museum goes big for ninth annual honolulu surf film …… · spots. the film is preceded by a...

16
Media contacts: Scott Whelden Taylour Chang, theater manager (808) 532-8719 (808) 532-3033 E-mail: [email protected] E-mail: [email protected] MUSEUM GOES BIG FOR NINTH ANNUAL HONOLULU SURF FILM FESTIVAL This year the museum pairs surf fest with the growing HI SK8 Films Shorts Showcase, which includes a skateable sculpture at Spalding House WHAT: Honolulu Surf Film Festival 2016 WHEN: July 2-31 TICKETS: Regular screenings: $10 general admission, $8 museum members. Admission is free for kids 17 and under. Opening-night reception: $25, $20 museum members INFO: 532-6097, mailto:[email protected], www.honolulumuseum.org (publishable) High-res images available on request HONOLULU, HAWAI‘I—After seven years of waiting for the perfect conditions, the Eddie (eventually) happened this year, drawing tens of thousands to Waimea to witness the awesome spectacle of big wave surfing. This year the museum’s Honolulu Surf Film Festival spotlights through film the athletes past and present with the courage to take on behemoth waves. Special thanks to presenting sponsor Nordstrom and hospitality sponsor Surfjack Hotel & Swim Club. Additional support provided by Kona Brewing Company. The festival opens with View From a Blue Moon. The film follows this year’s “Eddie” winner–John John Florence—as he and his friends travel the globe to their favorite surf spots. The film is preceded by a reception featuring live music and pūpū by Ed Kenney’s new restaurant Mahina & Sun’s. The following set of big wave–focused films include Deeper, about Andrew Cotton preparing to face one of the most dangerous surf spots in the world—Nazaré, Portugal. Then The Wave I Rideprofiles one of the world’s few female big wave surfers—Maui’s Paige Alms—as she comes back from a traumatic injury to conquer one of the biggest waves in the world. Surfing and design collide at the screening of Fish, which explores the origin of the famous fish surfboard design and its influence on surf culture. The screening will be followed by a panel discussion with Hawai‘i in Design exhibiting artists Eric Walden, CJ Kanuha, and Keith Tallett, who discuss the art of surfboard shaping and design. Audiences at who attend the screening of Fish will have the opportunity to win a fish board shaped by Walden for the event.

Upload: others

Post on 14-Mar-2020

2 views

Category:

Documents


0 download

TRANSCRIPT

 

 

Media contacts: Scott Whelden Taylour Chang, theater manager (808) 532-8719 (808) 532-3033 E-mail: [email protected] E-mail: [email protected]  

MUSEUM GOES BIG FOR NINTH ANNUAL HONOLULU SURF FILM FESTIVAL

This year the museum pairs surf fest with the growing HI SK8 Films Shorts Showcase,

which includes a skateable sculpture at Spalding House

WHAT: Honolulu Surf Film Festival 2016 WHEN: July 2-31 TICKETS: Regular screenings: $10 general admission, $8 museum members. Admission is free for kids 17 and under. Opening-night reception: $25, $20 museum members INFO: 532-6097, mailto:[email protected], www.honolulumuseum.org (publishable) High-res images available on request HONOLULU, HAWAI‘I—After seven years of waiting for the perfect conditions, the Eddie (eventually) happened this year, drawing tens of thousands to Waimea to witness the awesome spectacle of big wave surfing. This year the museum’s Honolulu Surf Film Festival spotlights through film the athletes past and present with the courage to take on behemoth waves. Special thanks to presenting sponsor Nordstrom and hospitality sponsor Surfjack Hotel & Swim Club. Additional support provided by Kona Brewing Company. The festival opens with View From a Blue Moon. The film follows this year’s “Eddie” winner–John John Florence—as he and his friends travel the globe to their favorite surf spots. The film is preceded by a reception featuring live music and pūpū by Ed Kenney’s new restaurant Mahina & Sun’s. The following set of big wave–focused films include Deeper, about Andrew Cotton preparing to face one of the most dangerous surf spots in the world—Nazaré, Portugal. Then The Wave I Rideprofiles one of the world’s few female big wave surfers—Maui’s Paige Alms—as she comes back from a traumatic injury to conquer one of the biggest waves in the world. Surfing and design collide at the screening of Fish, which explores the origin of the famous fish surfboard design and its influence on surf culture. The screening will be followed by a panel discussion with Hawai‘i in Design exhibiting artists Eric Walden, CJ Kanuha, and Keith Tallett, who discuss the art of surfboard shaping and design. Audiences at who attend the screening of Fish will have the opportunity to win a fish board shaped by Walden for the event.

