patterns poems and stories like bishops journal

7/26/2019 Patterns Poems and Stories Like Bishops Journal

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Patterns,

Poems,

and

Stories


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TABLE OF CONTENTS

PATTERNS................................................................................................................................................................... .1

ADVENTURERVSEXPLORERPATTERN.......................................................................................................................1

AMAZINGWOMENPATTERN.......................................................................................................................................2

ATTRACTIONVS. LOVEPATTERN............................................................................................................................... .3

BISHOPSTHREERULEPATTERN................................................................................................................................5BJ PATTERN # 1........................................................................................................................................................6

BJ PATTERN # 2........................................................................................................................................................

BJ PATTERN # 3........................................................................................................................................................!

BJ PATTERN #" THE ICE CREAM PATTERN.....................................................................................................$ROSS%S ABSOLUTE &AVORITE PATTERN THE BLAMMO.............................................................................1'

THE BO(&RIEND DESTRO(ER PART 1............................................................................................................1"

THE BO(&RIEND DESTRO(ER PART 2............................................................................................................15BO(&RIEND DESTRO(ER )RELATIONSHIPS ARE LI*E TELEVISION)...................................................16

THE CALLBAC* PATTERN..................................................................................................................................1CATERPILLARANDMOTH........................................................................................................................................1!

THE)CENTERO&ENERG() PATTERN....................................................................................................................... .2'CELTICSOULGAZINGPATTERN............................................................................................................................... .22

COLORO&PLEASURE PATTERN..............................................................................................................................23

COMPANIONSHIPVSROMANCEPATTERN.................................................................................................................2"

THE COO*IE CLOSE.............................................................................................................................................25DANCER PATTERN................................................................................................................................................26

)DEEP&ASCINATION) PATTERN................................................................................................................................ .2

THE DISCOVER( CHANNEL + THE IDEAL ATTRACTION PATTERN............................................................2!

THE DISCOVER( CHANNEL + THE IDEAL ATTRACTION PATTERN............................................................2$PER&ECTMANPATTERN........................................................................................................................................... .31

THE POWER O& )HAVE (OU EVER) &ASCINATION PATTERN................................................................... .33

)THE EROS STONE NEC*LACE) PATTERN........................................................................................................ .3"

ICE TEA PATTERN.................................................................................................................................................36INDULGENCEVSSURRENDERPATTERN....................................................................................................................3

INSTANTANEOUS+TIMELESS CONNECTION PATTERN VARIATION #1.....................................................3!

INSTANTANEOUS+TIMELESS CONNECTION PATTERN VARIATION #2.....................................................3$

INSTANTANEOUS+TIMELESS CONNECTION PATTERN VARIATION #3....................................................."'LOC*ETPATTERN..................................................................................................................................................... ."1

LOVER%SRINGPATTERN........................................................................................................................................... ."3

THE MOVIE PATTERN..........................................................................................................................................""

)NEWTECHNOLOGIES) PATTERN.............................................................................................................................."6PEA*EXPERIENCESPATTERN.................................................................................................................................... ."

REMOTE CONTROL ZIP ANCHOR......................................................................................................................"!

SECRETSPATTERN.................................................................................................................................................... .5'

THE)SEDUCTIONLAND) PATTERN...........................................................................................................................51

SMILEPATTERN........................................................................................................................................................ .52SOULJEWELR(PATTERN.......................................................................................................................................... .53

SUBMISSIONVS. SURRENDERPATTERN.................................................................................................................... .55

THE SUMMER NIGHT PATTERN.........................................................................................................................5!TIME DISTORTION................................................................................................................................................5$

TITANIC PATTERN.................................................................................................................................................6'

SPECIAL PATTERNS................................................................................................................................................61

DAR*SUNPATTERN................................................................................................................................................. .61

GEMINIPATTERN,$$ LA VIDEO-............................................................................................................................. .6$

BISHOPS WARMTH BUILDER................................................................................................................................. .2BISHOPS ROSE,LIVEEXAMPLE-............................................................................................................................."

HUNA PRA(ER.......................................................................................................................................................5


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STORIES / POETRY..................................................................................................................................................77

A WARM &UZZ( ,BISHOPSVERSION-.................................................................................................................. .AWARM&UZZ(,ROSSSVERSION-...........................................................................................................................!'

