pop - june 25
DESCRIPTION
Norman's entertainment magazineTRANSCRIPT
poppop
• friday • june 25 • 2010
also inside:
Movies, theaterinspire OU
School of Dance•
Sister Hazel’snew album hasmusical muscle
• ‘HMS Pinafore’to top off opera
camp•
‘Ten ‘til Noon’ is thrill ride
Plugginginto
PASSION
andartfully altered furniture
what is
popEditor-in-Chief: Aaron Wright
Phone: 366-3533Fax: 366-3516
E-mail all press releases and allother inquiries to:
[email protected] deadline: 5 p.m. Monday
All faxed or mailed information submitted
must be typed.All letters to the editor must include
address and phone number.
pop is published each Friday by
The Norman Transcript, P.O. Box 1058,
Norman, OK 73070.To advertise in this section,
call 366-3554.
COVER ART: TheCinematic Artists of Norman
executive team members,shown at a December
meeting, are Cassie Ketrick,Lagueria Davis and
Temple Tucker.(cover photo provided)
page two pop friday, june 25, 2010
• Clash of the Titans: LouisLeterrier remakes the 1981adventure about the questsPerseus carries out for the godsin order to save Andromeda.PG-13.
• Date Night: Steve Carelland Tina Fey star in thecomedy about a couple that ismistaken for a pair of thieves.PG-13.
• Death at a Funeral: ThisChris Rock-produced filmfollows a family trying torespectfully bury the familypatriarch, despite drama. R.
• How to Train YourDragon: A young Viking whogrows up in a society that huntsdragons happens to become theowner of one. PG.
• Oceans: Pierce Brosnannarrates this ecologicaldocumentary about the sub-aquatic world. G.
• The Back-Up Plan:Jennifer Lopez stars in thiscomedy as Zoe, a single womantired of waiting for the rightman in order to become amother. On the day she opts forartificial insemination, shemeets Stan. PG-13.
• The Last Song: Based on anovel by Nicholas Sparks, MileyCyrus stars as teenager trying toreconnect with her father afterher parents’ divorce. PG.
New Releases:• Grown Ups: Adam Sandler,
Kevin James, Chris Rock, DavidSpade and Rob Schneider playfive grown-up friends who reuniteafter their high school basketballcoach dies. PG-13.
• Knight and Day: Is he crazyor is he safe? That’s what JuneHavens (Cameron Diaz) mustfind out after her life gets tangledwith that of a secret agent (TomCruise). PG-13.
Now Showing:• Get Him to The Greek:
Aaron Greenberg just has onesmall task: Bring a rock star fromLondon to the California GreekTheatre for his concert.Somewhere between the drugsmuggles, fights and Vegas girls,Greenberg realizes the task mayprove to be a difficult one. R.
• Iron Man 2: Robert Downey
Jr. returns as the cocky billionaireTony Stark. Now that the worldknows of his secret identity asIron Man, Stark faces pressure toshare the secret of his technology.PG-13.
• Jonah Hex: A scarred bountyhunter that’s wanted by the lawgoes on a mission for the U.S.military to stop a terrorist. PG-13.
• Killers: Spencer Aimes(Ashton Kutcher) leaves thedangerous life of assassin work tobuild a domestic life with JenKornfeldt (Kathrine Heigl).Things are picture-perfect untilhired killers, posing as anybodyfrom the neighbors to the storeclerk, start coming after Aimes.PG-13.
• Prince of Persia: Anadventurous prince and a princessmust use the Dagger of Time tostop an angry ruler from releasing
the Sands of Time. PG-13• Shrek Forever After 3D: A
tamer, married Shrek longs forthe days when he felt like a “realogre.” Seeking the thrill, he makesa deal with Rumpelstiltskin,which launches him into analternate version of Far Far Away.PG.
• The A-Team: A group ofIraq veterans are framed for acrime and seek to clear theirnames. PG-13.
• The Karate Kid: JadenSmith, son of movie icon WillSmith, stars as an updated karatekid who learns how to stand upfor himself while taking lessonsfrom Mr. Han ( Jackie Chan) inBeijing, China. PG.
• Toy Story 3: The toy boxheroes are back, this time takingon a local daycare center wherethey are donated when Andy,their owner, heads to college. PG.
