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PROGRAM NOTES The Wheel and Circles are pieces that were commissioned in 1996 by the Concord Chorus of Massachusetts to commemorate their 50th anniversary. Two poems by Wendell Berry that were related in theme were chosen to set for mixed chorus. Circles, titled by the author Song (4) dedicated to Guy Davenport, and The Wheel, dedicated to Robert Penn Warren. Berry’s poem extols the circles of the seasons and the cycles of life. The circle, we are told, is the most perfect geometric form, having no beginning or end. If you look at the Circles score you will see that the notes for women’s voices gradually curve up and then down, while on the staff below the men sing in a curve down and then up, so that the two staves put together form a visible circle. The opening line of The Wheel, “At the first stroke of the fiddler’s bow,” evokes the music of my childhood in rural California when my parents still danced the traditional steps of the reel and square dance to the shout of “the caller.” The Wheel and Circles are metaphors for life with its ever-evolving dance in time and unending cycle of birth, death, rebirth, and life. The poet Wendell Berry tells us “only music keeps us here.” It is through music we are brought to a more clear vision of our divine source. —Dave Brubeck Dave Brubeck (1920– ) A jazz pianist who is noted for his improvisational skills, Dave Brubeck is also the composer of many fully-notated works, including choral, hymns, orchestral, chamber music, ballet suites, a string quartet, solo pieces for piano, violin & voice, and large-scale works for chorus and orchestra. He has been designated a “Living Legend” by the Library of Congress and a “Jazz Master” by the National Endowment for the Arts. For more information, please visit alfred.com. Preview Onl y Legal Use Requires Purchase

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PROGRAM NOTES

The Wheel and Circles are pieces that were commissioned in 1996 by the Concord Chorus of Massachusetts to commemorate their 50th anniversary. Two poems by Wendell Berry that were related in theme were chosen to set for mixed chorus. Circles, titled by the author Song (4) dedicated to Guy Davenport, and The Wheel, dedicated to Robert Penn Warren.

Berry’s poem extols the circles of the seasons and the cycles of life. The circle, we are told, is the most perfect geometric form, having no beginning or end. If you look at the Circles score you will see that the notes for women’s voices gradually curve up and then down, while on the staff below the men sing in a curve down and then up, so that the two staves put together form a visible circle.

The opening line of The Wheel, “At the first stroke of the fiddler’s bow,” evokes the music of my childhood in rural California when my parents still danced the traditional steps of the reel and square dance to the shout of “the caller.”

The Wheel and Circles are metaphors for life with its ever-evolving dance in time and unending cycle of birth, death, rebirth, and life. The poet Wendell Berry tells us “only music keeps us here.” It is through music we are brought to a more clear vision of our divine source.

— Dave Brubeck

Dave Brubeck (1920– )

A jazz pianist who is noted for his improvisational skills, Dave Brubeck is also the composer of many fully-notated works, including choral, hymns, orchestral, chamber music, ballet suites, a string quartet, solo pieces for piano, violin & voice, and large-scale works for chorus and orchestra. He has been designated a “Living Legend” by the Library of Congress and a “Jazz Master” by the National Endowment for the Arts.

For more information, please visit alfred.com.

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SOPRANO

ALTO

TENOR

BASS

ACCOMP.

q»••

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∑œœ œœ œœ œœ Ó

Ó œœ œœ œœ

Ó œœ œœ œœ jœœœ ‰œœ œœ œœ œœ œœ œœ œœ J

œœœ ‰

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F

F

F

œœ œœ ˙̇ Jœœ ‰zing zing

Œ œœ œœ œœ jœœ ‰zing zing

Ó œœ œœ Jœœ ‰zing zing

Ó Œ Jœœ ‰zing

œœ œœ œœ œœ Ó

Ó œœ œœ Jœœ ‰

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Music byDAVE BRUBECK

The Wheel

Lyrics from “Collected Poems:1957-1982” by Wendell Berry. Copyright © 1985 by Wendell Berry. Used by arrangement with NorthPoint Press, a division of Farrar, Straus, and Giroux, LLC. All rights reserved.

