shot: Loading ramp hits ground,
soldiers slowly exiting (silhouettes)
FG: Soldiers and The Legend
5 56 Wide Angle Shot: Humans exiting ship
(on right), Nephilim approach (from
left)
Nephilim and Human Soldiers
5 57 Close up: Human soldier’s face FG: Human Soldier
BG: The Legend
5
58 Close Up: Nephilim’s face FG: Nephilim’s face
BG: Hebron’s architecture
5 59 Wide Angle Shot (Similar to 56): Anker
breaks from crowd of humans, closes
towards Nephilim.
Nephilim and Human Soldiers
5 60 Medium Shot: Anker speaking FG: Anker
5 61 Long Shot: Nephilim standing
motionless
FG: Nefilim
BG: Architecture
5 62 Medium Shot: Anker speaking FG: Anker
5 63 Medium Shot/Slight Pan Right: Bappert
stands forward, and replies
FG: Bappert
5 64 Medium Shot: Anker Speaking FG: Anker
5 65 Medium Shot/Shot Reverse Shot: Anker
continues to speak
FG: Anker
BG: Bappert, Nefilim
5 66 Long Shot: Nephilim mumbling,
exchanging looks
FG: Nefilim
5 67 Close Up: Bappert’s face expression None
5 68 Medium Close Up: Anker Speaking FG: Anker
MG: Rest of Crew
BG: The Legend
5 69 Medium Shot: Bappert Replying MG: Other Nephilim
5 70 Medium Shot: Aldana, while Bappert is
speaking
FG: Aldana
BG: The Legend
5 71 Medium Shot: Bappert Speaking MG: Other Nephilim
5 72 Long Shot/Over Bappert’s Sholder:
Aldana speaking loudly and pacing
towards Bappert
FG: Bappert
MG: Anker, Aldana closing in
5 73 Long Shot: Anker restraining Aldana,
Bappert steps towards them a couple
BG: Cityscape
steps, unafraid.
5 74 Medium Long Shot: Nephilim gritting
teeth. Then they part.
BG: Cityscape
5 75 Crane Shot/Wide(from Left): Emim
enters from the left of frame, Shot
lowers to his level
BG: The Legend, engulfed by the
enormous city.
5 76 Low Angle/Medium Shot: Emim
speaking
BG: Top of skyscrapers and sky
5 77 High Angle/Medium Shot: Aldana and
Anker, Aldana struggles and shouts.
BG: Mostly ground
5 78 Low Angle/Medium Close Shot: Emim
Speaking
BG: Top of skyscrapers and sky
5 79 Medium Close Shot: Anker speaking BG: Rest of crew and The Legend
5 80 Wide Low Angle: Emim speaking BG: other Nephilim visible
5 81 Close Up: Emim’s pointing finger BG: The Humans (being pointed at)
5 82 Close Up: Anker’s face none
5 83 Medium Shot: Emim turns to his
subjects, and speaks to them. Camera
changes focus to background.
FG: Emim
MG: Subjects
5 84 Medium Close Up: Emim speaks, then
walks out of frame
FG: Emim
BG: Cityscape
5 85 Medium Close Up/High Angle: Aldana
shouts and struggles. Anker picks her
up.
BG: Mostly ground
5 86 Long Shot: Humans Retrieving on
right, Nephilim retrieving on left.
BG: Cityscape
5 87 Long Shot: Anker carries Aldana onto
The Legend. Soldiers quietly follow.
BG: The Legend
MG: Other humans
FG: Anker and Aldana
5 88 Close Up: Anker’s face, Aldana on his
shoulder. Fade out.
none
6 89 Long Shot: Wagner and his office,
establishing shot: door knocks, Wagner
replies
Props: Military art all over the walls.
Some uniforms hung up, symbolic.
6 90 Medium Shot/Pan Left, then Pedestal
down: Anker enters room, then sits.
BG: Wall inside, and door.
6 91 Medium/High Angle Shot: Wagner
speaks, quickly pan to Anker
BG: Large window and Earth can be seen.
