pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all...

71
joakim sandgren pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005) partition

Upload: vothien

Post on 31-Jan-2018

214 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

joakim sandgren

pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005)

partition

Page 2: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

commissioned by concerts sweden

scoring

1 flute1 bass clarinet in b flat

1 piccolo trumpet in a

1 vibraphone1 guitar1 piano (played by a percussion player)

1 solo tenor recorder

1 viola1 violoncello1 contrabass

the score is notated in c.

the guitar and the contrabass sound one octave lower than notated.

duration ≈ 18 minutes

scordatura

guitar

the guitar should be stringed with 6 e-strings (the low).the lowest string is to be tuned down a small third to c-sharp.the other strings will be tuned a 6th of a tone successivly higher.

viola

violoncello

contrabass

comments on rhythmic notation

ensemble:

the 16th notes are "staccato duration notes" and are to be played short without regard of the duration.

all notes longer than a 16th note are "tenuto duration notes".a "tenuto duration note" has a extension beam that goes to an ending 16th note.this means that a quarter note is notated as a pointed 8th note with an ending 16th noteand a 8th note is notated as one 16th note and the ending 16th note with the extension beam between the notes. a tenuto duration note is to be played with the same intensity all along the note's duration avoiding all sorts of "rounding off" or diminuendo of the note. it must be played equally strong until it's end where the musician "cut" it off.

the extension beam are also used to show an eventual glissando.if there is a glissando there are always an accidental at the ending 16th note, showingwhere to make the glissando. if there is no glissando there is no accidental at the ending 16th note.

the notes without heads are only to notate the duration and are not to be played separately.

soloist:

the 16th and 8th notes are "staccato duration notes" and are to be played short without regard of the duration.

all notes longer than a 8th note are "tenuto duration notes" (see the observations for the ensemble).

comments on dynamic notation

all dynamic signes are within quotation marks and do not indicate the actual volume heardbut more the intensity of the action corresponding to the this dynamic.

the crescendos should be played with little crescendo in the begining and much crescendo in the end ("saving" much of the crescendo to the end).the diminuendos are to be played with a lot diminuendo in the begining (doing most of the diminuedo in the begining).

Page 3: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

vibraphone

the diamond notes means that the notes are produced by rubbing the keys with two brushes (normally the kind of brushes one uses to scrub a floor). one must be able to hear the difference in pitch between two keys (though the actual pitch is quite hidden in the brushing sound). avoid all kinds of hiting the keys, one should strive to have only the rubbing sound. the percussioniste should have one brush in each hand and can use circular motions to sustain the long notes. the vibraphone uses no motor and no pedal. all long notes are using two sounds to make a more rich sound there it is possible.

guitar

tuning: see the scordatura section.the "winged" notes indicate that the guitarist plays on all the 6 strings simultaneously, making a small "cluster", or rather a "thick" tone. the left hand is used as a slide to be able to produce the glissandos and should use a semi flageolette pressure, damping the strings to avoid having to much pitch in the sound. the strings must never touch the frets. the right hand uses three techniques:

circular movements of all the five nails on all the six strings.

picking simultaneously all six strings with nails.

quick movement from side to side over all the strings with the palm of the hand.

damping of the strings.

the overall sound should be rather raspy sound with high string noise factor though, one should strive after a sound as continous as possible (the palm of the hand will give a more hissing sound). the plater must be very carefull not to cover other instruments then in this piece the guitar is one of the strongest sounding instruments.

piano

the piano is to played by a percussionist and the the piano lid is to be taken away completely.the player produce the notes by placing (and holding) a not too light wooden object on the string(s) and do not release it until the ending 16th note. this is indicated by the arrows, down for placing and up for removing. one should never damp or touch the strings with the hands (but for the last measure) and the right piano pedal should be held down all along the piece by an device. the piano is to be prepared with rubber gums and clothes and the player is asked to find a as hollow and toneless tone quality as possible without loosing the difference between two pitches. the strings are to be hit at the end of the piano just before the endings of the strings, to keep the resulting pitch as close as possible to the strings own pitch. the player will be needing two wooden objects to be able to play the two note chords.

comments on performance techniques

flute

notes with diamond heads indicate "aeolien sound". that is notes played with a very high factor of breathing sound.this is normally produced by placing the mouth somewhat furtheraway form the embouchure than usual.

bass clarinet in b flat

notes with a circle head and a vertical line indicate a very dry slap tongue.one should strive after as little air as possible in the tube to avoid as much as possible any pitch but still trying to have a strong accent. the result should be a tone with a very toneless and hollow quality.

square notes indicate a "toneless" blow sound without activating the reed, only the fingering.

circle note attack and square notes are played together and one should think of them as one unit with an attack and a resonating tail. one can have the piano as sounding model (do not do the tail too loud).

piccolo trumpet in a

the square note indicates that the trumpetist plays directly into the mouthpiece enclosing it with the lips. this result in a breathy tone quality with a shade of pitch in it (sounding a minor seventh below). one should strive for a maximum of pitch.all the glissandis and quarter tones are made with different positions of the hand, just like traditional horn technique. half stop should result in lowering the tone with a quarter tone and full stop with half a tone. the glissandos are made with movements of the hand. example: to play a a flat a quarter tone raised (as in the example) one have then to take an a natural, and then lower it a quarter tone with a half stop position of the hand. some glissandis will require a change of the hand position and the fingering to be done. the trumpetist must make sure to articulate hard enough to separate the notes in a phrase.

Page 4: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

solo tenor recorder

notes with diamond heads indicate an "aeolien sound" produced by blowing into the labium. the circle with a line indicate that the placement of the mouth should be not too far and not too close but an average distance depending on the dynamic and one should strive after as much pitch as possible in the tone quality.

square notes indicate that the labium is completely covered or enclosed by the lips. this will result in an even more hollow and breathy tone quality than the aeolien sound. this technique is associated with glissando tones and to help producing the glissando effect vowels are used. these are notated using the phonetic alphabet.the arrows indicate wherever the soloist should inhale or exhale.

the labium completely covered

inhalation

exhalation

¿ in the beginning of a note it is a glottis plosive, in the end of a note one close the air stream

with the glottis.

u vowel in swedish: "bo", in english: "food", in french: ou

¨ vowel in swedish: "utan", in english: -, in french: nuit

y vowel in swedish: "yta", in english: -, in french: lu

i vowel in swedish: "i", in english: "feet", in french: lit

viola

notes with diamond heads are played pizzicato. the left hand should take the pitch as semi harmonics where the finger touches the string very gently whithout depressing it. one could add one or two fingers behind the first to ensure that the string is well damped and to avoid all harmonics effects. the tone quality should be a sound as hollow and airy as possible without losing the difference between two pitches.

square notes are to be taken in the same way by the left hand as the pizzicatos but is played with the bow.the speed of the bow is high and the bow pressure very low. one should not have too much rosin on the bow to be sure not to have sudden squeaking sounds. the dynamics are resolved not by the bow pressure but by the bow speed. one could think of this technique as of an extreme flautando.

the diamond note pizzicato attack and the square note is played in conjunction one with another and one should think of them as a unit, with an attack and a resonating tail. one could have the piano as sounding model. the rhythmic placement of the "tail" is the wanted position. if it is not possible to achieve the player is asked to play it as close as possible. one must at all cost avoid bouncing sounds when putting on the bow. nota bene: the whole viola part is played on the 4th string that is lowered a fourth (see the scordatura section).

violoncello

contrabass

square notes are to be taken as semi harmonics where the finger touches the string very gently whithout depressing it. one could add one or two fingers behind the first finger to ensure that the string is well damped and to avoid all harmonics effects. the tone quality should be a sound as hollow and airy as possible without losing the difference between two pitches. the speed of the bow is high and the bow pressure very low. one should avoid to have too much rosin on the bow to ensure not to have sudden squeaking sounds. the dynamics are resolved not by the bow pressure but by the bow speed. one could think of this technique as of an extreme flautando. all notes should be taken on a low string playing a high stop and thereby the entire violoncello and contrabass parts are played on the 4th string, wich is lowered a perfect fourth (see the scordatura section).

the violoncello uses the pauses to separate the notes in a phrase.the contrabass must articulate somewhat hard to be able to clearly distinguish the notes in a phrase.

Page 5: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique
Page 6: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique
Page 7: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

&

22

22

flute

bass clarinet

piccolo trumpet in a

vibraphone

guitar

piano

tenor recorder

viola

violoncello

contrabass

0

0

h = 72 accel...

h = 72 accel...

1

sµS

1 ∑

˜ ≈ t . nU

Œ5:4

Ó . tnU

‰ ‚µS

(

‰ ‰ ‚˜Q

‰ Ó6:4

Ó Œ .‚mT

Œ3:2

Ó Œ .‚˜ Œ3:2

n ≈ s 3:2

Œ .‚µ Ó

Œ .‚m ‰ ‚ ‚S

h = 84

h = 84

n ≈ t

≈ ‚mP

‚ ‚ ‚˜ ‚ ‚n ‚µ ‚m ‚˜ ‚n ‚µ ‚ ‚m ‚ ‚ ‚9:8

pour un(e) flûtiste à bec et neuf musiciens

1

pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005) joakim sandgren (1965)score in c

Page 8: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

16

16 .‚m .‚ T

Œ ≈ ‚µP

‚n ‚m ‚µ ‚µ ‚n ≈3:2

h = 80 accel...

h = 80 accel...

≈ ‚µ ‚ ‚˜ ‚µ ‚˜ ‚µ ≈ Œ .‚Q

Œ3:2

B ≈ .t mR

Œ .‚˜ ‰ ‚˜ ‰ ‚µ ‰5:4

Ó ,mm

Q

ou

3:2

Ó ‰ ‚µ ‰ ‚mP

‰5:4

Ó .GbQ

µ ≈ G

3:2sul IV sempre

. . R µ Ó

. . r µ Œ Ó3:2

Ó ,µ;J

,:

,m , ,n ,µ

6:4

h = 84 rit...

h = 84 rit...

Œ tµR

≈ t m ≈ t

,n , , , , ,µ .m

R

u

6:4

Œ .‚mP

.‚ ‚ ‚ ‚ ‚µ ‚ ≈ ‚n ‚ ‚µ3:2 9:8

Gµ G G Gn Gµ Gm GB G G

Q

G Gm Gn GB Gn Gm GµR

9:8 9:8

h = 60 accel...

h = 60 accel...

˜ ≈ t n ≈ jt ≈ tµ m ≈

m ≈ , ≈ ,

5:4

‚µ ‚ ‚ ‚ ‚Q

‰ Ó6:4

tm ≈ t ˜ ≈ t n ≈ t

˜ ≈ , n ≈ , µ ≈ ,fu

,m

5:4 5:4

≈ t t ≈ t

Q

Œ

≈ ,mf ,m . ≈5:4

. . ..m R Q

pour un(e) flûtiste à bec et neuf musiciens

2

Page 9: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

27 ∑

27 ∑

Ó ,m ;J

Q

,:

, , , ,

6:4

Œ .‚µU

Œ ‚ ‰ ‚ ‰ ‚ ‚ ‰3:2 7:4

Ó snU

,˜ , , ,n , , ,µ , ,b , , ,

6:4 6:4

‚m ‰ ‚ ‰ ‚˜ ‚ ‰ ‚n ‰ ‚µ ‰ ‚m ‚ ‰7:4 7:4

,b , , , , , ,mu

≈ , ≈ .,

U6:4 3:2

‚˜ ‰ ‚n ‰ ‚µ ‚m ‰ ‚˜ ‰ ‚n ‰ ‚ ‚ ‰7:4 7:4

G˜Q

G G G G G G G G Gn G G G G G G9:8 9:8

≈ .sn

‚ ‰ ‚ ‰ ‚ ‚n ‰ ‚ ‰ ‚ ‰ ‚ ‚ ‚7:4 7:4

Gµ G G G G G G G G G G G G G G G9:8 9:8

≈ t ≈ s

‚ ‰ ‚ ‰ ‚ ‚ ‰ ‚ ‰ ‚ ‰ ‚ ‚6:4 7:4

Gµ G G G

U

Œ Ó6:4

≈ .s

‰ ‚ ‰ ‚ ‰ ‚ ‚ ‰ ‚ ‰ ‚ ‰ ‚ ‚7:4 7:4

‰ ‚ ‰ ‚ ‰ ‚ ‚ ‰ ‚ ‰ ‚ ‰ ‚ ‚7:4 7:4

≈ .t ≈ t

‰ ‚ ‰ ‚ ‰ ‚ ‚ ‰ ‚ ‰ ‚ ‰ ‚P

‰7:4 7:4

≈ . .tr Œ

pour un(e) flûtiste à bec et neuf musiciens

3

Page 10: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

&

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

38 ∑

38 Ó Œ .‚µT

Œ3:2

Ó Œ .‚˜ Œ3:2

.‚n Œ Ó .‚µU

3:2

Ó ‰ tnU

≈ jt

≈ t ≈

t ≈ sµ ≈

tµ ≈ .sm

h = 72 accel...

h = 72 accel...

B ≈ tm ≈ tB s

≈ .tB ≈ t

.

V

Œ

Ó Œ .‚mR

Œ3:2 Œ .‚m Œ Œ .‚˜ Œ3:2 3:2 ‰ ‚n ‰ ‚µ ‰ Ó5:4

pour un(e) flûtiste à bec et neuf musiciens

4

Page 11: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

&

B

?

23

23

23

23

23

23

23

23

22

22

22

22

22

22

22

22

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

55 ∑

55 Œ .‚m Œ ‚µ ‰ ‚n ‰3:2

Ó ‰ ‚˜ ‰ ‚µ ‰5:4

sB

V

Œ .‚µ Œ Œ .‚m 3:2

. b ≈

‰ ‚˜ ‰ ‚ Ó

sb µ ≈ t n ≈

Œ .‚˜ Œ ‰ ‚ ‰ ‚ ‰3:2 5:4

t ≈ .sB

Ó ‰ ‚˜ ‰ ‚ ‰5:4

µ ≈ t

Œ .‚˜ Œ Œ .‚T

3:2

h = 80 rit...

h = 80 rit...

˜ ≈ t

Œ .‚˜Q

Œ Ó3:2

m ≈ t ≈ tµ t

‚˜ ‰ ‚ ‰ ‚ Ó5:4

Ó Ó ÓttbnR

3:2

Œ .‚˜ Œ ‰ j‚R

Œ Ó3:2

1

1

h = 76 accel...

h = 76 accel...

11

.

S

Ó .

Ó Œ'nQ

≈ jG

V

3:2

.GµR

.G .G . .Gr Q

3:2

. .. . r ..ttm tt

‰ .tn;

Q

° sempre

:

≈ .t

;

R

Œ .‚nQ

Œ ‚µ ‚ ‰ ‚µ ‰ ‚µ ‚mP

3:2 7:4

Œtn

Q≈ GU

. Œ5:4

sul IV sempre

h = 88

h = 88

‰ Ó Œ 'b

R

≈ jG

V

3:2 3:2

. .. . r Q

Œ ‰tm t tn

3:2

: Œ . Ó

Ó ‰ ‚mP

‚˜ ‚µ ‚n ‚µ ‚µQ

7:4

‰tnR≈ .GV

≈ tnS

≈ .t

W

5:4 5:4

Ó GmQ

G .G˜ Gµ Œ7:4sul IV sempre

pour un(e) flûtiste à bec et neuf musiciens

5

Page 12: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

?

&

&

?

&

B

?

23

23

23

23

23

23

22

22

22

22

22

22

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

h = 84 accel...

h = 84 accel...

68

j ‰ Ó Œ 'µ

T

≈ G

X

3:2 5:4

tm t t tn t T

Ó5:4

‰ .tbT

. Œsim.

68 ‰ ‚mP

‚ ‚˜ ‚n ‚m ‚˜ Ó7:4

Π. ΠtnT

≈ B

X

7:4

G˜ Gm Gµ Gm G˜T

‰0

Ó5:4

Ó ŒtnR

. . r ‰ tnS

≈ jG

W

≈7:4 7:4

. . .Gm r G

Ó Ó'mQ

≈ jG

V

3:2

≈ ttbnQ

. . r .Gm .G

5:4

Œ . '˜R

≈ jG

V

3:2

.. Œ

Ó Œ tnQ

≈G

U

5:4

Gm

5:4

‰ 'nT

≈ G

X

5:4

. Π. ΠtmT

≈ B

X

5:47:4

.

