portfolio ingles
DESCRIPTION
ÂTRANSCRIPT
PORTFOLIO
Obras intervenidas 2009-2013
Pilar Rodríguez Rodríguez
Arts Higher School Conservation and Restoration of Cultural Heritage , León (Spain)
External training:
- Museum of León
- Catholic University of Portugal
Scholarships Valencian Institute of C+r
Major altarpiece of Tartanedo church (Guadalajara)
Sculptures Caudete church (Albacete)
Politechnic University of Valencia: Master Degree in Cultural Heritage Conservation and Restoration
Arts Higher School Conservation and Restoration of Cultural Heritage , León (Spain)
“Transfiguración”, S. XVIII, anonymous. College of the Augustinians, León
Initial photo Process filling photo
Photographic documentation
Facing
Removal of a canvas from the stretcher and the frame.
Lining and tensioned on a stretcher
Cleaning test
Chemical cleaning
Filling
“San Fulgencio”, S. XVIII, anonymous. College of the Augustinians, León.
Initial photo Process photo.
• Photographic documentation
• Facing
• Removal of a canvas from the stretcher and the frame
• Lining and tensioned on a stretcher
• Cleaning test
• Varnish removal and thinning of overpaints
Photographic documentation
Facing
Mechanical cleaning of the reverse
Removal of dumps and flake laying.
Support treatment: Inlays and patchs.
Tension strip lining
Tensioned on a stretcher
P h y s i c a l a n d c h e m i c a l cleaning
“Virgen de Guadalupe”, S. XVII, anonymous. College of the Augustinians. León.
“Santa Clara de Montefalco”, S. XVIII, anonymous. College of the Augustinians, León.
Initial Photo Cleaning photo Filling photo
Photographic documentation
Facing
Removal of a canvas from the stretcher and the frame
Lining and tensioned on a new stretcher
Chemical cleaning and thinning of overpaints
Filling
“Reliquary Cupboard” of Monastery of the Conceptionist Mothers, S. XVI, Berlanga de Duero, Soria. Edades del Hombre.
Cupboard: Consolidation Insert some wooden fillets into fisures Cleaning Filling and chromatic retouching
Canvases: Support treatment
Colour consolidation
Cleaning
Filling and chromatic retouching.
Internal structure of the reliquary cupboard
Dismantling of the relics
Chemical cleaning
Filling
Applying bole.
Chromatic retouching with golden watercolor
Storage System for the relics of the internal structure of the reliquary cupboard as a measure of preventive conservation
Altarpiece Dismantling and transfer to the studio
Mechanical cleaning
Extermination of insects and consolidation
Structural reintegration
Physical-Chemical cleaning
Filling and chromatic retouching
Mounting to the original place
Wooden panels Mechanical cleaning
Facing and colour consolidation
Support consolidation
Physical-Chemical cleaning
Filling and chromatic retouching
Protective varnish coating
Altarpiece of San Miguel, S. XVI, Vallecillo, León
Ceramic panel dedicated to Virgen del Camino, José Macías y Macías, S. XX, León Provincial Archive
Initial photo obverse Initial photo reverse Filling
Finish photo obverse Finish photo reverse
Photographic documentation and conductivity tests
Cleaning of the obverse and reverse
Manufacture of missing pieces
Structural and chromatic reintegration
Transfer to a new support, Aerolam
Relocation to its original place
. .
Restoration training in León Museum
Training No. 1 Documentation, cleaning and colour consolidation of gilding and polichromy, support consolidation of a popular exhibitor of religious images.
Training No. 2 Documentation, adhesion structural and chromatic reintegration of a Modernist wall tile panel.
.
Restoration training in Portugal
Altarpiece da Capela da Quinta do Cruceiro, Ponte de Lima
The main objective is the stabilization of the support, through several treatments:
Mechanical cleaning, fixing polichromy, extermination of insects, support consolidation, replacement of some elements supporting structure, structural reintegration and partial disassembly.
Restoration and consevation training in the IVC+r of Valencia
Photographic documentation.
Partial facing.
Support treatment: inlays, patches and tension strip lining.
“Virgen de los Desamparados”, Vicente López Portaña (1808) Oil on canvas Sagunto (Valencia).
Framework of the canvas ”La Virgen del Rosario, San Vicente y Santo Tomás”. Nicolás Borrás. Ibi (Alicante).