HI Sk8 Films Shorts Showcase In the middle of the month the focus turns to the HI Sk8 Films Shorts Showcase 2016. The showcase is historically held in October, but now for first time the museum pairs the sidewalk surfers with the wave surfers. This year the showcase introduces new art elements to its program. The Honolulu Museum of Art School hosts the first ever HI Sk8 Art Show in the mezzanine gallery July 1-12. Meanwhile at Spalding House, the museum has been working with Chad Hiyakumoto of APB Skateshop and other local skaters to create a skateable sculpture in the outdoor Surface Gallery. The new sculpture—which is inspired by an iconic piece in the museum’s collection—will be unveiled to the public on Sunday, July 17 at Bank of Hawai‘i Family Sunday: Form, Flow, and Function. “The idea this year was to spread out skate-related events throughout the month of July and across the museum’s campuses to suit the month-long theme of surf and skate,” says Travis Hancock, who has organized the event for the past five years. “To that end we’re presenting skating in many different media: From traditional films to 2d and 3d artworks, to skateable sculpture.” It’s now a tradition for the festival to close with a tribute to the past and a Bud Browne film. This year the museum honors big wave surfing pioneer Peter Cole with a reception, screening of Bud Browne’s Surfing the Fifties, and talk story session. Cole will be at the reception along with fellow surf luminaries Clyde Aikau, Kohl Christensen, Mark Cunningham, Kimo Hollinger, Randy Rarick, and Jock Sutherland. A short film on Peter Cole will be shown before the presentation of the feature film of the night, Surfing the Fifties, at 7:30 p.m.  FESTIVAL  SCHEDULE   Opening  reception:  July  2,  6-­‐7:30  p.m.:  $25  general  admission  |  $20  museum  members  The  museum  kicks  off  a  month  of  surf  films  with  live  music,  pūpū  by  Mahina  &  Sun’s,  and  drinks  for  purchase.  View  From  a  Blue  Moon  screens  at  7:30  p.m.    Closing  reception:  July  31,  6-­‐7:30  p.m.:    $25  general  admission  |  $20  museum  members  We  close  out  our  festival  this  year  with  live  music,  pūpū  by  Mahina  &  Sun’s,  and  drinks  for  purchase.  As  a  tribute  to  Hawai‘i’s  North  Shore  big-­‐wave  surf  pioneer  Peter  Cole,  the  evening  will  feature  luminaries  such  as  Clyde  Aikau,  Kohl  Christensen,  Mark  Cunningham,  Kimo  Hollinger,  Randy  Rarick,  and  Jock  Sutherland.  A  short  film  on  Peter  Cole  will  be  shown  before  the  presentation  of  the  feature  film  of  the  night,  Surfing  the  Fifties,  at  7:30  p.m.    

-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    View  From  a  Blue  Moon  Directed  by  Blake  Vincent  Kueny.  USA.  2015.  59  min.    July  2  at  7:30  p.m.  July  10  at  4  p.m.  July  17  at  4  p.m.  July  28  at  1  p.m.  Hailed  by  some  as  the  greatest  surf  film  ever  made,  View  from  a  Blue  Moon  focuses  in  Hawai‘i’s  John  John  Florence—through  three  years  of  filming  in  some  of  the  world’s  best  waves.  Blake  Vincent  Kueny  follows  Florence  and  his  closest  friends  from  his  home  on  the  North  Shore  of  Oahu  to  his  favorite  surfing  destinations  around  the  globe.  From  the  dreamy  blue  perfection  of  the  South  Pacific  to  the  darkest  uncharted  waters  of  Africa  (and  everywhere  in  between),  Florence  faces  a  broad  spectrum  of  emotions  as  he  pursues  his  ultimate  goal—to  redefine  what  is  possible  in  the  ocean.    See  the  trailer    —screens  with—    The  Wild  Directed  by  Aaron  Lieber.  USA.  2015.  7  min.  Featuring  Noah  Beschen,  this  short  is  the  2015  REDirect  Surf  Film  Festival  Grand  Prize  Winner.    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Headache  +  Deeper  July  3  at  1  p.m.    July  27  at  7:30  p.m.      Headache  Directed  by  Felix  Gänsicke.  Germany.  2015.  47  min.  German  with  English  subtitles.  The  German  Binsurfen  crew  explores  the  icy  northern  hemisphere  of  Europe.  Travelling  through  Germany,  Denmark,  Scotland  and  Iceland,  they  brave  the  cold  to  discover  impressive  landscapes  and  surfing  locations  that  have  never  been  surfed  before.    Deeper  Directed  by  Mikey  Corker.  UK.  2015.  35  min.  Shot  in  five  countries  over  six  months,  Deeper  takes  you,  well,  deep  behind  the  scenes  of  big  wave  surfing.  Follow  Andrew  Cotton  as  he  trains  and  prepares  to  take  on  the  waves  of  Nazaré—one  of  the  world’s  most  dangerous  spots.    