New Releases:• Grown Ups: Adam
Sandler, Kevin James, ChrisRock, David Spade and RobSchneider play five grown-upfriends who reunite after theirhigh school basketball coachdies. PG-13.
• Knight and Day: Is hecrazy or is he safe? That’s whatJune Havens (Cameron Diaz)must find out after her life getstangled with that of a secretagent (Tom Cruise). PG-13.
Now Showing:• Get Him to The Greek:
Aaron Greenberg just has onesmall task: Bring a rock starfrom London to the CaliforniaGreek Theatre for his concert.Somewhere between the drugsmuggles, fights and Vegas girls,Greenberg realizes the task may
prove to be a difficult one. R.• Jonah Hex: A scarred
bounty hunter that’s wanted bythe law goes on a mission forthe U.S. military to stop aterrorist. PG-13.
• Killers: Spencer Aimes(Ashton Kutcher) leaves thedangerous life of assassin workto build a domestic life with JenKornfeldt (Kathrine Heigl).Things are picture-perfect untilhired killers, posing as anybodyfrom the neighbors to the storeclerk, start coming after Aimes.PG-13.
• Prince of Persia: Anadventurous prince and a rivalprincess must use the Dagger ofTime to stop an angry rulerfrom releasing the Sands ofTime. PG-13
• Shrek Forever After 3D: Atamer, married Shrek longs for
the days when he felt like a “realogre.” Seeking the thrill, hemakes a deal with Rumpelstilt-skin, which launches him intoan alternate version of Far FarAway. PG.
• The A-Team: A group ofIraq veterans are framed for acrime and seek to clear theirnames. PG-13.
• The Karate Kid: JadenSmith, son of movie icon WillSmith, stars as an updatedkarate kid who learns how tostand up for himself whiletaking lessons from Mr. Han( Jackie Chan) in Beijing,China. PG.
• Toy Story 3: The toy boxheroes are back, this time takingon a local daycare center wherethey are donated when Andy,their owner, heads to college.PG.
I’ve seen several big-screen movies sofar this summer, but none of them cantop a four-year-old, low-budgetconspiracy gem called “Ten ’til Noon”(2006), the most unique, well-writtenthrill ride in years.
Our story takes place in Los Angeles,where at first we’re as confused as LarryTaylor (Rick D.Wasserman) is when hewakes up in his posh bedroom todiscover a well-dressed black man sittingin a chair at the foot of his bed, anequally chic redhead standing at his side.
Larry, a multi-millionaire softwaredesigner, has just returned from abusiness trip to London and is stillfeeling jet-lagged. It’s 11:50 a.m., 10minutes before his alarm is set to go off.There are intruders in his bedroom, whosomehow bypassed his elaborate securitysystem. His wife is gone. And the well-spoken black man, who introduceshimself as Mr. Jay (Alphonso Freeman),is holding a large gun with a silencer.
As the reality of the situation sets in,Larry’s confusion quickly turns to fearand then to outright terror when Mr. Jaysends his redheaded associate, the silentMs. Milch (Jenya Lano) downstairs totake care of some business. She’s settingthe stage, Mr. Jay explains — a robberygone bad, the homeowner shot dead inthe process.
“Why? Why?!” Larry screams. Mr.Jay will only say, “It’s business.” Larryoffers him money, but Mr. Jay is well-paid for his services and can’t be bought.Larry had better accept his coming fateand fast. Mr. Jay explains that Larry’swife Becky (Rayne Guest) is having anaffair, even as they speak, shacked up in ahotel room with an unemployed actor.He further shocks Larry with the newsthat his company is about to be seized ina hostile takeover. Larry is going to loseeverything.Why should he want to live?
At precisely noon, Larry meets hisfate, and we’re suddenly switched backto 11:50 a.m., only this time it’s to seethe same 10 minutes from Becky’s pointof view. It appears Mr. Jay’s informationabout Becky is true; she is mostdefinitely having an affair with abrainless hunk named Alan (JasonHamer). She tells Alan she hates herhusband, but she’d never considerdivorcing him, thanks to a strict pre-nup.“There are other ways to make himsuffer,” she tells Alan.
Before Alan can find out what ways,he receives a phone call and abruptly
leaves — at noon, when we switch backin time 10 minutes once again, todiscover a third viewpoint, and a bit of asurprise.