Music © 1996 Derry Music Company.Exclusive Print Rights Administered by ALFRED PUBLISHING CO., INC.

All Rights Reserved Including Public Performance

Poem byWENDELL BERRY

SSAATTBB, Accompanied

Commissioned in 1996 by the Concord Chorus of Massachusetts to commemorate their 50th anniversary.

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4 Ó ‰ œœ œœ jœœ ‰zing a zing.

Ó œœ œœ œœ jœœ ‰zing zing a zing.

Œ œœ œœ œœ œœ œœ Jœœ ‰zing zing zing zing a zing.œœ œœ œœ œœ œœ œœ Jœœ ‰

zing zing zing zing a zing.4 Ó œœ œœ œœ jœœœ ‰

œœ œœ œœ œœ œœ œœ œœ Jœœœ ‰

œœ œœ œœ ..˙̇At the first stroke

Œ ‰ œœ œœ œœ œœ œœof the fid dle bow

Ó Œ ‰ Jœœthe

∑œœ œœ œœ ..˙̇Œ ‰ œœ œœ œœ œœ Jœœ ‰Ó Œ ‰ Jœœ

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6 Ó ‰ œœ œœ Jœœ ‰from their seats.

˙̇ ‰ œ œ jœ ‰from their seats.

œœ œœ œœ ‰ œ œ jœ ‰dan cers rise from their seats.

Œ ‰ œœ œœ œœ ‰ Jœœfrom their seats. Then

6 Ó ‰ œœ œœ Jœœ ‰œœ œœ œœ ‰ œœ œœ œœ œœŒ ‰ œœ œœ œœ

œœb > œ œ œ œbow to their part ner

œ> œ œ œ œbow to their part ner

œb > œ œ œ œbow to their part ner

œb > œ œ œ œbbow to their part ner

7 ‰ œœbb œœ ‰ jœœ ‰ jœœ ‰ jœœœœbb Jœœ ‰ Jœœ ‰ Jœœ ‰

œ œ .œb ‰prom en ade

œ œ .œb ‰prom en ade

œb œ .œ ‰prom en ade

œb œ .œ ‰prom en ade

‰ œœ œœ ‰ jœœ ‰ jœœbb ‰ jœœ

Jœœb ‰ Jœœ ‰ Jœœ ‰ Jœœ ‰

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gradual accel

gradual accel

9 œb œ œ œb œ œ œ jœ ‰do si do and a way we go.

œ œb œn œ œ œb œ jœ ‰do si do and a way we go.

œ œ œb œb œ œ œ Jœn ‰do si do and a way we go.

œb œ œb œn œ œb œ Jœ ‰do si do and a way we go.

9 œœb œœb œœn œœb œœ œœb œœ jœœ ‰

œœb œœ œœbb œœbn œœ œœb œœ Jœœn ‰

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œ œ œ œ œ œ Jœ ‰All join hands and cir cle right.

œ œ œ œ œ œ jœ ‰All join hands and cir cle right.

œ œ œ œ œ œ Jœ ‰All join hands and cir cle right.

œ œ œ œ œ œ Jœ ‰All join hands and cir cle right.

‰ œœ œœ ‰ jœœ ‰ jœœ ‰ jœœ

Jœœ ‰ Jœœ ‰ Jœœ ‰ Jœœ ‰

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11 œ œ œ œ œ œ Jœ ‰Swing your part ner through the night.

œ œ œ œ œ œ jœ ‰Swing your part ner through the night.

œ œ œ œ œ œ Jœ ‰Swing your part ner through the night.œ œ œ œ œ œ Jœ ‰Swing your part ner through the night.

11 ‰ œœ œœ ‰ Jœœ ‰ Jœœ ‰ Jœœ

Jœœ ‰ Jœœ ‰ Jœœ ‰ Jœœ ‰

œ œ œ œ œ œ jœ ‰Wheel your part ner round and round.

œ œ œ œ œ œ jœ ‰Wheel your part ner round and round.

œ œ œ œ œ œ Jœ ‰Wheel your part ner round and round.

œ œ œ œ œ œ Jœ ‰Wheel your part ner round and round.