-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Psychic  Migrations  Directed  by  Ryan  Thomas.  USA.  2015.  60  min.    July  3  at  4  p.m.    July  14  at  7:30  p.m.  July  24  at  1  p.m.    Psychic  Migrations  builds  on  more  than  20  years  and  30  influential  films  from  the  world  of  Volcom.  Directed  by  veteran  surf  filmmaker  Ryan  Thomas  and  shot  on  location  in  the  West  Indies,  East  Indies,  Australia,  Polynesia,  and  Central  and  South  America,  the  film  weaves  the  physical  expression  of  riding  rousing  waves  with  a  cerebral  odyssey  through  the  ’scapes  and  textures  travelled  to  find  them.    See  the  trailer    —screens  with—    +/+  Directed  by  Joe  G.  Australia.  2016.  9  min.  Shot  along  a  magical,  mysterious  stretch  of  Australian  coastline,  the  film  echoes  the  visual  cues  and  performance  sensibilities  of  the  range  Dion  Agius  and  the  Globe  design  team  have  created  together.    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Double  Barrel  +  The  More  Things  Change    July  3  at  7:30  p.m.    July  23  at  4  p.m.  July  29  at  1  p.m.  These  three  films  showcase  conservation  and  environmental  efforts  by  surfers  around  the  world.    Beauty  &  Chaos  Directed  by  James  Skerritt.  UK.  2016.  7  min.  Irish  surfer  Conor  Maguire  travels  through  the  monsoon-­‐soaked  colors  of  India  and  the  lush  landscapes  of  Indonesia,  documenting  the  places  and  faces  he  meets  along  the  way.    Double  Barrel  Directed  by  Angie  Davis.  Australia  /  Peru.  2016.  30  min.  Double  Barrel  follows  Australian  journalist  Angie  Davis  and  Peruvian  surf  guide  Harold  Koechlin  to  northern  Peru.  Passionate  about  surfing  and  the  environment,  these  like-­‐minded  friends  share  the  story  of  Lobitos,  created  as  a  company  town  in  the  late  1800s  fo  the  oil  industry,  with  a  goal  to  unite  local  and  international  surfing  

communities  to  protect  the  coastline.  A  story  about  travel,  friendship,  the  ocean,  and  change,  Double  Barrel  inspires  us  all  to  travel  with  a  conscience  and  follow  our  dreams.    See  the  trailer    The  More  Things  Change  Directed  by  Nathan  Myers.  2015.  Australia  /  Indonesia.  27  min.  Gerry  Lopez  first  surfed  Uluwatu  in  1974—when  the  fabled  Balinese  wave  was  pristine,  magical,  and  empty.  Gerry  returned  to  Uluwatu  40  years  later  to  find  it  bustling  and  developed.  After  a  week  of  surfing  and  yoga,  however,  Gerry  tapped  into  a  spirit  of  place  that  will  endure.    See  the  trailer    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Fire  and  Water    Directed  by  Thomas  Brookins.  2016.  USA.  70  min.  July  5  at  1  p.m.  July  10  at  7:30  p.m.  July  28  at  7:30  p.m.  For  New  York  firefighter  Don  “Gums”  Eichin,  water  has  been  not  only  his  flame-­‐fighting  weapon,  but  also  a  source  of  recreation.  Through  rare  footage  that  has  been  buried  in  a  New  York  basement  for  50  years,  Thomas  Brookins  brings  to  light  a  strong  community  of  firefighting  surfers.  The  only  element  stronger  than  their  honor  and  skill  is  the  bond  of  their  brotherhood.      Long  Island  boy  Don  “Gums”  Eichin  landed  in  Hawai‘i  in  the  1960s  to  surf  and  lived  in  a  house  right  at  Pipeline.  He  returned  to  New  York  and  became  a  firefighter.  This  surfing  hero’s  legacy  continues  through  his  two  sons.  Archival  home  movies  of  O‘ahu  and  New  York  is  must-­‐see  footage.    See  the  trailer    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Bear  Island  •  Bjørnøya  Directed  by  Inge  Wegge.  Norway.  2014.  82  min.  Norwegian  with  English  subtitles.  July  5  at  7:30  p.m.  July  12  at  1  p.m.  July  21  at  1  p.m.  Three  brothers  hunt  for  waves  on  formidable  Bear  Island.  They  live  in  a  tent,  and  carry  all  their  stuff  on  sledges.  Does  the  island  have  surfable  waves?  Will  there  be  

