presentación de powerpoint · piet mondrian: «composition in red, yellow, blue and black» (1921)...
TRANSCRIPT
C O
L O U
R
COLOUR
• LIGHT AND COLOUR: COLOUR
PERCEPTION
• COLOUR MIXING
– ADDITIVE COLOUR COMBINATION: LIGHT
– SUBTRACTIVE COLOUR COMBINATION:
PIGMENT
• ATTRIBUTES OF COLOUR
• COLOUR AND COMPOSITION
COLOUR PERCEPTION
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
• COLOUR = SENSATION
• COLOUR LIGHT
• WHITE LIGHT COMPOSITION
• HOW DO WE SEE COLOURS?
• COLOUR = SENSATION
• COLOUR LIGHT
COLOUR PERCEPTION
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR PERCEPTION
• WHITE LIGHT COMPOSITION
– Newton’s prism experiment
(1666)
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR PERCEPTION
• WHITE LIGHT COMPOSITION
– Newton’s prism experiment (1666)
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR PERCEPTION
• HOW DO WE SEE COLOURS? • LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR PERCEPTION
• HOW DO WE SEE COLOURS? • LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR PERCEPTION
• HOW DO WE SEE COLOURS? • LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• PRIMARY COLOURS:
They are the colours from which we
can obtain all other colours, by mixing
them.
• SECONDARY COLOURS:
They are the colours which can be
obtained by mixing two primary colours.
• COMPLEMENTARY COLOURS:
They are the colours which, when
mixed, get the mixture colour of the
primary ones.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• HOW WHITE COLOUR IS
OBTAINED:
– ADDITIVE COMBINATION:
LIGHT
– SUBTRACTIVE MIXTURE:
PIGMENT
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS:
– Additive combination
– White light dispersion
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS:
– Primary lights
RED
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS:
– Primary lights
GREEN
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS:
– Primary lights
BLUE
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS:
– Secondary lights
RED
GREEN
yellow
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS:
– Secondary lights
BLUE
RED magenta
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS:
– Secondary lights
BLUE
GREEN cyan
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS:
– RGB Model (Red, Green and Blue)
BLUE
GREEN
RED
WHITE yellow
magenta
cyan
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS (RGB): • LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS (RGB):
– Screens
– Spot lights
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS (RGB):
– Complementary lights: A primary
light is complemetary or opposite to
a secondary one when it does not
form part of the secondary colour’s
mixture.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED LIGHTS (RGB):
– Complementary lights: secondary light
cyan is the complementary light to primary
light red because cyan uses green and
blue but not red.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
RED cyan WHITE
COLOUR MIXING
• COLOURED LIGHTS (RGB):
– Complementary lights: secondary light
magenta is the complementary light to
primary light green because magenta uses
red and blue but not green.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
GREEN magenta WHITE
COLOUR MIXING
• COLOURED LIGHTS (RGB):
– Complementary lights: secondary light
yellow is the complementary light to
primary light blue because yellow uses red
and green but not blue.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
BLUE yellow WHITE
COLOUR MIXING
• COLOUR PIGMENTS:
– Subtractive combination
– Markers
– Coloured pencils…
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOUR PIGMENTS:
– Primary pigments
CYAN
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOUR PIGMENTS:
– Primary pigments
YELLOW
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOUR PIGMENTS:
– Primary pigments
MAGENTA
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOUR PIGMENTS:
– Secondary pigments
YELLOW
CYAN
green
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOUR PIGMENTS:
– Secondary pigments
MAGENTA
CYAN blue
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOUR PIGMENTS:
– Secondary pigments
MAGENTA
YELLOW red
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOUR PIGMENTS:
– CMYK Model (Cyan, Magenta and
Yellow)
MAGENTA
YELLOW
CYAN
green
blue
red
BLACK
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOUR PIGMENTS (CMY):
– Paintings;
– Printings (CMYK Model);
Claude MONET: «Saint Georges
majeur au crépusule» (1908-1912)
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED PIGMENTS (CMY):
– Complementary pigment: A primary
pigment is complemetary or opposite
to a secondary one when it does not
form part of the secondary colour’s
mixture.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• COLOURED PIGMENTS (CMY):
– Complementary pigment: secondary
pigment red is the complementary pigment
to primary pigment cyan because red is
obtained by the mixture of magenta and
yellow.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
CYAN red BLACK
COLOUR MIXING
• COLOURED PIGMENTS (CMY):
– Complementary pigment: secondary
pigment green is the complementary
pigment to primary pigment magenta
because green is obtained by the mixture
of cyan and yellow.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
MAGENTA green BLACK
COLOUR MIXING
• COLOURED PIGMENTS (CMY):
– Complementary pigment: secondary
pigment blue is the complementary
pigment to primary pigment yellow
because blue is obtained by the mixture of
cyan and magenta.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
blue YELLOW BLACK
COLOUR MIXING
• RYB MODEL (Red, Yellow and
Blue): Until 19th–early 20th centuries
BLUE
YELLOW
RED
orange
purple
green
BLACK
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• RYB MODEL (Red, Yellow and
Blue): Until 19th–early 20th centuries
Piet MONDRIAN: «Composition in red,
yellow, blue and black» (1921)
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR MIXING
• EXPERIMENT:
– Colour wheel
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
• HUE
• SATURATION
• VALUE
• COLOUR SCHEMES
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
• HUE:
– It is the name of every colour.