‰ œœ œœ ‰ jœœ ‰ jœœ jœœ ‰

œ œ œ œ œ œ Jœœ ‰

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13 ∑

œ œ œ œ œ œ Jœ ‰Swing your part ner off the ground.

œ œ œ œ œ œ jœ ‰Swing your part ner off the ground.

13 ∑œœ œœ œœ œœ œœ œœ J

œœ ‰

Ó ‰ Jœ Jœ ‰ye haw

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ Jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œœjœœ ‰

œœ œœ œœ œœ œœ œœ œœ Jœœ ‰

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F15 Ó Œ ‰ jœThe

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ Jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ Jœ ‰Zing zing zang zing a zing ye haw

15

œ œ œ œ œ œ œ œ œœœ œœ œœ œœ œœ œœ œœ Jœœ ‰

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œ œ .œ Jœdance be gins to

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ Jœ ‰Zing zing zang zing a zing ye haw

œ œ .œ jœœ œ œ œ œ œ œ Jœ ‰œœ œœ œœ œœ œœ œœ œœ Jœœ ‰

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17 .œ Jœ œ œ œshape it self in the

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ jœb ‰Zing zing zang zing a zing ye haw

17 .œ jœ œ œ œœ œ œ œ œ œ œ Jœ ‰œœ œœ œœ œœ œœ œœ œœ Jœœb ‰

œ œ œ œcrowd as coup les

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ Jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œœ œ œ œ œ œ œ Jœ ‰œœ œœ œœ œœ œœ œœ œœ Jœœ ‰

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19 ˙ .œ ‰join,

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ jœ jœZing zing zang zing a zing ye haw and

œ œ œ œ œ œ œ jœb jœZing zing zang zing a zing ye haw and

19 ˙ .œ ‰œ œ œ œ œ œ œ Jœ‰

œœ œœ œœ œœ œœ œœ œœ œœb œœ

P

Pœ œ œ œ œ œ œ Jœ ‰

Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

Jœ œ Jœ œ œ ‰ jœcoup les join coup les theirjœ œ Jœ œ œ ‰ Jœcoup les join coup les their

∑‰ jœœ

‰ jœœ ‰ jœœ ‰ jœœœ œ œ œ

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21 œ œ œ œ œ œ œ Jœ ‰Zing zing zang zing a zing ye haw

œ œ œ œ œ œ œ jœ ‰Zing zing zang zing a zing ye haw

jœ œ jœ œ œ Jœ ‰move ment to geth er

Jœ œ jœ œ œ Jœ ‰move ment to geth er

21 ∑‰ jœœ ‰ jœœ ‰ jœœ ‰ jœœœ œ œ œ

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œ œ œb œ œœ ‰ Jœlight en ing their feet. They

œ œ œb œb œœn Œlight en ing their feet.

œb œ œb œb œ ‰ Jœnlightlight enen inging theirtheir feet.feet. Theyœb œ œ œb œ Œlight en ing their feet.

≈ œœb

≈ œœ

b ≈ œœ

b ≈ œœb

œœ œœ œœjœœœn ‰

≈œb œ œb œb œœn œœ œœ Jœœ ‰

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23 œ œ œ œ œmove in the an cient

œ œ œ œ œTwang twang a twang twang

œ œ œ œ œmove in the an cient

œ œ œ œ œTwang twang a twang twang

œ œ œ œ œ23 ‰ jœœœ jœœœ ‰ œœœ œœœ ‰ jœœœ

Jœœ ‰ ‰ Jœœ Œ Jœœ ‰

œ œ œ œ œ ‰ Jœcir cle of the dance. The

œ œ œ œ œ ‰ jœtwang a twang a twang twang

œ œ œ œ œ ‰ Jœcir cle of the dance. The

œ œ œ œ œ ‰ jœtwang a twang a twang twang

œb œ œ œ œ ‰ Jœ

‰ jœœœb jœœœ ‰ œœœ œœœ ‰ jœœœ

Jœœb Œ Jœœ Œ Jœœ ‰

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25 œ œ œ œ œ œ œdance and the song call each

œ œ œ œ œtwang twang a twang twang

œ œ œ œ œ œ œdance and the song call each

œ œ œ œ œtwang twang a twang twang

œ œ œ œ œ25 ‰ jœœœ jœœœ ‰ œœœ œœœ ‰ jœœœ

Jœœ Œ Jœœ Œ Jœœ ‰

œ œ œ œ Œoth er to be.