polar  bears?  How  much  fun  can  you  have  on  a  small  island?  The  Wegge  brothers,  known  for  their  playful  living,  set  off  on  their  biggest  project  so  yet.    See  the  trailer    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Peninsula  Mitre  Directed  by  Joaquín  and  Julián  Azulay.  Argentina.  2016.  88  min.  Spanish  with  English  Subtitles.  July  6  at  1  p.m.  July  19  at  7:30  p.m.  Surfing  brothers  Joaquín  and  Julián  Azulay—aka  the  Gauchos  del  Mar—embark  on  an  unprecedented  expedition.  They  set  off  on  foot  with  heavy  packs  on  their  backs  across  the  easternmost  tip  of  uninhabited  Tierra  del  Fuego  Province.  The  brothers  aim  to  surf  a  never-­‐ridden  world-­‐class  wave  at  the  Cape  San  Diego  Lighthouse,  the  most  easterly  point.  To  get  there  they  overcome  heavy  terrains,  hunger  and  harsh  climate  for  53  days.  With  no  communication  whatsoever  they  document  their  journey  and  decide  to  share  their  message  of  environmentalism,  avoiding  consumerism  and  living  simply  to  protect  Península  Mitre  forever.    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Dirty  Old  Wedge  Directed  by  Tim  Burnham.  2016.  USA.  80  min.    July  8  at  1  p.m.  July  17  at  7:30  p.m.  July  30  at  7:30  p.m.    The  Wedge,  located  at  the  end  of  the  Balboa  Peninsula  in  Newport  Beach,  California,  is  a  world-­‐famous,  man-­‐made  beast  of  a  wave.  Since  its  creation,  people  have  flocked  from  all  over  to  see  it  in  its  mythical  form.  Wedge  waves  can  be  as  powerful  as  any  on  Earth.    It  is  a  place  where  injuries  are  common  and  where  deaths  have  occurred.    Dirty  Old  Wedge  covers  the  wave’s  history,  starting  from  its  creation  in  the  1930s.  A  unique  assemblage  of  bodysurfers,  which  has  come  to  be  known  as  the  "Wedge  Crew"  is  one  of  the  film’s  focal  points,  highlighting  their  relationships  with  the  wave  and  with  one  another.          See  the  trailer    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Fish  Directed  by  Joseph  Ryan.  USA.  2015.  82  min.    July  8  at  7:30  p.m.  

