Martina Hatzenbichler CV/Portfolio 08/10

MARTINA HATZENBICHLER14.12.1984

Vienna, Austria

maha_ r t i na@yahoo. comTel. : +43/660 644 3537http://issuu.com/maha_rtinacontact

2003

June 2010

Sept 2010

Aug 2010Exhibiting at La Biennale de Venezia International Architecture Exhibition,Austrian Psavillion

Exhibiting at Advances in Architectural Geometry in Vienna, designing+building Entrance-Installation

A-level (Matura): Art (B), English (A), Psychology (A), Information Technology (A), with honors

OVERSEAS

HOME

Angewandte Vienna ( University of applied Arts)Postgraduate Program

Working in London/England,College of Weybridge/England, Chambridge Exam in Advanced English

2004-2005

RMIT University Melbourne, Australia, Masterclass in Architecture

Internship at WHAT ARCHITECTURE in London, England

Bachelor of Architecture, Technical University Vienna2005-2008

2009

2008

Technical University Vienna, Architecture2003-2004 Technical University Vienna, Masterclass in Architecture2009-till now

FUTURE

EDUCATION

Sept 2008 - March 2009WHAT ARCHITECTURE, Architecture Office in London, EnglandDuring my second time in London, i gained a lot of exprerience in combining creative ideas with functional requirements. For a School in London, the kids were involved in buil-ding their facade out of Lego. Designing, finding solutions, organising and researching/dealing with clients in a different language was part of my duty.

June 2006 - May 2007Haipl & Haumer, Architecture, Interiour Desing, Vienna, AustriaAs part of the team, I dealt with the design development of a single family house through physical models and CAD drawing. I went through a similar process for the interior design of a Viennese office. During site visits, I gained useful experiences in project practice, dealing with clients and project management.

2004-2005 Au-pair, London,Weybridge/ EnglandI was part of two different familiys looking after their three children. My work with kids taught me responsibility and flexibility. Apart from carring for them, I took over the organi-sation of daily activitys and rituals.

2003- nowdrawing plans of the VOTIVE CURCH for a lightning project wit POD POD Design, Viennaworkshop for a foldable cardboar-chair with BUENAVISTA Design, Viennaorganisation and waiting in a caf in the UNO-City, Viennavarious promotionjobscall-centersecretary of philips lightingE

MPLOYMENT

Being able to express myself in a variety of artistic media is important for me, whatever feels appropriate, be it photography, painting, graphic design and of course architecture. Futhermore, i find great pleasure in desinging and realising interior design for friends and myself. But my greatest joy i find in old and found object i can inhale new live with upcycling them to a new function.

Sport is a good balance alongside my artistic endeavors. As a teenager beeing an athelte in the competitive sport Rhytmic Sport Gymnastik, traveling around Europe and making bronze in the national Austrian championships, taught me how to set my own goals, then reach and fight for them.

Since my first bigger experience in a different country at the age of 16, my interesst in different cultures and languages was cultivated and has not stopped growing since. Fur-thermore it opened my horizont for all kind of views and made it possible for me to start understanding things i might have undervalued or never actually seen as important.INTERESTS

Rhino

Rhino Script (Monkey)

Rhino Grashopper

Rhino T-splines(Workshop with Matthew Sederberg)

Rhino Evolute(Workshop with Alexander Schifftner)

ArchiCad

Adobe Photoshop

Adobe Illustrator

Adobe InDesign

Cinema4D

AutoCad

MS Office (ECDL-Computer License)

Final Cut Pro

SKILLS

ME

PROJECTS

2009-2010

ALESSI SENSES

ALESSI MUTANTS

UTOPIA REAL

STRANGE PROCEDURES

QUICK AND DIRTY

SPOT ON PRECHTSAAL

SAAM_MUSEUM

Parametric Installation_Exhibiting AAG 2010

Industrial Design_Tea and Coffee Set, Exhibition La Biennale di Venecia 2010

Housing_Future Living in 2100

Museum in a Park for old Musikinstruments

Scripting a city

Insdustrial Design_Various Alessi Objects

4 weeks_4 solutions for small temporarysite installations

VIE_2010

VIE_2010

VIE_2010

VIE_2009

MEL_2009

MEL_2009

MEL_2009

PERSONAL PROJECTS

FIRST PROJECTS

For the ocassion of the annual conference Advances in Architectural Geometry, a parametric wall offers a guidepost which leads to the Prechtlsaal as its venue.

dvances in Architectural Geometry, a For the ocassion of the annual conference AFor the s to the Prechtlsaal as its venue.parametric wall offers a guidepost which leadpara

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The building itsself, especially the entrance of the TU Vi-enna is dissembling its actually function of a university, its contents remain invisualbe. Especially for extramural users, the Prechtlsaal as a frequently used venue, is often hard to nd.