œ œ œ œ œ Œtwang a twang a twang

œ œ œ œ Œoth er to be.

œ œ œ œ œ Œtwang a twang a twang

œb œ œ œ œ Œ

‰ jœœœb jœœœ ‰ œœœ œœœ ‰ jœœœ

Jœœb Œ Jœœ Œ Jœœ ‰

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27 œ œ œ .œ ‰Soon they are one

œ œ œ .œ ‰twang twang a twang

œ œ œ .œ ‰Soon they are one

œ œ œ .œ ‰twang twang a twang

œ œ œ .œ ‰27 ‰ jœœœ jœœœ ‰ œœœ œœœ ‰ jœœœ

Jœœ Œ Jœœ Œ Jœœ ‰

Gradual ritard

Gradual ritard

œ œ œ œ œ œ œrapt in a sin gle rapt ure,

œ œ œ œ œ œ œrapt in a sin gle rapt ure,

œ œ œ œ œ œ œ œrapt in a sin gle rapt ure,

œ œ œ œ œ œ œrapt in a sin gle rapt ure,

‰ jœ jœ ‰ œœœ œœ œœ œœ

œ œœ œœ œ œ œœ œ

œ# œ jœ œ jœso that ev en the

œ œ jœ œ jœso that ev en the

œ œ Jœ œ Jœso that ev en theœ œ œb Jœ œb Jœso that ev en the

˙̇# ˙̇̇

˙̇ ˙̇

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P30 ˙ Jœœ œœb Jœœbnight, ev en the

w#night,

wnight,

w#night,

30

www

˙̇U Œ œœ œœbnight, has itsU̇ Ó

U̇ ÓU̇ Ó

U̇Ó

˙̇ Ó

rit.

rit.

f

f

f

f

a tempo

a tempo

Joyous

Joyous

œ œ œ# U ‰ jœnclar i ty. and

œ œ œU ‰ jœclarclar ii ty.ty. and

œ œ œU ‰ jœclarclar ii ty.ty. and

œ œ œU ‰ Jœclarclar ii ty.ty. and

œ œ œ œ œtime is the wheel that

œ œ œ œ œtime is the wheel that

bring out

œ œb œ œ œtime is the wheel that

œ œ œ œ œtime is the wheel that

œœ œœ œœ œœ œœ

œœ œœb œœ œœ œœ

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34

œ œ œ œ œbrings it round, and

œ œ œ œ œbrings it round, and

œ œ œb œ œbrings it round, and

œ œ œb œ œbrings it round, and

œ œ œb œ œ34

œœ œœ œœ œ œœ

œœ œœœ œœœbbb œœ

œœ

Grand Ritard

Grand Ritard

Jœ œ> Jœ œ œ œtime is the wheel that

jœ œ> jœ œ œ œ œtime is the wheel that

Jœ œ> Jœ œ œtime is the wheel that

Jœ œ> Jœ œ œ œ œtime is the wheel that

Jœœ œœ jœœ œœ œ œœ œœ

Jœœ œœ Jœœ œ œ œ œœ œ

œ œ œU œU œUbrings it round. With a

œ œ œU œU œUbrings it round. With a

œ œ œ œ œ œbU œU

œbUbrings it round. With a

œ œ œ œU œUbrings it round. With a

œœ œœ œœU œœ

U œœU

œ œ œ œ œ œbUœœ

U œœbUœ œ œ

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37 œ œ œ œ Jœ ‰ œ œdo si do and a