July  24  at  4  p.m.  July  30  at  1  p.m.  A  look  at  the  origin  and  impact  of  the  fish  surfboard  design  and  then  how  it  came  to  influence  surf  culture  30  years  later.    See  the  trailer    —screens  with—    Tyler  Surfboards  Directed  by  Jason  Baffa.  USA.  2015.  8  min.  Board-­‐builder  and  craftsman  Tyler  Hatzikian  puts  a  modern  twist  on  an  old  tradition.    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    La  Maestra  +  The  Women  and  the  Waves  2  July  9  at  4  p.m.  July  27  at  1  p.m.    Two  films  profile  women  who  surf  for  the  love  of  the  sport.  Watch  as  they  express  their  devotion  to  surfing  in  their  daily  lives.    Lunar  Directed  by  Luca  Merli.  Italy.  2016.  8  min.  In  the  strange  and  beautiful  treeless  landscape  of  Fuerteventura  in  the  Canary  Islands,  Leah  Dawson  creates  music,  hand  shapes  her  second  board  and  dances  on  water  with  power  and  grace.  Grounded  by  earth  and  charged  with  energy  by  water,  Dawson  is  a  solar  creature  influenced  by  the  moon’s  gravitational  pull,  like  the  sea.    La  Maestra  Directed  by  Paul  Ferraris  &  Elizabeth  Pepin  Silva.  Mexico.  2015.  30  min.  La  Maestra  (The  Teacher)  profiles  Mayra  Agulair,  a  teacher  in  a  tiny  rural  fishing  village  in  Baja,  Mexico,  who  becomes  the  first  Mexican  woman  surfer  in  her  area.  Told  in  Spanish  using  mainly  Mayra’s  voice,  the  film  shows  how  she  has  gone  on  to  inspire  her  students  and  other  local  women  to  take  up  the  sport  and  follow  their  dreams.  Through  her  deep  connection  to  the  ocean,  Mayra  has  also  become  an  environmentalist,  teaching  her  students  the  importance  of  land  and  sea  stewardship  through  hands  on  learning.    See  the  trailer    The  Women  and  the  Waves  2  Directed  by  Heather  Hudson.  USA.  2016.  43  min.  The  Women  and  the  Waves  2  celebrates  women  and  their  approach  to  surfing  and  life.  The  film  looks  at  the  state  of  surfing  today  from  a  feminine  perspective  and  features  

positive  role  models  who  give  back  to  people  and  the  planet.  Ultimately,  the  film  says  that  a  life  filled  with  gratitude  for  one  another  and  the  world  we  live  in,  is  a  life  well  lived.  And  when  surfing  is  added  to  the  equation,  it  makes  life  that  much  more  sweet.  Following  in  the  footsteps  of  the  groundbreaking  2009  film  The  Women  and  the  Waves;  The  Women  and  the  Waves  2  continues  to  explore  the  culture  of  surfing  in  relation  to  six  surfers  and  their  lives  both  in  and  out  of  the  water.    See  the  trailer    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    The  Wave  I  Ride  Directed  by  Devyn  Bisson.  USA.  2015.  70  min.    July  9  at  7:30  p.m.  July  13  at  1  p.m.  July  26  at  7:30  p.m.  July  31  at  1  p.m.  Surfing  since  she  was  nine  years  old,  Maui  charger  Paige  Alm’s  fearlessness  and  perseverance,  along  with  one  of  the  world’s  best  big  wave  surf  spots  in  her  backyard,  has  led  her  to  become  a  pioneering  big-­‐wave  rider.  Follow  her  as  she  recovers  from  a  traumatic  injury  to  find  triumph  on  one  of  the  biggest  waves  in  the  world.    See  the  trailer    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    La  Primera  Ola  Directed  by  Pedro  Temboury.  Spain.  2015.  78  min.  Spanish  with  English  subtitles.    July  12  at  7:30  p.m.  July  19  at  1  p.m.  This  documentary  focuses  on  seven  key  moments  that  defined  the  early  days  of  Spanish  surfing.  Through  unpublished  Super8  footage  and  hundreds  of  photographs,  Pedro  Temboury  tells  stories  like  that  of  Félix  Cueto,  a  young  kid  from  Oviedo  who  made  himself  a  surfboard  with  only  a  Beach  Boys  album  cover  for  guidance,  surfing  it  for  the  first  time  in  1962.  He  looks  at  how  the  Canary  Islands  became  the  Hawai‘i  of  the  Atlantic—and  was  overrun  with  crowds  as  a  consequence.  And  he  reveals  how  the  Australian  Gulley  brothers  found  waves  on  the  coast  of  Asturias  better  than  any  they  had  surfed  in  their  homeland.  See  for  the  first  time  the  inside  story  of  the  young  men  and  women  who  saw  in  surfing  an  escape  from  the  adult  world—a  world  that  wanted  to  make  respectable  citizens  out  of  them,  when  all  they  wanted  were  good  waves,  empty  beaches,  and  fun,  lots  of  fun.    See  the  trailer    