S

Œ Ó

Ó5:4

Ó .tnR

. . r ‰ tmS

≈ jG

W

. . r

7:4

Ó Ó 'nQ

≈ jG

V

3:2

ÓBµS

. Œ

‰ Ó3:2

Ó .tnQ

Ó Œtn

Q≈ G

U

5:4

Π.0mS

Ó Ó'mR

≈ jG

V

3:2

≈ ttnmR

Ó Ó5:4

. . r

G˜R

2

2

h = 88

h = 88

‰ Ó Œ

'nR

≈ jG

V

3:2 3:2

µR

Ó . .

tmQ

t .t tb t t .t tT

5:4 5:4

≈ jtn ≈ .t

S

‰tnR≈ .GV

Ó5:4 5:4

GmQ

.G G .Gb GB .Gb G .Gn 3:2 3:2

h = 80 accel...

Œ

'µS

≈ G

W

. . r

3:2

Ó ŒBµS

3:2

. Ó .

ŒtnS≈ .GW

‰3:2 3:2

.GmT

.G .G

S

Π. .Gr

7:4 7:4

pour un(e) flûtiste à bec et neuf musiciens

6

Page 13: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

y i�

3

3

h = 80 rit...

h = 80 rit...

h = 88

h = 88

79 ∑

Ó Ó'µ

Q

≈ jG

V

3:2

Q

Ó . .

‰tbQ

.t t t T

Ó5:4 5:4

‰ .tnQ

≈ ttnnS

79 ∑

‰t˜Q≈ .G

U

. Π.5:4 5:4

G˜Q

.Gm Gn .Gn .GmT

. .Gr

3:2 3:2

‰ Ó Œ3:2

ÓBµS

.. Œ

Ó Œ tnR

≈ G

V

5:4

.GmS

Ó Ó3:2

h = 76

h = 76

Ó Œ .tµQ

≈5:4

Ó ‰ 'bS

≈ G

W

. . r .GR

.G .Gm

3:2

Ót

R

t .t Q

‰5:4

Ó . . J,µmQ

u

Ó .ttnnQ

≈ tBS

≈ Œ ‰tnQ≈

6:4

. .GmS

r

R

Ó

4

4

h = 84 accel...

h = 84 accel...

tµ ≈ .tj m ≈ t

5:4

. b Π'bQ

≈ G

V

.Gm Q

Ó Ó3:2

≈ .m3:2

.. ‰

tnT

. Ó3:2 3:2

Π.еQ

o>

�y R

Œ Ó3:2

. .GnV

r

Œ Ó3:2

.GµQ

m ≈ .G n ≈

˜ ≈ t µ ≈ t m ≈ s5:4

'bT

≈ .G

X

Π.

˜ ≈ , n ≈ , µ ≈ ,

.–µQ

>

�¨ �

Œ –bR

<

. nQ

3:2

t˜T

≈ .G

X

Π.

.G µ ≈ .G ˜ ≈

h = 92 rit...

h = 92 rit...

h = 88

h = 88

˜ ≈ t n ≈

Ó Ó 'n

S

≈ JGW

3:2

≈ .,µ

‰ –bQ

>

�y

‰ –µP

>

�y

‰ –Q

>

�y

Ó6:4

.G˜ n ≈ B

t ≈ t t t t

‰ Ó3:2

. ≈ ,mfu

‰ , ‰ , ‰3:2

‰ tm

T

≈ .G

X

. . R 5:4

. m ≈ B

t t t t t t t t

,m ‰ ,˜ ‰ , ‰ ,µ ‰ , ‰ ,b ‰3:2 3:2

Ó Œ t˜S

≈ G

W

5:4

. B ≈ G G G G j

G5:4

t t t t s

U

,b ‰ , ‰ , ‰U

Ó3:2

Ó5:4

≈ Gn G G G Gµ G G j

G5:4 5:4

pour un(e) flûtiste à bec et neuf musiciens

7

Page 14: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

B

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

◊ ◊

y i� ¨ i� �y ¨��y u�

rit...

rit...

88

ÓsnRloco

88

¬bS

<

≈ Gµ G G B

U

5:4

. Ó Ó3:2

. . R nQ

‰ tµ

R

≈ .G

V

. . R 5:4

. . .sm r

¬bT

>

. ≈ s

ÓsnQ

. Ó Ó3:2

≈ Bµ 3:2

≈ t

ÓssbnR

. . r bS

≈ .s

.. Ó Œ .tm

S

3:2 5:4

. ≈ Bµ

Ó5:4

. . .µS

<

R bT

≈ Bµ 3:2

ÓsnUloco

. Ó Ó3:2

. ≈

s

. ≈ Gµ3:2

¬bS

>

. ≈ .t ≈

. . r µ Œ3:2

s

. .tnS

r

Ó

Œ ¬mT

<

y 3:2

Ó Ó t˜

T

≈5:4

≈ Bµ . ≈ Gµ3:2 3:2

pour un(e) flûtiste à bec et neuf musiciens

8

Page 15: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

?

?

&

B

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊) ◊

�¨ u� ¨ i� �y u� u y� �¨ u�

rit...

rit...

104

Ó Ó 'B

T

≈ JGX

3:2

104

X

Œ5:4

‰ Ó3:2

. . r µS�

. ≈

Ó Ó 'nR

≈ jG

V

3:2

‰ tnR

≈ .G

W

. . r

5:4

s

‰ Ó3:2

ÓsbR

. ≈ Gµ3:2

h = 72 accel...

h = 72 accel...

≈ t

. Ó Ó3:2

. .–µS

>

r bT

Ó

.

T

ΠΠtnT

Ó ‰ .,bm

T

u

Ótn

loco

. Ó3:2 3:2

Œ –Q

< . bS

Œ

Ót˜Q

≈ .G

V

≈ .Gµ

T

‰ Œ . jGµT

'˜Q

≈ .G

V

Π.

Ó ÓtnQ

3:2

Œ –bR

>

Π.

tnR

≈ G

V

'nR

≈ .G

V

≈ 'µR

≈ G

V

. n ≈

. Ó . .tn r

Œ3:2 3:2

. µQ

Œ –bQ

<

3:2

tnR≈ .G

V

ŠΠ.

t˜ ≈ .t µ ≈ t

. Ó .

. m ≈ .,

5:4

. .. .ttnmR

r

Œ Ó3:2

. µR

Œ Ó

µ ≈ B . ˜ ≈3:2

Ó . .tbQ

r

Œ3:2

.–µQ

>

B Œ Ó

ÓtmQ

≈ G

V

Bm

h = 84 accel...

h = 84 accel...

'µQ

≈ G

V

≈ 'nR

≈ G

V

. .tnR

r

Π. .tr

Œ3:2 3:2

Œ .–b�u

>

Œ Ó3:2

t˜Q≈ G

V

≈ t˜R≈ G

V

pour un(e) flûtiste à bec et neuf musiciens

9

Page 16: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

23

23

23

23

23

23

23

23

23

23

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

y i�

accel...

accel...

116

m ≈ t

'µR

≈ G

V

≈ 'bS

≈ G

W

m ≈ .,

5:4

. .. .ttnnS

r

Π. .tn r

Œ3:2 3:2

116

.–µP

�¨

>

Q�

Œ –˜R

<

. . R µP

3:2

tnR≈ GV

≈ tnS

≈ G

W

n ≈ B

3:2

Ó . . Gµ

Q

G

5

5

h = 84 rit...

h = 84 rit...

h = 88

h = 88

µQ

Ó . .

Ó Œ 'µT

≈ G

X

5:4

t

Q

t t t t

T

Ó5:4

. . R µQ

Œ Ó3:2

‰ .tbT

Π.

‰ t˜S

≈ .G

W

‰ tnT

≈ B

X

5:4 7:4

. µQ

Ó .

Gµ G Gm G G˜

T

‰ 0

Ó5:4

Ó .tnR

. ≈ t

S

≈G

W

. ‰7:4 7:4

. .G˜ 0

Ó Ó'm

Q

≈ jG

V

3:2

. Œ

Ó Œtm

Q≈ GU

5:4

.G˜ G . . R 5:4

‰ Ó3:2

Ó .tnQ

Ó5:4

. . .0˜ R S

Ó Œ 'nT

≈ G

X

5:4

. Œ

Ó Œ tmT

≈ B

X

7:4

Ó5:4

Ó .tnR

. . r ‰ tm

S

≈ jG

W

. . r

7:4

Ó Ó 'nQ

≈ jG

V

3:2

ÓBmS

≈ tnQ

Π0B

S

3:2

Œ .'µR

≈ jG

V

3:2

. Œ

Ó Œtn

Q≈ G

V

5:4

h = 69 accel...

h = 69 accel...

‰ Œ

'mR

≈ jG

V

3:2 3:2

. . r ˜ BR

Π. jttnR

Ó ‰ ..ttnm

≈ tnR≈ .GW

5:4

µ

R

Π.

‰ Ó Œ

'µS≈ j

G

W

3:2 3:2

. m .G .Gn BB3:2

.. ..ttb TT

≈ .tbR

Π.

Ó . .

pour un(e) flûtiste à bec et neuf musiciens

10

Page 17: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

23

23

23

23

23

23

23

23

23

23

22

22

22

22

22

22

22

22

22

22

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

h = 84 rit...

h = 84 rit...

accel...

accel...

127 Ó Ó Œ tnV

‰ Ó Œ

'µT

≈ jG

X

‰ 'bU

≈ jG

X

3:2 3:2 3:2

. . r µQ

Ó Œ . jGmV

..

Q

Ótb t t tn .t

Ó3:2 3:2

Ó Ó .bm

V

u

‰ .tnQ

≈ ..ttnn ≈ jtnT

127 ∑

‰t˜S≈ .G

W

Ó Œ tn

U

≈ G

X

5:4 5:4 5:4

Ó Ó Œ BBV

3:2

Ó .GµQ

Gµ G .G Gµ .Gm Gn Œ .7:4 7:4

6

6

h = 80

h = 80

U

U

U

U

U

U

U

U

U

U

≈ 'b

V

≈ .G

X

Ó5:4

5:4

‰ ..ttbV

. .tnV

loco

r

Œ Ó3:2

Ó Ó

≈ tµ

V

≈ G

X

. Œ

0B

V

≈ .s

. .Bm

.. ttb

3:2

µ ≈ .,

5:4

. n ≈ G 3:2

m .G

. r ≈ t ≈ t

. ˜ . .Gr n G

. . .. .ttr TTb

3:2

≈ ,µ ˜ ≈ .,

5:4

. m ≈ G . n ≈ G

3:2 3:2

.Gµ n G˜

5:4

≈ t

. µ . .Gn r µ G

. . .. .ttbr tt

3:2

. m ≈ .

. m ≈ G

3:2

µ .Gm µ Gn . . r µ

5:4

. ttmn

3:2

. r ≈

. . r ttmm

n ≈ ,

Ó . .tnr

Œ3:2

Ó Œ . t˜

V

≈ JGX

5:4

˜ ≈ B

3:2

. n .0

s

Œ 'µ

V

≈ JGX

‰ Ó3:2 3:2

. ˜ ≈

Ó ‰ ‚µV

(

‚ ‰ ‚ ‰6:4

‰ Ó

m ≈ G ≈ jGµ

≈ t ≈ jt

. . r

. .

r

Œ Ó3:2

. . ..˜ R

‰ ‚µ ‰ ‚ ‚ ‚ ‰ ‚ ‰5:4

. Ó3:2

Ó . .

pour un(e) flûtiste à bec et neuf musiciens

11

Page 18: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

137 . Œ Ó

Ó ‰ . .tn r

5:4

137

‚µ ≈ ‚m ‚ ‚ ≈ ‚ ≈ ‰ ‚˜ ‰ ‚ ‚5:4

Ó'˜V

≈ jG

X

‰3:2

‚n ‰ ‚ ‰ ‚ ‰ ‚µ ‚ ‚ ‰ ‚m ‰5:4 7:4

ŒtmV

≈ G

X

. Π.5:4 5:4

‰ ‚m ‰ ‚ ‚˜ ‚ ‰ ‚ ‰ ‚5:4 5:4

‰ ‚˜ ‚ ‚ ‰ ‚ ‰ ‰ ‚ ‰ ‚ ‚ ‚7:4 6:4

‰ ‚˜ ‰ ‚ ‰ ‚ ‚ ‚ ‰ ‚ ‰7:4

‰ ‚˜ ‰ ‚ ‚ ‚ ‰ ‚ ‰ ‚ ‰6:4 5:4

‰ ‚˜ ‚ ‚ ‰ ‚ ‰ ‰ ‚ ‰ ‚ ‚ ‚ ‰7:4 7:4

‚˜ ‰ ‚ ‰ ‰ ‚ ‚ ‚ ‰ ‚ ‰7:4

‰ ‚˜ ‰ ‚ ‚ ‚ ‰ ‚ ‰ ‚ ‰7:4

Ó .tn

‚˜ ‚ ‚ ‰ ‚ ‰ ‰ ‚ ‰ ‚ ‚ ‚ ‰6:4 7:4

Ó .GnV

Ó ..ttmmV

tt

. Ó .

‚˜ ‰ ‚ ‰ .‚ P

Œ

Ó . .t˜U

Ó ÓGµV

3:2

.Gn

Ó Œ'˜

U

≈ jG

X

3:2

. .GbV

r B

Ó .Bm

V

u

. .G˜X

r

Ó

˜U

‰ Ó

pour un(e) flûtiste à bec et neuf musiciens

12

Page 19: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

149 Ó snV

‰ Ó Ó3:2

.. U

Ó Ó3:2

149 ∑

. ˜ ≈ G .

U

Ó3:2 3:2

. . r µU

Ó

µ ≈ ., n

U

Ó

Ó Ótb

loco

3:2

m ≈ .t

U

‰ Ó

. Ó . .tb

U

r Œ3:2 3:2

Π.GmU

G G˜ G Gn G Gn Gµ Gm Gµ

Ó .tbU

tb t t tn tb

3:2 5:4

Œtn ≈ . .tn

Vloco

r

Œ3:2

Œ t˜

U

≈ G

X

. ‰t˜U

≈5:4

Ó ÓG˜U

≈3:2

G˜ Gn Gn G GB G G G 0

V

(h = 80) accel...

(h = 80) accel...

‰ 'B

U

≈ G

X

≈'nU

≈ jG

X

3:2

. .GµU

r .G .Gm .G

3:2

tm t t t t tt

V

5:4

Ó Œ . ,n ;J

U

,:

5:4

. .G˜X

r

ŒtµV

≈ Œ5:4

G˜ G Gn Gµ Gm G˜ Gµ Gm G˜ Gn Gµ Gn G G G G9:8 9:8

n G µ

Ó Œ tµU

j

t

‰ Ó 'n

V

≈ G

X

≈3:2

.Gµ .Gm .GB BV

3:2

..

. .. .ttbr

3:2

, ,µ ,m ,˜ ,n ,m ,˜ ,n , ,µ , ,

6:4 6:4

tm

V

≈ .G

X

Π.

BnV

.Gµ n .0

≈ tµ tm t˜ t tn tµ ≈ t t ≈5:4 3:2

'n

V

≈ .G

X

Π.

