neoclassicism i: hindemith
DESCRIPTION
Slides for a presentation on Hindemithian Neoclassicism.TRANSCRIPT
![Page 1: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/1.jpg)
NEOCLASSICISM I:HINDEMITH
MUS 215 · MUSIC THEORY IV · DR. TOBY RUSH
![Page 2: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/2.jpg)
MUSICAL ERAS
???
![Page 3: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/3.jpg)
MUSICAL ERAS
MEDIEVALANTIQUITY
500
![Page 4: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/4.jpg)
MUSICAL ERAS
RENAISSANCEMEDIEVALANTIQUITY
500 1400
![Page 5: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/5.jpg)
MUSICAL ERAS
RENAISSANCEMEDIEVAL
1400
BAROQUE
1600
![Page 6: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/6.jpg)
MUSICAL ERAS
RENAISSANCE BAROQUE
1600
CLASSICAL
1750
![Page 7: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/7.jpg)
MUSICAL ERAS
BAROQUE CLASSICAL
1750
ROMANTIC
1820
![Page 8: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/8.jpg)
MUSICAL ERAS
CLASSICAL ROMANTIC
1820
EARLY 20TH CENT.
1900
![Page 9: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/9.jpg)
MUSICAL ERAS
ROMANTIC EARLY 20TH CENT.
1900
LATE 20TH CENT.
1945 ???
![Page 10: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/10.jpg)
NEOCLASSICISM
![Page 11: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/11.jpg)
NEOCLASSICISM
![Page 12: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/12.jpg)
NEOCLASSICISM
![Page 13: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/13.jpg)
NEOCLASSICISM1900 200019501925 1975
WO
RLD
WA
R I
·
191
4 –1
918
WO
RLD
WA
R I
I ·
19
39 –
1945
KOR
EAN
WA
R
· 1
950
–195
3
VIE
TN
AM
WA
R
· 1
955
–197
5
PER
SIA
N G
ULF
WA
R
· 1
990
–199
1
![Page 14: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/14.jpg)
NEOCLASSICISM1900 200019501925 1975
WO
RLD
WA
R I
·
191
4 –1
918
WO
RLD
WA
R I
I ·
19
39 –
1945
KOR
EAN
WA
R
· 1
950
–195
3
VIE
TN
AM
WA
R
· 1
955
–197
5
PER
SIA
N G
ULF
WA
R
· 1
990
–199
1
PAUL HINDEMITH · 1895 – 1963
![Page 15: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/15.jpg)
PAUL HINDEMITH1895–1963
![Page 16: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/16.jpg)
CONCERTO FOR HORN [1950]
PAUL HINDEMITH1895–1963
![Page 17: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/17.jpg)
NEOCLASSICISM THEORY
![Page 18: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/18.jpg)
NEOCLASSICISM THEORY
![Page 19: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/19.jpg)
NEOCLASSICISM THEORY
• PANTRIADICISM
•QUARTAL HARMONY
• TWENTIETH-CENTURY COUNTERPOINT
• PANDIATONICISM
• POLYCHORDALISM & POLYTONALITY
• TWENTIETH-CENTURY RHYTHMIC TECHNIQUES
![Page 20: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/20.jpg)
NEOCLASSICISM THEORY
• PANTRIADICISM
•QUARTAL HARMONY
• TWENTIETH-CENTURY COUNTERPOINT
• PANDIATONICISM
• POLYCHORDALISM & POLYTONALITY
• TWENTIETH-CENTURY RHYTHMIC TECHNIQUES
![Page 21: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/21.jpg)
PANTRIADICISM
![Page 22: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/22.jpg)
PANTRIADICISM
& # # # # .œ œ œn œ# œn .œn œ œ œ# œ
![Page 23: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/23.jpg)
PANTRIADICISM
& # # # # ...œœœ œœœ œœœnnb œœœ#n œœœnbb ...œœœnn œœœ œœœbb œœœ#nn œœœbn
![Page 24: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/24.jpg)
PANTRIADICISM
& # # # # ...œœœ œœœ œœœnnb œœœ#n œœœnbb ...œœœnn œœœ œœœbb œœœ#nn œœœbnE c D bb C Db D c
![Page 25: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/25.jpg)
PANTRIADICISM
![Page 26: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/26.jpg)
PANTRIADICISM
AEb
C
Ab E
Bb D
GF
DbC# Cb
BGbF#