Our new characters, low-lifesurveillance “experts” Carter (DanielHagen) and Rush (Dylan Kussman) aretaping Becky and Alan from an adjacentroom, enjoying the video a little toomuch, when they’re interrupted by afateful phone call from their boss, thedreaded Mr. Duke (Thomas Kopache).
The story continues to unfold in 10-minute segments from several morecrucial points of view, brilliantlyrevealing the full level of the conspiracy,with plenty of shocks and one never-saw-it-coming twist about halfwaythrough.There’s a little bit of repetitionas we see each 10-minute tale but notmuch, thanks to Ken Osborne’s fabulousscript (his first).The cast of unknowns isfirst-rate, with special nods to AlphonsoFreeman (Morgan’s son), Rayne Guestand Thomas Kopache.
“Ten ’til Noon” is rated R forviolence, language and one sex scene,so our sensitive viewers should beware.Don’t be tempted to press “stop” whenthe credits start to roll — there’s apivotal scene that cuts in that you won’twant to miss. You can find “Ten ’tilNoon” at Hastings. Check it out.
‘Ten ’til Noon’ is thrill rideMary Anne Hempe
Forgotten Video
Films playing at Robinson
Crossing
Films playing at Hollywood Spotlight
Films playingat Warren Theatre
By Holly Jonesspecial to pop
From “Crouching Tiger,Hidden Dragon” to “AMidsummer Night’sDream,” movie scores are theinspiration for the choreog-raphy for an evening of balletand modern dance presentedby the OU School of Dance.
OU’s resident dancecompanies, OklahomaFestival Ballet and Contem-porary Dance Oklahoma,will perform at 8 p.m. July 1-3 in historic Holmberg Hallin the Reynolds PerformingArts Center in OU’s ArtsDistrict.
The Oscar-winning scoreof “Crouching Tiger,Hidden Dragon” by TanDun inspired a new ballet
called “Silk,” choreographedby School of Dance directorMary Margaret Holt.
“‘Silk’ will feature kimonosof exaggerated length wornby some of the dancers, whowill then ‘fly’ to becomescenery for the ballet,” Holtsaid.
Guest artist Helen Star,former principal dancer withLondon Festival Ballet, NewLondon Ballet and LouisvilleBallet, will be at OUteaching and staging “AMidsummer Night’sDream,” an original ballet byinternationally knownchoreographer Alun Jones.
In addition to ballet, theproduction will include“Relache,” a new contempo-rary dance work by School ofDance faculty member
Austin Hartel, to musiccomposed by Erik Satie for afilm in the 1920s.
“I want to keep thechoreography true to theoriginal Dadaist style of thecomposer,” Hartel said.“We’re also creating a film togo with the work that will beprojected during theperformances.”
David Barocio, a graduateof the OU School of Danceand dancer with OklahomaCity Ballet, will appear as aguest artist performingprincipal roles in “Silk” and“A Midsummer Night’sDream.”
Ticket prices are $8 forstudents, $12 for OUfaculty/staff and senioradults, and $15 for adults.Reservations can be made by
calling the Fine Arts CollegeTicket Service at (405) 325-4101 from 11:30 a.m. to 5:30p.m. Monday throughFriday.The box office islocated in the Catlett MusicCenter, 500 West Boyd.
The Donald W. ReynoldsPerforming Arts Center islocated on the OU Normancampus at 560 ParringtonOval. Seating is limited andreservations are stronglyencouraged.
For accommodations onthe basis of disability, call325-4101. Group rates areavailable and can be reservedby calling 325-4101.
page three pop friday, june 25, 2010
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Movies, theater inspire OUSchool of Dance performances
Photo ProvidedShown are Oklahoma Festival Ballet dancers KristenYoung and Brett Young.
By Doug Hillpop reviewer
Les CopelandDon’t Let The Devil InEarwig Music Company
Les Copeland heard aMississippi Fred McDowellrecord when he was a kidand was instantly hooked.
It didn’t matter that hisBritish Columbia home wasover 2,500 miles from theheart of Delta Blues, hereceived the spirit andlearned to play guitar.
This new album withguest appearances by David“Honeyboy” Edwards(guitar) and Michael Frank(blues harp) is a quirky gem.