6 92 Shot Reverse Shot: Wagner asks Anker
questions , Anker responds
Props: Military art all over the walls.
Some uniforms hung up, symbolic. Desk.
6 93 Medium/Tracking Right: Wagner and
Anker speaking, both remain in shot
Props: Military art all over the walls.
Some uniforms hung up, symbolic. Desk.
6 94 Medium Shot: Anker looks out the
window and speaks, back to the camera
BG: Earth (window)
6 95 Shot Reverse Shot: Over Anker’s
shoulder, Wagner stands up and shouts,
Bloodgood enters room in background
BG: Bloodgood
MG: Wagner
FG: Anker
6 96 Medium Shot: Bloodgood speaking BG: Military wall
6 97 Medium Shot: Wagner speaking, Anker
is visible
BG: Earth (window)
FG: Anker (reactions)
MG: Wagner
6 98 Medium Close-up: Anker’s back, Anker
speaks, Anker is looking out the
window at Earth
BG: Earth (window)
FG: Anker’s back
6 99 Long shot: All three are visible, Wagner
speaks, Anker replies (shot from near
window)
BG: Military Wall.
6 100 Medium Shot/Over Shoulder:
Bloodgood looks at Anker and Wagner,
speaks
BG: Earth (window)
MG: Anker and Wagner
FG: Bloodgood’s side/back
6 101 Close-up Shot: Wagner speaks none
6 102 Over the Shoulder Shot: Anker’s
shoulder, Anker and Bloodgood look at
each other, Wagner stands up
BG: Side of room with door entrance
FG: Anker’s back
6 103 Low-Angle Shot: Wagner makes his
decision
BG: Metallic ceiling of ship, blue
fluorescent lamp.
6 104 Long/Medium Shot: Wagner and
Bloodgood speak to and reply to each
other
BG: Window and Earth
6 105 Shot Reverse Shot: Wagner and
Bloodgood’s expressions
Props: Military art clearly visible.
6 106 Close-up: Anker raises eye-brow none
6 109 Long shot: All three are visible, Wagner
and Bloodgood exchange ideas while
Anker becomes progressively angrier
BG: Window, Earth still visible
6 110 Medium Shot/Slight Low Angle: Anker
shouts
BG: Metallic Ceiling
6 111 Tracking shot: Anker leaves room,
camera follows Anker and stops at door
FG: Anker
BG: Blurry Bloodgood and Wagner
6 112 Long/High Angle Shot: Entire room is
quiet, Bloodgood and Wagner continue
All Wall Props by door wall (Military Art,
Uniforms, etc.)
planning, fade out
7 113 Medium Shot: Fade in, Aldana is
pulling photos from an album
Props: photos, outfits (bg), album, bed,
picture frame in night stand
7 114 Close up: Aldana’s face, tears none
7 115 Close up: photograph of old Earth none
7 116 Medium/Long Shot: Anker opens door
and enters room, Aldana does not react
Props: photos, outfits (bg), album, bed,
picture frame in night stand
7 117 Close up: Anker notices Aldana, walks
out of frame towards her
Props: photos, outfits (bg), album, bed,
picture frame in night stand
7 118 Medium/Close-Up Shot: Aldana notices
Anker, puts away photograph, Anker
sits next to her and speaks
Props: photos, outfits (bg), album, bed,
picture frame in night stand
7 119 Close-Up: Anker speaking none
7 120 Close up: Aldana speaking none
7 121 Medium/Close-Up: Anker and Aldana
exchange words
Props: photos, outfits (bg), album, bed,
picture frame in night stand
7 122 Close-Up: Anker’s face none
7 123 Close-Up: Aldana replies, camera tracks
her movements to Anker’s face
none
7 124 Medium shot: Anker speaking Props: photos, outfits (bg), album, bed,
picture frame in night stand
7 125 Close-Up: Aldana looks up at Anker none
7 126 Medium/Close-Up: Anker speaks none
7 127 Medium Shot: Aldana stands up, speaks
and turns
Props: outfits (BG), bed, shelves (BG)
7 128 Close-Up: Anker’s hand holding
Aldana’s arm
none
7 129 Medium/Long Shot: Anker holding
Aldana back, Anker speaking
Props: photos, outfits (bg), album, bed,
picture frame in night stand
7 130 Medium/Close-Up: Anker’s hand
holding Aldana, track up Aldana’s arm
to her face, Aldana speaks
Props: photos, outfits (bg), album, bed,
picture frame in night stand
7 131 Medium/Long Shot: Aldana pulls her
arm free
Props: photos, outfits (bg), album, bed,
picture frame in night stand
7 132 Long Shot: Aldana retrives her
equipment while Anker storms out of
the room, fade out
Props: Equipment (guns, grenades x2,
knife).