ATTRIBUTES OF
COLOUR • LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
• SATURATION:
– Degree of colour’s purity (grays)
ATTRIBUTES OF
COLOUR • LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
• VALUE:
– Dregree of lightness (white-black)
ATTRIBUTES OF
COLOUR • LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
HUE+ SATURATION + VALUE • LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
ATTRIBUTES OF
COLOUR HUE + SATURATION + VALUE
Ostwald body of colour (HSL)
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
• EXERCISE: –Colour wheel
considering
hue, value
and
saturation.
COLOUR MIXING
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
• EXERCISE: –Colour wheel considering hue, value
and saturation.
COLOUR MIXING
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
• EXERCISE: –Colour wheel considering hue, value
and saturation.
COLOUR MIXING
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
• EXERCISE: –Colour wheel considering hue, value
and saturation.
COLOUR MIXING
ATTRIBUTES OF
COLOUR • COLOUR SCHEMES:
– According to Hue
– According to Value
– According to Saturation
– According to Temperature
• RELATIVE PERCEPTION:
– Hue changes
– Value changes
– Saturation changes
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
• COLOUR SCHEMES:
– According to Hue:
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
• COLOUR SCHEMES:
– According to Value:
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
• COLOUR SCHEMES:
– According to Saturation:
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
• COLOUR SCHEMES:
– According to Temperature:
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
• RELATIVE PERCEPTION: • LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
• RELATIVE PERCEPTION: • LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
• RELATIVE PERCEPTION:
– Hue changes: the same colour placed on
two different backgrounds can change its
tone.
https://www.youtube.com/watch?v=mf5otGNbkuc
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
• RELATIVE PERCEPTION:
– Hue changes: the same colour placed on
two different backgrounds can change its
tone.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
• RELATIVE PERCEPTION:
– Value changes: any colour can change its
value depending on the colour of the
background it is situated on.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
• RELATIVE PERCEPTION:
– Saturation changes: if we place a highly
saturated hue on to a slightly saturated one,
it looks purer.
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
ATTRIBUTES OF
COLOUR
COLOUR AND
COMPOSITION • HARMONY
• CONTRAST:
– Contrast of hue
– Light-dark contrast
– Contrast of saturation
– Contrast of extension
– Complementary contrast
– Cold-warm contrast
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
• HARMONY:
– Harmonize = coordinating colours on a
composition
– Using colour schemes:
• With one hue only
• With a main hue
• With hues that are close from each other
on the colour wheel
• With hues opposed on the colour wheel
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR AND
COMPOSITION
• HARMONY whith close hues • LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR AND
COMPOSITION
• CONTRAST:
– Relationship between colours that are not
related at all.
– Contrast of:
• Hue
• Value
• Saturation
• Extension
• Complementary
• Temperature
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR AND
COMPOSITION
• CONTRAST:
– Of hue
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR AND
COMPOSITION
• CONTRAST:
– Of value
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR AND
COMPOSITION
• CONTRAST:
– Of saturation
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR AND
COMPOSITION
• CONTRAST:
– Of extension
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR AND
COMPOSITION
• CONTRAST:
– Of complemetary colours
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR AND
COMPOSITION
• CONTRAST:
– Of temperature
• LIGHT AND
COLOUR:
COLOUR
PERCEPTION
• COLOUR
MIXING
– ADDITIVE
COMBINATION
– SUBTRACTIVE
COMBINATION
• ATTRIBUTES
OF COLOUR
• COLOUR AND
COMPOSITION
COLOUR AND
COMPOSITION
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
http://verne.elpais.com/verne/2016/01/27/articulo/1453897011_477533.html
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS
http://www.europapress.es/desconecta/curiosity/noticia-25-ilusiones-opticas-
confundiran-mente-mas-vestido-azul-gifs-20150302113610.html
OPTICAL ILLUSIONS
OPTICAL ILLUSIONS