Copeland’s vocals have afragile quality that lend agenuine pathos to songsabout “Long Lost Love” andbeing unable to punch one’sway out of a “Wet PaperBag.”
Best known as a bottle-neck guitar virtuoso, hisinstrumental tribute to anAmerican great on “RyCooder” and jazzy “GinsengGirl” are steel string clinics.“How’s That Drummer” isabout how guys are oftenplayfully cruel with eachother.
Honeyboy loves gettingfrequent digs in about apercussionist who swipedCopeland’s second wife.
“He’s living in my house/while I’m living in anapartment downtown,” ishow that drummer is.
Ominous vocals, stray catharmonica and slashingguitar on the title tracksound like Beelzebub is rightoutside insistently rappingon the door.
Don’t let the devil inside,but do invite Copeland’smusic into your ears.
Copeland’s record has straycat harmonica, slashing guitar
CD review
Trusted. Tested. Timeless.
By Aaron Wright Graypop editor
“People are passionateabout film,” Cassie Ketricksaid, before nibbling on achip with queso at a fast-foodMexican restaurant oncampus corner. “We just needto get them together in oneroom.”
This thought process iswhat led Ketrick, now chairof the organization, to be apart of the formation of theorganization CinematicArtists of Norman.
Started less than a yearago, in September 2009,CAN has already developed adecent membership and haslaunched themselves into thecommunity, partnering withother organizations toprovide film opportunities forNorman film lovers.
Ketrick said the groupformed after several filmstudents graduated and foundthemselves asking, “nowwhat?”
She said many missed thesocial aspect of meeting newpeople and exchanging ideasand tactics with each otherwhen it came to film. Also,many people wanted tocontinue making films andneeded a legitimate outsourceto plug in the passion.
Although it was graduatesthat kind of jumpstarted theorganization, Ketrick saidCAN is now made up ofpeople with a variety of ageand experience level. And it’snot just filmmakers in CAN
either. Making films requiresa plethora of skill-sets.
“If you can draw, we canuse you,” Ketrick said, notingthe importance of story-boards in the filmmakingprocess. She said the samething about make-up artistsand architects.
“We’re not about watchingmovies, we’re about makingthem,” she said.
To learn the necessaryskills, Ketrick said the groupholds a monthly meetingwhere guest speakers teachon subjects such as lighting,props, screenwriting, etc...Meetings are held in a varietyof locations in Norman in aneffort to showcase variousbusinesses and communityorganizations.
For hands-on experience,CAN has paired withSongWriter AssociationNorman to make musicvideos for their members. Sofar, they have completed twoand are working on theirthird video.They are alsoworking on editing a spotfrom the Norman MusicFestival. Future plans includelaunching their website,cinematicartistsofnorman.org, of which CAN is in thefinishing steps.They wouldalso like to apply for grants toprovide equipment for theirmembers. At this point, theirpriority is obtaining lightingand sound equipment.
CAN plans on participat-ing for their first time in the2nd Friday Circuit of Art inJuly with an outdoor
screening from 8:30-9:30p.m. at Dreamer Concepts,324 E. Main St.
To be a member of CAN,yearly dues for Norman ArtsCouncil membership are $30a year or $20 for students.The first meeting is free forthose who are interested inlearning more about theorganization. Ketrick saidthere is no time requirementfor members; peopleparticipate as much as theyare able. Members can signup for film crews as eachproject arises. If membersaren’t comfortable holding arole on their own yet, theycan shadow a person first tolearn the necessary skills.
“We want to make qualitywork,” Ketrick said.
Aaron Wright Gray366-3533
page four pop friday, june 25, 2010
CAN mixes passion, filmmaking
CAN’s mission: To strengthen the Norman filmmaking community by offer-ing valuable resources and outlets; to produce quality workthat meets the standards of the Norman Arts Council andCinematic Artists of Norman; ensure that the local filmmak-ing community continues to grow and thrive by buildingand maintaining good relationships with other groups whosupport local filmmaking and art; and become better film-makers by bridging the gap between concept and creation.
