otto haasottohaas-music.com/so_2016.october.pdf · 2016. 10. 16. · otto haas october, 2016 select...
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OTTO HAAS
October, 2016
SELECT PIECES
1) ABRAMS, Harriett (ca. 1758-ca. 1822): The Ballad of William and Nancy, Written to
commemorate an interesting incident which happened on the embarkation of the 85th
Regt., August
10th
. 1799, at Ramsgate, the Music Composed and arranged for the Harp of Piano Forte by Miss
Abrams. London: Printed & Sold by L. Lavenu, [1800]. Vocal score: 4 pp., folio, engraved.
Disbound, previously folded horizontally and worn along fold. £70
RISM A216 citing just four copies. BUC p. 5 citing just one copy.
2) [AMERICA] SANDBURG, Carl: The American Songbag. New York: Harcourt, Brace &
Company, [©1927]. Quarto, xxiii, 495 pp. Publisher’s cloth with dust-jacket, edges worn, cloth
bumped and a little faded. £20
3) [ANTICO, Andrea (ca. 1480-after 1539)]: The Motet Books of Andrea Antico. Edited with an
Introduction by Martin Picker. Monuments of Renaissance Music, volume VIII. Chicago &
London: The University of Chicago Press, [1987]. Score: xiii, 427 pp., folio. Publisher's blue
cloth. £75
4) [ARMIDA]: The Favourite Songs In the Opera Armida. London: Printed and sold by R.
Bremner, [1774]. Score: 21 pp., folio, engraved. Disbound, sewn. £325
BUC p. 37. A pasticcio.
5) ARNE, Thomas Augustine (1710-1778): Vocal Melody. Book I [and II]. An Entire New
Collection of English Songs and a Cantata Compos’d by MR. Arne, Sung by M
r. Beard, M
r. Lowe,
and Miss Falkner, at Vaux-Hall, Ranelagh, and Marybon-Gardens. London: Printed for I. Walsh,
[1746, ca. 1750]. Vocal score: 1 f. (title), 20 pp., 1 f. (title), pp. 21-42, folio, engraved. Modern
quarter vellum with marbled boards. £420
RISM A 2008. BUC p. 47.
Together with Samuel Howard’s (1710-1782): The Musical Companion. A Collection of English
Songs, Compos’d by Mr. Howard. Book IV. London: Printed for I. Walsh, [1754]. Vocal score: 1 f.
(title), 21 pp. RISM H 7482. BUC p. 510.
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6) [ATTAINGNANT, Pierre (ca. 1494-1551/2)]: Preludes, Chansons and Dances for Lute,
Published by Pierre Attaingnant, Paris (1529-1530). Edited by Daniel Heartz. Neuilly-sur-Seine:
Société de Musique d'Autrefois, 1964. Publications de la Société de Musique d'Autrefois, textes
musicaux, tome II. Score: lxxxvii, 128 pp. + plates, folio. Publisher's red cloth. £75
7) BANTOCK, Granville (1868-1946): Atalanta in Calydon (Swinburne). A Choral Symphony
for unaccompanied voices in four movements by Granville Bantock. Words and music explained by
Sidney Grew. London: Breitkopf & Härtel, [1911]. 24 pp., + [11] pp. (list of the composer's
works). Stapled in publisher's wrappers. £25
8) BARTHELEMON, Maria (1749-1799): Three Hymns, and Three Anthems Composed for the
Asylum, & Magdalen Chapels, Respectfully Dedicated to the Governors of those Charities, by Mrs.
Maria Barthelemon, Op. 3. London: Printed for the Authoress, to be had of J. Bland, [1794].
Score: 2 ff. (title, list of subscribers), 21 pp., folio, engraved. Stitched as issued in original plain
blue/grey wrappers, edges a little worn, some upper edges dusty. Thick paper. Signed by the
composer. With 2 pp. List of subscribers of over 200 names including Dr Haydn. £375
Sole edition. RISM B1133 citing just six copies (4 in the UK). BUC p. 88.
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9) [BASSES DANSES]: Le Manuscrit dit des Basses Danses de la Bibliothèque de Bourgogne.
Introduction et transcription par Ernest Closson. [S.l.]: Société des Bibliophiles et Iconophiles de
Belgique, 1912. 1 f. (half-title), 77 pp. + transcription and plates. Publisher’s wrappers. £100
Limited edition, no. 129 (sur papier velin d'Arches) of 250 copies.
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10) BAYER, Antonín (1785- 1824): Walzer aus den k.k. priv. Redoutensälen 1818, für’s Piano-
Forte, gesetzt und gewidmet dem Hochgebornen Fräulein Adelheit, Gräfin v. Clam Gallas von
Anton Bayer. N.2. Prag: bey Marco Berra, 1818. Score: 5 pp., oblong folio, engraved, plate
number M.B.No123. Folded as issued. Foxed. £75
Not in Worldcat or the National Library of the Czech Republic.
11) BEETHOVEN, Ludwig van (1770-1827): Volume of vocal works by Beethoven and other
composers containing (amongst others):
i) Das Geheimniss. Liebe und Wahrhit von Wessenberg mit Begleitung des Piano-Forté. [WoO
145]. Bonn und Cöln: bey N. Simrock, [1817]. 3 pp., engraved, plate number 1287. First edition.