‰ jœ jœ ‰ œ œ ‰ jœching ching ching ching ching

œ œN œ œ Jœ ‰ œ œdo si do and a

œ œ œ œ œ œ œ œBoom ching ching boom ching ching boom ching

37 ‰ jœœœjœœœ ‰ œœœ œœ ‰ jœœ

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œway we go. We will

‰ jœ jœ ‰ œ œ ‰ jœching ching ching ching ching

œ œ œ œ œ œ œway we go. With a

œ œ œ œ œ œ œ œBoom ching ching boom ching ching boom ching

‰ jœœ jœœ ‰ œœ œœ ‰ jœœœœ œ œ œ œ œ œ œ

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39 œ œ œ œ œ œdance the hoe down,

‰ jœ jœ ‰ œ œ ‰ jœching ching ching ching ching

œ œ œ œ œ œ œdo si do and a

œ œ œ œ œ œ œ œBoom ching ching boom ching ching boom ching

39 ‰ jœœœjœœœ ‰ œœœ œœœ ‰ jœœœ

œ œ œ œ œ œ œ œ

œ œ œ œ œhoe down ho. With a

‰ jœ jœ ‰ œ œ ‰ jœching ching ching ching ching

œ œ œ œ œ œ œway we go. We will

œb œ œ œ œ œ œ œBoom ching ching boom ching ching boom ching

‰ jœœœjœœœ ‰ œœœ œœœ ‰ jœœœ

œb œ œ œ œ œ œ œ

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41 œ œ œ œ œ œ œdo si do and a

‰ jœ jœ ‰ œ œ ‰ jœching ching ching ching ching

œ œ œ œ œ œdance the hoe down,

œ œ œ œ œ œ œ œBoom ching ching boom ching ching boom ching

41 ‰ jœœœjœœœ ‰ œœœ œœœ ‰ jœœœ

œ œ œ œ œ œ œ œ

f

f

œ œ œ œ œ Œway we go.

‰ jœ jœ ‰ œ œ œ œching ching ching ching We will

œ œ œ Œhoe down ho.

œ œ œ œ œ œ œ œBoom ching ching boom ching ching We will

‰ jœœœ jœœœ ‰ œœœ œœœ ‰ jœœœ œ œ œ œ œ œ œ

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43 ∑

jœ œ jœ œ œ œ œdance 'til the fid dler puts

Jœ œ Jœ œ œ œ œdance 'til the fid dler puts

43 ‰ jœœœjœœœ ‰ œœœ œœ ‰ jœœ

œ œ œ œ œ œ œ œ

œ œ ˙down his bow.

∑œ œ ˙

down his bow.

œ œ ˙œ œ œ œ œ œ œ œ

f

ƒ

P

P

Jœ œ Jœ œ œDance to the fid dler,

jœ œ jœ œ œDance to the fid dler,

‰ jœ jœ ‰ œ œ ‰ jœching ching ching ching ching

œ œ œ œ œ œ œ œBoom ching ching boom ching ching boom ching

‰ jœœœjœœœ ‰ œœœ œœœ ‰ jœœœ

œ œ œ œ œ œ œ œ

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46 œ œ œ Œnev er stop.

œ œ œ Œnev er stop.

‰ jœ jœ ‰ œ Œching ching ching

œ œ œ œ œ ŒBoom ching ching boom ching

46 ‰ jœœœjœœœ ‰ œœœ ‰ jœœœ

œ œ œ œ œ œ œ

F

F

ƒ

f

œ œ œ œ œ œ œ œBoom ching ching boom ching ching boom ching

œ œ œ œ œ œ œ œBoom ching ching boom ching ching boom ching

jœ œ jœ œ œDance to the fid dler

jœb œ jœ œ œDance to the fid dler

‰ jœœ jœœ ‰ œœ œœ ‰ jœœœb œ œ œ œ œ œ œ

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48

œ œ œ œ Jœ ‰ œ œBoom ching ching boom ching And they

œ œ œ œ jœ ‰ œ œBoom ching ching boom ching And they

œ œ œ Œ'til you drop.

œb œ œ Œ'til you drop.