Photo providedThe Cinematic Artists of Norman executive team members, shown at a Decembermeeting, are Cassie Ketrick, Lagueria Davis and Temple Tucker.
page five pop friday, june 25, 2010
By Andrew W. GriffinPop writer
Sister Hazel — “Release”(Croakin’ Poets) 2009
Back in 1997, when I first heard SisterHazel’s radio hit “All For You,” little did Iknow how rare roots-rock gems like thatwould become in the early years of the21st century. Back then, bands like BetterThan Ezra, Hootie and The Blowfish andthe powerhouse Matchbox 20 wererockin’ hitmakers with an accessiblesound. A year or so earlier, OklahomaCity’s very own jangly bar band Wakelandwas doing quite well in the wake of theiralbum “Magnetic.”
Fastforward a decade or so and thesounds on the radio are a little less soulful,a little more manufactured and in manycases, simply lacking the melodies thatSister Hazel and their rootsy brethrenwere offering in those waning days of the20th century.
Throughout it all, the Gainesville, Fla.-based Sister Hazel, led by singer KenBlock and guitarist Andrew Copeland,has pressed on.While they are no longeron the Universal record label, they havedone pretty well working as an independ-ent band, releasing albums like “Absolute-ly” and “Chasing Daylight.”This time,though, the album is simply titled“Release” and features songs written byeach member of the quintet.
Singer Ken Block offers us theinteresting “Walls and Cannonballs” andthe fair “See Me Beautiful” while bassistJett Beres brings out the very cool“Vacation Rain,” with its curious rhythmsand beats. Beres also impresses with the
final track, the Counting Crows-like“Ghost in the Crowd.”
The song “Better Way,” co-written bydrummer Mark Trojanowski, has a heavyinstrumental feel while lead guitarist RyanNewell teams up with Pat McGee andTonic’s Emerson Hart sends us thedynamite title track, as well as “Fade,” a90’s-styled rocker that harkens back toSister Hazel’s early days. Check out thesweet harmonies and Ringo Starr-esquepercussion on “I Believe In You,” pennedby Copeland.
Irresistible is the best way to describethe power pop of “Run for the Hills, ”another Copeland track. It’s also a songwith a message.While they don’t specifywho “they” are, the Hazels tell us that “ahard rain is coming down” and that the“fire and brimstone” won’t keep us warm.”
SH keeps things pretty positive. Andjust so everyone is up-to-date, SisterHazel has just released a new three-songEP called “Threeve,” which is available viatheir website www.sisterhazel.com and oniTunes. It’s exciting to get re-acquaintedwith Sister Hazel.The songs are upbeat,positive and full of musical muscle thatserves them well.
Grade — A
Sister Hazel’s new albumhas musical muscle
CD review
“Extract” is a new film fromwriter/director Mike Judge, whocreated one of the most iconicfilms of the 1990s – “OfficeSpace.”To contrast the world of“Office Space” in which nothingreally happens at work,“Extract” is set in an assemblyline plant where they bottleflavor extracts.
The main character, Joel(Jason Bateman from “ArrestedDevelopment”), is the ownerand operator of this plant who isgoing through a bit of a mid-lifecrisis.
Joel’s crisis is two-pronged innature. First, his relationshipwith his wife, Suzie (KristenWiig from “Saturday NightLive”), has become one of habitand is without sex. So, when theyoung and smoldering Cindy(Mila Kunis from “That 70sShow”) shows up to work as atemp in the factory, he can’t stopthinking about having an affair.
What he doesn’t know is thatCindy is also a pathological liar,thief and scam artist. Second,Joel is contemplating selling thefactory he built from the groundup but can’t move ahead withthe deal until an injuredemployee settles his lawsuitagainst the company.
As with many comedies,Joel’s best friend, Dean (BenAffleck), is the devil on hisshoulder. Dean is a bit of ahippy bartender who encour-ages Joel to cheat on his wife
and even helps to arrange a first-time, young, male gigolo toseduce her in an effort to makeJoel feel justified to cheat.
What neither of themcounted on was a gigolo whowould continue to bang Joel’swife long after their businesshad concluded.
Add to the mix a neighborwho just won’t stop talking(David Koechner), an out ofcontrol injury lawyer (GeneSimmons from the band KISS)and an ensemble cast in thefactory and hilarity ensues.
In fact, there is quite a bit ofcomedy that I just can’t describein print, as it is for adults and abit risqué. I feel I need to makea special point to talk aboutAffleck in this film.
For some time now, he hasbeen the butt of many jokes inHollywood since his string ofpoorly-performing films.
