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NO BOUNDARIES IN PRESERVATION SMALL ACTIONS, BIG RESULTS: Best Pracces for Small Digizaon Projects SET UP YOUR EQUIPMENT STABILIZE AND PHOTOGRAPH Funding for No Boundaries in Preservaon was generously provided by the University Libraries Innovaon Grant Program at The University of North Carolina at Greensboro, USA. REFERENCES - Using Digital Cameras to Preserve Historical Materials in the Field, A Best Pracces Manual. Copyright to Stephen Catle, Megan Coker, Rachel Sanders. hp://library.uncg.edu/dp/cbr/Manual.pdf Library of Congress hp://www.digitalpreservaon.gov/ IMAGES -Digital image of a scrapbook from West Market Street United Methodist Church Archives. The University of North Carolina at Greensboro, University Libraries. hp:// library.uncg.edu/ -Desk view in Digizaon Lab at UNCG, photo by Audrey Sage. 2016. Copyright UNCG. -Books and documents, photo by Audrey Sage. 2016, Copyright UNCG. -Desk view in Digizaon Lab at UNCG, photo by Audrey Sage. 2016. Copyright UNCG. -Children’s book prepared for digizaon. Photos by Isabella Baltar. 2014, Copyright UNCG. -Book scanner clipart, By Oona Räisänen [GFDL (hp:// www.gnu.org/copyleſt/fdl.html) or CC-BY-SA-3.0 (hp:// creavecommons.org/licenses/by-sa/3.0/)], via Wikimedia Commons. Have you already start a digizaon project in your library or archive? Do you have family materials in need of digizaon? Does your community church have records in need of preservaon? This poster will guide you through a few basic steps on how to start digizing small paper collecons and personal memorabilia using cameras. Preservaon of paper materials through digizaon provides accessibility of informaon to many different communies around the world. Digizaon also contributes to the protecon of records from constant handling and damage. Not all collecons are suitable to use flat scanners, especially books. The pressure imposed upon book spines when open may cause severe damage to the item. We can say photographing is a more gentle way to safeguard a collecon. Planning is the best way to start your digizaon project. Decisions made early on will guide the project steps and will help in avoiding unexpected obstacles. Start with a manageable amount of items, so you can easily reach your goal. The first project will serve as a learning tool, which will later lead to more complex projects in the future. It is important to start with items significant to you or to your organizaon. Ask quesons like: What should I digize? Why should I digize this type of content? Are there items in need of special aenon? What are the resources required? INTRODUCTION SAVE YOUR WORK Save the scans on at least two separate digital medias and keep them in separate locaons. Digizing and uploading the content to a website provides accessibility to collecons in a quick and convenient way. As me goes by, technology becomes obsolete very fast and thus difficult, if not impossible, to copy over to an up-to-date device. Always update the format where you store your digized collecon, doing constant backups. Equipment for a Small Digizaon Project TRIPOD PRESERVATION SERVICES Special Collecons and University Archives UNCG Email: [email protected] Website: hp://library.uncg.edu/preserve/ Follow us FACEBOOK UNCGPreservaonServices BLOG hp://uncgpreservaon.blogspot.com TWITTER @UNCGPRESERV BASIC DIGITIZATION STEPS Before digizing a collecon wash and dry your hands! COMPUTER GRID SCREEN CAMERA FRAGILE ITEMS Items in poor and delicate condion are in need of special aenon. There are a few ways to parally stabilize the materials without actually altering or adding to the original object. You can use an interleaving support between fragile paper while digizing. This will provide a more clear image of the content and help to support the material while turning the pages. Contact a conservaon or preservaon professional for the best pracces in handling and stabilizing these materials prior to digizaon. DESCRIBE THE COLLECTION Document what you will photograph before you start shoong the material. A brief inial descrip- on of the item with tle, ownership, date and lo- caon will be helpful later. SELECT THE EQUIPMENT There are a variety of cameras on the market. A few important points to consider when selecng a camera for digizing materials are: A GRID SCREEN is useful to have to help align the item, keeping it squared, level and parallel. This feature will later help when eding, straightening and cropping the image. IMAGE SENSOR SIZE is important in determining resoluon, even more than the megapixels. Most smartphones use a ny 1/3.2-inch image sensor (4.54 x 3.42 mm), while a bigger cam- era, like the Sony RX 100 has a bigger 1-inch sensor (12.8 x 9.6 mm). The bigger the sensor size, the beer the image will be. DIGITAL NOISE is a visual distoron and it looks like grain on the image. The film speed, usually called ISO, together with the shuer speed, will determine how “clean” the image is. Basical- ly, if you use an ISO 100 the result will be a much crisper image than if you use an ISO 400. FOCUS For most people it makes sense to use automac focus, but just be sure you check the image sharpness. Manual mode is a lile bit more complex, but offers more flexibility to find the proper focus. Aſter choosing what to digize, the most important steps in your project are: 1 - Select your equipment. 2 - Create an inial descripon of the item. 3 - Set up and stabilize the equipment. 4 - Photograph the material. 5 - Save the images. The tripod is a vital and essenal piece of equipment. It is impossible to hand hold a camera and get as sharp an im- age as you can when you are using a tripod. An extension arm will solve the issue of not being able to get close enough to the copy plaorm or stand, and also any problems you may have with the legs casng shad- ows on an item. Using a grid under the material that will be dig- ized is also useful. This will help in centering the material every me you have to shoot a photo. Choose a good light source, work close to a window or, if in a studio, use light from both sides. A thick piece of glass can work very well for making the material flaer while capturing the image. It might not work for every item, you will need to try and check the final results. Also be careful while handling the glass and make sure the edges are protected. You can also use a bone folder or any other tool that is not sharp to hold the page down. Avoid pung too much pressure on the material you are working with, as it can cause damage. The best items to start with are usually those items that are important to you or to your organizaon. You can digize docu- ments, leers, books, photographs, or any other item that is relevant .