Kinsky-Halm p. 614.
ii) An die Geliebte. Ein Gedicht von Stoll mit Begleitung des Piano-Forté. [WoO 140]. Bonn und
Cöln: bey N. Simrock, [1817]. 3 pp., engraved, plate number 1286. Early edition, not long after the
first edition of 1814. Kinsky-Halm p. 610.
iii) Merkenstein nächt Baden. Ein Gedicht … Gesang mit Begleitung des Pianoforte in Musik …
100tes Werk. Wien: bei S.A. Steiner & Comp., [1816]. [3] pp., engraved, plate number S.etC.2614.
Imprint covered with the seller’s label of Simrock. First edition. Kinsky-Halm p. 278.
iv) So oder So. Lied mit Begleitung des Pianoforte. [WoO 148]. Cöln und Bonn: bei N. Simrock,
[1817]. 3 pp., engraved, plate number 1418. Early edition almost simultaneous with the first.
Kinsky-Halm p. 619.
v) LUDWIG: Der Troubadour. Einer Samlung Lieder mit Begleitung des Piano Forte. Bonn und
Cöln: bey N. Simrock, [1818?]. 21 pp., engraved, plate number 1530.
vi) HARDER, August (1775-1813): Gesänge und Lieder aus dem Sonntage von F.A.
Krummacher, ein-, zwey-, drey- und vierstimmig mit Klavier- oder Pianoforte-Begleitung. Duisburg
und Essen: bey Bädeker und Kürzel, [1809]. 2 ff. (title, foreword), 20 pp., typeset. Publisher’s
wrappers bound in.
vii) RIGHINI, Vincenzo (1756-1812): Douze Duos, avec accompagnement de Piano forte.
Paroles italiennes et allemandes … Oeuvre VIII. à Bonn: chez N. Simrock, [1802?]. Score: 1 f.
(title), 38 pp. (final song incomplete), engraved, plate number 251.
Oblong folio. Half calf, very worn. With early ownership label to front cover. £450
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12) [BEETHOVEN, Ludwig van] von BREUNING, Gerhard (1813-1892): Aus dem
Schwarzpanierhause. Erinnerungen an L. van Beethoven aus meiner Jugendzeit. Von Dr. Gerhard
von Breuning. Mit einem bisher unveröffentlichten Portrait-Medaillon Beethoven’s nach Horneman
vom Jahre 1802 und eine Ansicht des Schwarzpanierhauses. Wien: Verlag von L. Rosner, 1874.
viii, 129 pp. + 2 plates (being photographs), small octavo. Half cloth with marbled boards. £375
First edition.
13) [BIBLIOGRAPHY] SARTORI, Claudio (1913-1994): Assisi. La Cappella della Basilica di
S. Francesco. I – Catalogo del Fondo Musicale nella Biblioteca Comunale di Assisi, a cura di
Claudio Sartori. Prefazione di P. Giuseppe Zaccaria. Bibliotheca Musicae, I. Milano: Istituto
Editoriale Italiano, 1962. Octavo, 449 pp. Publisher’s hardback with dust-jacket. £25
14) BONONCINI, Giovanni (1670-1747): Cantate e Duetti di Giovanni Bononcini. Londra:
1721. Score: 1 f. (title), 99 pp., oblong folio, engraved. Sewn in limp marbled wrappers, edges
worn and blue paper backstrip mostly worn away. Lacking the list of subscribers (if ever present
with this copy). £575
RISM B 3601. BUC p. 122. Eighteenth-century sale price at head of title. Early ownership
signature of “Susanne Hartmann”. These works were dedicated to King George I when first
printed.
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15) BRAHMS, Johannes (1833-1897): Zwei
Quartette, für 2 Violinen, Bratsche und
Violoncell, seinem Freunde Dr. Theodor Billroth
in Wien zugeeignet von Johannes Brahmes, Op.
51. Partitur. No. 1, C moll. in Berlin: N.
Simrock, 1873. Score: 39 pp., octavo, transfer
printing, plate number 7378. Folded as issued,
outer fold with slight wear at fold, some slight
crinkling. £60
First edition, second issue. McCorkle p. 210.
16) BRAHMS, Johannes (1833-1897): Zwei
Quartette, für 2 Violinen, Bratsche und
Violoncell, seinem Freunde Dr. Theodor Billroth
in Wien zugeeignet von Johannes Brahmes, Op.
51. Partitur. No. 2, A moll. in Berlin: N.
Simrock, 1873. Score: 43 pp., octavo,
engraved, plate number 7379. Publisher's
wrappers, edges worn and chipped, outer fold
sellotaped. £100
First edition, first issue. McCorkle p. 210.
17) BRAHMS, Johannes (1833-1897): Variationen über ein Thema von Jos. Haydn für Orchester
von Johannes Brahms, Op. 56a. Partitur. in Berlin: N. Simrock, [1874]. Score: 83 pp., octavo,
transfer printing, plate number 7395. Publisher's wrappers, outer edges a little worn, backstrip
sunned. £175
First edition. McCorkle p. 235.