-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Freeze  Frames  July  13  at  7:30  p.m.  July  23  at  1  p.m.  July  30  at  4  p.m.  Four  films  look  at  those  wave-­‐riding  polar  bears  for  whom  ice  and  weather  is  no  barrier  to  finding  the  perfect  wave.    Hot  Toddy  Directed  by  Andrew  Wyton.  USA.  2016.  4  min.  A  short  film  about  Great  Lake  surfing.    Faores:  The  Outpost  Vol.  02  Directed  by  Ben  Weiland.  USA.  2015.  25  min.  In  the  middle  of  the  North  Atlantic,  a  cluster  of  18  jagged  islands  comprises  the  Faroe  Islands.  Dane  Gudauskas,  Justin  Quintal,  Sam  Hammer,  Tyler  Warren,  Chris  Burkard,  and  Ben  Weiland  attempt  to  unravel  a  coastline  of  dramatic  fjords  and  plunging  waterfalls  in  search  of  perfect  waves.  They  spend  two  weeks  exploring  the  islands,  living  in  seaside  cottages  and  becoming  acquainted  with  stunning  scenery  and  the  strange  and  ancient  customs  of  a  nation  founded  by  Vikings.    See  the  trailer    No  Country  for  Cold  Men  Directed  by  Ryan  Mattick.  Australia.  2015.  22  min.  On  this  lightly  frosted,  absurd  ten-­‐night  surf  trip  with  a  twist,  an  unlikely  trio  chase  the  wild  crest  to  the  coldest  corners  of  the  earth.      Freezing  Directed  by  Rob  Lockyear  &  Jeremy  Joyce.  UK  /  Iceland.  2015.  22  min.  Two  friends  brave  snowstorms,  eccentric  locals,  and  each  other  as  they  travel  through  Iceland  to  find  a  perfect  wave  they  spotted  in  an  old  photograph.        See  the  trailer    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Surfing  Southern  Africa  July  10  at  1  p.m.  July  23  at  7:30  p.m.  July  26  at  1  p.m.  

If  you  dig  a  hole  straight  through  the  earth  from  Hawai'i,  you'll  end  up  somewhere  in  Southern  Africa.  So  what's  the  most  popular  Hawaiian  export  like  half  the  world  away?  Watch  as  surfers  from  near  and  far  take  the  ultimate  surf  trips  in  the  region!    Africa  2014  Directed  by  Kohl  Christensen.  USA  /  South  Africa.  2015.  10  min.  Kohl  Christensen,  Josh  Redman,  and  Ben  Wilkinson  surf  big  waves  in  Cape  Town,  South  Africa,  before  heading  to  a  mystical  right-­‐hand  point  break  in  Namibia.  Joined  in  Cape  Town  by  a  handful  of  big-­‐wave  chargers,  the  crew  scores  amazing  conditions  throughout  the  trip.    No  Regrets  Directed  by  Jason  Hearn.    South  African.  2015.  26  min.  After  eight  years  of  alcohol  abuse,  former  world  tour  surfer  Ricky  Basnett  returns  to  surfing,  and  embarks  on  a  trip  throughout  his  native  South  Africa.    Paul  Directed  by  Victor  van  Vloten  and  Robert  van  Wingerden.  South  Africa.  2015.  15min.  US  premiere.  This  inspiring  documentary  is  about  a  13-­‐year-­‐old  boy  from  the  township  Dunoon  in  Capetown,  South  Africa.  Paul  has  a  dream,  a  dream  he  thinks  about  the  whole  day—he  wants  to  become  a  surfer.  Narrated  by  Robby  Naish.    Exploring  Madagascar  Directed  by  Jason  Hearn.  Madagascar.  2015.  25  min.  Slade  Prestwich,  Frank  Solomon  and  Grant  “Twiggy”  Baker  head  to  Madagascar  where  they  chart  new  territory  in  their  search  for  new  waves  to  ride,  and  engage  with  villagers.    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Surf  Cinema  Nugs  July  9  at  1  p.m.  July  14  at  1  p.m.  July  21  at  7:30  p.m.  This  showcase  of  short  surf  films  take  you  around  the  world—from  Puerto  Rico  to  Indonesia.  Plus  you  get  to  see  Luis  Eyre  as  an  alien  invader!    Light  Therapy  Directed  by  Riley  Blakeway.  USA  /  Australia  /  New  Zealand.  2015.  4  min.  Filmed  on  location  in  New  Zealand  and  Australia,  Light  Therapy  was  shot  using  only  available  light  over  a  month  spent  with  surfers  Chippa  Wilson,  Dion  Agius  and  Nate  Tyler.    