. b .G n G

3:2

..ttm ttn

3:2

.µm

V

u

‰ ‚mV

‰ ‚ ‰ Œ .‚ Œ5:4 3:2

≈B ≈ B3:2 3:2

. . R ˜R

Ó

sµV

. m .B

. .. . r

R

Ó

n ≈ ., ˜ ≈ ,

‰ ‚˜ ‰ ‚n ‰ ‚µ ‰ Œ .‚µ Œ7:4 3:2

. µ ≈ G3:2

pour un(e) flûtiste à bec et neuf musiciens

13

Page 20: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

157

n ≈ t b ≈ s

. . r nR

Ó

µ ≈ ,

157 ‰ ‚˜ ‰ ‚n ‰ ‚m ‰ Œ .‚n Œ7:4 3:2

. . r

R

Œ Ó3:2

B ≈ .t mR

. n

R

Ó

‰ ‚µ ‰ ‚m ‰ ‚ ‰ Œ .‚˜ Œ7:4 3:2

‰ ‚˜ ‰ ‚ ‰ ‚ ‰ Œ .‚ Œ7:4 3:2

‰ . .tnS

r

Ó5:4

‰ ‚˜ ‰ ‚ ‰ ‚ ‰ Œ .‚ Œ7:4 3:2

Ó Œ tnS

≈ G

W

5:4

Π'nT

≈ jG

W

‰ Ó3:2 3:2

‰ ‚˜ ‰ ‚ ‰ ‚ ‰ Œ .‚ Œ7:4 3:2

. Œ . Ó5:4

Ó .tnR

‰ ‚˜ Œ . Ó5:4

‰ .G˜

R

G .G JGm .G Gµ .G˜ j

Gm7:4 7:4

Ó .GnR

.G .G

3:2

t

R

t t j

t t t j

t

. Ó .

Ó ‰ ‚mR

Œ ‚µV

‰6:4

Ó ‰ tnR

≈ .G

V

5:4

Gµ .Gn G .Gµ G .G G .G

7:4 3:2

Π'nR

≈ jG

V

‰ Ó3:2 3:2

.G .G .G .Gµ .G .G

3:2 3:2

tm t t t t .t t

5:4

Ó .nm

R

u

Ó Ó5:4

Ó GµR

≈ G Gn ≈ jG˜

3:2 5:4

GµQ

G G Gn G G˜ .Gm .Gn jGµ

3:2

h = 84

h = 84

Ó ‰ tmR

t t j

t5:4

.Gµ .G .G GQ

G G G

3:2

tmQ

t t t j

t tn .tm j

tn5:4 5:4

≈ ,n ≈ , ≈ ,˜ ≈ ,mfu

,µm ≈5:4 5:4

. .tmQ

r

Œ Ó3:2

Ó .‚˜V

Œ

Ó tµ

Q

≈ .G

V

≈ Gµ ≈ jGB µ ≈ G G˜ ≈ j

Gm5:4

.Gm Gµ m .G .G˜ j

Gm5:4 3:2

pour un(e) flûtiste à bec et neuf musiciens

14

Page 21: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

166

≈ tm t t j

t˜ ≈ t t t t 5:4 5:4

Q

≈ .G

U

Π.

. .Gm G . .G˜ n G

3:2 3:2

. t t .t j

t

5:4

, ≈ ,n ≈ ,˜ ≈ ,m ≈ , ≈3:2 5:4

166 ‰ ‚˜ ‰ ‚ ‰ ‚ ‚ ‰

Ó . .

≈ Gµ ≈ G G G G G ≈ Gn jGµ

7:4

.Gµ .Gn .G G V

Œ5:4 5:4

t˜ t ≈ t t ≈ t

Q

t t t j

t3:2 5:4

Ó Œ'n

T

≈ jG

W

3:2

. .Gn Gµ . .G .G V

3:2 3:2

. .t V

Ó

,mf

Q

, , J,m

≈ ,nf ,µ ,n

Ó ‰ ..ttnnT

Œ .‚˜ Œ ‰ ‚ ‰ ‚R

‰3:2 5:4

Ó Œ .tn

T≈ j

G

X

5:4

Gn G˜ Gm ≈ Gn G˜ Gµ Gµ Gn ≈ G˜ j

Gm7:4 6:4

(h = 84) rit...

(h = 84) rit...

≈ t˜ t t t t t t t j

t5:4 5:4

‰ Ó Ó3:2

Ó ..tt

V

tt

3:2

,bm

µ ≈ , n ≈ , m ≈ ,f

, ,

3:2

Π. . .. .ttbn

V

r

Œ3:2

Œ Ó5:4

≈ Gµ Gn G ≈ G˜ G G G G ≈ G G

7:4 6:4

.GnV

G j

G

≈ t˜ t t t t t t t t

V

5:4 5:4

'mV

≈ .G

X

Π.

BµV

. .G .G

3:2

. .. . r tt

.. tt

3:2

,mm

≈ , ≈ .,

V

Ó3:2

tmV≈ .G

X

Π.

G˜ G G .G V

‰ Ó6:4

.Gµ G . m G

5:4

Bµ . .G G

3:2

.. tt.. ttm

3:2

Ó .mm

V

u

ÓG˜V

≈ B

3:2

. n G Gµ . m G

5:4

t˜V

≈ .t ≈ t ≈

. .Gn G

3:2

.. ttmm .. tt

3:2

. ≈ ,mfu

,˜m

≈ ,5:4

Ó . .‚µV

. ≈ G˜ ≈ Gn ≈ jG

3:2

n G j

Gµ n jG

5:4

t˜ ≈ .t ≈ t ≈

.. ttmn .. ttmm3:2 3:2

. n ≈ , µ ≈ ,m ≈ J,˜5:4

Œ .‚µ Œ ‰ ‚m ‚ ‰3:2

µ ≈ G ˜ ≈ jG

. . r µ G G

jG

5:4

pour un(e) flûtiste à bec et neuf musiciens

15

Page 22: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

rit...

rit...

173

tm ≈ .t ≈ t ≈

Π'm

T

≈ JGW

‰ Ó3:2 3:2

. .. . r ttmm . .. .

r tt

3:2 3:2

n ≈ , µ ≈ J,5:4

173 Œ .‚˜ Œ .‚ Œ3:2

≈ Bn µ ≈ .G n ≈3:2 3:2

.Gµ

tm ≈ .tµ ≈ t ≈

. R

.. ttmm . .. . r R

Œ3:2 3:2

. n ≈

Ó .tn

loco

S

Πtn

S

≈ G

W

. Π.5:4 5:4

G ≈ Bµ . m ≈ G

3:2 3:2

.Gµ .

R

Œ

tµ ≈ .t ≈ t ≈

Ó Ó 'µ

R

≈ JGV

3:2

Ó Œ .GR

G

3:2

Ó Œ .ttbbR

5:4

.,n m ≈ .

. Ó .

≈ Gm ≈ jGB

Ó ŒGµR

tµ ≈ .t ≈ .t

R

‰ Œ Ó3:2

. b

.. ttbb

3:2

≈ ,m ≈ , . ≈5:4

Π..ttnmR

Ó5:4 5:4

Œ tµ

R

≈ G

V

. Ó3:2 3:2

≈ GB ≈ jG ≈ B

3:2

b . .0

h = 76 accel...

h = 76 accel...

Ó .tµR

Π'nU

≈ ‰ '˜

V

≈ .G

X

BbV

. .. . r

ttbbV

. .,m R R

Ó

Ó Ótn

loco

U ≈

3:2

Ó . .tnU

. ≈ GB .

R

Ó3:2 3:2

B 0

V5:4

Ó . .

.mm

R

u

. .tnV

r

Œ Ó3:2

‰ t˜

V

≈ . .G

X

R Œ

Ó ŒBBR

3:2

µ ≈ t ≈ sB

V

. ,B ≈

.B

V

. µ ≈ G ≈ BnV

3:2

. n

B JG

B

.. tt

3:2

pour un(e) flûtiste à bec et neuf musiciens

16

Page 23: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

183

. b G

.. ttb3:2

183 Ó Œ .‚mU

Œ3:2

. µ .0

µ ≈ t

. n .G Gµ3:2

tt ttbb tt

5:4

. µ ≈

‰ ‚m ‚ ‚ ‰ ‰ ‚n ‰ ‚µ ‰5:4 5:4

. ˜ G Gµ Gn . µ G

3:2

. n .Bµ

.. TTm . .. . r

3:2

‰ ‚˜ ‚n ‰ ‰ ‚µ ‚b ‰

˜ ≈ B 3:2

. . r n 0

. m ≈ s

. n .B

TTm

n ≈ ,

‰ ‚b ‚ ‚ ‰ ‰ ‚V

Œ5:4

µ ≈ B3:2

. ˜ G

. ˜ ≈ tm tµ tµ

. .. . r ttbn

3:2

µ ≈ , ≈ ,µ3:2

Ó ‰ .tn

˜ ≈ G Gµ Gn5:4

Œ 'µ

V

≈ JGX

‰ Ó3:2 3:2

Ó . .

‰ tn

V

≈ .G

X

Ó5:4 5:4

. G˜

. .. . r ttb

3:2

. Œ Ó

. ˜ ≈

Ó Œ 'bV

≈ jG

X

3:2

.

.. Ó Ó3:2

˜ ≈ ,

‰ . .tnloco

r

Ó5:4

Ó ‰tBU

≈ .G

X

5:4

. ˜ ≈ G

3:2

‰ Ó Ó3:2

Ó Ó5:4

. m ≈ G

3:2

m ≈ t

. m ≈ .

.‚BV

Œ Ó

. ≈ Gm ≈3:2

≈ tm ≈

≈ .,m ‰5:4

Ó Œ .‚B Œ3:2

.Gm Ó Ó3:2

ΠGBV

µ G µ ‰5:4

pour un(e) flûtiste à bec et neuf musiciens

17

Page 24: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

◊ ◊

accel...

accel...

196

.tm Œ Ó

ÓttbnV

.. ttnn3:2 3:2

Π. .tb r

Œ

196 Œ .‚B Œ ‰ ‚ ‚ ‰3:2

. . .BµV

r ˜

.. Ó Ó3:2

Œ .‚B .‚ ‚ ‰ ‚ ‰3:2

Œtm

U

≈ G

X

. Π.5:4 5:4

Π'bV

≈ jG

X

‰ Ó3:2 3:2

Œ .‚˜ Ó

ÓGm

3:2

. . ..mmu

R µ

‚˜ ‰ ‚ ‚ ‰ Ó5:4

. n Ó Ó3:2

sb . µ Œ

‰ ‚˜ ‚ ‚U

Œ Ó6:4

Ó ‰ ‚nU

‰ ‚b ‰5:4

‰ ‚m ‰ ‚nV

‰ Ó5:4

Œ . JGµV

Ó .tn

loco

. .0µ

Πtt

V

. .. . r tt

3:2 3:2

. Ó .

ÓB˜V

‰ tm

T

≈ .G

W

Ó5:4 5:4

Ó Œ 'µ

V

≈JGX

3:2

Œ .‚mU

Œ ‰ ‚ ‰ ‚ ‰3:2 5:4

. . R µ 0

V

‰ Ó Ó3:2

Ó .tb ≈

Ó Œ .‚˜

ΠBnV

3:2

pour un(e) flûtiste à bec et neuf musiciens

18

Page 25: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

h = 80 accel...

h = 80 accel...

accel...

accel...

210 ∑

. .. . r ttmm

V

Œ . J,µm

V

u

. .tbV

r

Œ Ó3:2

210 Œ .‚n Œ Ó3:2

˜ . .0

ΠtnT

≈ Œ tµ

T

≈ .G

W

5:4

m .G .Gµ ˜ 0

5:4

Œ .sµV

Ó .'bV

≈ jG

X

. . r B˜V

.. ttnn

3:2

Ó ‰ ‚nR

‰ ‚ ‰ ‚6:4

Ó . .

. µ ≈ B

n jG

‰ 'n

V

≈ .G

X

.. ..ttbb ..tt TTnm

3:2

≈ ‚µ ≈ ‚m ≈ ‚n ≈ ‚µ ≈ ‚m ≈ ‚n ≈ ‚ ≈ ‚ ≈ ‚b9:8 9:8

. n ≈ B

mR

Ó . .

. m B . n

. .. . r ttbn

3:2

. µ ≈ .

≈ ‚b ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚U

≈ ‰9:8

n ≈ t

.G .Gb Gµ

3:2

. .. . r R

Œ3:2

. n ≈ .

‰ .tbloco

T

Π.

j‚µV

Œ ‚ ‰ ‰ ‚ Œ j‚n5:4 5:4

m ≈ B

3:2

. n .B

Œ j‚B Œ j‚ ‰ ‚ Œ6:4

Œ .tµS≈ j

G

W

Œ5:4 5:4

. ˜ ≈ G ≈ Bµ3:2

s

Ó Œ 'bS

≈ jG

W

3:2

. . r µR

m ≈ ..

j‚µ Œ j‚ Œ ‰ ‚n Œ ‚ ‰6:4 6:4

m ≈ t

‰ Ó Ó3:2

m ≈ , ≈ ,m

5:4

‰ ‚ Œ ‚ ‰ Œ j‚ Œ ‚ ‰6:4 7:4

µ ≈ B

3:2

Π.GmR

G G G G G˜ G Gn G

pour un(e) flûtiste à bec et neuf musiciens

19

Page 26: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

219

˜ ≈ .tm ≈ tµ

B ≈ ,

Ó ÓtnR

3:2

219 Œ ‚ ‰ ‚ ‰ Œ j‚ Œ ‚ ‰6:4 7:4

.µ ≈ .G

R

‰ Ó

Gµ Gm G G˜ G G Gn G G G G G G G G G

Ó .tmR

t t t t t

3:2 5:4

µ ≈ .,

R

‰5:4

. Ó Ó3:2

Œ j‚R

Œ Ó5:4

0

R

B ≈ t . µ ≈

Ó Ó ‰GµR

6:4

t t t tm t t t t t t

5:4 5:4

Ó . .tnR

r

Œ3:2

Π.tnRŠ. .GV

r

h = 84

h = 84

.tµ

R

Ó .

Gµ G G Gn G Gµ G Gµ Gm G˜ G Gµ

6:4 6:4

TTmmR

Ó ‰ ‚bQ

‚ ‚ ‚B ‚ ‚n7:4

˜

Q

‰ Ó

‰'µR

≈ . .G

V

r

Œ

Gm G G G G G BR

6:4

‚µ ‚µ ‚m ‚n ‚m ‚˜ ‚µ ‚b ‚B ‚n ‚ ‚µ ‚ ‚ ‚ ‚ ‚ ‚9:8

9:8

tBR

≈ .G

V

Π.

Ó'˜R

≈ .G

V

.. Q

Ó Ó3:2

‚µ ‚ ‚V

‰ ‰ ‚µV

≈ ‚ ≈ ‚ ≈

‰GµR

≈ G G G G ≈ Gn

5:4

Ó . .

. . r nQ

.,µm

R

u

≈ ,;J

,:

, ,m , ,˜

6:4

‚µ ≈ ‚n ≈ ‚ ≈ ‚˜ ≈ ‚ ≈ ‚µ ≈ ‚n ≈ ‚ ≈ ‚µ ≈9:8 9:8

Gn Gn Gµ ≈ G G G G ≈ G

5:4 5:4

pour un(e) flûtiste à bec et neuf musiciens

20

Page 27: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

226 ÓtµR

t t tm t t˜ tn tµ

,µ ,n ,µ , ,m , ,˜ , , , , ,

6:4 6:4

226

‚n ≈ ‚ ≈ ‚ ≈ ‚˜ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈9:8 9:8

tµ tm t˜ tµ tm t t˜ t tn t t t t t t t

.m̃u

Ó ‰ . .tnQ

r

5:4

‚˜ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈9:8 9:8

Q

G G Gm G Gµ Gn Gm Gµ Gµ Gn G˜ Gm Gµ Gn G

s

ÓtnQ

t t t t t

5:4 5:4

Ó . .tnQ

r

Œ3:2

‚˜ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚Q

‰ ‚µP

‰ ‚nV

Œ9:8 6:4

Ó ‰ t˜

Q

≈ . .G

V

R 3:2

. . r µQ

Œ Ó3:2

G˜ G G G G G G G G G Gm Gµ Gn G˜ Gm Gµ

Ó Œ 'n

Q

≈ JGV

3:2

ÓGnQ

G G G G Gµ

6:4

t t t t t t t t t t

5:4 5:4

. . R nQ

Ó

Œ j‚µ Œ ‰ ‚n ‚b ‚b ‚B Œ5:47:4

Π.tnQ

≈ . .G

V

r

GµS

b jG

h = 80 accel...

h = 80 accel...

