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Program Note Quasi Un Madrigale Four Italian Songs for Soprano and Piano Robert Greenberg I. Il Palatino/”The Palatine”; Aldo Palazzeschi II. Poesia d’Amore/ “Love Poem”; Salvatore Quasimodo III. La Trombettina/”The Little Trumpet”; Corrado Govoni IV. Quasi un Madrigale/”Almost a Madrigal”; Salvatore Quasimodo Quasi Un Madrigale sets the poetry of three 20th century Italian poets: Salvatore Quasimodo, Aldo Palazzeschi and Corrado Govoni. These expressive, evocative poems deal variously with states of memory, nostalgia, and longing. The four songs are conceived as a cycle. The first three songs are true duets, with the piano a full partner of the soprano. The fourth and final song, from which the cycle draws its name, constitutes the emotional core of the set. It is at once a resigned lament of personal loss and an affirmation of new life. Quasi Un Madrigale was composed between February and September 1985. All poems used with permission.

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Program Note

Quasi Un MadrigaleFour Italian Songs

forSoprano and Piano

Robert Greenberg

I. Il Palatino/”The Palatine”; Aldo PalazzeschiII. Poesia d’Amore/ “Love Poem”; Salvatore QuasimodoIII. La Trombettina/”The Little Trumpet”; Corrado GovoniIV. Quasi un Madrigale/”Almost a Madrigal”; Salvatore Quasimodo

Quasi Un Madrigale sets the poetry of three 20th century Italian poets: Salvatore Quasimodo, Aldo Palazzeschiand Corrado Govoni. These expressive, evocative poems deal variously with states of memory, nostalgia, andlonging.

The four songs are conceived as a cycle. The first three songs are true duets, with the piano a full partner of thesoprano. The fourth and final song, from which the cycle draws its name, constitutes the emotional core of the set. It is at once a resigned lament of personal loss and an affirmation of new life.

Quasi Un Madrigale was composed between February and September 1985.

All poems used with permission.