ANGELLOVER I.........................................................................................................................................................!1

ANGELLOVER II.......................................................................................................................................................!2BLUEBERRIES............................................................................................................................................................!3

THEDIAMONDDRAGON...........................................................................................................................................!"&ASCINATION B( ROSS JE&&RIES....................................................................................................................!6

HERJOURNE(........................................................................................................................................................... .!!THEJOURNE(........................................................................................................................................................... .$1

THE*E(................................................................................................................................................................... .$3

*ISS......................................................................................................................................................................... .$5

THE LOVER%S DANCE 1........................................................................................................................................$6THE LOVER%S DANCE 2 TO THE GARDEN ONCE MORE............................................................................. .$

THEMERMAIDANDTHEBLOW&ISH......................................................................................................................... .$$

PONDERINGTHEINNERMOSTTHOUGHTSO&ABUTTER&L(...................................................................................1''

THERAINO&DESIRE.............................................................................................................................................. .1'2REDSATIN.............................................................................................................................................................. .1'3

)REMEMBERWHEN)...............................................................................................................................................1'"

THERUB(BUTTER&L(........................................................................................................................................... .1'5THESAPPHIRE&LOWER.......................................................................................................................................... .1'STARO&BISHOP..................................................................................................................................................... .1'!

THE SWEETEST SOUND.....................................................................................................................................11'

)THETEAR)............................................................................................................................................................. 111

THEWHISPERO&ANTICIPATION.............................................................................................................................. 112WORDSONA PAGE................................................................................................................................................. 113

(OU CAN MA*E IT BE.......................................................................................................................................11"

LINES AN T!O"#!TS.......................................................................................................................................11$

MAJORMAR*ON&ANTASIES ...............................................................................................................................115

ORIONONCLOSES /.................................................................................................................................................115ROSSONBIGCATS ,WIP- ..................................................................................................................................115

ORION,ET. AL.- ONWHATNEEDSTOHAPPEN ......................................................................................................115

ORION,ET. AL.- ONGETTINGPHONENUMBERS ...................................................................................................115

ROSS0 ORIONONBO(&RIENDS ...........................................................................................................................115ORIONONSURPRISE*ISSES ..................................................................................................................................116

ORIONONMASSAGES ...........................................................................................................................................116

ORIONONJAPANESEANDNEC*S .........................................................................................................................116

MAJORMAR*ONMARRIEDWOMEN ....................................................................................................................116ROSSONNOTM(T(PE ...................................................................................................................................116

BISHOPONMEETINGNEWWOMEN /.....................................................................................................................11

BISHOPONWOMENWHOUESTIONI&THE(WANTTOMEET(OU /......................................................................11

MAJORMAR*ONMONOGAMOUSRELATIONSHIPS................................................................................................. 11BISHOPONANCHORS /............................................................................................................................................11

T!E%ES.................................................................................................................................................................... 11&

SECRETCORETHEME.............................................................................................................................................. 11$


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PATTERNS

A'ENT"RER 'S E(PLORER PATTERN

(4 W78 94 :4 ;7?@; 9?@87>?@ :4 >?7


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A%A)IN# *O%EN PATTERN

(4 I K@ K;87


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ATTRACTION 'S. LO'E PATTERN

(4 H? :4 ?? ;4; >4; ;? 97??4; >?;K??< ;;8;74< ?7


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(4 @;; BRIN#IN# IT "P IN CON'ERSATIONS *IT! YO"RFRIENS ? ??< :4 ANCE ARO"N T!E !O"SE, SIN#IN#

IT7 :4%? ? 44 R7;

H? T4;:.

(4 S?? I ;7


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BIS!OP-S T!REE R"LE PATTERN

(4 )B?4? I ? @?F K7; K4


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B PATTERN 1

B@78: ;7@ 7@ 7;%@ 3/@;? @;8;?. A@= ? >4;


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B PATTERN

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B PATTERN 0

(4 I ?< :4 ?? 84? 4? 4 9 9: K4= 4@@ K@ ?=


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B PATTERN 2 T!E ICE CREA% PATTERN

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(4 &7@; I 7=? ;4 97? ;? 78? 8?. (4 =


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ROSS3S ABSOL"TE FA'ORITE PATTERN2 T!E BLA%%O

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H? (? C44 W4K ,O


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PER&ECT ,7? 4 ;? : ;487


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;?@? ;7


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T!E BOYFRIEN ESTROYER2 PART 1

(4 (4 ? >4:7?