. mQ

Ó .

‰ Ó 'nQ

≈ .G

V3:2

Gµ Gn G G G G G G Gµ Gm G˜ Gm

6:4 6:4

. .. .ttmmS

r tt

3:2

. .tnR

r

Π. .. .ttnmS

r

Œ3:2 3:2

. B .0

Œ .'µR

≈ jG

V

. . .BS

r

.. ttnn

3:2

Ó ≈ ‚mR

‚ ‚˜ ‚n ‚m ‚µ ‚µ

tnR≈ G

V

≈tµ

S

≈ .G

W

B

V

pour un(e) flûtiste à bec et neuf musiciens

21

Page 28: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

232 ∑

S

≈ .G

W

Π.

B

. .. .

r V

Œ3:2

232

‚n ‚m ‚n ‚µ ‚ ‚V

‰ Ó7:4

Ó . .

. . r bV

Π. .tn

loco

U

r

Œ

GµQ

G G Gn G G˜ Gm Gµ Gn G˜ Gµ Gn G˜ Gm G G

9:8 9:8

‰ . .0B

V

Ó tmQ

t t t t tµ t tn

Ó ‰ 'µU

≈ .G

X

5:4

ÓBbV

‰ . .. .ttbV

,n ;J

Q

,: , ,˜ , , ,˜ ,m , ,µ , ,

6:4 6:4

Ó ‰ .tbV

Œtµ

T

≈ t

X

. Π.5:4 5:4

Gµ G G G G G G G G G Gn Gµ G˜ Gµ Gn G˜9:8 9:8

. GB m G

t t tµ t t t t t t t t tn t t tµ t

Ó Ó5:4

.. ttb . .. . r ..tt

3:2 3:2

,µ , , , , ,m .m

S

u

6:4

Ó . .

Ó ‰ t˜V

≈ .G

X

5:4

B˜S

Gµ n JG

sµS

Π'bV

≈ jG

X

‰ Ó3:2 3:2

. µ .G G

3:2

. .. .ttr ttb

3:2

Ó j‚µV

Œ ‚ ‰ ‚ ‰7:4

Ó Ó5:4

. . r m

. n .B

. .. . r

Œ ‚n ‰ ‚ ‰ ‰‚ ‰ ‚µ Œ j‚n6:4 7:4

µ ≈ .G µ ≈3:2

Gm Gn µ 0

˜ ≈ t n ≈ t

V

. b .G Gµ3:2

..ttn . .. .tt

r 0tm

3:2

n ≈ , b ≈ ,f

V

u Ó

5:4

‰ ‚ Œ ‚˜ ‰ ‚m Œ ‚ ‰ ‚ ‰7:4 6:4

.Gµ

V

Ó Ó3:2

. n .0

. n .B

.. TTm

3:2

Ó .bm

V

u

‰ ‚µ ≈ ‚ ‰ ‚ ‰ ‚ Œ ‚ ‰ ‚7:4

Ó GµV

3:2

. ˜ .0

Π.snV

. .. . r ttbn

3:2

. ≈ .,b ≈

Œ ‚µ ‰ ‚ ‰ Œ ‚ ‰ ‚ Œ6:4 7:4

≈ Bµ3:2

.

Q

Œ

pour un(e) flûtiste à bec et neuf musiciens

22

Page 29: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

241 . ≈ s

. .. . r Q

Œ3:2

.b µ ≈ , ≈ ,µ5:4

241

‚µ ‰ ‚ Œ ‚ ‰ j‚ Œ ‚ ‰ ‚ ‰7:4 7:4

n ≈ G j

G˜ . m ≈ G3:2

˜ ≈ t tm µ ≈ t

. . r Q

Ó

n ≈ .,

5:4

Œ ‚µ ‰ ‚ ‰ Œ .‚R

Œ6:4 3:2

Ó GmQ

m ‰

h = 84

h = 84

Ó . .. .ttbnQ

r

Œ3:2

m ≈ ,

ÓtnR

. Œ

tbQ

3:2 3:2

Ó ≈ ‚mV

‚ ‚ ‚µ ‚n ‚m ‚˜

˜ ≈ B

3:2

Ó Ó ‰ Gm G7:4

m ≈ .s

Œ 'µ

R

≈ JGV

‰ Ó3:2 3:2

. .GµQ

r

Ó

. n ≈

. Ó Ó3:2

‚n ‚b ‚ ‚B ‚ ‚ ‰ Œ ‚bP

‰7:4

‰ tm

R

≈ .G

V

Ó5:4 5:4

. µ ≈ G3:2

Gm G G˜ G Gµ Gm G GB G

Q

G G Gn Gm Gn G˜ Gm

. µ ≈ s

Ó'mQ

≈ .G

V

Ó ‰Gµ G Gn G G

6:4

tm t t tn t tmQ

t t t t

5:4 5:4

. ˜ ≈ , ≈ ,m5:4

‰ ‚µV

‚µ ‚m ‚µP

Œ ‰ ‚µV

‚m ‚µ ‚µ Œ7:4 7:4

tmQ

≈ .G

V

Π.

. ˜ ≈ G m ≈ .G ≈3:2 3:2

.GmR

.G j

G˜ .Gn .Gµ j

Gm5:4 3:2

˜ ≈ t .t m ≈ t

Ó . .

GµQ

G G G G G .GµR

.G G

6:4 3:2

.tnR

t t .tm j

t

5:4

. .tn r

Π. .tr

Œ3:2 3:2

Œ .‚m Œ ‰ ‚ ‰ ‚µ ‚B3:2 5:4

ÓtnQ≈ GV

Bm

. µ G G˜ . µ G Gµ5:4 5:4

j'µQ

G

V

≈ 'nR

≈ G

V

. .Gm G . .G G˜3:2 3:2

. .t tb .t tn

5:4

. ≈ . .,m R Q

. .. .ttnnR

r

Œ Ó3:2

Œ .‚µ Œ ‰ ‚µ ‰ ‚m ‚ ‰3:2 6:4

t˜R≈ G

V

≈ tnR≈ .GV

Q

≈ Ó3:2

˜ .G .Gn µ G G G 5:4

5:4

.

Q

Œ Ó

'µR

≈ jG

V

Π.

. .G˜ .G .G .G G

3:2 3:2

.t t .

Q

Ó3:2

Ó . .

Q

‰ Ó

pour un(e) flûtiste à bec et neuf musiciens

23

Page 30: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

249 ∑

. . r Q

Ó

Ó .mm

Q

u

249 ∑

Π.BmQ

Ó . . Gµ

Q

G

(h = 84) rit...

(h = 84) rit...

.tbQ

µ Ó .

Ó ‰GnQ

G G G G

6:4

t

Q

t t t t t t t t t

5:4 5:4

. . R µ Ó

Ó ‚m ‚ ≈ ‚ ‚ ‚ ≈ ‚ ‚9:8

. µ Ó Ó3:2

Gµ G G G G G G G Gm G G G G G G˜ G

Π. . rtnQ

t t tm tn tm tn tm tnV

Œ '˜

V

≈ JGX

‰ Ó3:2 3:2

Gµ G G Gb G G G G G G G

6:4 5:4

t t t t t t t t t t

5:4 5:4

Ó ,µ;J

Q

,:

,˜ ,µ ,˜ ,m

V

6:4

Π. .tbV

loco

r

Œ

‚m ≈ ‚n ‚ ‚ ≈ ‚ ‚ ‚ ‰ ‚ Œ9:8

Πtm

V

≈ G

X

. Π.5:4 5:4

Ó ≈ GµQ

Gµ G˜ Gm Gµ Gn Gµ9:8

G˜ G G G G G G G G G G G G

V

7

7

h = 76 accel...

h = 76 accel...

Gb V

Ó Ó5:4

t t t

V

Œ Ó5:4

.µm

R

u

Gµ G

V

≈ Œ . Ó9:8

µ ≈ ..

Ó ‰ ‚mQ

‰ ‚ ‰5:4

. . R mQ

‰ ‚˜ ‰ ‚n Œ .‚n Œ3:2

‰ ‚m ‰ ‚µ ‰ .‚n Œ5:4

‰ ‚B ‰ ‚n ‰ ‚µ ‰ Œ .‚m 7:4

‰ ‚˜ ‰ ‚ ‰ Œ .‚ Œ5:4 3:2

‰ ‚˜ ‰ ‚ ‰ ‰ ‚ ‰ ‚5:4

Œ .‚˜ Œ ‰ J‚P

Œ3:2

h = 80 rit...

h = 80 rit...

t˜Q

t ≈ jt ≈ t ≈ t ≈ j

t6:4

Œ .‚˜Q

Ó

ÓGµQ

G ≈ jGn

pour un(e) flûtiste à bec et neuf musiciens

24

Page 31: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

rit...

rit...

261

≈ t˜ ≈ t t t ≈ jt

261 ‰ ‚n ‰ ‚B ‰ ‚µ Ó6:4

≈ Gµ G˜ ≈ jGn ≈ Gµ n ≈ j

G

5:4

h = 76 accel...

h = 76 accel...

≈ t˜ ≈ t ≈ jt ≈ t ≈ t

R

6:4

‰ ‚µ ‰ ‚ Œ Ó6:4

≈ Gm Gn ≈ jG˜ ≈ G ≈ G

R

5:4

. ..mm

R

u

B ≈

. ..B µ ≈

. ..µ b ≈

.b n ≈ , ≈ J,µ5:4

Œ .‚µ Œ Œ .‚B Œ3:2 3:2

B ≈ ,fu

,m

5:4

.‚B Œ .‚µ Ó3:2

. . R

U

h = 112 rit...

h = 112 rit...

∑ .Bm

U

u . µ ≈ .µ

pour un(e) flûtiste à bec et neuf musiciens

25

Page 32: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

?

&

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

rit...

rit...

277

. n ≈

277 ∑

.

. µ ≈ , n ≈ .

3:2 3:2

. ˜ ≈ .

Ó ‚mT

. Ó3:2 3:2

. m ≈ .

Œ .‚˜ Œ .‚m .‚n Œ3:2 3:2

. ≈ ,m ≈ . ., R T

3:2 3:2

∑ Ó ‚B . Ó3:2 3:2

Œ .‚n .‚ Œ ∑ Œ .‚µ ‰ ‰ .‚Q

Œ5:4 5:4

pour un(e) flûtiste à bec et neuf musiciens

26

Page 33: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

rit...

rit...

294

.,mm

T

u

≈ , ≈ ., ≈3:2 3:2

294

Π.GmT

≈ .G

.,m ≈ , ≈ ., ≈3:2 3:2

.Gm .G ≈ G

.,m ., ., ,

≈ .Gm Gµ ≈ .G G

3:2 3:2

. ≈ ,m ≈ ., ≈3:2 3:2

≈ .Gn .G µ ≈

.,m ≈ , ≈ .

3:2 3:2

.Gµ .G ≈ .G G

5:4 5:4

≈ .,m ., .,

˜ ≈ .G j

G m ≈ .G

5:4 5:4

.,m ≈ , ≈ ., ≈3:2 3:2

.Gm .Gµ ≈ G

.,m ., ., ,

≈ .Gn G ≈ .G G

3:2 3:2

. ≈ ,m ≈ ., ≈3:2 3:2

≈ .G˜ ≈ G

.,m ., ., .,

≈ .G˜ G ≈ .G G

3:2 3:2

.,m ≈ , ≈ ., ≈3:2 3:2

≈ .G˜ .G ≈

.,m ≈ , ≈ .

3:2 3:2

.G˜ .G ≈ .G G

5:4 5:4

pour un(e) flûtiste à bec et neuf musiciens

27

Page 34: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

rit...

rit...

306

≈ .,m ., .,

306

≈ .G˜ j

G ≈ .G

5:4 5:4

.,m ≈ , ≈ ., ≈3:2 3:2

.G˜ .G ≈ G

.,m ., ., ,

≈ .G˜ G ≈ .G G

3:2 3:2

. ≈ ,m . ., ≈3:2 3:2

≈ .G˜ .G ≈

.,m ≈ , ≈ .

3:2 3:2

.G˜ .G ≈ .G Œ5:4 5:4

. ≈ ,m ≈ . ., R 3:2 3:2

Ó ŒB˜T

3:2

.mm

T

u

. n ≈

.

h = 76 accel...

h = 76 accel...

µ ≈ . .Gr nR

3:2

. n ≈ .

R

pour un(e) flûtiste à bec et neuf musiciens

28

Page 35: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

320 ∑

˜ ≈ ,

320 ∑

µ ≈ ,

Ó Œ .‚nQ

Œ3:2

n ≈ ..

‰ ‚n ‚ ‰ ‚ ‚µ ‰ ‰ ‚ ‚m ‰ ‚ ‚˜ ‰7:4 7:4

. . R mQ

Ó

‰ ‚n ‚ ‰ ‚µ ‚m ‰ ‚˜ ‚ ‰ ‚6:4 5:4

‚˜ ‰ ‚ ‚ ‰ ‚ ‚ ‰ ‚ ‚ ‰5:4 6:4

‚˜ ‚ ‰ ‚ ‚ ‰ ‰ ‚ ‚ ‰ ‚S

‰6:4 6:4

h = 80 accel...

h = 80 accel...

Ó Ó tnQ

3:2

Œ .‚mQ

‚ ‚ ‚ ‚ ‚˜ ‚ ‚ ‚n ‚µ9:8

BµQ

. µR

Œ

‚µ ‚n ‚µ ‚m ‚˜ ‚n ‚µ ‚m ‚ ‚˜ ‚n ‚µ ‚ ‚m ‚ ‚ ‚ ‚˜9:8 9:8

. . r nR

Œ3:2

‚˜ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚9:8 9:8

h = 84

h = 84

‚˜ ‚ ‚ ‚ ‚ ‚ ‚ ≈ Œ .‚µP

Œ3:2

pour un(e) flûtiste à bec et neuf musiciens

29

Page 36: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

?

?

&

B

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

�y ¨�

y i�y i�u ¨�y i�

y i�

332 Ó .t˜Q

Ó Œ .mm

Q

u

3:2

332 ‰ ‚µQ

Œ ‰ ‚nP

‚b ‚n ‚B ‰6:4

Ó . . jGµQ

8

8

h = 88 rit...

h = 88 rit...

≈ t ≈ t ≈ jt

≈ ,m µ ≈ J,5:4

.tnQ

≈ ttbnR

≈ . .tnT

r

6:4

Œ .–bP

>

�u

o

Q

Π.еP

>

�¨ �

Œ .–B<

B3:2 3:2

‰tmQ

≈ . .G

V

r

Œ

. ≈ G n ≈ G µ ≈ jG

3:2

h = 80 accel...

h = 80 accel...

≈ t˜ ≈ t ≈ jt

T

≈ .G

W

Π.

n ≈ , µ ≈ , ˜ ≈ J,5:4

Œ –˜R

<

. ˜P

Œ

‰ t˜

T

≈ . .G

W

R Œ

. ˜ ≈ G µ ≈ G m ≈ jG

3:2

≈ t˜ ≈ t ≈ jt

Ó ‰ '˜S

≈ G

W

µ ≈ , n ≈ , ˜ ≈ j,

5:4

Œ .–bQ

<

bR

Œ Ó3:2

Ó tnS

≈ .G ≈5:4

µ ≈ B .˜ ≈ G µ ≈ jG

3:2

h = 88 rit...

h = 88 rit...

≈ .t˜ ≈ t

. Ó .

≈ ,m ≈ .,5:4

Π.еQ

<

µ Ó

S

≈ .G

W

Π.

n ≈ B ˜ ≈ G

3:2

≈ t . ≈

≈ ,mfu

,

m

5:4

ÓsbR

ΠtnR

≈ jG

V

≈ G˜ . ≈ G

3:2

.t˜ ≈ .t

T

. ≈ .mT

. Ó Œ

tnloco

3:2

‰ Ó

. . r T

Ó

.t˜ ≈ .t .t

. ≈ .,m .,5:4

. ≈ tnQ

. . r

3:2

Ó ¬µS

<

sm . ≈ .t 3:2

≈ .m . ≈ ,5:4 3:2

. . R ˜Q

Œ3:2

.t˜ ≈ t . ≈3:2

Ó 'nQ

≈ .G

V

≈ .m . ≈ j,m

3:2 5:4

Œ ¬˜S

>

3:2

Ó ‰ tnQ

≈ G

V

.t˜ .t ≈ t

Π.