In order to inform the visitors, the walls start to talk . The inner life of the university is growing out of the building like a fungus. The structure is conceptually inuenced by the topic of the architecture conference and reects the development of architectural geometrie.

The signpost develops parametrically from initial straight triangles (seperation of the oorgrid) to computergenera-ted forms. The evolved structure catches the visitors at the entrance, inform and lead them. to the actual venue.

DESIGN PROCESS

he building itsself, especially the entrance of the TU ViTh -nna is dissembling its actually function of a university, en

contents remain invisualbe. Especially for extramural its ers, the Prechtlsaal as a frequently used venue, is often us

ard to nd.ha

In order to inform the visitors, the walls start to talk . The inner life of the university is growing out of the buildinglike a fungus. The structure is conceptually inuenced bythe topic of the architecture conference and reects the development of architectural geometrie.

The signpost develops parametrically from initial straighttriangles (seperation of the oorgrid) to computergenera-ted forms. The evolved structure catches the visitors at theentrance, inform and lead them. to the actual venue.

DESIGN PROCESS

The computerscript is looping trough each surface and cuts out a hole with round edges to give each panel a cons-tant structual frame. Each panel is then smashed parallel on the c-plane and ad-ded a connecting strap on each side with an oncounting number for later connec-tion. Finally the straps are strappeled to-gether with a usual stapler.

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The computerscript is looping trough each surface and cuts out a hole with round edges to give each panel a cons-tant structual frame. Each panel is then smashed parallel on the c-plane and ad-ded a connecting strap on each side with an oncounting number for later connec-tion. Finally the straps are strappeled to-gether with a usual stapler.

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The Project supported by the unicersity and built on site during one day. It then was exhibited in the panel-presentation at the Advances in Architectural Geometry 2010 - conference.

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e Project supported by the unicersity and built on site during one day. It then was exhibited in the panel-presentation at the Advances TheArchitectural Geometry 2010 - conference.in A

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Taking part at the architecture biennale ex-hibition in venecia 2010, this project was designed for ALESSI as a tea and coffee breakfast. Ir was developed during one month and presented at the headquater of ALESSI in Omegna-Italy with a higly quali-ed architecture jury.

TEAPOT

COFFEEPOT

SUGARBOWL

MILKJUGUG

TEA

EPOTTaking part at the architecture biennale ex-hibition in venecia 2010, this project was designed for ALESSI as a tea and coffee breakfast. Ir was developed during one month and presented at the headquater of ALESSI in Omegna-Italy with a higly quali-ed architecture jury.

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Onyx is based on the idea to bring the conditioned feeling we connect to our breakfast-ritual every day to an object, a form that represents the idea of an important moment. In or-der to bring life to a still object, onyx was inspired by the eruptions of wind and water that shapes a stone. The objects are chosen to enhance exchange on the table and acting like a centerpiece of the ritual. In-uenced by the functional require-ments of each item, their haptic form evolves by the users interaction with the objects and increases com-munication between one another.

MILKJUG COFFEEPOT

TEAPOT

Onyx is based on the idea to bringthe conditioned feeling we connectto our breakfast-ritual every day to an object, a form that represents the idea of an important moment. In or-der to bring life to a still object, onyxwas inspired by the eruptions ofwind and water that shapes a stone. The objects are chosen to enhanceexchange on the table and actinglike a centerpiece of the ritual. In-uenced by the functional require-ments of each item, their haptic formevolves by the users interaction with the objects and increases com-munication between one another.

MILKJUG COFFEEPOT

TEAPOT

EXHIBITING AT THE AUSTRIAN PAVILLON AT THE ARCHITECTURE BIENNALE IN VENECIA 2010

EXHIBITING AT THE AUSTRIAN PAVILLON AT THE ARCHITECTURE BIENNALE IN VENECIA 2010BIENNALE IN VENECIA 2010

The form evolves out of the haptical needs of a users interaction. Its shape invites the user to engage with the object and enhaces interaction on the table.

FIXE STRUKTUR VORORT_WACHSENDER WOHNTURM

AUS VERGANGENEM LERNEN

Ein Blick in die Vergangenheit lsst uns ewig whrende Bedrfnisse erkennen welche uns als Menschen denieren und als solche bewahrt werden sollten.

AUS GEGENWRTIGEM EKENNEN

Unsere Welt verndert sich immer rasanter und grundlegender. Die heutige Ge-sellschaft muss immer schneller und exibler auf die Vernderungen ihre Umwelt reagieren. Lebensentscheidungen. werden nicht mehr fr die Ewigkeit beschlos-sen sondern stellen lediglich eine Lsung fr eine bestimmte Lebenssituation dar. Gngige Lebensformen sind einem stndigem Wandel unterworfen und haben ei-nen grundlegenden Einuss auf unser Wohnverhalten bzw. Wohnungsanspruch.