48 ‰ jœœ jœœ ‰ œœ ‰ jœœœb œ œ œ œ œ œ

F

F

F

œ œ œ œ œdanced all night by the

œ œ œ œ œdanced all night by the

œ œ œ œ> œ œ œ> œBoom ching ching boom ching ching boom ching

œ œ œ œN > œ œ œ> œBoom ching ching boom ching ching boom ching

‰ jœœ

œœ

œœ

œœ

‰ jœœJœ ‰ ‰ Jœ

> ‰ ‰ Jœ> ‰

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50 œ œ œ œ œ œlight of the moon and they

œ œ œ œ œ œlight of the moon and they

œ œ œ œ œ œ œ œching boom ching ching boom ching and they

œ œ œ œ œ œ œ œching boom ching ching boom ching and they

50

jœœ

‰ œœ

œœ

‰ jœœ

œœ œœ

‰ Jœ>‰ ‰ Jœ ‰ œœ œœ

œ œ œ œ œ œ œ œall danced to geth er to the

œ œ œ œ œ œ œ œall danced to geth er to the

œ œ œ œ œ œ œall danced to geth er to the

œ œ œ œ œ œ œall danced to geth er to the

œœ œœ œœ œœ œœ œœ œœ œœœœ œ œ œ œ œ œ

ƒ

œ œ œU Œfid dler's tune.

œ œ œ#U Œfid dler's tune.

œ œ œU Œfid dler's tune.

œ œ œU Œfid dler's tune.

Ó Œœœ

U

œ œ ˙#Uœœ œœ ˙̇

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53 œ œ œ Jœ ‰ Œ ‰ œ œAt the first stroke of the

œ œ œ œ œ œ œ jœ ‰Zing zang zing zang a zing zang zing

Ó œ œ œ Jœ ‰At the first stroke

œ œ œ œ œ œ œ Jœ ‰Zing zang zing zang a zing zang zing

53 ‰ jœœ ‰ œœ œœ‰ jœœ jœœ ‰

jœœ ‰ jœœ ‰ jœœ ‰ jœœ ‰

œ œ œ Œ ‰ jœfid dle bow the

œ œ œ œ œ œ œ jœ ‰Zing zang zing zang a zing zang zing

Œ ‰ œ œ œ œ œof the fid dle bow

œ œ œ œ œ œ œ Jœ ‰Zing zang zing zang a zing zang zing

‰ jœœ ‰ œœ œœ‰ jœœ jœœ ‰

jœœ ‰ jœœ ‰ jœœ ‰ jœœ ‰

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55

œ œ Jœ ‰ Œ ‰ œ œdan cers rise from their

œ œ œ œ œ œ œ jœ ‰Zing zang zing zang a zing zang zing

Œ ‰ jœ œ œ Jœ ‰the dan cers rise

œ œ œ œ œ œ œ Jœ ‰Zing zang zing zang a zing zang zing

55 ‰ jœœ ‰ œœ œœ‰ jœœ jœœ ‰

jœœ ‰ jœœ ‰ jœœ ‰ jœœ ‰

.˙ Jœ ‰seats.

œ œ œ œ œ œ œ jœ ‰Zing zang zing zang a zing zang zing

Œ ‰ œ œ .œ ‰from their seats.

œ œ œ œ œ œ œ Jœ ‰Zing zang zing zang a zing zang zing

∑‰ jœœ ‰ jœœ ‰ jœœ ‰ jœœœ œ œ œ

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57 œ œ œ œ œ œ œ Jœ ‰Zing zang zing zang a zing zang zing

œ œ œ œ œ œ œ jœ ‰Zing zang zing zang a zing zang zing

Jœ œ Jœ œ œ ‰ jœcoup les join coup les theirjœ œ Jœ œ œ ‰ Jœcoup les join coup les their

57 ∑‰ jœœ

‰ jœœ ‰ jœœ ‰ jœœœ œ œ œ

œ œ œ œ œ œ œ Jœ ‰Zing zang zing zang a zing zang zing

œ œ œ œ œ œ œ jœ ‰Zing zang zing zang a zing zang zing

jœ œ jœ œ œ Jœ ‰move ment to geth er

Jœ œ Jœ œ œ Jœ ‰move ment to geth er

∑‰ jœœ ‰ jœœ ‰ jœœ ‰ jœœœ œ œ œ

e»e

e»e

œ œ œb œUlight en ing their

œ œ œb œbUlight en ing their

œb œ œb œb ulight en ing theirœb œ œ œbUlight en ing their

‰ jœœb

‰ jœœ

b ‰ jœœ

b ‰ jœœb

U

œb œ œb œbu

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60 .œ Jœ Œfeet.

