neoclassicism and romanticism

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NEOCLASSICISM AND ROMANTICISM

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NeoClassicism and Romanticism. The 19 th century. Reaction, counterreaction , reaction Three movements to note: Neoclassicism – reaction to baroque and rococo – trying to bring back the simpler styles and “pure” ideals of the Classical era (and Renaissance) - PowerPoint PPT Presentation

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Page 1: NeoClassicism  and Romanticism

NEOCLASSICISM AND ROMANTICISM

Page 2: NeoClassicism  and Romanticism

The 19th century

Reaction, counterreaction, reaction Three movements to note:

Neoclassicism – reaction to baroque and rococo – trying to bring back the simpler styles and “pure” ideals of the Classical era (and Renaissance)

Romanticism – reaction to materialism and focus on religion and wealth – an attempt to focus on the individual, nature, and feelings – also to glorify revolution and social change

Realism – reaction to social inequality – trying to show the reality of human life and lower classes

Page 3: NeoClassicism  and Romanticism

Neoclassicism

- This was a revival of the styles and spirit of classic antiquity (Ancient Greece and Rome)

- This movement in art, design and literature reflected the developments in philosophy and other areas of the Age of Enlightenment

- Artists and philosophers were reacting against the EXCESS of the Baroque and especially the Rococo style

Page 4: NeoClassicism  and Romanticism

Neoclassicism (1750 -1850)

Artists felt that the Rococo age was just TOO MUCH and that they should look back to classical antiquity for the simplicity and balance they desired

Also made artworks in which Classical subjects taught a moral lesson that they felt people needed to see.

Page 5: NeoClassicism  and Romanticism

Neoclassicism

Jacques-LouisDavid, Oath of theHoratii

Page 6: NeoClassicism  and Romanticism

Neoclassicism in Architecture and Design – especially popular in early America

Interior of Mt. Vernon Estate, owned By George Washington

US Capitol, Washington

Virginia State Capitol, Built 1788

Page 7: NeoClassicism  and Romanticism

Neoclassicism in Design

Wedgwood Vase in theStyle of a Greek Urn, 1815

Portrait of MadameDe Verninac, Jacques-Louis David

Page 8: NeoClassicism  and Romanticism

Neoclassicism Main Ideas

Reaction against excess / consumption of the Rococo

Admiration of Ancient Greek and Roman style

Use of columns, mythical creatures, heroes of the past

Idea that the past was a purer, more moral, more “ideal” time

Page 9: NeoClassicism  and Romanticism

BIG EVENTS -- CATALYSTS

The American Revolution – 1776 The French Revolution – 1789 Napoleon Crowned emperor of France –

1803 Haitian Revolution – 1789-1804 (first

successful Slave revolt)

Page 10: NeoClassicism  and Romanticism

Romanticism 1780-1850

- triumph of individualism and the emotions

- Occurs after the French Revolution- emphasis on nature as symbolic of

emotional life - The “romantic hero”- Celebration of rebellion against authority,

individual freedom- Celebration of personal expression

Page 11: NeoClassicism  and Romanticism

Jacques-Louis David

Napoleon at St. Bernard’s Pass

1800oil on canvas9 ft. 11 1/2 in. x 7 ft. 2 in.

Page 12: NeoClassicism  and Romanticism

What does Romanticism look like?

Often what ties these together is the approach, rather than the style

Subject matter has to do with the individual, with emotions, with real historical events

We can often recognize dramatic skies as a common element

Page 13: NeoClassicism  and Romanticism

Jacques-LouisDavid,

The Death of Marat1794

Page 14: NeoClassicism  and Romanticism

Eugene Delacroix, Liberty Leading the People, 1830

Page 15: NeoClassicism  and Romanticism

Francisco Goya

The Third of May, 1808

1814oil on canvas8 ft. 8 in. x 11 ft. 3 in.

Page 16: NeoClassicism  and Romanticism

Théodore Géricault

Raft of the Medusa

1818-1819oil on canvas16 x 23 ft.

Page 17: NeoClassicism  and Romanticism

Caspar David Friedrich

Wanderer Above the Sea of Fog

1818oil on canvas

Page 18: NeoClassicism  and Romanticism

Caspar David Friedrich

Monk by the Sea

1809-10oil on canvas

Page 19: NeoClassicism  and Romanticism

Joseph Mallord William Turner

The Slave Ship

1840oil on canvas2 ft. 11 11/16 in. x 4 ft. 5/16 in.

Page 20: NeoClassicism  and Romanticism