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Page 1: NO OUNDARIES IN PRESERVATIONlibrary.uncg.edu/info/depts/scua/services/preserve/nbip_p3_english.pdf · NO OUNDARIES IN PRESERVATION SMALL A TIONS, IG RESULTS: est Practices for Small

NO BOUNDARIES IN PRESERVATION SMALL ACTIONS, BIG RESULTS:

Best Practices for Small Digitization Projects

SET UP YOUR EQUIPMENT

STABILIZE AND PHOTOGRAPH

Funding for No Boundaries in Preservation was generously provided by the University Libraries Innovation Grant Program at The University of North Carolina at Greensboro, USA.

REFERENCES

- Using Digital Cameras to Preserve Historical Materials in the Field, A Best Practices Manual. Copyright to Stephen Catlett, Megan Coker, Rachel Sanders. http://library.uncg.edu/dp/cbr/Manual.pdf Library of Congress http://www.digitalpreservation.gov/

IMAGES

-Digital image of a scrapbook from West Market Street United Methodist Church Archives. The University of North Carolina at Greensboro, University Libraries. http://library.uncg.edu/ -Desk view in Digitization Lab at UNCG, photo by Audrey Sage. 2016. Copyright UNCG. -Books and documents, photo by Audrey Sage. 2016, Copyright UNCG. -Desk view in Digitization Lab at UNCG, photo by Audrey Sage. 2016. Copyright UNCG. -Children’s book prepared for digitization. Photos by Isabella Baltar. 2014, Copyright UNCG. -Book scanner clipart, By Oona Räisänen [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/)], via Wikimedia Commons.

Have you already start a digitization project in your library or archive? Do you have family materials in need of digitization? Does your community church have records in need of preservation? This poster will guide you through a few basic steps on how to start digitizing small paper collections and personal memorabilia using cameras.

Preservation of paper materials through digitization provides accessibility of information to many different communities around the world. Digitization also contributes to the protection of records from constant handling and damage.

Not all collections are suitable to use flat scanners, especially books. The pressure imposed upon book spines when open may cause severe damage to the item. We can say photographing is a more gentle way to safeguard a collection.