Shellac varnish cleaning with p o u l r i c e a n d m e c h a n i c a l cleaning with bisturi.
Facing and localiced fixing of polichromy layer
Cleaning and estructural and chromatic reintegration of the reverse
Cleaning of the mecca gilding and removal of overpaints
Structural reintegration and filling of obverse
Applying bole and polishing
Chromatic retouching and final varnish
Framework of the canvas ”Santa Isabel y Santa Inés” Convent of Santa Clara, Canals (Alicante)
Facing and locliced fixing of polichromy layer
Cleaning and estructural and chromatic reintegration of the reverse
Cleaning of the mecca gilding and removal of overpaints
Removal to residues wax.
Structural reintegration and filling of obverse
Applying bole and polishing.
Chromatic retouching
Final varnish.
Framework of the canvas “Huída a Egipto”. Convent of Santa Clara, Canals (Alicante)
Removal of antique fillings and cleaning with Acetona
Paint layer facing
Consolidation of paint layer
Consolidation of the anverse in local places
“La Predicación de San Juan Bautista”, José Vergara, Iglesia Parroquial San Juan Bautista de Chiva, Valencia. Oil on canvas.
“Mi Mujer y Mis Hijas en el Jardín” (1920), Sorolla. Oil of canvas. Collection Masaveu, Oviedo.
Training of reception of a Sorolla’s piece with the restorer of IVC+R e a s e l p a i n t i n g d e p a r t m e n t , Immaculada Chuliá Blanco, for Zuloaga and Sorolla exhibition held in Museo del Carmen in Valencia
Removal of animal glue residues and protective paper.
Filling of lacunas
Level a filling and chromatic retouching.
Altar front of “La Virgen Niña con sus Santos Padres”, Siglo XVII. Anonymous.
Insect extermination from a set of items belonging to a rosette made of wood
Taking photographs of different pieces with “Reflectance Transformation Imaging” (RTI).
Surface configuration of an engraving seen through different RTI filters with the same direction of illumination
Detail of a painting on table damaged by heat, with conventional lighting (left), filter speculate (centre) and with extra magnification and filter
speculate (right).
Manufacture of reinforcement patches
Inlays and intarsies
Lining in hot and suction table.
Virgen de los Desamparados, Anonymous. Siglo XVII. Monastery of la Encarnación de Ávila. Oil on canvas.
Training iglesia Tartanedo, Guadalajara Baroque Altarpiece, S. XVII and Its polychromed sculptures,
Tartanedo, Guadalajara.
Surface cleaning
Insect extermination
Consolidation of strates.
Chemical cleaning
Structural reintegration
Manufacture of moulds
Chromatic and gold retouching
Protective varnish coating
Facing Consolidation of strates Mechanical and chemical cleaning Filling and chromatic retouching Protective varnish coating
Virgen, anonymous, S. XX
Photography documentation
Mechanical and chemical cleaning
Filling
Chromatic retouching
Protective varnish coating
Initial photo Process photo Finish photo
Scupltures iglesia Caudete (Albacete)
Initial photo RX photography
Photography documentation.
Insect Extermination.
Location fixing.
Solubility text.
Chemical cleaning and thinning of overpaints.
Adhesion of pieces.
Chromatic retouching.
Final varnish.
Mounting in original place. Finish photo
Cristo de papel, S. XVI-XVII, Anonymous.
San Joaquín, anonymous, siglo XX
Photography documentation
Mechanical and chemical cleaning
Adhesion of pieces.
Filling and chromatic retouching
Protective varnish coating
Initial photo Adhesion process Finish photo
Pastor, S. XX. Taller de Olot, Alicante
Photography documentacion
Mechanical and chemical cleaning
Adhesion of pieces
Support consolidation
Filling and chromatic retouching
Protective varnish coating
Initial photo Consolidation and filling process photos Finish photo
Initial photo Process photo
Finish photo
Light UV photo.
Cristo de altar. Anonymous, siglo XX
Photography documentation Chemical cleaning Removal of overpaints.
Filling Chromatic retouching Protective varnish coating
Universidad Politécnica de Valencia: Master Degree in Cultural Heritage Conservation and
restoration
Systems of rear reinforcement for painting on table: Boback reinforcement system for a warp wooden panel.
Manufacture of mouds and reproductions with different materials