18) CHARPENTIER, Gustave (1860-1956): Impressions d'Italie. Suite pour Orchestre. Paris:
H. Tellier, [1892]. Full score: 1 f. (title), 88 pp., folio, engraved, H.T.1082. Plain boards, cloth
backstrip very worn, generally rather worn. Decorative and coloured title. £1,600
Proof copy, extensively annotated and corrected by the composer, with much marginalia, in pencil
and blue crayon. Ownership initial stamp of Alfred Cortot (1877-1962).
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19) CLEMENT, Charles-François (ca. 1720-after 1789): Journal de Clavecin, Composé sur les
Ariettes des Comedies; Intermedes; et Opera Comiques, qui ont eu le plus de succes, par MR
Clément. A Paris: Se vend chez L’Auteur, 1765. Score: 75 pp.. + 11 ff. (issued in monthly
instalments, each part with title-page), oblong quarto, engraved. Original stencilled floral limp card
covers, a little worn and scratched. From the collection of and with the ownership stamp and
bookplate of Alfred Cortot. A few items scored for harpsichord and violin. £1,800
RISM B/II, p. 206 citing only two copies of this year. BUC p. 774.
20) CLEMENTI, Muzio (1752-1832). Trois Sonates Pour Le Piano Forte, Composées par
Muzio Clementi. Suite du Répertoire des Clavecinistes [Op. 2, nos 2, 4 and 6]. A Zuric: chez Jean
George Naigueli, [ca. 1810]. Score: 1 f. (title), 27 pp., engraved, oblong folio. Sewn as issued.
£150 RISM C 2735 (none in GB).
21) CLEMENTI, Muzio (1752-1832). Tre Sonate per il Clavicembalo o Forte Piano, Composted
al Sigr. Muzio Clementi, Opera 39 [i.e. 37]. In Vienna: presso Artaria Comp., [1798]. Score: 45
pp., engraved, oblong folio, plate number 757. Folded as issued, outer fold worn and detached,
dusty and with two small brown marks on the title, final leaf a little creased. £250
RISM C 3043 (none in GB). Not in BUC.
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22) CORFE, Joseph (1741-1820): A Treatise on Singing, Explaining in the most simple manner,
All the Rules for learning to sing by Note, without the Assistance of an Instrument, with some
Observations on Vocal Music, interspersed with Original Examples, Solfeggi, Airs, Duettos &c. &c.
Selected, & Compressed from the most Eminent Authors both Ancient and Modern, (particularly
some Beautiful Vocal Pieces of Sacred Music, from the M.S.S. of Jomelli, and Sacchini, never before
published, In the collection of the late James Harris, & W.B. Earle Esqrs
. Salisbury) with directions
for a graceful management & Delivery of the Voice by Joseph Corfe, Gentleman of his Majesty's
Chapels Royal & Organist of the Cathedral at Salisbury. London & Bath: Principal Music Shops,
[1799]. 2 ff. (title, preface), xi (introduction), 40 pp., oblong folio, engraved. Disbound, sewn,
final leaf detached. Preface signed by the author. £275
RISM C3926.
23) DAVID, Ernest (1824-1886) and LUSSY, Mathis (1828-1910): Histoire de la Notation
Musicale depuis ses origines par Ernest David et Mathis Lussy. Ouvrage couronné. Paris: à
l'Imprimerie Nationale, 1882. viii, 212 pp., folio. Publisher's wrappers, upper one missing,
backstrip a little worn, lower cover worn and missing corners, a few corners creased/curled. With
the ownership signature of William Pole (1814-1900).
24) DIEUPART, Charles (1667?-ca. 1740): Six Suites pour Clavecin. Publiées par Paul
Brunold. Volume I [and II, Airs et Chansons]. Paris: Éditions de l’Oiseau Lyre, [1934]. Scores: 7
ff., 63 pp., 4 ff., 75 pp., folio, plate numbers O.L.31 and O.L.33. Embossed decorative cream and
silver suede, dust-stained and corners bumped, one of which worn. £160
Limited edition, one of only 350 copies of which these are numbers XIII and VII of the fifty copies
numbered in Roman.
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25) [FIFTEENTH CENTURY]: DROZ, Eugénie (1893-1976), and THIBAULT, Geneviève
(1902-1975): Poètes et Musiciens du XVe Siècle. Paris: 1924. Score with piano reduction: 86 pp. +
14 plates, quarto. Publisher’s wrappers, edges a little worn and creased, otherwise a superb copy
uncut and unopened. £200
Documents artistiques du XVe Siècle, Tome I. Hirsch M.860. Includes works by Machaut, des
Molins, Binchois, Mureau, Hayne, Compère and Molinet, with commentary at the end of the
volume.
26) FRANCK, César (1822-1890): Rédemption. Poème-Symphonie de Edouard Blau. Musique
de C. Franck. Partition Piano et Chant. Paris: G. Hartmann, [1872]. Vocal score: 1 f. (title), 133
pp., octavo, engraved, plate number G.H.666. Sewn in publisher's printed wrappers, sewing broken
and backstrip cracked. £425
First edition. Inscribed and signed, in black ink, by the composer at the head of the title and dated
19 novembre [18]80.
28) [FRAUEN] MEYER-BAER, Kathi (1892-1977): Der chorische Gesang der Frauen, mit
besonderer Bezugnahme seiner-Betätigung auf geistlichem Gebiet. I. Teil bis zur Zeit um 1800.