8 133 Medium/Close-Up: Fade in, Anker is
strapped in, slow zoom out
Props: Space Suits, Weapons,
Ammunition, Army Logo on Wall
8 134 Long shot: Anker and several soldiers
are being jostled by entry into Earth’s
atmosphere
Props: Space Suits, Weapons,
Ammunition, Army Logo on Wall
8 135 Medium Shot: Aldana is piloting the
ship, fiddles with instruments
Props: Navigation charts.
8 136 Long Shot: Shaking stops, crew relaxes Props: Space Suits, Weapons,
Ammunition, Army Logo on Wall
8 137 Medium/Low Angle Shot: Tactical
Support 1 speaks
Props: Attack charts, Space Suits,
Weapons, Ammunition, Army Logo on
Wall
8 138 Over the Shoulder Shot: Over TS1’s
shoulder, soldiers prepare themselves
Props: Space Suits, Weapons,
Ammunition, Army Logo on Wall
8 139 Long shot: Outside ship, ship is flying
horizontally
FG: faint clouds
MG: Ship
8 140 Medium Shot: Ship is flying, zoom in
on projectile that appears from clouds
MG: Clouds, Ship
FG: Projectile
8 141 Medium/Long Shot: explosion against
ship, quick zoom out
none
8 142 Medium Shot: Aldana is jostled, shouts Props: Navigation charts, debris flying
everywhere.
8 143 Long Shot: Soldiers begin to panic,
alarms sound
Props: Lots of debris
8 144 Close-Up: Anker’s face shows concern Props: Debris (blurry, all around)
8 145 Medium Shot: First Officer shout Props: Debris
8 146 Medium/High Angle Shot: Aldana
speaks, fiddles with instruments
Props: Debris, and navigation charts flying
everywhere.
8 147 Medium Shot: Aldana panics, First
Officer speaks
Props: Debris, and navigation charts flying
everywhere.
8 148 Long Shot: Ship is in far distance, flies
towards camera on ground, cut to black
as ship “collides” with camera, loud
crashing sounds
FG: dead grass
MG: Ship rapidly approaches.
Props: old soccer ball sitting on grass
9 149 Long Shot: Fade in, The Legend is
wrecked and twisted, smoke billows in
the wind
Props: Fire, smoke, dead bodies, scattered
ammunition, weapons and suits. Ash.
9 150 Long Shot: Bodies on the ground
around ship, fire on a wing of the ship,
a bright orange sunset lights the scene
Props: Fire, smoke, dead bodies, scattered
ammunition, weapons and suits. Ash.
9 151 Long Shot: Anker and others are
visible, Anker is still strapped in
Props: Fire, smoke, dead bodies, scattered
ammunition, weapons and suits. Ash.
9 152 Extreme Close-Up: Anker’s eyes open none
slowly
9 153 Medium Shot: Anker sits up and
removes his harness, he looks around
Props: Fire, smoke, dead bodies, scattered
ammunition, weapons and suits. Ash.
9 154 Medium Shot: Bodies in front of
harnesses that were never fastened
Props: Fire, smoke, dead bodies, scattered
ammunition, weapons and suits. Ash.