≈ ,m ≈ .,5:4 5:4

ÓtnR

. . r

3:2

. ≈ tnR≈ .G

V

≈ .t˜ ≈ .t

≈ ,m ≈ .,5:4 5:4

ÓssnmR

. . r µ

Π.

pour un(e) flûtiste à bec et neuf musiciens

30

Page 37: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

?

?

&

B

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

y¨ i�

(◊)

rit...

rit...

344

s˜ ≈ .t ≈3:2

Ó'mQ

≈ .G

V

≈ .m . ≈ ,5:4 3:2

. .. . r

Ó

344 ∑

ÓtmQ

≈ .G

V

.t˜ s ≈ t3:2

. ≈ 'µQ

≈ .G

V

≈ .m . ≈ j,

3:2 5:4

ÓsnQ

. . .¬mR

<

R µS

. ≈ tnR≈ .GV

≈ .t˜ .t ≈

. ≈ '

R

≈ .G

V

.,m ≈ �5:4

. Ó

snR

3:2

. ≈ t˜R≈ .G

V

s˜ ≈ .t

. ≈ 'µR

≈ .G

V

≈ .,m5:4

. Ó Ó3:2

Π.

s˜ ≈ .t ≈3:2

Π.

≈ .m . ≈ ,5:4 3:2

ÓsnS

Ó tnS

≈ .G

W

.t˜ s . ≈ .t 3:2 3:2

Ó 'bS

≈ G

W

≈ .m . ≈ ,3:2 3:2

. Ó Ó3:2

. . .µR

>

�y

r �

. ≈ t˜S

≈ B

W

5:4

.t˜ ≈ t . ≈3:2

'b

S

≈ . .B

W

≈ .m 3:2

ÓsnRloco

≈ tn

R

≈ .G

W

. . R 5:4

.t˜ ≈ .t ≈ t5:4

. ≈ .m

. Ó Ó3:2

¬˜S

<

≈ t˜ .

S

Π.5:4 5:4

Ó'mQ

≈ .G

V

. ≈ .m

Ótm . .

r

3:2

pour un(e) flûtiste à bec et neuf musiciens

31

Page 38: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

?

?

&

B

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

�y ¨��¨ u� u i�y i��¨ u�¨ i� �y ¨��¨ u�

(◊)

i�

rit...

rit...

353 ∑

Π.

. . r

S

Ó

ÓsnQ

353 . . R mR

ŒtbQ

≈ jG

V

Ó ‰ t˜S

Π. j,mmu

S

. Ó ..ttbn

R ≈ j

tnT

3:2 5:4

‰ Ó

ŒG˜S

. ≈ G

3:2

h = 76 accel...

h = 76 accel...

s˜ ≈ t ≈ t3:2

Ó 'B

T

≈ .G

W

≈ ,˜fu

,

m5:4

Ó5:4

. .–mR

>

r µS

Ó

Ó ‰ t˜

T

≈ G

W

n ≈ G ≈ jGµ

≈ t˜ j

t . ≈

Ó . .

n ≈ , ≈ J,m . µ ≈5:4

Œ –mQ

< . µR

ΠеR

>3:2

. Ó .

B ≈ G ≈ Gn . ˜ ≈3:2

t˜ ≈ t ≈ t ≈ t3:2

‰ 'B

S

≈ . .G

W

R Œ

. µ ≈ ,f

,m

5:4

. nQ

Œ Œ .–nQ

>

�¨ R

Œ3:2

ΠtnT

≈ .G

X

‰ t˜

S

≈ G

W

3:2 5:4

G˜ ≈ Bm µ ≈ G ≈ jGn

3:2

≈ t˜ j

t

≈ ,m ≈ J,

5:4

Ó .–mQ

>

˜ Œ

. Œ . Œ .tµ

Q

≈ jG

V5:4

5:4

µ ≈ G ≈ G . ≈G˜R

3:2 3:2

9

9

h = 80 accel...

h = 80 accel...

. . r

R

Ó

R

≈ .,mR

j ˜ ≈ ,

. .. .ttbnR

r

Œ Ó3:2

Œ .¬˜S

<

Œ Ó5:4

R

. n ≈ G

3:2

m ≈ ,

Ó ‰ . .tmT

r

5:4

. m Œ

. B ≈ G

3:2

µ ≈ ,

. .tnUloco

r

Œ Ó3:2

Œ .–mQ

>

˜S

Œ .–mR

<

µQ

Œ3:2

. B ≈ G

3:2

˜ ≈ ..

n ≈ B

3:2

µ ≈ ..

Œ –S

>

. nR

Œ .–nQ

>

�¨ S

3:2

b ≈ BB3:2

pour un(e) flûtiste à bec et neuf musiciens

32

Page 39: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

?

?

?

&

B

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

y

h = 104 rit...

h = 104 rit...

364

. m ≈ .

364 ∑

. ˜ ≈

. B ≈ G 3:2

U

‰ . .smT

. n ≈

Ó . .

B

U

Ó .tm

T

≈ jG

W

Ó 'nT

≈ jG

W

3:2

µS

<

y

‰ Ó Ó3:2

. m ≈ .

. . r nQ

Ó

. ≈ G 3:2

sbR

. Ó3:2

. µ ≈ .

Œ .–nS

>

�¨ �

Œ –bT

<

≈ B3:2

. n ≈ .

Π.tnloco

Q

. . r

5:4

. ≈ G 3:2

pour un(e) flûtiste à bec et neuf musiciens

33

Page 40: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

?

?

?

&

B

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

�¨ u�

i�

rit...

rit...

381

381

t˜Q

≈ . .B

V

'˜Q

≈ . .B

V

Ó . .

Ó . .

sn . Ó3:2

. . R bS

Ó

. µ ≈ .

tnR≈ . .B

V

≈ B3:2

Œ'µR

≈ jG

V

ssnmR

.. Ó3:2

Ó . .

‰ Ó

. n ≈

Ó ¬mS

>

.

. . r nT

Ó

. ≈ G 3:2

. . R T

Ó –bS

>

�u

. �

Ó3:2 3:2

. . r

T

Œ Ó3:2

Π.snloco

. Ó .

'mQ

≈ .B

V

sbQ

. Ó3:2

'µQ

≈ .B

V

tnQ≈ .BV

'nR

≈ .B

V

snR

. Ó3:2

t˜R≈ .B

V

'µR

≈ .B

V

ssnnS

.. Ó3:2

tnR≈ .BV

'mS

≈ .B

W

pour un(e) flûtiste à bec et neuf musiciens

34

Page 41: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

?

?

&

B

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

¨ y�

�¨ u�

�y ¨�¨ y��y u�

rit...

rit...

397 ∑

'mS

≈ . .B

W

397 Ó ¬µ>

t˜S

≈ . .B

Ó . .

Ó . .

. . r b

Ó –n�¨

<

. �

Ó3:2 3:2

h = 76 accel...

h = 76 accel...

Ó snT

Ó ‰ .tnUloco

Œ –mR

<

˜S

‰ –mQ

>

�u

Ó . .

≈ t

Ó .tbS

Π.µS

>

. .tnRloco

r

Œ Ó3:2

. mQ

Ó .

.

R

Ó .nm

R

u

.–nQ

>

�¨ S�

ΠеS

>

3:2

B

R

h = 80 accel...

h = 80 accel...

Ó'mQ

≈ .G

V

Π. .tm r

Œ

. . r nQ

Œ –nQ

>

�¨

Ó . .

. .tnQ

r

Œ Ó3:2

. S�

ΠеS

>

�¨

3:2

‰tbQ

≈ G

V

. Œ

m ≈ B3:2

˜ ≈ ..

. .. .ttbnR

r

Œ Ó3:2

. Q

Œ –mS

<

˜ ‰ –mQ

>

�u

‰3:2

Ó . .–nR

>

�u Q

h = 88

h = 88

˜ ≈ ,

‰ .tm

loco

T

≈ . .tnU

r

Œ5:4 3:2

Œ .–bP

>

�u R

Œ Œ .–nR

>

�u P�

Œ3:2 3:2

. µ ≈ G 3:2

pour un(e) flûtiste à bec et neuf musiciens

35

Page 42: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

¨ i��¨ u�

u y�

h = 76 accel...

h = 76 accel...

413 ∑

413

‰ –µR

>

�¨

‰ –mP

>

�u

‰ Ó5:4

. µ ≈

Ó snQ

. ˜ ≈ .

Q

Ó . –nR

<

BµQ

. ˜ ≈

. n ≈

Ó . .tmT

r

bP

‰ –mQ

>

�¨

‰ Ó

˜ ≈B

3:2

.

Π.µS

>

. µ ≈ s

. m ≈ .

. n ≈ G 3:2

. m ≈

Π'nT

≈ jG

W

‰ Ó3:2 3:2

. n ≈

. µQ

Œ

ΠtmT

≈ G

X

. Π.5:4 5:4

. µ ≈

tmR

t t t t t t t˜ t t t t t t t t

P

ÓBbX

Ó Ó ttmmX

3:2

,;J

R

,: ,˜ , ,n ,˜ ,˜ ,µ ,n ,˜ ,m ,

P

6:4

6:4

.–mQ

>

�u S�

ΠеS

<

. . R ˜Q

3:2

GµR

G Gn Gm Gn Gn Gn Gm Gm Gµ Gm Gn Gn G˜ G GP

9:8 9:8

Ó . GB

X

10

10

h = 80 accel...

h = 80 accel...

g

g

g

g

g

g

g

g

g

g

s˜X

Π'B

V

≈ JGX

.Bm

X

u

. .tmV

loco

r

Œ Ó3:2

Ó Ó

‰ t˜

V

≈ G

X

. Œ

BnX

. µ .B

.. ttn .. ttm3:2 3:2

. ˜ ≈ G3:2

n .G . m G

m ≈ .s

. ˜ G . m .G Gn3:2

.. ..ttbn tt

3:2

m ≈ .,

5:4

Ó Œ .‚mV

(

Œ3:2

. m ≈ G3:2

. n G G˜

5:4

pour un(e) flûtiste à bec et neuf musiciens

36

Page 43: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

425

n ≈ .s

m G˜ Gm Gµ5:4

.. . .. .ttmmr ttm

n ≈ ., b ≈ ,Bfu

,b J,nm5:4

425

‚m ‚ ‰ ‚n ‚ ‰ ‚m ‚˜ ‰5:4

. µ ≈ Gn ≈ B˜3:2 3:2

µ .G Gn Gµ n G

3:2

m ≈ t n ≈ t tm

6:4

. n .B

.. TTm . .. . r ttbn

3:2 3:2

‰ ‚µ ‚ ‰ ‚b ‚ ‰ ‰ ‚P

Œ7:4

m ≈ G ≈ jGn

0n .G˜

n ≈ t tµ

.. TTb3:2

m ≈ ,f

,µm

5:4

. .0˜

.. TTb3:2

. .tnV

r

Œ Ó3:2

Ó t˜

V

≈ .G

X

. .0˜

Π'n

V

≈ JGX

‰ Ó3:2 3:2

. .. . r V

Œ3:2

Ó . .

˜ ≈ B

3:2

V

‰ Ó

. . r V

Ó

˜ ≈ ..

m ≈ B

3:2

˜ ≈ .s

. m ≈ .

‚bV

‚ ‰ ‚ ‚ ‚ ‰ ‚B ‰ ‚n ‰ ‚µ ‚n ‰7:4 7:4

≈ Gm j

G

Ó . . jGBV

m ≈ .t ≈ t t

Ó ..ttbnV

..ttn

≈ ,m ≈ , ≈ .

3:2

Π. .tm

loco

W

r

Œ

‚µ ‚m ‚˜ ≈ ‚µ ‚m ‚˜ ≈ ‚µ ‚b ‰ ‚n ‚ ‚µ ‰7:4

Ó . .tµW

≈ GmV

Œ

.Gµ Œ Ó5:4

.tm ≈ s

Ó Œ 'nW

≈ jG

j

3:2

Œ .GµV

Gµ . . r

3:2

. ≈ . .,m R V

‚n ‰ ‚µ ‰ ‚ ‚ ‰ ‚m ‚ ‚ ≈ ‚ ‚ ‚ ≈7:4

. .G

j

r

Ó

pour un(e) flûtiste à bec et neuf musiciens

37

Page 44: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

434

≈ .tm

V

Ó

‰ Ó Ó3:2

Ó . .tnW

r

Œ3:2

434 ‚m ‚ ‰ ‚ ‚ ‚ ‰ ‚ ‰ ‚ ‰ ‚ ‚ ‰7:4 7:4

‚m ‚ ‚ ≈ ‚ ‚ ‚ ≈ ‚ ‚ ‰ ‚ ‚ ‚ ‰7:4

Œ tµW

≈ G

j

. Π.5:4 5:4

‰ 'BW

≈ . .G

j

r Œ

‚m ‰ ‚ Œ Ó5:4

ŒBmV

. n Ó3:23:2

.mm

V

u . µ ‰5:4

Ó ‰ Gµ

V

JG5:4

ÓsmV

Ó ttnV

. .. . r

..tt

3:2 3:2

‰ .tbX

Π.

Gµ JG

5:4

. µ Ó .

Ó . .GBV

r

. .. .ttr tt

3:2

‰tmW

≈ .G

j

Ó5:4 5:4

n G G JG6:4

Π'bW

≈ jG

j

‰ Ó3:2 3:2

. .GB r B

. .. . r ..ttm tt

Œ ‚m ‰ ‰ ‚µ ‰ ‚µ ‰5:4

. . R 0µ

. .GB G

3:2

. .. . r ttmm

Œ .‚˜ Œ ‰ ‚µ ‰ ‚3:2

. . R X

Ó

..

X

Ó3:2

‰ ‚m ‚ ‚ ‚ ‚ ‚ ‚˜ ‚ ‚ ‚n ‚ ‚µ ‚ ‚m ‚7:4 9:8

. . r

X

‚˜ ‚ ‚ ‚µ ‚ ‚ ‚b ‚ ‚ ‚ ‚B ‚ ‚ ‚ ‚ ‚ ‚ ‚9:8

9:8

‚B ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ≈9:8 9:8

ΠBnV

≈ G ≈ jG

3:2

pour un(e) flûtiste à bec et neuf musiciens

38

Page 45: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

445 ∑

Ó .µm

V

u

445 ∑

≈ Bn 3:2

. ≈ .µ

Œ ‚m ‰ ‰ ‚ ‰ ‚ Œ6:4

. µ ≈ G3:2

Ó . tµV

. .tnXloco

r

Œ Ó3:2

‰ ‚m ‰ ‰ ‚ ‰ ≈ ‚˜ ≈ ‚ ‰ ‚ ≈6:4

. n ≈ G ≈ B3:2 3:2

≈ tµ ≈ jt ≈ t

‰ ‚n ‰ ‚ Œ ‰ ‚ ‰ ‰ ‚ ‰6:4 6:4

Œ ‰ tm

X

≈ . .G

j

R

≈ B 3:2

≈ ‚ ≈ ‚ ‰ ‚ ≈ ‰ ‚ ‰ ‚ Œ6:4

.

X

Ó3:2

≈ tµ

Œ 'µ

X

≈ JGj

‰ Ó3:2 3:2

‰ ‚ ‰ ‰ ‚ ‰ ≈ ‚ ≈ ‚ ‰ ‚ ≈6:4

0B

X

. n G

h = 84 accel...

h = 84 accel...

≈ .tµ ≈ t

Óttmm

X

. . R X

‰ ‚ ‰ ‚ Œ Ó6:4

. m G Gµ

5:4

≈ .sµ

.. ttmm .. ttmn3:2

Ó ‰ ‚nR

‰ ‚

µ G jGn . m G

5:4

.