![Page 27: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/27.jpg)
PANTRIADICISM
AEb
C
Ab E
Bb D
GF
DbC# Cb
BGbF#
![Page 28: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/28.jpg)
PANTRIADICISM
AEb
C
Ab E
Bb D
GF
DbC# Cb
BGbF#
![Page 29: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/29.jpg)
PANTRIADICISM
AEb
C
Ab E
Bb D
GF
DbC# Cb
BGbF#
![Page 30: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/30.jpg)
PANTRIADICISM
AEb
C
Ab E
Bb D
GF
DbC# Cb
BGbF#
![Page 31: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/31.jpg)
QUARTAL HARMONY
![Page 32: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/32.jpg)
![Page 33: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/33.jpg)
TERTIAL
![Page 34: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/34.jpg)
TERTIAL & œœœœ
![Page 35: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/35.jpg)
TERTIAL & œœœœ BUILT FROM
m3 & M3
![Page 36: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/36.jpg)
TERTIAL
SECUNDAL
& œœœœ BUILT FROM
m3 & M3
![Page 37: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/37.jpg)
TERTIAL
SECUNDAL & œœœœœœœ& œœœœ BUILT FROM
m3 & M3
![Page 38: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/38.jpg)
TERTIAL
SECUNDAL & œœœœœœœ& œœœœ
BUILT FROM
m2 & M2
BUILT FROM
m3 & M3
![Page 39: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/39.jpg)
TERTIAL
QUARTAL
SECUNDAL & œœœœœœœ& œœœœ
BUILT FROM
m2 & M2
BUILT FROM
m3 & M3
![Page 40: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/40.jpg)
TERTIAL
QUARTAL
SECUNDAL & œœœœœœœ& œœœœ& œœœbb
BUILT FROM
m2 & M2
BUILT FROM
m3 & M3
![Page 41: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/41.jpg)
TERTIAL
QUARTAL
SECUNDAL & œœœœœœœ& œœœœ& œœœbb
BUILT FROM
m2 & M2
BUILT FROM
m3 & M3
BUILT FROM
P4
![Page 42: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/42.jpg)
TERTIAL
QUARTAL
SECUNDAL
QUINTAL
& œœœœœœœ& œœœœ& œœœbb
BUILT FROM
m2 & M2
BUILT FROM
m3 & M3
BUILT FROM
P4
![Page 43: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/43.jpg)
TERTIAL
QUARTAL
SECUNDAL
QUINTAL
& œœœœœœœ& œœœœ& œœœbb
& œœœbb
BUILT FROM
m2 & M2
BUILT FROM
m3 & M3
BUILT FROM
P4
![Page 44: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/44.jpg)
TERTIAL
QUARTAL
SECUNDAL
QUINTAL
& œœœœœœœ& œœœœ& œœœbb
& œœœbb
BUILT FROM
m2 & M2
BUILT FROM
m3 & M3
BUILT FROM
P4
BUILT FROM
P5
![Page 45: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/45.jpg)
TERTIAL
QUARTAL
SECUNDAL & œœœœœœœ& œœœœ& œœœbb
BUILT FROM
m2 & M2
BUILT FROM
m3 & M3
BUILT FROM
P4
![Page 46: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/46.jpg)
TERTIAL
QUARTAL
& œœœœ& œœœbb
BUILT FROM
m3 & M3
BUILT FROM
P4
![Page 47: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/47.jpg)
QUARTAL HARMONY
![Page 48: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/48.jpg)
QUARTAL HARMONY
• CHORD TYPES
• INVERSIONS
• FIGURED BASS
• ROMAN NUMERAL ANALYSIS
• CHROMATIC ALTERATIONS
• VOICE LEADING
![Page 49: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/49.jpg)
QUARTAL HARMONY
• CHORD TYPES
• INVERSIONS
• FIGURED BASS
• ROMAN NUMERAL ANALYSIS
• CHROMATIC ALTERATIONS
• VOICE LEADING
![Page 50: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/50.jpg)
QUARTAL HARMONY
& œœœbb
![Page 51: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/51.jpg)
QUARTAL HARMONY
& œœœbbF
![Page 52: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/52.jpg)
QUARTAL HARMONY
& œœœbbFq
![Page 53: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/53.jpg)
QUARTAL HARMONY
& œœœbb
![Page 54: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/54.jpg)
QUARTAL HARMONY
EbQ
& œœœbb
