powerpoint 22nd nov · • familiar rules, codes, conventions • heterosexual romance normally...
TRANSCRIPT
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http://www.totalfilm.com/features/50-
greatest-actors-turned-directors
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Narrative
• Strong cause-and-effect
• High degree of narrative closure
• Psychologically rounded, goal-driven characters
• Character subordinate to plot
• Fictional world governed by spatial and temporal verisimilitude
• Familiar rules, codes, conventions
• Heterosexual romance normally present as main plot or subplot
Art Cinema/ European
• Loose cause and effect
• Open/ambiguous endings
• Ambiguous characters, often
lacking defined desires/goals
• Plot subordinate to character
• Psychological or social realism
• Experimentation (less
formulaic)
Hollywood
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http://movies.amctv.com/movie-
guide/the-50-greatest-directors-of-
all-time/
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http://www.imdb.com/title/tt1951264/fullcredits?ref_=tt_cl_sm#cast
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‘camera stylo’
Alexandre Astruc: 1948
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Refer to a director’s discernable style through
mise-en-scene or to filmmaking practices
where the director’s signature was in evidence
Value personal expression and creativity
A director’s auteurist status emerges from the
consistency of themes, images and styles over
the whole body of his or her work;
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Une Certaine Tendance du
Cinema Francais (Francois
Truffaut, 1954)
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‘La Politique des auteurs’
The director’s personal expression is key in distinguishing whether they should be afforded
the title of auteur
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metteur en scene
Merely adapt material given to them rather
than making it their own…they lack extra
depth involved (Bazin)