Inaugural-Dissertation zur Erlangung der Doktorwürde genehmigt von der Hohen Philosophischen
Fakultät der Universität. Berlin: Druck von Arthur Nemayer, 1917. vi (foreword), 151 (text),
xxxviii (music) pp. + plate, octavo. Publisher's wrappers, backstrip worn. Inscribed by the author
on the title-page to Max Schneider (1875-1967). £65
27) [FRAUEN] RITTER, Fanny Raymond (1840-1890): Woman as a Musician: An Art-
historical Study. London: William Reeves, [1877]. 2 ff. (title, preface), 15 pp., octavo. Stitched in
publisher's wrappers, dusty. £30
29) [GLASGOW]: Album of Songs by Members of the Glasgow Society of Musicians,
illustrations by Members of the Glasgow Art Club. Glasgow: Paterson Sons & Company, [ca.
1900]. Score: 2 ff., 88 pp., 2 ff., large quarto, printed by the Tessaro Press. Embossed cloth.
£95
The Glasgow Art Club, which has occupied Bath Street premises since 1893, was founded in 1867
by William Dennistoun, a young amateur artist who had been forced by ill health to leave the city.
On Saturdays his friends went to see him at his cottage in rural Old Kilpatrick to draw and paint
together. Dennistoun proposed that they should form an art club; he and 10 others, all amateur
artists, held preliminary discussions in a tearoom above a Candleriggs baker's shop before
launching the club in the Waverley Temperance Hotel in Buchanan Street.
At their monthly meetings each member would bring a painting, usually a watercolour, and the
others would comment. Membership grew in the 1870s and professional artists began to join,
and exhibitions were held.
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30) [GLEE CLUB], HOBLER, John Paul (1754-1795): The Words of the Favourite Pieces, as
performed at the Glee Club, held at the Crown and Anchor Tavern, Strand, compiled from thir
Library by J. Paul Hobler. London: Printed for the Editor, Sold by H.D. Symonds, 1794.
Duodecimo: 2 ff. (title, dedication), 85 pp., 3 ff. (index). Leather, worn all over, gilt, boards
detached. Bookplate of Allan Maxcey Galer. £220
Sole edition. ESTC T110779.
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31) HAYDN, Johann Michael (1737-1806) SCHINN, Georg Johann (1768-1833) and OTTER,
F. Joseph (ca. 1760-1836): Biographische Skizze von Michael Haydn. Von des verklärten
Tonkünstlers Freunden entworfen, und zum Beszten seiner Wittwe herausgegeben. Mit dem Bildniss
desselben. Salzburg: Verlage der May’rschen Buchhandlung, 1808. 1 f. (title), 60 pp. + 2 plates,
octavo. Contemporary boards, scuffed. £950
Eitner V, 73. Novak p. 348. Not in Wolffheim. Extremely rare biography of Michael Haydn. On
p. 3 is a Verzeichnis which was found in his papers on his death. According to Wurzbach’s notes,
the silhouette-portrait at the beginning is by Matzenkopf.
32) HAYES, Philip (1738-1797) (editor): Harmonia Wiccamica. The Original Music in Score of
the Graces, Iam Lucis, and Dulce Domum. Also A Song and Ode Composed for & Perform'd at the
Anniversary Meeting in London. The whole collated, revised, & corrected by Phil. Hayes. Mus.
Doc., Professor of Music in the University of Oxford. London: Printed for the Editor, [1780].
Score: 3 ff. (title, dedication, advertisement), 25 pp., oblong quarto, engraved. Modern half calf
with original marbled boards, final page a little creased. £375
RISM B/II p. 197 and H4888. BUC p. 473.
33) HILLER, Johann Adam (1728-1804): Lebensbeschreibungen berühmter Musikgelehrten und
Tonkünstler neuerer Zeit. Erster Theil. Leipzig: Musikalien im Verlage der Dykischen
Buchhandlung, 1784. 7 ff. (title, preface, index), 320 pp., octavo. Cloth, gilt. £750
First edition. RISM B/VI/I p. 414. Hirsch I.661. Gregory p.124.
This volume was the only one printed. It contains biographical notices of the following composers:
Adlung, J.S. Bach, Franz Benda, Bümler, Fasch, Gebel, Graun, Handel, Heinichen, Hertel, Hesse,
Jommelli, Pisendel, Quantz, Salimbeni, Schroeter, Stölzel, Tartini and the author Hiller.
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34) HOOK, James (1746-1827): Six Sonatas, for the
Piano Forte, or Harpsichord, With an Accompaniment
for the German Flute or Violin; Composed by MR.
Hook, Op. LIV. London: Printed & Sold by Preston,
[1788].
Score: 1 f. (title), 27 pp., disbound, sewn, engraved,
seller’s stamp of Whyte of Edinburgh. £150
RISM H 7340. BUC p. 505.
35) KAMMEL, Antonìn (1730?-1787?):
A Second Sett of Six Sonatas for two
Violins & a Bass, Humbly Dedicated To
his Excellency Count Vincent of Waldstein
by Antonio Kammell, Opera
Terza. London: Printed by Longman and
Broderip, [ca. 1780]. Parts: each 1 f.
(title), 13 pp., folio, engraved. Disbound,
sewn, a couple of spots.
£225
RISM K 92 citing just three copies. BUC
p. 564 citing just one copy. From the
plates of Welcker’s edition of 1769 with
the imprint visibly changed to the new
publisher’s name.