9 155 Medium/Close-Up: Anker panics, calls
for Aldana
Props: Fire, smoke, dead bodies, scattered
ammunition, weapons and suits. Ash.
9 156 Over the Shoulder Shot: Aldana is a few
feet from her station, motionless
Props: Fire, smoke, dead bodies, scattered
ammunition, weapons and suits. Ash.
9 157 Tracking/Medium/Close-Up: Anker
rushes to Aldana
Props: Fire, smoke, dead bodies, scattered
ammunition, weapons and suits. Ash.
9 158 Close-Up: Anker’s calls her none
9 159 Medium Shot: Aldana lies motionless in
his arms
Props: smoke, ash.
9 160 Medium/Low Angle Shot: Anker calls
her again
Props: smoke, fire, ash.
9 161 Close-Up: Aldana responds weakly none
9 162 Medium/Close-Up: Anker speaks,
Aldana replies
Props: smoke, fire, ash, some dead bodies,
scattered debris.
9 163 Medium Shot: Slight pan to left, Anker
tries move Aldana, she refuses
Props: smoke, fire, ash, some dead bodies,
scattered debris.
9 164 Medium Shot: Anker looks down, pan
to Aldana’s injury.
none
9 165 Medium/Close-Up/Low Angle: Anker
panics, Aldana speaks
BG: torn ship ceiling.
Props: fire, smoke, ash, debris.
9 166 Close-Up: Anker begins to lose it none
9 167 Medium/Long Shot: Bodies and fire,
Anker and Aldana continue to talk
Props: Fire, bodies, smoke, ash, debris
9 168 Close-Up/High Angle Shot: Anker talks Props: Fire, bodies, smoke, ash, debris
9 169 Medium/Close-Up: Anker continues to
talk
Props: Fire, bodies, smoke, ash, debris
9 170 Medium Shot: Sunset in background
through hole in ship, Aldana and Anker
exchange last words
FG: Anker, Aldana
BG: Ship tore open, sunset.
9 171 Close-Up: Zoom in from previous shot,
they kiss
Props: Ash, smoke.
9 172 Close-Up to Medium Shot: Aldana’s
eyes become lifeless, slow zoom out,
Anker lays her down
Props: smoke, fire, ash, some dead bodies,
scattered debris.
9 173 Close-Up: Anker looks up, his eyes are none
distant
9 174 Medium Shot: pan slowly, Anker
searches ship for radio
Props: smoke, fire, ash, some dead bodies,
scattered debris, some broken radios
9 175 Over the Shoulder Shot: Anker finds a
radio that works
Props: somewhat damaged radio, debris,
ash, smoke
9 176 Close-Up: Anker pulls it closer and
speaks into it
Props: Radio
9 177 Extreme Long Shot: The Hero, as
Anker looks up at it through another
gaping hole in the ship.
Props: fire, smoke.
FG: Anker looking up
BG: The Hero
9 178 Medium Shot: Wagner answers the call,
they speak to each other.
Props: radio, rubble from crash.
9 179 Medium/Long Shot: Anker puts down
the radio, then turns and leaves the
frame
Props: smoke, fire, ash, some dead bodies,
scattered debris, some broken radios
10 180 Long Shot: Establishing shot, The
Hero’s command center, people hustle
around
Command center station
10 181 Medium Shot: Wagner issues various
orders to people who walk past
FG: Wagner
MG: People hustling
10 182 Long/High Angle Shot: subordinates
relay information to Wagner, who
acknowledges them
Command center station
10 183 Close-Up: Wagner puts elbows on
console and rubs his eyes. He watches
and waits
None
11 184 Close-Up: Pan up on Anker, noting
various weapons he is equipped with
Props: assortment of weapons
11 185 Over the Shoulder Shot: Anker’s
shoulder, Hebron is in view
Props: assortment of weapons
FG: Anker
BG: Hebron
12 186 Medium Shot: A Nefilim turns to see
Anker off-frame and is shot instantly
Props: broken old cars on street, trash
everywhere, dirt prominent.