.œN Jœ Œfeet.

.œ jœ Œfeet.

.œ Jœ Œfeet.

60

œ œ œ œ œ œ.œ .œ‰ œœ œœ ‰ œœ œœJœ Œ Jœ Œ

p

Reflective

Reflective

∑œœ œœ œœ œœ œœ œœ œœ œœ

∑œœ œœ œœ œœ Jœœ Œ

p

pœœ œœ œœ œœ Œ .

Dance to the song

Œ . œœ œœ œœ œœDance to the song

∑œœ œœ œœ œœ œœ œœ œœ œœ

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64 ∑

œœ œœ œœ œœ Œ .Dance to the song

Œ . Jœœ ŒDance

64 ∑œœ œœ œœ œœ Jœœ Œ

‰ œ .œto

.˙Dance

Œ ‰ .œcall

Œ Jœ .œthe

Œ . ‰ ‰ jœthe

Œ . ‰ œ'til

∑‰ œ .œ.˙ JœŒ Jœ

Œ . ‰ ‰ jœŒ . ‰ œ

.œ Œ ..œ

.œ jœ Œstopped.

œ Jœhas

.œ Œ ..œ‰ œ Œ .ic.œ Œ .

mus

..œœ œ œœ œœ œœ œœœ Jœ.œ ‰ œœ œœ œœ œœJœ œœ ‰

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67

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ jœ œ œ œIn this rap ture the

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

67

œœ œœ œœ œœ œœ œœ œœ œœœ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ jœ œ ‰dead re turn.

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œœ œœ œœ œœ œœ œœ œœ œœœ œ œ œ œ œ œ œ

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œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ œ œ œ jœSor row is gone from

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

69

œœ œœ œœ œœ œœ œœ œœ œœœ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

.œ œ ‰them.

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œœ œœ œœ œœ œœ œœ œœ œœœ œ œ œ œ œ œ œ

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œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ Jœ .œThey are light.

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

71

œœ œœ œœ œœ œœ œœ œœ œœœ œ œ œ œ œ œ œ

f

p

f

œ jœ œ ‰They are light.

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ œ œ œ Jœ ‰ Jœplunk plunk a plunk plunk They

œœ œœ œœ œœ œœ œœ œœ œœœ œ œ œ œ œ œ œ

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p73 œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ œ œ œ œ œ œ œplunk plunk a plunk plunk plunk a plunk

œ Jœ œ Jœstep in to the

73 œœ œœ œœ œœ œœ œœ œœ œœœ œ œ œ œ œ œ œ

f

fœ œ œ œ Jœ ‰ Jœ

plunk plunk a plunk plunk and

œ œ œ œ jœ ‰ jœplunk plunk a plunk plunk and

œ œ œ œ œ ‰steps of the liv ingœ œ œ œ œ ‰steps of the liv ing

œœ œœ œœ œœ Jœœ ‰ Jœœœ œ œ œ œœ œœ ‰

ff

œ Jœ œ œ œturn with them in the

œ Jœ œ œ œturn with them in the

œ Jœ œ œ œturn with them in theœ Jœ œ œ œturn with them in the

œœ Jœœ œœ œœ œœœœ Jœœ œœ œœ œœ

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Slightly slower

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Espressivo

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76 ..œœ> ‰ œ œdance. in the

.œ> ‰ œ œdance. in the

.œ> ‰ œ œdance. in the

.œ> ‰ œ œdance. in the

76 ...œœœ> ‰ œœ œœ

..œœ> ‰ œœ œœ

œ Jœ œ Jœsweet en clos ure

œ jœ œ jœsweet en clos ure

œ œ œ œ œ œsweet en clos ureœ œ œ œ œ œsweet en clos ure

œœ Jœœ œœ jœœœœ œœ œœ œœ œœ œœ

œ Jœ jœ œ œof the song, in the

œ jœ jœ œ œof the song, in the

œ œ œ Jœ Œof the song,

œ œ œ Jœ Œof the song,

œœ jœœ œœ œœ œœ

œœ œœ œœ Jœœ Œ

œ Jœ œ Jœsweet en clos ure

œ Jœ œ Jœsweet en clos ure

œ œ œ œ œ œsweet en clos ureœ œ œ œ œ œsweet en clos ure

œœ Jœœ œœ Jœœ

œœ œœ œœ œœ œœ œœ

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80 œ Jœ Jœ œ œof the song, in the