X

Œ

ÓBBX

.. ..ttnb ttnm3:2

Ó ÓtbX

3:2

≈ ‚µ ≈ ‚m ≈ ‚µ ≈ ‚˜ ≈ ‚n ‚µ ≈ ‚b ≈ ‚ ≈ ‚ ≈9:8 9:8

n .G . ˜ G

. GB . b .G Gµ3:2

.. TTbm .. TTbn3:2 3:2

. Ó Ó3:2

J‚bV

Œ . ‚µT

‰ ‚ Œ ‚ ‰ ‚n Œ7:4 7:4

. mS

Œ

pour un(e) flûtiste à bec et neuf musiciens

39

Page 46: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

?

&

&

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

455

. ˜ .G Gm3:2

. .. . r ttm

3:2

455

‚µ ≈ ‚m ≈ ≈ ‚˜ ≈ ‚ Œ ‚n ‰ ‚µ Œ7:4

Œ t˜

W

≈ G

j

. Π.5:4 5:4

Ó Œ 'µ

W

≈ JGj

3:2

. µ .G n B

.. S

Ó Ó3:2

‚µ ≈ ‚ ≈ ≈ ‚ ≈ ‚ Œ ‚ ‰ ‚ Œ7:4

‰ Ó Ó3:2

. µ .B

‚µ ≈ ‚ ≈ ≈ ‚ ≈ ‚R

Ó

. . r S

Ó

ÓtbW

. Ó3:2 3:2

Ó .‚˜V

Œ

Ó ‰ GmS

G G G G˜

Ó Œ tµW

≈ G

j

5:4

G˜ .Gn G .Gµ j

Gm .G˜ Gn .G j

G7:4 7:4

Ó Œ 'bW

≈ jG

j

3:2

tmS

t t t t t t t j

t

5:4

Ó Ótn

loco

W

3:2

Œ .‚˜ Œ Œ .‚ Œ3:2 3:2

. Œ . Ó5:4

X

Π.GnX

j

G

‰ Ó Ó3:2

Ó .GµS

.G .G

3:2

tm t j

t . X

Ó3:2

. Ó Ó3:2

.‚˜ .‚ Œ ‰ ‚ ‰ ‚T

3:2

Ó BnX

h = 88

h = 88

Gn G Gµ Gm G˜ Gµ G Gµ G Gb G G

6:4 6:4

. .. .ttmmX

r tt

3:2

Ó ≈ ‚mQ

‚ ‚ ‚˜ ‚n ‚µ ‚µ ‚m9:8

Πtm

V

≈ G

j

. Π.5:4 5:4

˜ ≈ B3:2

. ˜R

Œ

Ó Œ 'µ

V

≈ JGX

3:2

.Gb .G

X

Π.GbX

G

3:2

.. R

‚n ‚m ‚n ‚µ ‚˜ ‚n ‚ ‚µ ‚ ‚ ‚ ‚ ‚ ‚V

‰9:8

6:4

m ≈ G Gµ Bn

pour un(e) flûtiste à bec et neuf musiciens

40

Page 47: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

464 ∑

‰ Ó Ó3:2

Ó .nm

X

u

464 ‰ ‚µV

≈ ‚ ≈ ‚ ≈ ‚n ≈ ‚ ≈ ‚˜ ≈ ‚ ≈ ‚µ9:8

. µ ≈ G3:2

. . r µR

Ó

˜ ≈ ,

≈ ‚n ≈ ‚µ ≈ ‚ ≈ ‚n ≈ ‚n ≈ ‚˜ ≈ ‚ ≈ ‚ ≈9:8

µ ≈ , ≈ J,n

5:4

Ó . .tbV

r

Œ3:2

‚˜ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈9:8 9:8

m ≈ B n ≈ G ≈ jGµ

3:2

Ó . .GBR

Ó snX

Ó Ó .tmR

3:2

n ≈ ,

‚˜ ‰ ‚ ‰ ‚Q

‰ Ó6:4

GB

Q

G G Gb Gµ G G˜ Gµ Gn Gn G˜ Gm Gµ Gn G˜ G

˜ ≈ t

Ó . .GµR

r

tnQ

t t t t t t t t t t ‰5:4 7:4

µ ≈ ,

‰ ‚µP

‰ ‚˜ Œ ‰ ‚µV

‰ ‚nP

‰6:4 5:4

. . r

S

Œ Ó3:2

G˜ G G G G ‰ G G Gm Gµ Gn G˜ Gm Gµ

h = 84 accel...

h = 84 accel...

m ≈ t tµ tn 6:4

GnQ

G G G G Gµ Gn G G G G

6:4 5:4

tQ

t t t t . .. .ttmmS

r tt

5:4 3:2

m ≈ , ≈ ,

5:4

‰ ‚nV

‚m ‚m ‚˜P

Œ Ó7:4

U

≈ .G

X

Π.

.GµS

b .0

µ ≈ t

GnQ

G Gµ Gn Gµ Gm .GS

G

6:4

Ó ‰ ‚mR

‚ ‚

. B

X

Œ

pour un(e) flûtiste à bec et neuf musiciens

41

Page 48: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

471

n ≈ t

. .. . r

X

Œ Ó3:2

. . R µS

Ó

471

‚µ ‚B ‚n ‚n ‚m ‚n ‚µ ‚V

≈ Ó9:8

Ó ‰ .GB

X

m ≈ t ≈ tµ ≈ tn

'n

U

≈ .G

X

Π.

. . r b

X

Ó

Ó ttbnX

3:2

. b G

.

S

Œ

BbX

. .. . r ttb .. TT

3:2 3:2

Ó ‰ .tbloco

U

Ó ÓGµS

≈3:2

n JG G˜ µ

. µ G . n .G GB3:2

.. . .. .ttmmr

..ttnn TTm3:2 3:2

Ó . .

Ó Œ j‚µV

Œ5:4

Gµ G G G G G G Gn G G G G G G Gµ G

9:8 9:8

Gµ .Gn µ .G

. b .G Gµ . n G

3:2

.. TTm . .. . r ttbn

3:2 3:2

‚µ ‰ ‚ Œ ‚n ‰ j‚n Œ ‚µ ‰ ‚ ‰7:4 7:4

Ó Œtµ

T≈ G

X

5:4

Gµ G G G G G G G G G G G G G G

X

≈9:8 9:8

. n .0

. µ G

. .. . r Q

Œ3:2

Ó ,µ;J

S

,:

, , , ,m

6:4

≈ ‚n ≈ ‚˜ ‰ ‚m ≈ ≈ ‚µ ‰ ‚ ≈ ‚n ≈

. Œ . Ó5:4

ÓBµX

˜Q

‰ Ó

Ó Œ'mT

≈ jG

W

3:2

. . r Q

,˜ , ,n ,µ ,n , ,m , ,B , , ,

6:4 6:4

≈ ‚n ≈ ‚ ‰ ‚ ≈ ≈ ‚ ‰ ‚ ≈ ‚ ≈

‰ Ó Ó3:2

,B , , , , ,

X

Ó6:4

≈ ‚ ≈ ‚ ‰ ‚ ≈ ‰ ‚ Œ ‚ ‰ ‚7:4

pour un(e) flûtiste à bec et neuf musiciens

42

Page 49: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

479

tµS

t t t tm t t tn tµ tn tm t˜ tn tµ6:4

‰ . ..Bm

X

u

479

‰ ‚ ≈ ‚ ‰ ‚ ‰ ‚ Œ j‚R

Œ7:4

B ≈ . .Gr

R

Ó3:2

tm t˜ t tn t t t t t t t t t

X

≈6:4

‰ .tnS

Π.

Ó ≈ ‚mT

‚ ‚ ‚ ‚ ‚n ‚

Ó snX

µ ≈ , . . R nR

‚n ‚m ‚ ‚ ‚m ‚ ‚n ‚ ‚ ‚b ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚V

9:8

9:8

Ó G˜Q

m ‰

h = 88

h = 88

Ó .GµQ

.G

Œ3:2

. .. .ttbnQ

r

Œ Ó3:2

≈ ‚mP

‚ ‚n ‚m ‚n ‚bT

≈ Œ ‚bV

‰ ‚ ‰6:4

Ó ŒtnS≈ tV

5:4

m ≈ .t µR

ÓGµQ

G G Gn G G

6:4

ÓtmQ

t t t t t

5:4 5:4

. .tnX

r

Œ Ó3:2

‚b ≈ ‚µ ≈ ‚ ≈ ‚ ≈ ‚P

‰ ‚µV

‚µ ‚m ‚µ Œ9:87:4

. Œ . Ó5:4

Gm G G˜ G Gµ Gm G GB G G Gm Gn Gm Gn G˜ Gm

Ó Œ 'µ

S

≈ JGW

3:2

Gµ G G G G G .GR

.G .G

6:4 3:2

tm t t t t tR

t .t t

5:4 5:4

‰ ‚µ ‚m ‚n ‚µ Œ ‰ ‚ ‰ ‚ ‚˜7:4 5:4

.GmR

Gm .G˜ j

Gn .Gµ .G˜ j

Gµ3:2 3:2

‰ Ó Ó3:2

.Gm .G .G˜ .G .G .Gn

3:2 3:2

tm t .t t tm t .t t

5:4 5:4

‚n ‚µ ‰ ‚n ‰ ‰ ‚n ‰ ‚m ‰ ‚ ‰5:4

7:4

Ót˜

X

≈ .G

j

ÓG˜

R

Q

≈ Gµ G G G Gn G G˜ Gm3:2 9:8

.G˜ µ Gn Gm n .G˜ .Gn µ G 3:2

3:2

pour un(e) flûtiste à bec et neuf musiciens

43

Page 50: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

486 ∑

.G .G .G Q

Ó3:2

t t .t t

Q

Ó5:4

486 ∑

Ó . .

Gµ Gn G˜ Gm Gµ Gn G˜ Gm G Gµ G G G G G

9:8

.Gµ G G

Q

Π.5:4

Π.'BX

≈ . .G

j

r

,nm

R

u

Q

≈ ,;J

,: , ,˜ ,

6:4

Ó ‚mQ

‰ ‚˜ ‰ ‚nV

5:4

Gµ G G G .G ‰

G G Gn Gµ G˜ Gµ Gn G˜7:4 9:8

(h = 88) rit...

(h = 88) rit...

Ó .tnR

‰GnQ

G G G G G G G G G G G

7:4 6:4

t

Q

t t t t t t t t t

5:4 5:4

,n , ,˜ ,m , ,µ , , , ,

6:4

‰ ‚mV

‚ ‚ ‚ ‚ ‚˜ ‚ ‚ ≈ ‚n ‚ ‚9:8

B˜S

Ó ‰ Gµ

Q

G G G Gm G

h = 84

h = 84

tmQ

t t t t tµ t t t tn t t tµ t t t

Gm G G G G BX

5:4

t t t t t t

X

‰ ttb

7:4

,µ , , , , ,m .m

S

u

6:4

.‚nQ

Ó Ó3:2

Gm G G GB G G G G G G G G G G

X

tµ t t t t t t t tn t t tµ t5:4

. . r

. .. . r ttb .. tt

3:2

. m ≈ G . µX

Ó3:2 3:2

.0B

X

JG

sµS

.G˜ .B

.. TT

3:2

µ ≈ ,

Ó Œ BµX

3:2

. m G Gµ . n G

5:4

. . r n .G .Gµ G

3:2

. .. . r ..ttb . .. .tt

r ttm

3:2 3:2

. . R bX

Ó

‰ . .tb

loco

S

r

Ó5:4

. m G Gµ5:4

˜ ≈ t . nX

Œ

. .. . r ttm

3:2

.bm

X

u

ŒtnR

≈ . .tnQ

r

Œ3:2

Œ tµ

S

≈ G

V

. Π.5:4 5:4

. n ≈ G 3:2

. n G . µ G

pour un(e) flûtiste à bec et neuf musiciens

44

Page 51: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

494 Ó . . jtnX

Ó Œ 'B

S

≈ JGW

3:2

.. ttmm

3:2

µ ≈ ,

494 Ó Œ .‚µV

.‚ 3:2

ŒtBR

ŠΠtnQ

≈ .G

V

5:4

m ≈ G ≈ jGn . m ≈

. . r n 0

‰ Ó Œ'nR

≈ jG

V

3:2

3:2

. . r V

Ó

. .. . r V

Œ Ó3:2

n ≈ ,fu

,m̃

5:4

Ó . .tnR

r

Œ3:2

‰ ‚µ ‰ ‚ ‰ ‚ ‚ ‰ ‚ ‰ ‚m ‰ ‚ ‚7:4 7:4

Ó . .

Bm

V

Π.

˜ ≈ .s

≈ 'nQ

≈ . .G

V

r Œ

. µ ≈ .

. .. .ttnmS

r

Œ Ó3:2

‰ ‚m ‚ ‚˜ ‚ ‚ ‰ ≈ ‚n ≈ ‚ ≈ ‚µ ‚ ≈7:4

Ó ‰tnR≈ G

V

. n ≈ G3:2

µ ≈ t ≈ jt˜ . µ ≈

Ó'µR

≈ .G

V

≈ ‚µ ≈ ‚m ≈ ‚ ‚ ≈ ≈ ‚ ≈ ‚ ≈ ‚˜ ‚ ≈

S

≈ .G

W

Π.

m ≈ G ≈ jG

≈ 'µ

S

≈ B

W

˜ ≈ ..

Ó Ótn

loco

U

3:2

‰ ‚˜ ‚ ‚ ‚ ‚ ‰ ≈ ‚ ≈ ‚ ≈ ‚ ‚ ≈7:4

. . r

Q

Œ Ó3:2

n ≈ t

≈ ,m ≈ , . . R Q

5:4

. Ó Ó3:2

≈ ‚˜ ≈ ‚ ≈ ‚ ‚ ≈ ≈ ‚ ≈ ‚ ≈ ‚ ‚ ≈

Ó ŒtµV

≈ .G

j

3:2

˜ ≈ t ≈ jt

Ó ‰ 'µV

≈ G

j

‰ .tnX

Π.

‰ ‚˜ ‚ ‚ ‚ ‚ ‰ ‚ ‰ ‚ ‰ ‚ ‚ ‰7:4 7:4

‰ Ó Ó3:2

.

Q

Ó .

. ΠΠ'b

X

≈ JGj

‚˜ ‰ ‚ ‰ ‚ ‚ ‰ ‚ ‰ ‚ ‰ ‚ ‚ ‰7:4 7:4

‰ tµ

X

≈ .G

j

Ó5:4 5:4

‰ Ó

ŒGbV

. . r

Ó ..ttbbV

tt

‚˜ ‚ ‚ ‚ ‚ ‰ ‚ ‰ ‚ ‰ ‚ ‚ ‰ ‚7:4 7:4

pour un(e) flûtiste à bec et neuf musiciens

45

Page 52: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

503 ∑

Bb

. .. .

r

Œ3:2

503 ‰ ‚˜ Œ Ó

‰ .GnV

G 5:4

. . r µ

. ˜ Ó .

Ó .GbQ

µ ≈ G

3:2

Ó . .GµV

r

Ó ‰tmV

t t t t tm

7:4

Ó . . J,mm

Q

u

ÓtnU

. Ó3:2 3:2

. . r µ Œ Ó3:2

Œ .G˜V

G Gn G Gn Gµ G˜ Gm G˜ Gµ5:4

Ó Œ 'm

U

≈ JGX

3:2

Gµ G Gm G G˜ G Gm G G˜ G G G

6:4 6:4

tn tn t tm t .t

X

Ó5:4 3:2

. µ ≈

‰ ‚µ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚9:8

‰ tn

V

≈ .G

X

Ó5:4 5:4

Gn Gµ G G G

X

‰ Ó

Ó .tbQ

�u µ Œ

‰ Ó Ó3:2

G˜X

‰ Ó Ó6:4

‚m ‚ ‚ ‚ ‚ ‚˜ ‚ ‚ ‚ ‚ ‚ ‚n ‚ ‚ ‚ ‚µ ‚ ‚9:8 9:8

Gµ G G Gn Gµ Gm G˜ G G G Gm Gn GB Gn Gm Gµ9:8 9:8

,µ;J

,:

,m , ,n ,µ ,n , , , , ,µ

6:4 6:4

Ó ‰ .tnS

‚µ ‚ ‚b ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚B ‚ ‚ ‚ ‚ ‚ ‚ ‚9:8

9:8

.GµR

≈ G ≈ .Gm n ≈ G

3:2 3:2

tµ t tm tn tn tm tn tµ t t t tn t˜ tm tµ t

Ó ‰'nS

≈ G

W

,µm

R

u ≈ , ≈ J, ≈ ,mf

u ,m

5:4 5:4

Ó . .