![Page 55: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/55.jpg)
TWENTIETH CENTURY COUNTERPOINT
![Page 56: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/56.jpg)
![Page 57: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/57.jpg)
20th CENTURYCOUNTERPOINT
![Page 58: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/58.jpg)
18th CENTURYCOUNTERPOINT
20th CENTURYCOUNTERPOINT
![Page 59: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/59.jpg)
16th CENTURYCOUNTERPOINT
18th CENTURYCOUNTERPOINT
20th CENTURYCOUNTERPOINT
![Page 60: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/60.jpg)
16th CENTURYCOUNTERPOINT
18th CENTURYCOUNTERPOINT
20th CENTURYCOUNTERPOINT
HARD
![Page 61: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/61.jpg)
16th CENTURYCOUNTERPOINT
18th CENTURYCOUNTERPOINT
20th CENTURYCOUNTERPOINT
HARD
WICKED HARD
![Page 62: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/62.jpg)
16th CENTURYCOUNTERPOINT
18th CENTURYCOUNTERPOINT
20th CENTURYCOUNTERPOINT
HARD
WICKED HARD
EASY
![Page 63: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/63.jpg)
COUNTERPOINT
![Page 64: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/64.jpg)
•MULTIPLE SIMULTANEOUS MELODIES
COUNTERPOINT
![Page 65: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/65.jpg)
•MULTIPLE SIMULTANEOUS MELODIES
• EACH LINE HAS EQUAL MELODIC IMPORTANCE
COUNTERPOINT
![Page 66: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/66.jpg)
•MULTIPLE SIMULTANEOUS MELODIES
• EACH LINE HAS EQUAL MELODIC IMPORTANCE
• EACH LINE HAS EQUAL RHYTHMIC IMPORTANCE
COUNTERPOINT
![Page 67: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/67.jpg)
TWENTIETH-CENTURYCOUNTERPOINT
![Page 68: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/68.jpg)
TWENTIETH-CENTURYCOUNTERPOINT
• CHORDS LINE UP ON THE BEAT
![Page 69: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/69.jpg)
TWENTIETH-CENTURYCOUNTERPOINT
• CHORDS LINE UP ON THE BEAT
• AVOID PARALLEL SECONDS AND SEVENTHS
![Page 70: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/70.jpg)
TWENTIETH-CENTURYCOUNTERPOINT
• CHORDS LINE UP ON THE BEAT
• AVOID PARALLEL SECONDS AND SEVENTHS
•MAINTAIN CONSTANT RHYTHMIC INTENSITY
![Page 71: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/71.jpg)
&
&B?
c
c
c
c
![Page 72: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/72.jpg)
&
&B?
c
c
c
c
œ œb œn œb
œ œb œ# œnœ œb œ# œb
œ œb œ# œb
œ œb œ# œ
œ œ œ# œœ œ œ# œb
œ œb œ# œ
![Page 73: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/73.jpg)
&
&B?
c
c
c
c
œ œb œn œb
œ œb œ# œnœ œb œ# œb
œ œb œ# œb
œ œb œ# œ
œ œ œ# œœ œ œ# œb
œ œb œ# œG Db Bb g
![Page 74: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/74.jpg)
&
&B?
c
c
c
c
œ œb œn œb
œ œb œ# œnœ œb œ# œb
œ œb œ# œb
œ œb œ# œ
œ œ œ# œœ œ œ# œb
œ œb œ# œG Db Bb gB6
4 F#6
![Page 75: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/75.jpg)
&
&B?
c
c
c
c
œ œb œn œb
œ œb œ# œnœ œb œ# œb
œ œb œ# œb
œ œb œ# œ
œ œ œ# œœ œ œ# œb
œ œb œ# œG Db Aq Bb gB6
4 F#6
![Page 76: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/76.jpg)
&
&B?
c
c
c
c
œ œb œn œb
œ œb œ# œnœ œb œ# œb
œ œb œ# œb
œ œb œ# œ
œ œ œ# œœ œ œ# œb
œ œb œ# œG AbQ Db Aq Bb gB6
4 F#6
![Page 77: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/77.jpg)
G AbQ Db Aq Bb gB64 F#6
&
&B?
c
c
c
c
œ œ œ œ œb œ œ œ œn œ œ œ œb œ œ œ
œ œ œ œ œb œ œ œ œ# œ œ œ œn œ œ œnœ œ œ œ œb œ œn œ œ# œ œ œ œb œ œ œ
œ œ œ œ œb œ œ œ œ# œ# œ œ œb œ œ œ
œ œ œ œ œb œ œ œ œ# œ œn œ# œ œ œ œ
œ œ œ œ œ œ œ œ œ# œ œ œ œ œ œn œœ œ œ œ œ œ œ œ œ# œ œ œ œb œ œ œ
œ œ œ œ œb œ œ œ œ# œ œ œ œ œn œn œ
![Page 78: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/78.jpg)
G AbQ Db Aq Bb gB64 F#6
&
&B?