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36) KEEBLE, John (1711?-1786): Select Pieces for the Organ [vol. I to IV], Performed at the
Church of St. George Hanover Square [... on vol. II-IV:] These Pieces altho’ Composed for the Organ,
are equally improving and entertaining on the Harpsichord. London, Longman & Broderip [1778–
1780, vols I and II]; vol. III: Printed by Clementi & Co 26 Cheapside [ca. 1801]; vol. IV: Broderip &
Wilkinson [ca. 1798]. Score: 133 pp. (continuously paginated through the four volumes), each vol.
with a separate title-page, engraved, oblong folio. Disbound, sewn, otherwise in good condition.
RISM K 221-225 (many copies incomplete. BUC p. 566. A complete run of the “Selected pieces” in
four volumes, first ‘Printed for the Author’ (1777/78; cf. BUC p. 565 and RISM K 221), and then re-
printed from the same plates by various publishers. – The collection contains 24 two to four movement
pieces (“... multimovement voluntaries that demonstrate his traditional concept of formal design”
(NG2). £425
37) LESAGE, Alain-René (1668-1747) and D’ORNEVAL, Jacques-Philippe (d. 1766),
CAROLET, Denis (1696-1739): Le Theatre de la Foire, ou l’Opera Comique. Contenant les
meilleurs Pieces qui ont été représentées aux Foires de S. German & de S. Laurent. Enrichies
d’Estampes en Taille-douce, avec une Table de tous les Vaudevilles & autres Airs gravez-notez à la
fin de chaque Volume. Par Mrs. Le Sage & D’Orneval. Tome I [-X]. A Amsterdam et A Leipzig:
Chez Arkstee & Merkus, 1764. Ten volumes: duodecimo. Early nineteenth-century tan glazed half
calf, with marbled boards, gilt, marbled edges, some joins a cracked. £2,200
An excellent set, most attractively bound by L. Dixon; with the stamp of the Bibliothèque de
Tsarskoe Selo, the summer palace of Empress Catherine, on the flyleaf of each volume, where
Pushkin was schooled at the neighbouring Lyceum. A fine set providing, in vols 1-9, the comic
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operas of Le Sage and D’Orneval and their collaborators (including Fuzelier, Autreau, Lafont, Piron
and Fromaget) and, in vol. 10, plays by Carolet. Illustrated with an engraved frontispiece after
Bernard Picart and eighty-four engraved lates by Demarne, Scotin, Poilly and others after Picart,
Bonnart and others. The plates show early performances of the plays. See Cohen 637-639
(describing only the Paris edition).
38) LISZT, Franz (1811-1886): Variationen über das Motiv von Bach, für das Pianoforte von
Franz Liszt. Berlin: Schlesinger, [1875?]. Score: 19 pp., folio, plate number S6930. Folded as
issued, without wrappers. With the ownership stamp of the pianist Ricardo Vines (1875-1943). £30
39) LISZT, Franz (1811-1886): Fantasie und Fuge über das Thema BACH, für das Pianoforte
von Franz Liszt. Leipzig: C.F.W. Siegel, [1871?]. Score: 19 pp., folio, plate number 4107. Folded
as issued in publisher’s wrappers. With the ownership stamp of the pianist Ricardo Vines (1875-
1943). £30
40) LISZT, Franz (1811-1886): Marche Hongroise de Fr. Schubert, pour le Piano par Franz
Liszt. Paris: Alphonse Leduc, [1886?]. Score: 1 f. (title), 9 pp., folio, plate number AL7405. Folded
as issued in publisher’s orange wrappers, inner fold repaired. With the ownership stamp of the
pianist Ricardo Vines (1875-1943). £30
41) LISZT, Franz (1811-1886): Paraphrase de Concert sur le Song d’une Nuit d’Eté de
Mendelssohn pour Piano par Franz Liszt. Paris: J. Hamelle, [ca. 1885]. Score: 27 pp., folio,
engraved, plate number J.1009M. Folded as issued in publisher’s pale blue wrappers. With the
ownership stamp of the pianist Ricardo Vines (1875-1943). £25
42) LISZT, Franz (1811-1886): Harmonies Poëtiques et Religieuses. Piano seul. F. Liszt. Paris:
Chez Maurice Schlesinger, [1835?]. Score: 13 pp., folio, lithographed, plate number M.S.1748.
Folded as issued, pages separated, marginal wear and some foxing. With the ownership stamp of
the pianist Ricardo Vines (1875-1943). £30
43) LISZT, Franz (1811-1886): L'Écho des Alpes suisses. Trois airs suisses pour le piano par F.
Liszt, Op. 10. No. 2, Nocturne sur le “Chant Montagnard”. Brunswick: J.P. Spehr, [1836?].
Score: 11 pp., folio, engraved, plate number 2512. With ownership marks of Alfred Cortot (1877-
1962). £60
44) LISZT, Franz (1811-1886): Melodies hongroises d'après Fr. Schubert pour piano seul par F.