‚B ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚9:8 9:8

‰tµ

T≈ . .G

X

r

Ó3:2

≈ Gm µ ≈ jG ≈ .Gm µ ≈

3:2

pour un(e) flûtiste à bec et neuf musiciens

46

Page 53: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

511

tµR

≈ t j

t m ≈ t ≈ jt˜

. Ó .

˜ ≈ , ≈ , n ≈ , ≈ ,µ b ≈5:4 5:4

511 ‚B ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚9:8 9:8

Gµ ≈ .G˜ µ ≈ G ≈ Bm3:2 3:2

n ≈ t ≈ tµ m ≈ t ≈ t˜3:2

,bf ,m

≈ ,f ,m

≈ , ≈ J,5:4 5:4

‚B ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚9:8 9:8

B ≈ G G . ≈ .G

Q

Œ3:2

(h = 84) accel...

(h = 84) accel...

n ≈ t t ≈ t .t ≈3:2

Ó ..tt

X

tt

≈ ,bf

Q

Œ Ó5:4

‚B ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ Ó9:8

.Gµ

X

G G .G

5:4

.t

Q

Ó .

.G˜X

.G .G B

3:2

.. tt. .. .

r ttm

3:2 3:2

Ó ‰ ‚b ‰ ‚ ‰5:4

n G JGµ .Gn5:4

. b .G b .GB µ B

5:4

.. . .. .ttn

r TTm

3:2

Ó Ó ,m ;J

Q

,:

6:4

≈ ‚b ≈ ‚B ‚ ≈ ‚µ ≈ ‚n ‰ ‚m ‰ ‚n5:4

Ó G˜Q

G G G G G G G9:8

˜ .G .

S

Œ

Ó tnQ

t t t t t t t

. . r nS

..

S

Ó Ó3:2

,m , , , , , , ,n , , , ,

6:4 6:4

. .tbQ

r

Œ Ó3:2

‚µ ‰ ‚m ‰ ‚n ‰ ‰ ‚µ ‰ ‚b ‚ ‰ ‚B6:4 7:4

G˜ Gn G G G G G G Gµ G G G G G G G9:8 9:8

t t t t t t t t t t t t t t 6:4

Ó'mQ

≈ jG

V

,m , , , , , , , , ,

6:4

‰ ‚B ‰ ‚ ‰ ‚ ‚ ‰ ‚ ‰ ‚ ‰5:4 7:4

t˜Q

≈ .G

V

Π.

Gµ G G G G G G G G G G G

X

Œ9:8 3:2

snX

Ó . .

.,mm

X

u ≈ .

Ó . .tn r

Œ3:2

‰ ‚B ‰ ‚ ‚ ‰ ‚ ‰ ‚ ‰ ‚6:4 5:4

ÓtnQ≈ .GV

BBX

pour un(e) flûtiste à bec et neuf musiciens

47

Page 54: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

accel...

accel...

519

≈ t ≈ t5:4

'µQ≈ G

V

≈ 'nR

≈ G

V

≈ ,m . µ ≈

. .tn r

Π. .. .ttnnR

r

Œ3:2 3:2

519 ‰ ‚B ‚ Ó .3:2

Π.

t˜R≈ G

V

n ≈ B ˜ ≈ G ≈ jG

3:2

≈ .t ≈ t

'µR

≈ .G

V

Π.

,µ n ≈ ,

5:4

‰ ‚µR

‰ ‰ ‚˜V

‰ Ó6:4

tnR≈ .GV

Π.

. µ ≈ G 3:2

Ó . .GnS

Œ .‚mT

Œ Ó3:2

. ˜ ≈ G3:2

≈ .s

Gn G G G G G G G G Gµ

6:4

t

S

t t t t t t t tm j

t

5:4 5:4

m ≈ .

3:2

Œ .‚n Œ ‰ ‚n ‰ ‚µµ ‰3:2

5:4

≈ G˜

S

G G Gm G G Gµ Gn G G˜ Gm Gµ G Gn rG

≈ t

.Gµ .G G . .Gµ .G

3:2 3:2

tm t j

t t .t Q

‰5:4

µ ≈ , . ˜ ≈

Œ .‚m Œ ‚˜ ‰ ‚R

‰3:2

n ≈ B m ≈ G ≈ jG

3:2

.Gn Gµ .G j

G .G G

Q

Œ7:4 3:2

h = 88

h = 88

≈ t ≈ jt ≈ t

Π'B

R

≈ JGV

‰ Ó3:2 3:2

.GµQ

.G .G .Gm .G .G˜

3:2 3:2

tmQ

t t t j

t tn .tm j

tn5:4 5:4

.,˜ ≈ .

Ó .‚˜V

Œ

Ó ‰ tm

Q

≈ .G

V5:4

. ≈ Gµ

3:2

GµQ

G G Gn Gn r

G˜ .Gm .Gn jGµ

3:2

.G .G .G .Gµ .G .G

3:2 3:2

. t t .t j

t

5:4

. .tmloco

Q

r

Ó

‰ ‚˜ ‰ ‚ ‰ .‚ .‚ Œ5:4 3:2

Ó Ó5:4

. . r

V

Œ3:2

.Gm Gµ m .G .G˜ j

Gm5:4 3:2

.

V

Œ

'bQ

≈ .G

V

Π.

. .Gµr

X

Ó

. .t X

Ó

. . R V

Ó

‰ ‚˜ ‰ ‚ Œ .‚T

Œ3:2

Ó ‰ tnQ

≈ G

V

.Gµ .Gn .G GX

Œ5:4 5:4

pour un(e) flûtiste à bec et neuf musiciens

48

Page 55: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

?

&

&

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(h = 88) rit...

(h = 88) rit...

527

BµX

. .G G

3:2

Ó ..tt

X

..tt

5:4

. .tnQ

r

Œ Ó3:2

527 ∑

. Ó .

'B

X

≈ .G

j

Π.

. .Gµ G . . r

3:2

..tt tt tt . .. .tt

r tt

5:4 3:2

Ó ‰ tm

X

≈ G

j

GnX

.G . G .Gµ

5:4

Bµ . .G G

3:2

.. . .. .ttm

r ttmm

Ó . .tnXloco

r

Œ3:2

. Ó .

Gµ Gm ˜ jG G n Gµ

5:4 5:4

. .Gn G . .G G

3:2 3:2

.. ttm tt ttm5:4 5:4

Œ .‚µV

Œ ‰ ‚ ‰ ‚m ‚3:2 5:4

.Gm ˜ .G n G µ jG

. . r Bn

.. ..ttmm .. tt

5:4 3:2

Œ .‚˜ Œ .‚ Œ3:2

. n .G µ Gn j

. . r R

Ó

.. ttmm .. tt

3:2

. .G j

G j

G

5:4

Ó Œ 'b

X

≈ JGj

3:2

.GR

.B

.. R

Ó ÓttbbR

3:2 3:2

G j

G

R

‰5:4

‰ Ó Ó3:2

. . r b B

X

.. ttbb

3:2

Ó ÓtnX

3:2

ŒtnW≈ Gj

. Π.5:4 5:4

Ó .GµR

h = 80 accel...

h = 80 accel...

. .. . r

ttbbX

. Ó Ó3:2

b . .0

. µ G

ŒBµV

3:2

. . R B 0

X

pour un(e) flûtiste à bec et neuf musiciens

49

Page 56: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

537 Ó . tnV

Œ 'µW

≈ jG

j

‰ Ó3:2 3:2

. n G

.. tt

3:2

.Bm

V

u

537 ∑

Ó Œ tn ≈W

G

j

5:4

m ≈ .G B ‰

Ó Œ 'BW

≈ jG

j

3:2

. m .G Gµ

3:2

.. ttm . .. . r

..ttbn

3:2 3:2

. µ ≈ . ., R n

ÓtmW

. Ó3:2 3:2

. Œ . Ó5:4

n .G

m ≈ t . µ Œ

‰ Ó Ó3:2

˜ G Gm j

Gµ . n G

TT . .. . r ..ttbb

3:2

Œ .‚m Œ ‰ ‚ ‚ ‰3:2

Π.tmW

≈ jG

j

Œ5:4 5:4

. m G . n G G˜5:4

..tt ttm . .. . r ttb

3:2

‰ . .tnW

r

Ó5:4

‰ ‚n ‰ ‚m ‚˜ ‰ ‰ ‚µ ‰ ‚b ‚6:4 5:4

Ó ŒG˜V

G G

5:4

µ .G Gn Gµ3:2

. .. . r ttbn

3:2

Ó Œ . ,n ;J

V

,:

5:4

Gn G Gµ Gm Gn Gµ Gm G˜ Gn Gµ G Gn G G G G9:8 9:8

n G 0

Ó .tµV

.. TTb

3:2

, , ,µ ,m ,n ,µ ,m ,˜ ,n , ,µ ,

6:4 6:4

.G

X

Ó Ó3:2

.G˜ . G

tµ t t t tm t t t˜ t tn t t tµ t t t

. .. . r ttb

3:2

,µmu

≈ , ≈ .,

X

Ó3:2

. . r .G˜ G

tµ t t t t

X

Ó5:4

. . r V

Ó

. .. . r V

Œ

. . r G˜

V

pour un(e) flûtiste à bec et neuf musiciens

50

Page 57: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

accel...

accel...

545 ∑

545 Ó ‰ ‚b ‚ ‰ ‚5:4

ÓBµV

‰ ‚B ‰ ‚ ‚n ‚µ ‚ ‰ ‚µ ‚m ‚˜ ‰6:4 6:4

. m .G Œ Ó3:2

..ttbV

tt..

Ó3:2

‰ ‚µ ‚˜ ‚n ‚µ ‰ ‚B ‰ ‚n ‰ ‚n ‚ ‚µ7:4

6:4

Π. jGBV

.Gµ Œ5:4

‚µ ‰ ‚ ‰ ‚m ‰ ‰ ‚ ‚ ‚ ‚ ‰6:4 6:4

Ó Œ 'BV

≈ jG

X

3:2

‚m ‰ ‚ ‰ ‚ ‚ ‚ ‚ ‰ ‚ ‚ ‚ ‰6:4 7:4

Ó Œ .t˜V

≈ jG

X

5:4

‰ Ó Ó3:2

. .tnV

r

Œ Ó3:2

‰ ‚m ‚ ‚ ‚ ‰ ‚ ‰ ‚ ‰ ‚ ‚6:4 6:4

Œ Ó5:4

ΠGnX

≈ G ≈ .G ≈ G3:2 3:2

Ó .,µm

X

u ≈

. ≈

Ó . tµX

,µ ≈ ..n

.G ≈ Gµ ≈ .G ≈ G

3:2 3:2

tµ ≈ t ≈ t ≈ tn

B˜V

. .G G

3:2

Πtt

V

.. tt

3:2

˜ ≈ , m ≈ , ≈ J,µ5:4

. . r

S

‰ Gµ

V

JG G JG5:4 5:4

m ≈ t

Ó Œ 'B

V

≈ JGX

3:2

.. tt

3:2

. n ≈ .

Ó ‰ . .tm

loco

V

r

5:4

Ó ‰ tµ

V

≈ . .G

X

R 3:2

n ≈ t j

t ˜ ≈ t

Œ'nW

≈ jG

j

3:2

. .G˜ .G

3:2

.. ttm .. tt

3:2

. . R S

Ó

‰ .tnW

Π.

Œ .‚m Œ Œ .‚n Œ3:2 3:2

Œt˜W≈ G

j

. Π.5:4 5:4

n G G JG . . R 3:2

.

S

Œ

. .. . r ttmm

3:2

Œ .‚b Œ Ó3:2

. . .0µ R X

pour un(e) flûtiste à bec et neuf musiciens

51

Page 58: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

557 ∑

. . r

X

. .. . r

X

Œ Ó3:2

557

‚m ‚ ‚ ‚ ‚ ‚ ‚˜ ‚ ‚ ‚n ‚ ‚µ ‚ ‚m ‚ ‚˜ ‚ ‚n9:8 9:8

Ó Œ 'BW

≈ jG

j

3:2

‚ ‚µ ‚ ‚b ‚ ‚ ‚ ‚B ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚9:8

9:8

‰ Ó Ó3:2

‰ .tmW

Π.

‚B ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‰9:8 7:4

t˜W

≈ .G

j

Π.

Ó Ótn

loco

X

3:2

Œ j‚b Œ ‰ ‚ ‰ ‰ ‚ ‰5:4 6:4

Œ 'µ

X

≈ JGj

‰ Ó3:2 3:2

. Ó Ó3:2

j‚b Œ ‚B ‰ ‰ ‚ ‰ ‚ Œ5:4 6:4

‰ tn

W

≈ .G

j

Ó5:4 5:4

Ó ‰ GµS

≈ G G 5:4

Ó ,nm

S

u ≈ , ≈ ,

3:2

‰ ‚B ‰ ‰ ‚n ‰ j‚ Œ ‚ ‰6:4 5:4

Gn G G˜ G ≈ Gµ j

Gn ≈ G˜ Gm Gµ ≈ Gn

7:4 3:2

≈ ,fu

, ,˜ ,mm ≈ ,n ≈ ,˜ ≈3:2

Œ ‚ ‰ ‚ ‰ ‰ ‚ Œ j‚6:4 5:4

G˜ Gm G Gµ ≈ G j

G ≈ G G G ≈ G G

7:4 7:4

ΠtmS

t ≈ jt t t t t

6:4 5:4

,˜f , , J,m

≈ ,f

, ,

Ó . .tnX

r

Œ3:2

‰ ‚ Œ ‚ ‰ ‰ ‚ ‰ ‚ ‰6:4 5:4

Gµ G

Q

Œ ‰

G

Q

G ≈ G

5:4

Œ .0µ

X

pour un(e) flûtiste à bec et neuf musiciens

52

Page 59: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

h = 84 accel...

h = 84 accel...

accel...

accel...

566

tm t t˜ t t t t t t j

t5:4 5:4

Œ . 'µ

X

≈ . .G

j

R

Π..ttmmX

,m .,m

Q

Π,f

, , J,m5:4

566

‰ ‚ Œ j‚ Ó5:4

tm

X

≈ .G

j

Π.

Gn Gµ Gn ≈ GB Gµ Gn Gb ≈ Gn

5:4 5:4

. n G . m G Gµ5:4

t˜ t t t t t

Q

Œ5:4

ÓB˜X

.. ttmm .. ttn3:2

≈ ,µf ,n ,µ ,˜m ≈ ,m ≈ ,n ≈3:2

Ó ‰ ‚nR

‰ ‚ ‰5:4

Gµ GB Gb ≈ jGµ ≈ Gn G ≈ G˜

jG

5:4 3:2

µ G jGn

5:4

t˜Q

t t t j

t t t t t 5:4 5:4

. G˜ . m .G Gµ3:2

.. ttnn

,nf

,˜ , j

,mm

, ≈ ,f

, ,

‚µ ≈ ‚˜ ≈ ‚µ ≈ ‚˜ ≈ ‚µ ≈ ‚b ≈ ‚ ≈ ‚ ≈ ‚V

≈9:8

9:8

≈ G˜ ≈ jG ≈ G G ≈ G

jG

3:2 3:2

. m G n .G

t˜ t t t j

t ≈ t t t t 5:4 5:4

˜ G Gm j

.. . .. .ttbb r TTb

3:2

,mm

≈ , ≈ , ≈ ,

f .,

m Œ3:2 5:4

Œ ‚µT

‰ ‚ ‰ ‚n ‰ ‚µ ‰6:4

. X

Ó Ó3:2

. ˜ .0

t˜ t t t t t t t t

X

‰5:4 5:4

. n G . . r µ

.. ttm

3:2

‰ ‚m ‰ ‚˜ ‰ ‰ ‚n ‰ ‚µ5:4

ÓG˜X

≈ B

3:2

.