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T!E BOYFRIEN ESTROYER2 PART

H? I% @4: ... I 8; I ?

>4:7?


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BOYFRIEN ESTROYER 2


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T!E CALLBAC; PATTERN

S4 ??%@ 4K 7; K4=@. &7@; ;7?@; 88;? @? K7 NOT

>? 4?. T;%@ 7; ... NOT >? 4?. T7@ 7@ < 74;


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CATERPILLAR AN %OT!2

,R? 3 J


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T? 84?8;


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T!E


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,top massain her head, take your hands and form an invisible circle all

around her head as you say ... )

A


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CELTIC SO"L #A)IN# PATTERN

&hat I'll do is analy#e an *'s writin. &hen I'm done I'll say, "let me see your left hand". &hen

she ives it to me, I take it with my riht hand and turn it palm up. I keep her hand in mine the

whole time I am talkin. he T*IN+ I'm oin to read her palm.

(4 )L?; ? @4K :4 @4?;7


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COLOR OF PLEAS"RE PATTERN

(From the atlanta essential skills, CD included with the L !ideos)

(4 O< @8? 4 4


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CO%PANIONS!IP 'S RO%ANCE PATTERN

se after ettin some rapport and after usin the "elationships-Television" oyfriend

estroyer.

(4 I K@ K;87


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T!E COO;IE CLOSE

B@78: ;?? ? ;?? ;@ ;4 ;? C44=7? C4@? ... ; 4


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ANCER PATTERN

(4 W?< :4 9


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T!E ISCO'ERY C!ANNEL / T!E IEAL ATTRACTION PATTERN

H4K?? ;? 4;?


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T!E ISCO'ERY C!ANNEL / T!E IEAL ATTRACTION PATTERN

@%OIFIE *IP

H4K?? ;? 4;?


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(4 O=:. W?< :4 ;=? ;7@ 79? :4 ?


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PERFECT %AN PATTERN

H??%@ ;? >@78 79? ...

1. D4 ?@ ?787;;74< >: ?:74; ?74@ >4:7?


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... @ :4 @;9: 7@ 8? ...


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T!E PO*ER OF

N4;? T7@ ;;?< @49 >? @?9 ;? ?


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??< @;7


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< ?


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ICE TEA PATTERN

(4 D79 :4 =4; 78?9 ;?

H? ,W7; 4 ? ;4 ?@4


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IN"L#ENCE 'S S"RRENER PATTERN

(4 H? :4 ?? 84


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INSTANTANEO"S/TI%ELESS CONNECTION PATTERN 'ARIATION 1

(4 H? :4 ?? >e=t an INSTANTANEO"S onnetionK7; @4?4


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INSTANTANEO"S/TI%ELESS CONNECTION PATTERN 'ARIATION

(4 D79 :4 ?? 7


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INSTANTANEO"S/TI%ELESS CONNECTION PATTERN 'ARIATION 0

(4 D79 :4 ?? instant= Dno o5 ere 8oin8 to =iDe and tr5st someone >or a=on8, =on8 time M:>? :4 4


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LOC;ET PATTERN

(4 (4 =


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T!E LON# ISTANCE RELATIONS!IP PATTERN

,E@;>7@ 4; =? ? ; ?@; 4? 94 84


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LO'ER3S RIN# PATTERN

(4 (4 7


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T!E %O'IE PATTERN

M47? ;478 7


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2. A@=74; 7 7


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PEA; E(PERIENCES PATTERN

(4 C< :4 ??>? ;? @; ;7? :4 9 ?= ?F?7?7


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RE%OTE CONTROL )IP ANC!OR

(4 ??%@ ;78= ... @?? 7 7; K4=@ ...

H? 4=

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(4 4


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SECRETS PATTERN

(4 H? :4 ??


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T!E


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S%ILE PATTERN

(4 (4 K


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SO"L E*ELRY PATTERN

(4 D4 :4 7=? J?K?:

H? (?@

(4 I% 47: 47? ;? ?;?@; 7;

:4%? ?? ?8?7?9 4


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:4 ? 4 ;7@ ?F?7?