ZUKNFTIGES VERNDERN

Um ein Wohnen auf der ganzen Welt mglich zu machen, muss es gewisse univer-selle Standards geben. Am Beispiel einer Glhbirne: eine auf der ganzen Welt glei-che Fassung, ermglicht es jene berall einzusetzen bzw. mitzunehmen. Bei Be-darf packe ich meine Grundbedrfnisse und reise mit jenen wie mit einem Koffer durch die Welt und docke an eine auf der ganzen Welt einheitlichen Wohnturm an.

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KONSTRUKTION FIXE STRUKTUR VORORT_WACHSENDER WOHNTURM

WIENnEW YORK

#"$%&'()*)(editierbares Grundsystem an Stahl-sttzen mit integrierten Versorgungs-leitungen (Wasser, Abuss, etc.)

#"$%&'+,-.Algen zur besserung des Stadtklimas und fr die natrliche Begrnung der Freibereiche. Um Biomasse aufzu-bauen verwerten sie CO2 woraus.

/01+0%200Ein Faltsystem der Hlle ermglicht grotmgliche Flexibilitt zur Nut-zung der Wohnzelle im 3d-Raum je mehr Innenraum - desto weniger Au-enraum.

!(+/"(.maschineller Greifarm zur Verladung und Einimp-fung der B-Box erweite-rung des Grundgerstes.

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ffentlich begrnte Terasse

schwebende Autos zur Erschlieung

Wohnzelle mit jeweils ca 144 m3

HLLE

Jede Wohneinheit besitzt eine exible Hlle aus ei-nem Faltsystem um sich dreidimensional beliebig auszudehnen und anzupassen.

Das Fachwerk besteht aus Stahlsttzen und Gelen-ken welche INNEN und AUSSEN mit zwei exiblen Membranen umspannt werden. Diese Hllen besteht aus O-Leds (organische LEDs) welche beliebig be-spielt werden knnen. Durchsichtig dient sie teils oder komplett als Fensterche oder sie ist ein Sichtschutz mit tglich neuer Wandfarbe. Durch projizieren von verschiedenen Tagessituationen wird die Nacht zum Tag , aus Regen Sonne oder eine versmogte Gro-stadt zur grnen Naturoase. Einrichtungen wie Fern-seher, Computer, Bilder, Kamin etc. werden ersetzt.

Im Auenbereich fungiert die Haut als Solarkollektor. Im Zwischenraum der beiden Hllen benden sich exible Unterkonstruktionen welche beim ausfahren die exible Hlle dementsprechend spannt und so als Mobiliar - Sofa/Tisch etc dient. Mit diesem System knnen bestimmte Teilbereiche der Hlle geffnet werden und funktionieren als Tre.

Jene Hlle ist selbstreinigend, kann sich mittels Poren schlieen und ffnen, was eine ideale Durchlftung ermglicht und das herkmmliche lften ersetzt. Im Zwischenbereich der beiden Hllen bendet sich ein Luftreinigungssystem und schickt somit nur saubere temperierbare Luft in den Raum.

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GRUNDBEDRFNISSE BEWAHREN

Atmung (saubere Luft)Wrme (Kleidung)Trinken (sauberes Trinkwasser)Essen (gesunde Nahrung)Schlaf (Ruhe, Entspannung) ->Hygiene

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PUBLICIN EINEM PARK MITTEN IN WIEN ENTSTEHT DAS NEUE MUSE-UM UND DEPOT ALTER MUSIK-I N S T R U M E N T E

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Das Museum und Depot alter Musikinstrumente bendet sich Mitten in Wien im Schweizergarten. Die Ausstellung soll wie eine Wanderung durch eine Symphonie erlebt werden. Sie ist gedacht als Komposition aus Architektur des Gebudes und ihrer Umgebung. Durch gezielte Ein- und Ausblicke wird die Verbindung zwischen Natur und Architektur bewusst in Szene gesetzt. Die monolithische Formensprache des Mu-seums wird untersttzt durch die Wahl der Ausblicke in die Umgebung, welche in das Kunsterlebnis mit einbezogen werden. Die dadurch ent-standenen drei Haupttrakte werden vom Besucher durchwandert und fhren ihn am jeweiligen Ende optisch hinaus ins Freie.

Durch den Wandel der Natur im Laufe der Tages- und Jahreszeiten bildet sie eine sich laufend verndernde Komponente, die das Erleben der Ausstellung immer neu erscheinen lsst.

Der Besucher wird quasi in die Natur entlassen und das Konzept erlaubt damit eine stndig neu kreierte und somit neu erlebbare Komposition aus Architektur und Natur und der prsentierten Ausstellungsobjekte.

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