neoclassical – romanticism la raison avant la passion

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NeoClassical – Romanticism la raison avant la passion

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J. L. David – The Rape of the Sabines

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Page 1: NeoClassical – Romanticism la raison avant la passion

NeoClassical – Romanticism

la raison avant la passion

Page 2: NeoClassical – Romanticism la raison avant la passion

David (1748- 1835) – Self Portrait

Page 3: NeoClassical – Romanticism la raison avant la passion

J. L. David – The Rape of the Sabines

Page 4: NeoClassical – Romanticism la raison avant la passion

J. L. David – Death of Socrates

Page 5: NeoClassical – Romanticism la raison avant la passion

David – Oath of the Horatti

Page 6: NeoClassical – Romanticism la raison avant la passion

David – Napoleon crossing the Alps

Page 7: NeoClassical – Romanticism la raison avant la passion

David - Marat

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Ingres (1755-1814)

• Ingres's work had often been severely criticized in Paris because of its 'Gothic' distortions, and when he accompanied this painting to the Salon of 1824 he was surprised to find it acclaimed and himself set up as the leader of the academic opposition to the new Romanticism. (Delacroix's Massacre of Chios was shown at the same Salon.) Ingres stayed in Paris for the next ten years and received the official success and honours he had always craved. During this period he devoted much of his time to executing two large works: The Apotheosis of Homer, for a ceiling in the Louvre (installed 1827), and The Martyrdom of St Symphorian (Salon, 1834) for the cathedral of Autun. When the latter painting was badly received, however, he accepted the Directorship of the French School in Rome, a post he retained for 7 years. He was a model administrator and teacher, greatly improving the school's facilities, but he produced few major works in this period.

• In 1841 he returned to France, once again acclaimed as the champion of traditional values. He was heartbroken when his wife died in 1849, but he made a happy second marriage in 1852, and he continued working with great energy into his 80s. One of his acknowledged masterpieces, the extraordinarily sensuous Turkish Bath (Louvre, 1863), dates from the last years of his life. At his death he left a huge bequest of his work (several paintings and more than 4,000 drawings) to his home town of Montauban and they are now in the museum bearing his name there.

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Ingres- Paganini

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Ingres - Napoleon

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Ingres -

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Ingres

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Man Ray - Ingres• Photography

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Delacroix – Liberty Leading the People

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Delacroix – Death of Sardanapalous

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Delacroix

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Delacroix – Massacre of Chios

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Delacroix – Greece on the Ruins of Missolonghi 1826

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Goya – Third of May

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G. D. Friedrich -

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Boecklin (1827-1901) Die Toteninsel

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William Blake

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H. Füssli

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Gourbet

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Delacroix - Paganini

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Delacroix - Ingres

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Orientalism• Birth of a new medium