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S"B%ISSION 'S. S"RRENER PATTERN

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(this poem is optional)I;@ @; 7=? ;7@ 7


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T!E S"%%ER NI#!T PATTERN

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TI%E ISTORTION

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?7;? ;4 :4 ?; 4 ;4 :4 7; ... ; ;7@ 47


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TITANIC PATTERN

(4 ,=


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SPECIAL PATTERNS

AR; S"N PATTERN

A;? 447


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eGen Dno 9 o5 an3t 9e=4 o5rse=> ... no ... it9 me ...

6. POE%? Intro it sain8 9o a== t9is ins4ired o5 to rite somet9in8 ...

*it9 omen 9o te== o5 o>> t9e at t9e are married, 9aGe a BF, et, t9e se5ene is2

1. R?;74


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T? =74; 7


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I ?< ? 44= ; ;; 7


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I< :4 9?@ :4 4;?4:7?? >; ? 94?@


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BIS!OP-S *AR%T! B"ILER

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22 It's important that you % N%T make her tell you what shape she chose, because it becomes

more personal when she does not have to share it.

emember, if it oes as desined, that shape is now her symbol for orasmic pleasure. The mere

thouht of that shape from this point on will ive her pleasure, because it is a personal anchorfor her. +eep in mind, if 13T4 you've done the "&armth uilder" (and otten a favorable

result) she tells you what shape she chose, that's a reat sin that she is havin sensual thouhtswith you in mind. (It's like a woman showin you where her clit is, she tells you because shewants you to use the information5)

&*4N % 0% 4 IT6

It varies from babe to babe. 7y most successful uses of the "&armth uilder" happens to be on

8uality servers (that what I call waitresses ... well, the ood ones anyway) ecause chances areher les are tired and she's been ettin "slammed" before you showed up. o once I've built a

little rapport, and illicit some of her trance words, I'll introduce it like, "I know if you had a

choice, you'd walk riht out that door and et a nice manicure, soak in a hot tub for a half hour,

and then sleep until the week/end. ut that's not possible riht now, so let's do the ne$t bestthin." ude, T*1T will et her interested enouh to ive you three minutes to use the "&armth

uilder."

ut the rule I follow, is to introduce it 13T4 deep rapport, and after I've either done a uided

visuali#ation, or I elicit some of her trance words in some other way. I feed them back theirtrance words, then, since we're obviously on the sub9ect of thins that brin her pleasure, or is

an e$ample of her imaination, It's easy to lead into the "&armth uilder" by sayin somethin

alon the lines of, "peakin of :::::::, let me show you somethin really cool."

3


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BIS!OP-S ROSE @ LiGe E:am4=e

I @7?9


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!"NA PRAYER

!"NA PRAYER BRIEF #"IE

A; @4? 47


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3. T? U


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STORIES / POETRY

A *AR% F"))Y @BIS!OP-S 'ERSION

(4 K=? ;4 7?


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(4 ?8 94K


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;4?@.

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A *AR% F"))Y @ROSS-S 'ERSION

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AN#EL LO'ER I

I 8? 4< K4< 7< @;;? 4 4@A


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AN#EL LO'ER II

I ? @??< :4 K7; >?;7 ?:?@E


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BL"EBERRIES

T? 4K? 4 >?>?: 7@ ?


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T!E IA%ON RA#ON

A@ :4 : 4< :4 >?9 49: 4;@


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W; ?


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FASCINATION2 BY ROSS EFFRIES

H? :4 ?? >??< @87: @4?4


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(4 @;? 4; 4 K; K@

I


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!ER O"RNEY

H? J4


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H? 49?@; 9? ? 8?8= @79?@

T4 =


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B;


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T!E O"RNEY

I 97? ;? 844@ 4 @?;;7


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T4 : ?:?@ ?7< 84@?9 I 8< ??


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T!E ;EY

A@ ;? @; @7


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S?


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;ISS

M:


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T!E LO'ER3S ANCE 1

84? K7; ? : 4?: @ K? @;; ;? 4?@ 9


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T!E LO'ER3S ANCE 2 TO T!E #AREN ONCE %ORE

A@ I : 94K< 7


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W? @? 7< 4 7;@ ;4 ?8 4;? @ K? 4


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T!E %ER%AI AN T!E BLO*FIS!