12 187 Medium/Long Shot: Other Nefilim see
the body fall and run to cover
Props: broken old cars on street, trash
everywhere, dirt prominent.
12 188 Long Shot: Nefilim soldiers begin to
rush down the streets, firing their
weapons
Props: broken old cars on street, trash
everywhere, dirt prominent, weapons
12 189 Medium Shot: Anker fires his weapon a
few round and takes cover for himself
Props: broken old cars on street, trash
everywhere, dirt prominent.
12 190 Medium/Long Shot: Two Nef. Soldiers Props: broken old cars on street, trash
fall dead, remaining soldiers continue
their advance undaunted
everywhere, dirt prominent, dead bodies
12 191 Close-Up: Anker looks around corner
and pulls back as bullets fly past
Props: Anker’s weapons, dirt
12 192 Close-Up: Anker readies grenade Props: Grenade
12 193 Medium Shot: Anker throws grenade
over his own cover
Props: broken old cars on street, trash
everywhere, dirt prominent, grenade, other
weapons
12 194 Close-Up: Grenade hits ground at the
soldier’s feet
Props: Grenade
12 195 Medium Shot: explosion, Nefilim are
sent flying
Props: broken old cars on street, trash
everywhere, dead bodies
12 196 Medium/Low Angle Shot: More
soldiers emerge from the dust cloud,
continue to fire weapons
Props: broken old cars on street, trash
everywhere, dirt prominent, dead bodies,
weapons
12 197 Close-Up: Anker swears and reloads his
weapon
Props: Anker’s weapon
12 198 Medium/Tracking Shot: Anker takes a
few shot from cover, then tries to move
to new cover, he speaks
Props: broken old cars on street, trash
everywhere, dirt prominent, big piece of
metal used for cover, weapons.
12 199 Medium/Close-Up: Nefilim firing his
weapon gets hit in the face
None
12 200 Medium Shot: Two more soldiers fall
dead, remaining soldier continue the
assault
Props: broken old cars on street, trash
everywhere, dirt prominent, dead bodies.
12 201 Long/Tracking Shot: Anker runs
through alleys
Props: trash, dust.
12 202 Medium/Close-Up: whiz, Anker falls to
his knee
Props: weapons, dust
12 203 Medium/Long Shot: Anker scoots out
of sight, Nefilim soldiers file down the
alley passing Anker
Props: old broken cars, weapons,
increasing dust, and wind.
12 204 Close-Up: Anker’s knee is injured None
12 205 Over the Shoulder Shot: Anker sees a
staircase
FG: Anker’s Back
BG: Staircase
12 206 Medium Shot: Camera pans to watch
Anker drag himself up the stairs
Props: Alien toys, clothing.
12 207 Medium Shot: Anker uses a grenade to
destroy the stairs
Props: Grenade, alien toys, clothing which
catches fire.
12 208 Medium/Close-Up: Soldiers stop to
hear the explosion, they change
Props: broken old cars on street, trash
everywhere, dirt prominent.
direction
12 209 Long Shot: Anker is on top of a
building
Props: Clothes hung out.
12 210 Close-Up: Anker takes shots from his
high ground, speaks
Props: Weapons, everything that was at
street level.
12 211 Long/High Angle Shot: Nefilim soldiers
begin to fall left and right
Same as 210
12 212 Medium/Tracking Shot: Soldier takes
cover
Same as 210 plus large piece of steel they
take as cover.
12 213 Close-Up: Soldier makes a call on a
strange device
Props: Strange device
BG: wind blowing picks up dust
12 214 Over the Shoulder: Anker’s shoulder,
Nefilim are no longer visible
Props: Props: broken old cars on street,
trash everywhere, dirt prominent, Anker’s
weapon.