Liszt. Cahier 2. Hambourg: Aug. Cranz, [ca. 1880]. Score: 1 f. (series title), 15 pp., folio, plate
number D.etC.No.6959. Title with pictorial vignette. With ownership marks of Alfred Cortot
(1877-1962). £25
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45) LISZT, Franz (1811-1886): Le Moine. Mélodie de G. Meyerbeer, transcrite pour Piano par
F. Liszt. A Paris: chez Maurice Schlesinger, [1841]. Score: 1 f. (title), 19 pp., folio, engraved, plate
number MS3594. Folded as issued, folds separated, title-leaf torn, lower outer corners water-
stained. With ownership marks of Alfred Cortot (1877-1962). £65
46) LISZT, Franz (1811-1886): La Romanesca. Mélodie du 16e, siècle, Transcrite pour le Piano
par F. Liszt. à Paris: Magasin de Musique de Pacini, [1842?]. Score: 1 f. (title), pp. 375-384, folio,
engraved, plate number 3705. Disbound, inner edges reinforced and worn. With ownership marks
of Alfred Cortot (1877-1962). £35
47) LISZT, Franz (1811-1886): Mazeppa. Étude de F. Liszt. Extrait du 1er. Livre de ses Etudes.
A Paris: chez Maurice Schlesinger, [1839?]. Score: 1 f. (title), pp. 14-29, folio, engraved, plate
number M.S.2756. Disbound, outer fold reinforced, water-stain at lower outer corners. Facsimile
on recto of p. 14. With ownership marks of Alfred Cortot (1877-1962). £60
48) LISZT, Franz (1811-1886): Rapsodies Hongroises pour le piano par Fr. Liszt. [No. X].
Mayence: chez les fils de B. Schott, [1853?]. Score: 15 pp., folio, engraved, plate number 12488.
Disbound, outer fold reinforced with sellotape, title previously torn across centre and repaired,
generally foxed. With ownership marks of Alfred Cortot (1877-1962). £45
49) LISZT, Franz (1811-1886): Légendes, 1, St. François d’Assise. F. Liszt. Paris: Heugel &
Cie., [ca. 1890]. Score: 2 f. (title, frontispiece portrait), 13 pp., folio, plate number H.4612.(1).
Folded as issued, outer folds separated and a little worn at edges. With ownership marks of Alfred
Cortot (1877-1962). £25
50) LISZT, Franz (1811-1886): Trois Caprices Poëtiques par F. Liszt. No. 2, La Leggierèzza.
[Paris: Meissonnier, 1849?]. Score: 11 pp. (without title-leaf), folio, engraved, plate number
J.M.2693.2. Folded as issued, foxed. With ownership marks of Alfred Cortot (1877-1962). £35
51) [MAELZEL] AYRTON, William (1777-1858): Printed volume of music incipits for various
works with printed tempo indications: [ca. 1820]. A front end-paper has a manuscript note by
William Ayrton: “This contains the times, or Tempos, of several well-known works, collected by M.
Maelzel himself. The Times of the Messiah and Samson were given by Mr Bartleman, and are now
all invariably correct. The Times of all the other pieces, were furnished by their respective
composers”; Ayrton also supplies a manuscript index to the volume. 96 pp., small duodecimo.
Polished calf, gilt. £750
The composers with works noted are Handel, Viotti, Clementi, J.B. Cramer, Ries, Mehul (Joseph),
Cherubini (Les deux journées), Paer (Agnese), Berton (Montano), Spontini (La Vestale) and
Boieldieu (Jean de Paris). Each work has a separate indication for each movement.
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52) [MARCELLO, Benedetto (1686-1739)] ROSA, Salvator (1615-1673): Satire di Salvator
Rosa. Dedicate a Settano. In Amsterdam: Presso Severo Prothomastix, [1695?]. 150 pp., 1 f.
(sonetto), small duodecimo. Half calf with marbled boards, gilt, leather label to backstrip. £550
BL C17th Books, p. 794. According to Brunet IV, 1390, a false imprint.
53) MOZART, Wolfgang Amadeus (1756-1791): Il Dissoluto Punito o sia Il D. Giovanni.
Drama giocoso, La Musica del Signore Wolffgango Mozard messa per il Piano Forte Del Carlo
Zulehner [KV 527]. in Magonza: Presso B. Schott, [1799?]. Vocal score: 207 pp., oblong folio,
engraved, plate number 138. Marbled boards, corners bumped and rubbed. Decoratively bordered
title-page, small chips at lower margin and trace of other paper stuck to upper centre. £800
RISM M4504. BUC p. 702. Fourth issue, Haberkamp p. 293.
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54) MOZART, Wolfgang Amadeus (1756-1791): Nozze di Figaro. Dramma Giocoso in Quattro
Atti. Messo in Musica dal Signor W.A. Mozart. Edition Dédiée Aux Souscripteurs par l'Éditeur. No.
1 de la Collection des Opéras de Mozart. A Paris: Au Magin. de J. Frey, [1821?]. Score: 2 ff. (title,
index), 128, 186, 116, 127 pp., folio, engraved, plate number 566. Half calf, very worn, with
marbled boards, detached, title-page creased. With the ownership label of Alfred Mapleson, Music
Librarian and Copyist, 47 Leicester Square, London. £300
55) MOZART, Wolfgang Amadeus (1756-1791): Così fan tutte, Weibertreue oder die Madchen
und von Flandern. Komische Oper in Zwey Aufzügen in Musik von W.A. Mozart. Klavierauszug
[KV 588]. in Leipzig: Bey Breitkopf & Härtel, [1819]. Vocal score: 1 f. (title), 192 pp., oblong
folio, lithographed, plate number 2906. Quarter calf, backstrip missing, edges rubbed and generally
scuffed all over. Modern green quarter cloth with marbled boards. Some general light foxing; title-
leaf dust-stained, pp. 29/30 torn and creased, title foxed, creased centrally (a little torn at foot of
crease) and reinforced at outer margin. £220
RISM M4700.