O


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PONERIN# T!E INNER%OST T!O"#!TS OF A B"TTERFLY

T49:


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T!E RAIN OF ESIRE

I @7; ;4 : 4


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RE SATIN

I @7; 4< ;? 48=@ K;87


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T!E R"BY B"TTERFLY

B?4K ;? >?@; @=: K7; 7;@ K7@ 4 84;;4< 849@

: @@7? 7?9 4 @ ??


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O


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T!E SAPP!IRE FLO*ER

A


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STAR OF BIS!OP

ishop;s Note? 844< 7< :4 ?:?@7? 4< :4 8??=@


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T!E *!ISPER OF ANTICIPATION

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*ORS ON A PA#E

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YO" CAN %A;E IT BE

S4 ?;%@ @: :4 94 ;? 7? 84


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LINES AN T!O"#!TS

%aHor %arD on >antasies K

G7? 3 9?@87;74ay, it's all interestin isn't it. &hat is it about, well you know, thosefantasies that are so compellin6 It's like, you have to ask yourself is it that they draw you

towards them with an irresistible desire or is that you are 9ust compelled to move towards them

out of somethin that's wellin up within you6?

Orion on =oses

"0ou know, I would love to have a chance to et to talk to you another time were aren't so many

distractions and,? somethin alon the lines of "et to know the inner you is as beautiful as theouter one.?

Ross on i8 ats K @*IP K

"o you, did you, you ever one to the #oo and look at a bi cat or predator. o you ever watch

people watchin predatory cats6 I think the real appeal of the cat is to note that this is somethin

really danerous, really powerful, but not riht now. 1t the moment, you feel totally safe with

this, but you know at the riht moment, all that coiled power can be unleashed and directed rihtat you. 1lmost like you're somethin for them to eat 1nd what is that like inside when you walk

the line between daner and safety, daner and safety6 1nd you feel the tu between the two

forces deep on the inside such that it opens up an entirely different personality inside6 1personality beins to emere and come forth. 1 personality that oes, ummm, I bet you I could

pet that tier and make it roll over and purr for me and only for me, ummm.?I% 77&hat would have to happen for you to convince your wondrous self to 9oin me for a cup ofcoffee6?

"&hat steps would we have to take to make sure we et a chance to talk aain, ... ?

Orion @et. a=. on 8ettin8 49one n5mers K

I ;?: @= 4 :4@ / Oh, sure I'll ive you my phone number, but I also need to et yours from

you.? @ "ecause I'm real serious about ettin toether with you and I want to make sure weet toether.?

I ;?: K4


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Orion on s5r4rise Disses K

?*ave you ever had a person ive you a surprise kiss6 !ike maybe you're there and you're

thinkin about all the worries of the day or all the hassles or problems6 1nd suddenly, a personcan lean forward and look deep in your eyes, understand your distress and ive you a kiss that

sends an electric thrill throuhout your spine, throuhout your whole body and 9ust lift you up

like a bed of clouds. o you feel that pleasure, that en9oyment of that kiss6 0ou o into a spacewhere it's 9ust, you feel so ood. 1nd as you continue to let that happen, you can imaine si$

months from now reachin back to recapture the sweetness of that kiss.?

Orion on massa8es K

0ou can have them close their eyes, you can do some really heavy trance stuff when they've ot

their eyes closed and you're massain them. ?0ou know, some people think, some people, as

they e$perience a massae and really feel the pleasure of a massae from someone who reallyknows how to ive a wonderful massae cause they've trained so well. They're able to feel a

certain inside or associate a certain color with that warmth. o, for e$ample, if you were to think

of a color that you associate with the warmth of those rela$in, wonderful feelin, what color

miht you tell me6 ed. 1nd as you see that red ettin bier and brihter and maybe evenwrappin itself around you like a pair of warm but stron arms, some people can even allow

those thouhts to 9ust penetrate your and put that red deep inside you.?

Orion on a4anese and neDs K

"0ou know, the Aapanese think that the back of a woman's body is the most sensuous part of her.