c
c
c
c
œ œ œ œ œb œ œ œ œn œ œ œ œb œ œ œ
œ œ œ œ œb œ œ œ œ# œ œ œ œn œ œ œnœ œ œ œ œb œ œn œ œ# œ œ œ œb œ œ œ
œ œ œ œ œb œ œ œ œ# œ# œ œ œb œ œ œ
œ œ œ œ œb œ œ œ œ# œ œn œ# œ œ œ œ
œ œ œ œ œ œ œ œ œ# œ œ œ œ œ œn œœ œ œ œ œ œ œ œ œ# œ œ œ œb œ œ œ
œ œ œ œ œb œ œ œ œ# œ œ œ œ œn œn œ
![Page 79: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/79.jpg)
G AbQ Db Aq Bb gB64 F#6
&
&B?
c
c
c
c
.œ œ œb œ œ œ œn œ œ œ œb
œ œ .œb œ œ# œ œ œn œ œ œnœ œ œ œb œn œ# œb œ
œ œb œ# œ œ# .œb œ
œ œ œ œb œ œ œ# .œ œ œ œ œ
œ œ œ œ œ œ œ# œ œ œ œn œ˙ .œ# œ œb
œ œ œ œb œ œ œ# œ œ œ œ œn
![Page 80: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/80.jpg)
G AbQ Db Aq Bb gB64 F#6
&
&B?
c
c
c
c
.œ œ œb œ œ œ œn œ œ œ œb
œ œ .œb œ œ# œ œ œn œ œ œnœ œ œ œb œn œ# œb œ
œ œb œ# œ œ# .œb œ
œ œ œ œb œ œ œ# .œ œ œ œ œ
œ œ œ œ œ œ œ# œ œ œ œn œ˙ .œ# œ œb
œ œ œ œb œ œ œ# œ œ œ œ œn
![Page 81: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/81.jpg)
G AbQ Aq Bb gB64 F#6
&
&B?
c
c
c
c
.œ œ œb œ œ œ ˙n
œ œ .œb œ ˙#œ œ œ œb œn ˙#
œ œb ˙#
œ œ œ œb œ œ œ# .œ œ œ œ œ
œ œ œ œ œ œ œ# œ œ œ œn œ˙ .œ# œ œb
œ œ œ œb œ œ œ# œ œ œ œ œn
![Page 82: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/82.jpg)
G AbQ Aq Bb gB64 F#6
&
&B?
c
c
c
c
.œ œ œb œ œ œ ˙n
œ œ .œb œ ˙#œ œ œ œb œn ˙#
œ œb ˙#
œ œ œ œb œ œ œ# .œ œ œ œ œ
œ œ œ œ œ œ œ# œ œ œ œn œ˙ .œ# œ œb
œ œ œ œb œ œ œ# œ œ œ œ œn
![Page 83: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/83.jpg)
G AbQ Aq Bb gB64 F#6
&
&B?
c
c
c
c
.œ œ œb œ œ œ ˙n
œ œ .œb œ ˙#œ œ œ œb œn ˙#
œ œb œ# œ# œ œ œb œ œ œ
œ œ œ œb œ œ œ# .œ œ œ œ œ
œ œ œ œ œ œ œ# œ œ œ œn œ˙ .œ# œ œb
œ œ œ œb œ œ œ# œ œ œ œ œn
![Page 84: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/84.jpg)
G AbQ Aq Bb gB64 F#6
&
&B?
c
c
c
c
.œ œ œb œ œ œ ˙n
œ œ .œb œ ˙#œ œ œ œb œn ˙#
œ œb œ# œ# œ œ œb œ œ œ
œ œ œ œb œ œ œ# .œ œ œ œ œ
œ œ œ œ œ œ œ# œ œ œ œn œ˙ .œ# œ œb
œ œ œ œb œ œ œ# œ œ œ œ œn
![Page 85: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/85.jpg)
YES, IT’S GETTING WEIRD
![Page 86: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/86.jpg)
YES, IT’S GETTING WEIRDBUT YOU STILL HAVE TO DO THE HOMEWORK
![Page 87: Neoclassicism I: Hindemith](https://reader035.vdocuments.us/reader035/viewer/2022082211/568bc20e1a28ab777e8d2b62/html5/thumbnails/87.jpg)
MUS 215 · MUSIC THEORY IVTHE UNIVERSITY OF NORTHERN COLORADO