Planning is the best way to start your digitization project. Decisions made early on will guide the project steps and will help in avoiding unexpected obstacles. Start with a manageable amount of items, so you can easily reach your goal. The first project will serve as a learning tool, which will later lead to more complex projects in the future. It is important to start with items significant to you or to your organization.

Ask questions like:

What should I digitize? Why should I digitize this type of content? Are there items in need of special attention? What are the resources required?

INTRODUCTION

SAVE YOUR WORK

Save the scans on at least two separate digital medias and keep them in separate locations.

Digitizing and uploading the content to a website provides accessibility to collections in a quick and convenient way. As time goes by, technology becomes

obsolete very fast and thus difficult, if not impossible, to copy over to an up-to-date

device. Always update the format where you store your digitized collection, doing constant backups.

Equipment

for a Small

Digitization

Project

TRIPOD

PRESERVATION SERVICES

Special Collections and University Archives

UNCG

Email: [email protected]

Website:

http://library.uncg.edu/preserve/

Follow us

FACEBOOK UNCGPreservationServices BLOG http://uncgpreservation.blogspot.com TWITTER @UNCGPRESERV

BASIC DIGITIZATION STEPS

Before digitizing a collection wash and dry your hands!

COMPUTER

GRID SCREEN

CAMERA

FRAGILE ITEMS

Items in poor and delicate condition are in need of special attention. There are a few ways to partially stabilize the materials without actually altering or adding to the original object. You can use an interleaving support between fragile paper while digitizing. This will provide a more clear image of the content and help to support the material while turning the pages.

Contact a conservation or preservation professional for the best practices

in handling and stabilizing these materials prior to digitization.

DESCRIBE THE COLLECTION Document what you will photograph before you start shooting the material. A brief initial descrip-tion of the item with title, ownership, date and lo-cation will be helpful later.

SELECT THE EQUIPMENT

There are a variety of cameras on the market. A few important points to consider when selecting a camera for digitizing materials are:

A GRID SCREEN is useful to have to help align the item,

keeping it squared, level and parallel. This feature will later

help when editing, straightening and cropping the image.

IMAGE SENSOR SIZE is important in determining resolution,

even more than the megapixels. Most smartphones use a tiny

1/3.2-inch image sensor (4.54 x 3.42 mm), while a bigger cam-

era, like the Sony RX 100 has a bigger 1-inch sensor (12.8 x 9.6

mm). The bigger the sensor size, the better the image will be.

DIGITAL NOISE is a visual distortion and it looks like grain on

the image. The film speed, usually called ISO, together with the

shutter speed, will determine how “clean” the image is. Basical-

ly, if you use an ISO 100 the result will be a much crisper image

than if you use an ISO 400.

FOCUS For most people it makes sense to use automatic

focus, but just be sure you check the image sharpness.

Manual mode is a little bit more complex, but offers more

flexibility to find the proper focus.

After choosing what to digitize, the most important steps in your project are:

1 - Select your equipment. 2 - Create an initial description of the item. 3 - Set up and stabilize the equipment. 4 - Photograph the material. 5 - Save the images.

The tripod is a vital and essential piece of equipment. It is impossible to hand hold a camera and get as sharp an im-age as you can when you are using a tripod. An extension arm will solve the issue of not being able to get close enough to the copy platform or stand, and also any problems you may have with the legs casting shad-ows on an item.

Using a grid under the material that will be dig-

itized is also useful. This will help in centering the

material every time you have to shoot a photo.

Choose a good light source, work close to a window or, if in a studio, use light from both sides.

A thick piece of glass can work very well for making

the material flatter while capturing the image. It might

not work for every item, you will need to try and check

the final results. Also be careful while handling the

glass and make sure the edges are protected.

You can also use a bone folder or any other tool

that is not sharp to hold the page down. Avoid

putting too much pressure on the material you

are working with, as it can cause damage.

The best items to start with are usually

those items that are important to you or to

your organization. You can digitize docu-

ments, letters, books, photographs, or any

other item that is relevant .