1nd I don't know if it's because of all those fine nerve endins 1nd I don't know if, if it's the mostsensuous part of a woman's body because that's where the nerve endins are or if it's because

they believe that's where the enery enters your body or if it's because of all those soft, fine hairs

or because they think it's so attractive, you know, the low/cut kimonos where you see thatbeautiful back of a woman's neck.? 1nd you can be brushin the back of her neck "%r maybe it's

because you can't tell whether it's the soft brush of a person's finers or the soft brush of their

lips, the kiss, the touch of your tonue.? 0ou can do is caress the back of their neck and put yourhand underneath their ear. Bup it @ and if they've, if they're down with that ...

%aHor %arD on married omen K

If there was a way for you to en9oy a romantic or se$ual adventure outside your marriae in such

a way that it would never neatively impact your primary relationship, would you do it6

Ross on Not % T4e K

*er< "I liked the pic, but you're not my type." over phone

oss< (e/mail) urprisinly this is a short note to say "T*1N+" for your direct, no/bullshit

response. 0ou could have 9erked me around with "uh @ can you call me back6"

etc but were direct and straiht to the point. That's a stand/up attitude I've ot torespect. It says lot about you and how you walk throuh the world and I wanted

you to know it was appreciated.

.. Aust as a funny side note< I can tell you the last few women with whom I've

been deeply involved (with one notable e$ception) all told me the same thinwhen I first met them about not bein their type. 3unny, after spendin about an

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hour with me over coffee, somehow they all ot this strane reali#ation that what

was typical for them really hadn't made them very happy and fulfilled and it was

time to e$plore a totally different rane and set of choices and responses5 I uessCD years of trainin and e$perience with hypnosis and seein over EFFF clients

ives a person some skills in movin minds, bodies and feelins in new and

une$pected ways.1nyway, refreshin encounterin someone, however briefly who knows her ownmind and choices and stands by them. Too bad we'll never meet in personG I've a

feelin it would have been lorious.

Hood luck in your search

Bis9o4 On %eetin8 Ne *omen

The oal is to be different from from every other uy. *ow can I approach her in a way she may

have never known before.

Bis9o4 On *omen 9o 5estion i> t9e ant to meet o5

*er< &hy would I want to know you - et to know you better6

0ou< 0ou strike me as an intellient woman. 0ou could have do#ens of men drop to

their knees and respect only the physical side of you, and if that's all you're about,

then I thank you for your time and I'll be on my way. If however, you're the typeof woman who would like to share her thouhts and her dreams, her inspiration

and her aspirations, I would like to be the uy to find out about the women who

lies within this anels body.

%h, well, I uess this adventure ends here (turn and walk away)

%aHor %arD On %ono8amo5s re=ations9i4s

I;m perfectly willin to date you e$clusively, 9ust as soon as you show me, in ways that I canunderstand, that you are oin to ive me everythin any woman could ever offer to me,

because, that of course, is oin to make me want to take all my time, all my attention,

everythin I have to ive, and ive it 9ust to you.

Bis9o4 On An9ors

The touch itself is a stimulus that connects the touch to the emotion, and the stroner heremotion when you anchor, the more powerful it will work for you later. T, anchorin does is

not limited to 9ust touchin her to et the emotion. In fact, I've anchored do#ens of women whoare now thinkin of me when they see the stars, or the moment they turn on the television set, or

when they hear a specific son. o while touch anchorin is in my opinion the stronest way to

anchor, it's certainly not the only way. peakin for myself, I only snap my finers sporadically,dependin on what direction the conversation is oin, and only when I want her to feel what I'm

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describin in that moment, but then I 1!&10 anchor with a touch once she's feelin it at peak

state.

The wrist tap anchor is mine, so I'll cover that one. I aree that touchin them too aressively

is not wise, that's why I tap the wrist, and not, say, the solar ple$us. 7y pattern of anchorin

oes from least intrusive to their body to slihtly personal. 1 common set of anchors I use wouldbe< wrist, arm, opposite hand, opposite arm, throat-neck, solar ple$us.

11!


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T!E%ES

SECRET CORE T!E%E

Cultural !s# atural oman 1attern (2emini)

(4 D4 :4 ;7


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@4K 7; ;4 ;? K49 >?8@? ;?< @? 7; >? 97@4?9 4. I ;7@ K??

??8; K49 ;7@ 7@ ;? ; 4 ;? K4< ;; K49


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