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Page 1: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

Name:

CHROMOPHOBIA

Page 2: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

INTRODUCTION

• Colour– Remove monastic emptiness– Impose order to disorder of

surroundings– Communicate with outer world– Rescue the culture Salvation

Page 3: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

INTRODUCTION

Without Colour– Clarity Confusion– Simplicity Complication– Art Uniformly Grey

Rather– Isolation and Confinement

Page 4: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

INTRODUCTION

• If colour is unimportant– Why it is so important to exclude

it forcefully?–Why its abolition matters much?

Page 5: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

IMPACT OF COLOUR

• Importance of colour in eyes of Historical figures like,–Melville– Conrad– Pater–Winkelmann

Page 6: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

IMPACT OF COLOUR

• Fate of western culture is associated with colour

• It remains an object of prejudice

Page 7: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

IMPACT OF COLOUR

Colour prejudices:• Its manifest form, its

loathing, masks a fear, a fear of – Contamination and corruption

by something that is unknown or appears unknowable.

• Chromophobia

Page 8: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

Chromophobia-Fear of Colour

• Persistent, irrational fear of colors

• Patients correlate a distressing past event with a color.

• Become sensitive to particular shades or tones

Page 9: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

Chromophobia-Fear of Colour

• In Chromophobia colour is considered as– Property of Foreign Body– Alien– Superficial or cosmetic– Feminine– Pathogen

• Excluded from values of western culture

Page 10: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

EXAMPLE

Eve

Mankind

Colour

Design

Charles Blanc, Director of Arts, France,1848.

Page 11: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

Colour is “Fall”

For chromophobic architect,

• Mythical savage state• Which slides,– Civilization– Nobility of human spirit

• Either, feminine or primitive, colour corruption

Page 12: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

HISTORICAL PERSPECTIVE

• Chromophobia dates back in Aristotle,

• In his poetics he said,– “Most attractive colour

would never yield as much pleasure as definite image without color.”

Page 13: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

HISTORICAL PERSPECTIVE

This discrimination takes number of shapes,– Technical– Moral– Racial– Sexual– Social

Page 14: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

INHERITANCE OF OPRESSION

• Oppression and discrimination is seen as merely stylistic and artistic

• Analysis of film revealed discriminatory binaries

• For Example,–Wes Anderson white bodies + vivid colorful set

design + chromophilic sets and costumes

Page 15: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

Chromophobia-19th century

• Art and culture is a black-and-white issue• Realism,– Unnatural fondness for brown– Fetish of black and white

• Hollywood fantasies, musicals and period pieces

• Colour Secondary and Dangerous

Page 16: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

Where we find idea of Fall in culture?

• Drug Culture• During 1960s drug was

presented as intensification of colour

• Evident in ‘Easy Rider’.

Page 17: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

“Fall” in Movies

• The Wizard of Oz.

Page 18: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

“Fall” in Movies

Page 19: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

“Fall” in Literature

Page 20: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

“Fall” in Literature

Page 21: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

“Fall” in Literature

Page 22: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

“Fall” in Literature

• Confusion give rise to hallucination• Suppress the DreamWorks• Le Corbusier write the “Journey to the East”

with eyes that have seen the Acropolis• Usage of colours that lose the power of

intoxication

Page 23: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

“Fall” in Literature

Page 24: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

Colour “WHITE”

• Spiritual• Colour of Modern Times• Covers everything• Purity• Healthy• Rational

Page 25: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

Fantasy & Purism

PurismFantasy

Page 26: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

Controlling Colour

Three Scales of Colour control• Major Scale• Dynamic scale• Transitional Scale

Page 27: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture

Conclusion

Page 28: Name:. INTRODUCTION Colour – Remove monastic emptiness – Impose order to disorder of surroundings – Communicate with outer world – Rescue the culture