However, his talent as anactor has not diminished onebit. For the role of Dean,Affleck became hardlyrecognizable with a full beardand long, wavy hair. I hope thisrole helps turn his careeraround.
Also, the factory scenes in thefilm were shot in a working
water bottling factory.Theyeven hired a few of the workersthere to be characters in thefilm.
There is one special featureon this DVD called “MikeJudge's Secret Recipe Featurette— The Ingredients For AClassic Mike Judge Film.”Thisis a lengthy look to the filmwith interviews featuring Judgeand the cast. If you enjoyed“Office Space,” you definitelyhave to see “Extract” on DVD.
You will relate to at least oneof the characters personally, plusfeel like you know several of theother characters as reflections ofpeople from your own life. Forsome guaranteed laughs, checkout “Extract” in your localstore’s new releases section.Please send comments, ques-tions, and DVD recommenda-tions to Kelsey [email protected].
‘Extract’ DVD loaded withbehind-the-scenes features
Kelsey Martyn-Farewell
DVDs On Parade
By Bradley Williamsspecial to pop
Cimarron Opera willpresent the Gilbert andSullivan classic “HMSPinafore” as part of the 15thannual Summer OperaCamp. Performances will be2-7 p.m. July 1-2 at theNancy O’Brian PerformingArts Center.
One of Oklahoma’s longestrunning summer musiccamps, youth ages 9-18 gatherannually for a three-weekexperience, culminating with afully-staged production of acomic operetta that is adaptedfor young voices and issuitable for all ages.Ticketsare $10 for adults and $5 for
children.For more information and
for tickets, call the CimarronOpera office at 364-8962.Cimarron Opera Camp ismade possible by the generoussupport of Allied Arts, theNorman Arts Council,Oklahoma Arts Council, theAd Astra Foundation andFirst Presbyterian Church ofNorman.
MICHAEL D MONROE(405) 360 95001100 Rambling Oaks Dr.Norman, OK [email protected]
© 2007 Allstate Insurance Company.
How To Train Your Dragon PG12:15 12:55 2:15 2:55 4:50 6:50 9:10Date Night PG1312:20 2:20 4:20 7:20 9:25The Back-Up Plan PG132:45 4:55 9:30The Last Song PG 12:25 2:35 7:15
Oceans G12:25 2:25 4:25 7:05 9:15Death At A Funeral R 4:15 9:35Clash of the Titans 2-D PG13 12:30 2:45 7:00The Bounty Hunter PG13 4:50 9:15
$7.00 Bargain Matinees - All Shows Before 6PM$7.50 Student Admission With Valid I.D. • $3 Surcharge applies to all 3-D Tickets
KNIGHT AND DAY • (PG13) 12:45 4:00 7:00 9:45
GROWN UPS (PG13)12:30 1:20 3:45 4:25 6:45 7:15 9:20 10:00
TOY STORY 3: 3-D (PG)12:20 12:50 3:30 4:20 6:50 7:20 9:25 9:55
KARATE KID (PG)12:15 1:00 3:25 4:05 6:30 7:35 9:35
THE A-TEAM (PG13)12:25 3:40 6:35 9:15
JONAH HEX (PG13) 1:15 3:50 7:30 10:15
SHREK FOREVER AFTER 3-D (PG)1:10 4:30 7:25 10:10
IRON MAN 2 (PG13) 12:35 3:35 6:40 9:30GET HIM TO THE GREEK (R)12:55 3:55 7:05 9:50
KILLERS (PG13) 1:05 4:15 7:10 10:05
PRINCE OF PERSIA (PG13)12:40 4:10 6:55 9:40
ROBOTMAN & MONTY® by Jim Meddick
‘HMS Pinafore’ totop off opera camp
pop staff reports
Legacy Bank is currentlyfeaturing the work ofcontemporary Oklahomaartist Megan DeShazo at 107NE 10th, Blanchard, as partof a program called ArtMatters.
DeShazo is an on-locationphotographer, specializing innatural light portraiture. Sheprefers to allow the childrenfreedom to be themselves.
Sought after for herdistinctive style and approachto photography, DeShazo hasbecome one of OklahomaCity’s leading children’sphotographers. She brings outthe artistic beauty in eachportrait. DeShavo resides inEdmond with her husbandKevin and son Gabe.