œ Jœ Jœ œ œof the song, in the

œ œ œ jœ Œof the song,

œ œ œ Jœ Œof the song,

80 œœ Jœœ œœ œœ œœ

œœ œœ œœ Jœœ Œ

œ Jœ œ Jœsweet en clos ure

œ Jœ œ Jœsweet en clos ure

œ œ œ œ œ œsweet en clos ure

œ œ œ œ œ œsweet en clos ure

œœ Jœœ œœ Jœœ

œœ œœ œœ œœ œœ œœ

œ Jœ œ ‰of the song,

œ Jœ œ ‰of the song,

œ œ# œ œ œ œof the song,

œ œ œ# œ œ œof the song,

œœ Jœœ œœ ‰

œœ œœ# œœ œœ œœ œœ

œ Jœ œ ‰of the song,

œ Jœ œ ‰of the song,

œ œ œ œ œ œof the song,

œ œ œ œ œ œof the song,

œœ Jœœ œœ ‰

œœ œœ œœ œœ œœ œœ

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84 œ Jœ Jœ œ œof the song, in the

œ jœ jœ œ œof the song, in the

œ œ œ jœ Œof the song,

œ œ œ Jœ Œof the song,

84

œœ jœœ œœ œœ œœ

œœ œœ œœ Jœœ Œ

ƒ

ƒ

œ Jœ œ Jœsweet en clos ure

œ jœ œ jœsweet en clos ure

œ jœ œ JœTime less is the

œ jœ œ JœTime less is the

œœ Jœœ œœ jœœ

œœ Jœœœœ Jœœ

œ jœ jœ œ œof the song, in the

œ jœ jœ œ œof the song, in the

.œ œ ‰wheel

.œ œ ‰wheel

œœ jœœ œœ œœ œœ

..œœ œœ ‰

œ Jœ œ Jœsweet en clos ure

œ Jœ œ Jœsweet en clos ure

œ jœ œ JœTime less is the

œ Jœ œ JœTime less is the

œœ Jœœ œœ Jœœ

œœ Jœœœœ Jœœ

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88 œ Jœ Jœ œ œof the song, in the

œ Jœ Jœ œ œof the song, in the

.œ œ ‰wheel

.œ œ ‰wheel

88 œœ Jœœ œœ œœ œœ

..œœ œœ ‰

œ Jœ œ Jœsweet en clos ure

œ Jœ œ Jœsweet en clos ure

œ jœ œ JœTime less is the

œ Jœ œ JœTime less is the

œœ Jœœ œœ Jœœ

œœ Jœœœœ Jœœ

œ Jœ œ ‰of the song,

œ Jœ œ ‰of the song,

.œ œ ‰wheel.œ œ ‰wheel

œœ Jœœ œœ ‰

..œœ œœ ‰

œ Jœ œ ‰of the song,

œ Jœ œ ‰of the song,

œ jœ œ JœTime less is the

œ Jœ œ JœTime less is the

œœ Jœœ œœ ‰

œœ Jœœœœ Jœœ

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92 œ Jœ œ Jœof the song, that

œ jœ œ Jœof the song, that

.œ œ Jœwheel that.œ œ Jœwheelwheel that

92

œœ jœœ œœ Jœœ

..œœ œœ Jœœf

.˙brings

.˙brings

.˙brings

.˙brings

‰ œœ œœ œœ œœ œœ‰ œœ œœ œœ œœ œœ

q.»q

q.»q

.˙them

.˙them

.˙them

.˙them

‰ œœ œœ œœ œœ œœ‰ œœ œœ œœ œœ œœ

f

f

f

ƒw

round.

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-

21

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