S

Ó .

. . .Bnr S

. .. . r S

Œ Ó3:2

‰ ..mm

X

u

Œ .‚µ Œ ‚ ‰ ‚ Œ ‚ ‰3:2 7:4

. ≈ G˜ Gn ≈ jG

t˜X

≈ .t ≈ t

,m ≈ ,˜fu

,

m

≈ .5:4

‰ ‚µR

Œ Ó

≈ Bµ . m ≈ G

3:2 3:2

pour un(e) flûtiste à bec et neuf musiciens

53

Page 60: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

573

≈ t˜ ≈ t ≈ t s3:2

n ≈ , m ≈ , ≈ ,˜ ≈5:4

573 Œ .‚˜V

Œ Ó3:2

≈ Gm ≈ jGn µ ≈ B

3:2

≈ t ≈ jtm ≈ t t

Ó ŒtmS

t t

5:4

.n µ ≈ ,

Ó Œ .‚˜ Œ3:2

. n ≈ G µ ≈ G ≈ jG

3:2

‰ GmS

G G G G˜ jG .Gn G .Gµ

jGm

7:4

≈ tm ≈ t ≈ tµ

Ó Œ 'µU

≈ jG

X

3:2

Œ .GµS

.G G Gn G Gµ Gm G

3:2 6:4

tm t t t t tm t t t t

5:4 5:4

n ≈ ,f

, J,µm

Ó ÓtnT

3:2

Œ .‚˜ Œ ‰ ‚ ‚ ‰3:2

Ó Œ tnU

≈ G

X

5:4

≈ Bm . ≈ G

3:2 3:2

.G˜ Gn .G j

G

X

Π.7:4

h = 88 rit...

h = 88 rit...

sµ ≈ t ≈ jt

‰ Ó Ó3:2

G˜ G Gµ G Gb G .G .G

X

Œ6:4 3:2

.tm .t . .. .ttmm

X

r tt

3:2

≈ ,µ ≈ J,m ≈ , ≈ ,

5:4 5:4

. Ó Ó3:2

‰ ‚˜ ‰ ‚T

Ó

. Œ . Ó5:4

≈ G˜ ≈ G B

GnX

j

G

≈ tµ t . ≈

.GbX

.B

. ≈ ,mf ,m

≈ , ≈5:4

≈ ‚mQ

‚ ‚ ‚˜ ‚n ‚µ ‚n ‚m ‚n ‚m ‚˜ ‚µ ‚b ‚B ‚n ‚9:8

. ≈ G˜ ≈ G G ≈ jG

3:2 6:4

tµ t ≈ jt ≈ t

. . r µR

.. R

Ó3:2

. ..m ≈

‚µ ‚ ‚ ‚ ‚ ‚ ‚V

≈ Œ ‚µV

≈ .G˜ ≈3:2

˜R

‰ Ó

≈ tµ ≈ .t

R

Œ

,m ≈ ,f

R

Œ Ó5:4

Ó .tnS

‚µ ‰ ‚ ‰ ‚n ‰ ‚ ‰ ‚˜ ‰ ‚m ‰6:4 6:4

Ó Œ .tnS

≈ jG

W

5:4

.G˜ R

Ó Ó3:2

pour un(e) flûtiste à bec et neuf musiciens

54

Page 61: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

rit...

rit...

580 Ó .tµR

'nS

≈ .G

W

Π.

Ó .mm

R

u

. Ó .

580

‚µ ‰ ‚n ‰ ‚ ‰ ‚µ ‰ ‚ ‰ ‚ ‰ ‚6:4 7:4

Œ Ó5:4

ÓB˜R

‰ ‚µ ‰ ‚ ‰ ‚ ‰ ‚ ‰ ‚ ‰ ‚6:4 6:4

µ ≈ t

ÓBµR

Ó ÓttbR

3:2

n ≈ ., B

X

‰ ‚µQ

Ó .

µ ≈ . .Gr n

X

3:2

Ó . .G˜R

11

11

h = 60 accel...

h = 60 accel...

. tB

X

Ó .

. . r

X

Ó

X

Ó . .

BnU

˜ ≈B3:2

r Ó . . .

≈ Gm ≈ jGµ

m ≈ B 3:2

˜ ≈ .G n ≈G Gµ G

3:2

‰ ‚nS

‚ ‰ ‚ ‚ ‰ ‚µ ‚m ‰5:4 5:4

.

T

Ó3:2

‚˜ ‚n ‰ ‚˜ ‚n ‰ ‰ ‚b ‚B ‰ ‚µ ‚n ‰6:4

7:4

‰ ‚µ ‚ ‰ ‚m ‚ ‰ ‚ ‚ ‰5:4 5:4

‚m ‚ ‰ ‚ ‚ ‰ ‰ ‚ ‚ ‰ ‚ ‚P

‰6:4 7:4

pour un(e) flûtiste à bec et neuf musiciens

55

Page 62: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

&

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

591 Œ .tµT

t t t t t t t t t

5:4

591 ∑

ŒGµT

G G G G G G G G G

9:8

tµ t t t t t t t t t tm t t t t t

Gµ G Gn G G G G G G Gµ G G G G G G

9:8 9:8

tm t t t t t t t t t t t t t t t

Gm G G G G G G G G G G G G G G G

9:8 9:8

tm t t t t t t t t t t t t t t t

Œ .‚mT

Œ .‚µ Œ3:2

Gm G G G G G G G G G G G G G G G

9:8 9:8

tm t t t t t t t t t t t t

5:4

Gm G G G G G G G G G G G .G ‰9:8 7:4

‰ ‚µ ‰ ‰ ‚m ‰ Ó6:4

Ó ‰ ‚n ‰ ‚S

‰5:4

h = 72 accel...

h = 72 accel...

Π.smT

Ó .GbT

µ ≈

tnU

Ó . .

BµU

pour un(e) flûtiste à bec et neuf musiciens

56

Page 63: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

601 ∑

601

≈ ‚mR

‚ ‚ ‚ ‚ ‚ ‚ ‚˜ ‚ ‚ ‚n ‚ ‚µ ‚ ‚n ‚µ ‚9:8 9:8

‚m ‚˜ ‚ ‚n ‚µ ‚ ‚m ‚ ‚˜ ‚ ‚ ‚ ‚n ‚ ‚ ‚ ‚ ‚9:8 9:8

. B ≈ G3:2

‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚9:8 9:8

. . r

R

Œ Ó3:2

‚ ‚ ‚ ‚ ‚ ‚ ‚T

≈ Ó

‰ ‚nS

‰ ‚ ‰ ‰ ‚ ‰ ‚µ ‰5:4 5:4

‰ ‚n ‰ ‚ ‰ ‰ ‚˜ ‰ ‚5:4

‰ ‚˜ ‰ ‚ Œ .‚ Œ3:2

h = 84

h = 84

Ó . . . rtmQ

‚˜ ‰ ‚R

‰ Œ .‚µP

Œ3:2

Ó Ó .G˜R

3:2

tm t t t t tµ t t t tn t t tµ t t t

‰ ,:J

Q

,; , , ,˜ ,m ,n , , ,m

6:4 5:4

Ó Œ .‚m

.

Q

Ó Ó3:2

tµ t t t t t t t tn t t tµ t5:4

,m ,µ , , , , , , , ,

6:4

Œ .‚mS

Œ ‰ ‚nP

‚µ ‚µ ‚n ‰3:2 6:4

pour un(e) flûtiste à bec et neuf musiciens

57

Page 64: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

h = 112 rit...

h = 112 rit...

612

sµT

.,µmu

., ., ., ., .,m

T

3:2 3:2

612 ∑

B˜T

. m ≈ s

. n ≈ .t . .tr

U

Œ3:2 3:2

Œ .‚mS

.‚ .‚ .‚˜ .‚ 3:2 3:2

‚n ‚µ ‚m ‚n ‚µ ‚µ ‚m ‚n ‚µ9:8

. µ ≈G 3:2

‚µ ‚m ‚ ‚˜ ‚ ‚ ‚ ‚ ‚9:8

µ ≈ .G j

G

U

Ó5:4 5:4

.‚˜ .‚ .‚ P

Œ

∑ ∑ Ó GµU

3:2

pour un(e) flûtiste à bec et neuf musiciens

58

Page 65: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

rit...

rit...

627

627 ∑

≈ Bµ3:2

. .Gn .G B5:4

≈ .G ≈ G˜

. ≈ G˜ 3:2

Ó Œ . .‚nT

r 3:2

≈ .G˜ ≈3:2

Ó ‚ . Ó3:2 3:2

.G˜ ≈ G ≈3:2

Ó ‚µ . Ó3:2 3:2

. .G˜ r

T

Œ Ó3:2

Ó ‚µ . S

Ó3:2 3:2

pour un(e) flûtiste à bec et neuf musiciens

59

Page 66: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

rit...

rit...

642 Ó snT

642

Œ .G˜T

≈ G

≈ .t ≈ .t ≈ t3:2 3:2

≈ .G˜ j

G ≈ G5:4 5:4

≈ .t˜ ≈ .t

≈ .Gm j

G ≈ .Gµ 5:4 5:4

.tm µ ≈ jt ≈ t

5:4 5:4

.Gµ .Gn ≈ G˜

˜ ≈ .t .tm µ ≈

≈ .G˜ j

Gm ≈ .Gµ 5:4 5:4

.tµ ≈ jtn µ ≈ .t

5:4 5:4

.Gµ .Gn ≈ .G

.tµ .t ≈ t˜

.GB .G m .G G

5:4 5:4

≈ .t˜ ≈ t

≈ .Gm j

G ≈ G

5:4 5:4

≈ .tm ≈ .t ≈ t

3:2 3:2

≈ .Gm j

G ≈ G

5:4 5:4

≈ .tm ≈ .t ≈ t

3:2 3:2

≈ .Gm j

G ≈ G

5:4 5:4

≈ .tm ≈ t

≈ .Gm j

G ≈ G

5:4 5:4

pour un(e) flûtiste à bec et neuf musiciens

60

Page 67: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

?

23

23

23 22

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

h = 80 accel...

h = 80 accel...

653

≈ tm t ≈ t t ≈ t

653

≈ ‚mQ

‚ ‚ ‚ ‚˜ ‚ ‚n ‚µ ‚ ‚m ‚˜ ‚n ‚ ‚µ ‚ ‚b9:8

≈ Gm G ≈ G

Q

Ó5:4

tmQ

µ ≈ t. nU

Œ

Π.,mm

Q

u µ ≈,

3:2

‚b ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚T

Ó9:8

h = 84

h = 84

(h = 84) rit...

(h = 84) rit...

n

U

≈ Œ Ó Ó

≈ ‚µP

‚n ‚m ‚µ ‚µ ‚n ≈Q

≈ ‚µP

‚ ‚ ‚ ‚m ‚ ‚˜ ‚ ‚ ‚ ‚ ‚ ‚ ‰7:4

Ó ÓBµT

12

12

h = 69 accel...

h = 69 accel...

. ≈ Gµ ≈ G G

3:2

. ≈ Gµ3:2

≈ Gµ .B ≈ Gµ ≈ G j

G

5:4

≈ Gµ ≈ G

R

G ≈ G

pour un(e) flûtiste à bec et neuf musiciens

61

Page 68: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

accel...

accel...

663

663

Gµ G Gm ≈ G˜ G Gn Gm ≈ G 5:4 5:4

h = 84 accel...

h = 84 accel...

Gn Gµ Gm ≈ G˜ Gn G Gµ ≈ G 5:4 5:4

Gµ G G ≈ G G G G ≈ G 5:4 5:4

h = 88 accel...

h = 88 accel...

GµQ

G G Gn G G˜ Gm Gµ Gn Gµ G Gn G˜ Gm G G

9:8 9:8

h = 100 rit...

h = 100 rit...

G G G Gj

G . G G G

5:4 5:4

Gµ G G Gn jG . Gµ Gn G˜

5:4 5:4

Gµ G Gn G˜ jG . G G G

5:4 5:4

pour un(e) flûtiste à bec et neuf musiciens

62

Page 69: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

rit...

rit...

670

670

BmU

. n ≈ G

3:2

. m .G B ≈ .G

pour un(e) flûtiste à bec et neuf musiciens

63

Page 70: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

?

?

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

rit...

rit...

688 ∑

688

h = 84 accel...

h = 84 accel...

µ ≈ B

3:2

Gµ ≈ jG .

T

Ó3:2

h = 88 rit...

h = 88 rit...

U

U

U

U

U

Œ .tµT

µ ≈ t

Ó Ót

Q

5:4

Ó J,µT

u m

B ≈ .,

5:4 5:4

ÓGµT

n ≈ B

3:2

13

13

h = 84

h = 84

h = 88

h = 88

tn Ó . .

Ó Œ'µQ

≈ jG

V

3:2

t t .tm tn t t .t tm

5:4 5:4

. ,B Œ . Ó5:4

‰ .tnQ

≈ .tn

‰ tnQ

≈ .G Ó5:4 5:4

. µ Ó .

GB

Q

.Gb Gb .Gb GB .G Gµ .Gb 3:2

3:2

pour un(e) flûtiste à bec et neuf musiciens

64

Page 71: pour un(e) flûtiste à bec et neuf musiciens (2004 - 2005 ... un(e) flutiste a bec et... · all the glissandis and quarter tones are made with different positions of ... horn technique

&

?

&

&

?

?

&

B

?

?

fl

b cl

picc tpt

vibr

gtr

pno

t rec

vla

vlc

cb

(◊)

h = 84 accel...

h = 84 accel...

707 ∑

. Ó Ó3:2

tm tT

Œ . Ó5:4

≈ ..ttnmR

. .. . r

5:4

707 ∑

0µT

Ó'mR

≈ jG

V

3:2

ŒtmR

≈ G

V

5:4

. .0µ

‰ Ó Ó3:2

Π.snQ

Ó Ó5:4

. . r 0µ

Ó 'nR

≈ jG

V

3:2

. Ó .

ŒtmR≈ G

V

5:4

.

S

Œ

‰ Ó Ó3:2

Π..ssnnR

tnS≈ GW

5:4

Ó 'bS

≈ jG

W

3:2

≈ .snS

Ó Ó5:4

Π'bS

≈ jG

W

3:2

. Ó .

Œ t˜S

≈ jG

W

‰3:2 3:2

‰ Ó

BnS

Π.tbR

. . r

5:4

Ó0µS

Ó 'bQ

≈ jG

V

3:2

Π.snQ

ŒtbQ

≈ G

V

5:4

. . R BQ

14

14

h = 80 accel...

h = 80 accel...

h = 88

h = 88

‰ Ó Œ 'bS

≈ jG

W

3:2

nQ

Ó . .

tQ

t .t tmT

Ó5:4

≈ .tnQ

Π.

‰ ‚bP

‚B ‚µ ‚˜ ‚˜ ‚m Œ .‚µS

Œ j‚µ7:4 7:4

≈ tnR≈ .G

V

≈ tnS≈ .GW

5:4 3:2

GBQ

.G Gµ .Gb .GµT

. .Gr

3:2 3:2

ÓBS

Œ .‚m .‚µ P

Ó7:4

‰ Œ

tmQ

≈ G

V

3:2 5:4

.Gµ

S

Ó Ó3:2

h = 84

h = 84

Ó Œ'µQ

≈ jG

V

3:2

. . r Q

Œ

ÓtnQ

t t .tm ‰5:4 5:4

Ó ‰ ‚nP

‚µ ‚b ‚n ‚˜ ‚mS

7:4

≈ tnQ

≈ jGV

5:4

. .GµS

r GBQ

.G Gb .Gn

3:2

Ó ÓU

‰ Ó ÓU3:2

Ó ÓU

Ó ÓU

Ó ÓU

Ó ÓUdampthestrings

Ó ÓU

Ó ÓU5:4

Ó ÓU

Ó ÓU

pour un(e) flûtiste à bec et neuf musiciens

65