If you know an artist or arean artist yourself and wouldlike to exhibit in the space, e-mail samples of work to:[email protected].
DeShazo’swork shown
NOW OPEN •128 West Gray • Downtown NormanMon-Fri 11-6 • Sat 10-5
innovative crafts.innovative crafts.unique, creative wall decor.unique, creative wall decor.
andandartfully altered furnitureartfully altered furniture
what iswhat is
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FRIDAY SATURDAY SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY
2 3 4 5 6 7
SOCIAL CALENDARPOP’S
25 26 27 28 29 30 1
8Circe, original rock, 9 p.m.,
$5 cover, Brewhouse
Dustin Prinz, singer/songwriter, 8 p.m., Othello’s
Stephanie Bettman with Luke Halpin, Cobblestone Creek
Concerts, $15, 7 p.m., [email protected]., 1400 Sawgrass Dr.
Problem Child Entertainment party, Hidden Castle,1309 24th Ave SW.
South 77 Band with Rick Jawnsun and the Backroad Symphony,
country rock, 9 p.m,$5 cover, Brewhouse
Issei Aoyama, jazz,8 p.m., Othello’s
Mike Hosty Solo, blues and rockabilly,
10:30 p.m., Deli
Travis Linville,7 p.m., Deli
SongWriter Association Norman
monthly meeting, 7-9 p.m., Cafe Plaid,
333 W. Boyd
Wanderlust, travel and photography
exhibit, Fred Jones Jr. Museum of Art,
555 Elm Ave., $5. 10 a.m. to 5 p.m.
Chocolate, the exhbit, Sam Noble Museum, 10
a.m. to 5 p.m., $5
Travis Wackerly and the PostOkies, country rock,
9 p.m., $5 cover, Brewhouse
Katie Mariah and Charlie Rayl, singer/songwriter, 7 p.m.,
Othello’s
Jazz in June, Jazz under the Stars, Brookhaven Village,
36th Ave. NW and Robinson St. 7:15-10:45 p.m., free
Camille Harp, singer/songwriter,9 p.m., Othello’s
Hosty duo, the Deli, 10:30 p.m.
Irving Berlin’s “Annie Get Your Gun,” Sooner Theatre, performed
by Sooner Theatre children,2 and 7:30 p.m., $10,
soonertheatre.org.
Montu, instrumental rock,9 p.m., $5 cover, Brewhouse
Navigator, Big Pooh, Hidden Castle, 1309 24th Ave. SW
Billy Hartless Band, The Hilltop Hideaway, 1105 N. Main in Noble
Jazz in June, Jazz in the Park, 6-10:45 p.m., Andrews Park,
Webster and Daws, free
Son Del Barrio, salsa, 9 p.m.,$5 cover, Brewhouse
Todd Canedy and Friends, jazz,8 p.m., Othello’s
Irving Berlin’s “Annie Get Your Gun,” Sooner Theatre, performed by Sooner Theatre children, 2 and 7:30 p.m., $10, soonertheatre.org
Smallwolf, the Deli, 10:30 p.m.
Loss of Season, Terrible Airplane, Hidden Castle, 1309 24th Ave. SW
Billy Jack Band,The Hilltop Hideaway,1105 N. Main in Noble
Irving Berlin’s “Annie Get Your Gun,” Sooner Theatre, performed by
Sooner Theatre children,2 p.m., $10,
soonertheatre.org
Karaoke, 7 p.m.,The Hilltop Hideaway, 1105 N. Main in Noble
“24 Works on Paper” exhibit, can be
viewed from 9:30-5: 30 p.m. through
today, Firehouse Arts Center, 444 S. Flood
Travis Linville, happy hour, 7 p.m., Deli
“Instrumental Art” exhibit, Dixie Erickson,
free; exhibition runs through July 29, Santa Fe Depot, 200 S. Jones Ave., 8 a.m. to 2 p.m.
Easy Lovers, the Deli, 10:30 p.m.
John Calvin, singer/songwriter, 9 p.m.,
$5 cover, the Brewhouse
Lauren Deger, singer/songwriter, 7 p.m.,
Othello’s
Summer Classic Dog Show, Cox Convention Center, through July 4,
8 a.m. to 6 p.m.each day, $7,
okcsummerclassic.com
Plugginginto
PASSION