12 215 Medium Close-Up: Anker tries to catch
his breath, pauses as he hears the
sounds of engines
FG: Anker
BG: Darkening sky
12 216 Over the Shoulder: Anker sees a flying
vehicle
FG: Anker Shoulder
BG: Flying vehicle
12 217 Medium/Tracking Shot: Camera
mounted on side of flying machine,
Nefilim flying machine fires shots in
Anker’s direction
FG: Side of flying machine
BG: Anker
12 218 Medium Shot: Anker rolls to cover Props: hung out clothes
12 219 Medium Shot: Anker readies a heavy
weapon, as NFM draws closer
Props: Heavy Weapon
FG: Anker and his weapon
MG: NFM
13 220 Medium/Close-Up/Low Angle Shot:
Wagner has glazed eyes, looks down at
a button
Command center station
FG: big red button
MG: Wagner
13 221 Medium Shot: Subordinate speaks,
Wagner confirms
Command center station
13 222 Extreme Close-Up: Wagner pushes
button, speaks
FG: Button
MG: Wagner
14 223 Medium Shot: Anker takes aim at
camera, speaks, then fires
Props: Large weapon, hung clothing
14 224 Tracking Shot: Camera follows missile
to NFM,
Props: Missile.
FG: Missile
BG: rapidly moving background
14 225 Long Shot: the machine explodes and
falls to ground, light tilt down/pan
Props: broken old cars on street, trash
everywhere, dirt prominent.
14 226 Long Shot: Soldiers climb onto roof of
building, pan up to see PD as it comes
down
Props: Planet destroyer
FG: Soldiers
BG: Faint planet distroyer
14 227 Extreme Close-Up Anker’s eye, PD is
seen in reflection off of eye, speaks
Props: planet destroyer reflection
14 228 Extreme Long Shot: Enourmous
explosion engulfs city, blast engulfs
camera, fade to white, then black
None (CGI).
15 229 Close up on Earth’s remains zooms out
slowly into very Long shot, towards end
of shot Hero flies by, no pan.
Earth, Hero
16 230 Medium Shot of Wagner zooms out
while panning right to reveal burial
service.
Props: Tombstone, Flowers, many chairs,
platform where Wagner stands.
16 231 Close-Up: Grave, reads Anker Nikla,
true hero.
Props: Grave marker (symbolic)
16 232 Medium Shot/Track Right: People at
the burial.
FG: People
BG: Window and rest of colony
16 233 Medium Shot: Wagner speaking none
16 234 Medium/Long/ Low Angle Shot:
Wagner enters frame and places flowers
Props: Tombstone, flowers.
16 235 Close-Up: Flowers, fade out. Props: Flowers, tombstone.
Scene 2/Shot 12 Scene 2/Shot 13
Scene 2/Shot 14
Scene 2/Shot 15 Scene 2/Shot 16
Wagner Speaking. Present on screenTrack Left
Anker sitting, pacing feet. Pedestal up to face.
Wagner introduces scientistsScientists walk towards him.
Scientists approach front of room.Panning Right/Long Shot
Scientist talking, pointing to screen. Medium Shot.
Costume
Design
Reyn Started off with this simple design (left). We liked it a lot from the beginning but thought he looked like a little punk more than a Captain in charge of Humanity.
This is the final version of Captain Anker.
He now looks much more mature. The
change in posture is essential, although he
is somewhat of a rebel character so the
initial pose would work too in some cases.
But the hair is much more under control,
and he looks like he knows what he’s
doing. One barrier we had some trouble
with is getting a masculine character. He
still looks a bit feminine; Reyn says that’s
his weakness. We forgive him!
Aldana is the beauty of the cast, and
Reyn did a terrific job of representing
her. She looks like she’s ready to
fight, which will end up killing her.
The Nefilim design was challenging since we
had no idea what these characters would
really look like. But in the end we (and by
that I mean Reyn, our official Costume
designer) came up with a very passive
looking character that suits the role.
They may be passive, but not afraid to take
action.
Kristina thought this color
scheme would suit the character
well. The yellow hair and purple skin
really makes them look unique. And
they dress in the colors that
surround them, lots of brown and
the green that they are slowly
deleting from earth.