56) MOZART, Wolfgang Amadeus (1756-1791): Così fan tutte o sia La Scuola degli Amanti.
Opera in due Atti da W.A. Mozart. Ridotto per il Piano Forte da C.G. Neefe [KV 588]. Bonna e
Colonia: presso N. Simrock., [ca. 1810]. Vocal score: 208 pp., 1 f. (contents), oblong folio,
engraved, plate number 91. Half calf, with marbled boards, front hinge weak. £425
RISM M4696.
57) MOZART, Wolfgang Amadeus (1756-1791): Te Deum à 4 Voci coll’accompagnemento di
due Violini, Bassi e Organo, compost da W.A. Mozart. Partitura. ... mit unterlegtem deutschen
Texte von Prof. C.A.H. Clodius [KV 141]. Leipzig: bei Breitkopf und Härtel, [1803]. Köchel6 p.
93. Hirsch IV.858.
Bound with: Hymne, Preiss dir! Gottheit! Durch alle Himmel etc. (Splendente te, Deus etc.) für vier
Singstimmen mit Begleitung des Orchesters von W.A. Mozart. Partitur. No. I [KV 345]. in Leipzig:
Bey Breitkopf und Härtel, [1804]. Score: 1 f. (title), 38 pp. Hirsch IV.878.
[and with Haydn’s Te Deum, Hob.XXIII/C2, ed. Clodius, 1802. Hirsch IV.808.].
Folio, typeset. Calf with central marbled panel, gilt, rubbed and worn, front cover detached. £875
58) MOZART, Wolfgang Amadeus (1756-1791): Die Zauberflöte. Grosse Oper in zwei
Aufzügen von W.A. Mozart. In vollständigem Clavierauzug mit deutsch- und italienischem Texte
und zugleich für das Pianoforte allein. Ihrer Königlichen Hoheit der Frau Markgräfin Leopold zu
Baden, in tiefster Ehrfurcht zugeeignet von dem Verlerger. Wohlfeile Ausgabe v. W.A. Mozart's
sämmtlichen Opern, IIte. Lieferung [KV 620]. Mannheim: bei K. Ferd Heckel, [1827]. Vocal
score: 1 f. (frontispiece), 145 pp. RISM M4794.
Bound with:
Der Schauspiel-Director, ein komisches Singspeil von W.A. Mozart. In vollständigem
Clavierauzug ... für das Pianoforte allein. Ihrer Königlichen Hoheit der Frau Markgräfin Leopold
zu Baden in tiefster Ehrfurcht zugeeignet von dem Verlerger. Wohlfeile Ausgabe v. W.A. Mozart's
sämmtlichen Opern, IIIte. Lieferung [KV 486]. Mannheim: bei K. Ferd Heckel, [1827]. Vocal
score: 33 pp. RISM MM4325a.
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Two volumes in one. Folio, lithographed. Marbled boards, backstrip and corners worn away, with
original printed decoratively bordered wrappers, to each, bound in. £725
59) MOZART, Wolfgang Amadeus (1756-1791): Le Nozze di Figaro, Figaro's Hochzeit.
Komische Oper in vier Aufzügen. Musik von W. A. Mozart. Klavierauszug [KV 492]. in Leipzig:
Bey Breitkopf & Härtel, [1819]. Vocal score: 228 pp., oblong folio, lithographed, plate number
3030. Publisher's decorative wrappers, edges a little worn, backstrip more so, lower cover and final
leaf detached. £220
RISM M4350.
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60) POLLINI, Franceso: Metodo pel Clavicembalo Composto da Francesco Pollini, Socio
Onorario del R. Conservatorio di Musica di Milano. Adottato dal R. Conservatorio medesimo, non
che per le Case di educazione nel Regno ed a Sua Altezza Imperiale Il Principe Eugenio Napoleone
di Francia, Vice Re d’Italia, dedicato dall’Autore. Milano: Presso Giovanni Ricordi, [1812].
Score: 84 pp., 2 ff. (contents, list of subscribers), oblong folio, engraved, plate number 100.
Polished mottled calf, a little worn and scratched, gilt. £1,500
First edition. Very rare.
61) POLYPHONIC MUSIC: Polyphonic Music of the Fourteenth Century. Volumes I – XXIV.
Monaco: Éditions de l’Oiseau Lyre, 1956-1985. 24 volumes + accompanying paperback volumes
of commentary to the first four volumes as required. Green cloth, some fading, few bumped
corners and one or two slight stains otherwise a very good set. Limited edition, no. 45 of 350
copies. £1,450
62) [RENAISSANCE]: A Florentine Chansonnier from the time of Lorenzo the Magnificent.
Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Edited with an Introduction by
Howard Mayer Brown. French texts established and edited by Brian Jeffery and translated into
English verse by Max Knight. Music [and Text] Volume. Monuments of Renaissance Music,
volume VII. Chicago & London: The University of Chicago Press, [1983]. Two volumes: xii, 645,
ix, 322 pp., folio. Publisher's blue cloth. £125
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63) RIMBAULT, Stephen Francis (1773-1837): Rule Britannia, Composed by DR. Arne. Varied
for the Piano Forte By S.F. Rimbault. [London]: Printed for the Author, [wm 1811]. Score: 4 pp.,
folio, engraved. Disbound, outer fold with brown paper tape. Signed by Rimbault at the lower
margin. £300
64) ROUSSEL, Albert (1869-1937): Sonatine pour le Piano, Op. 16. Paris: A. Durand & Fils,
[1912]. Score: 19 pp., folio, plate number D.&F.8621. Sewn as issued, thumbed and lower outer
corners with little tears, lower inner corner of final leaf missing and infilled, with loss of one note.
£275
First edition. Inscribed and signed “À Madame Jeanne Mortier, en respectueux homage [sic]”,
at the head of the title, by the composer. The work was composed in September 1912, dedicated to
Marthe Dron, and first performed on 18 January 1913. “Une des oeuvres les plus caratéristiques de
Roussel où l’on trouve sa nostalgie des paysages lontains, et son goût de l’ironie et de l’humour.
Elle unit à une fort pulsation intérieure un riche contenu émotif” (Catalogue de l’oeuvre d’Albert
Roussel, p. 92).
65) SCHOENBERG, Arnold Franz
Walter (1874-1951): Die Glückliche
Hand. Drama mit Musik von Arnold
Schönberg, Op. 18. Auszug mit Text für
zwei Klaviere zu vier Händen von Eduard
Steuermann. Wien: Universal-Edition,
1923. Score: 40 pp., large folio, plate
number U.E.5669. Publisher’s printed
wrappers, edges a little crumpled and
faded, backstrip ever so slightly worn.
£300
First edition.
66) SCHOENBERG, Arnold Franz Walter (1874-1951): Gurre-Lieder von Jens Peter Jacobsen
(Deutsch von Robert Franz Arnold), für Soli, Chor und Orchester von Arnold Schönberg. Partitur.
Wien: Universal-Edition, 1912. Full score: 1 f. (title), 179 pp., large folio, plate number U.E.3697.
Publisher’s printed wrappers, front dust-stained, corners and edges creased, backstrip worn. With
ownership signature, in pencil, of Percy Alfred Scholes (1877-1958) and with his annotations to the
title-page including orchestration and a note of “48 staves to the page!”. Facsimile reproduction of
the composer’s manuscript. £750
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67) SCHUBERT, Franz (1770-1827): Gretchen am Spinnrade aus Göthe’s “Faust” in Musik
gesetzt und dem Herrn … Moritz Reichsgrafen von Fries … gewidmet…2tes Werk. Wien, in
Commission bey Cappi und Diabelli, [1821]. Score: 11 pp., oblong folio, engraved, plate number
767. Modern wrappers. Recto of final leaf with control paraph “Sch[ubert] m [anu] p[ropria]
319” (slightly cropped as usual). £4,600
First edition, second issue with the plate number, of Schubert’s first masterpiece, composed in
October 1814, “das erste selbständinge, bedeutende Lied, das er schrieb.” (Eusebius
Mandyczewsky). Deutsch 118, p. 84. Goethelieder 2a.
68) SCHUBERT, Franz (1797-1828): Grenzen der Menschheit, von Goethe. Fragment aus dem
Aeschylus. In Musik gesetzt für eine Singstimme mit Pianoforte Begleitung von Franz Schubert
[D712]. Wien: bei Ant. Diabelli und Comp., [1832 plates, printing ca 1848]. Franz Schubert’s
nachgelassene musikalische Dichtungen für Gesang und Pianoforte, 14te Lieferung. Score: 1 f.
(series title), 11 pp., oblong folio, engraved, plate number D.etC.No.4014. Quarter cloth with
embossed boards, with two other items (Haydn, Schubert) also bound in. £75
First edition, later printing (the series is listed, on verso of title, up to no. 42). Deutsch p. 422.
69) STRAVINSKY, Igor (1882-1971): L’Oiseau de Feu. Conte dansé en 2 tableaux. Composé
d’après le conte national russe par M. Fokine. Musique de Igor Strawinsky. Piano à 2 mains.
Moscou, Leipzig: P. Jurgenson, [1910]. Score: 1 f. (title), 70 pp., folio, plate numbers 34903-
34919, brown cloth with publisher’s printed wrappers bound in, a gathering detached. Pencilled bar
numberings throughout in the hand of Granville Bantock, a previous owner. First edition, second
issue. Fuld p. 142. £1,100
70) ZEDLITZER, Johann: Sechs deutsche Taenze mit Trios für den Carneval 1825, componirt
für das Pianoforte zu zwey Haende und dem wohlgebornen Herrn Herrn Vincenz Archer Doctor der
Rechte geweiht von Johann Zedlitzer, Siebentes Werk. [S.l.: s.n.], 1825. Score: [8] pp., oblong
folio, lithographed. Disbound, trimmed close to staves at head with loss of page numberings.
£450 Not in OCLC, COPAC, RISM or BL.
List compiled by Colin Coleman, October 2016