Los  Zapatos  Directed  by  David  Malcolm.  Puerto  Rico.  2015.  8  min.  Spanish  with  English  subtitles.  Dylan  Graves  attempts  to  save  the  youth  of  Puerto  Rico  from  technology.    Luis  Eyre:  Alien  Invader  Directed  by  James  Skerritt.  UK.  2015.  10  min.  How  many  selfies  have  you  taken  today?  Think  about  it  and  sink  your  teeth  into  a  surf  short  unlike  any  other.    Peninsula  South  Directed  by  Riley  Blakeway.  USA  /  Mexico.  2016.  7  min.  Director  Riley  Blakeway  captures  Herbie  Fletcher’s  pioneering  spirit  and  his  close  relationship  with  his  son  Nathan  as  they  set  out  on  an  expedition  they’ve  not  made  together  in  more  than  20  years.  The  trip  reignites  their  love  for  Baja  and  their  deep  bond.  By  the  late  1960s,  Herbie  had  begun  exploring  Baja  in  search  of  empty  lineups  and  adventure.  As  his  life  moved  forward,  he  built  a  family  that  shared  his  love  of  travel.  On  this  latest  mission,  Nathan  discusses  his  father’s  contagious,  childlike  enthusiasm  for  surfing  and  life,  and  shares  how  he  hopes  to  pass  those  ideals  down  to  the  next  Fletcher  generation.    Deep  Islands  Directed  by  Luca  Merli.  Italy  /  Indonesia.  20164  min.  This  short  film  by  Onde  Nostre  celebrates  a  microcosm  in  symbiosis  and  the  beauty  of  surfing,  in  a  dreamy  paradise  of  the  south  east  islands  in  the  Indian  Ocean,  a  fragile  coral  paradise  that  may  be  lost  and  needs  to  be  preserved.    Live  Life  Beautifully  -­‐  Andy  Davis  Directed  by  Jason  Baffa.  USA.  2016.  6min.  Over  the  past  two  decades  Andy  was  the  driving  force  behind  successful  surf  brands  such  as  Free,  Byrd  and  Ando  &  Friends,  all  of  which  featured  his  art.  Today  he  has  a  brand  that  embodies  the  spirit  of  his  art  called  Andy  Davis  Designs.    Bulan  Baru  Directed  by  Arthur  Neumeier.  Netherlands.  2015.  9min.  Marlon  Gerber,  Mikala  Jones,  Tai  Graham  and  future  Desert  Point  star  Awan  Hadi  could  have  aimed  for  the  usual  sure  bets  when  the  Indian  Ocean  finally  came  alive  in  2015  during  the  biggest  swell  of  the  century.  Instead,  they  caught  ferries  to  far-­‐flung  islands  for  a  high-­‐risk,  high-­‐reward  kind  of  deal.    I  Lost  My  Dream  Directed  by  Stefan  Hunt.  Mexico.  2015.  10min.  Spanish  with  English  subtitles.  Moacir  tries  to  escape  his  Nicaraguan  life  of  poverty  and  abuse  to  live  the  American  dream,  but  immigration  laws  and  abandonment  find  him  stranded  in  Tapachula,  

Mexico.    That’s  where  he  found  the  children’s  refuge  Misión  México,  where  Australians  Alan  and  Pamela  Skuse  teach  kids  how  to  swim  and  surf.      Being  a  Surfer  is  Fun  Directed  by  Erik  Knutson.  USA.  2015.    Filmed  in  Hawai‘i  and  Australia,  this  short  features  surfboard  shaper  Jon  Pyzel  and  surfer  John  John  Florence  preparing  for  another  year  in  the  World  Surf  League.    Watu  Directed  by  Jensen  Young  Sik.  USA.  2015  Cliff  Kapono  and  Chad  Jackson  retell—through  surf—an  old  Native  American  story  about  the  first  Polynesians  to  crash  land  onto  their  cold,  unspoiled  coastline.    A-­‐Frame  Directed  by  Reno-­‐Oner  Champ.  USA.  2015.  A  portrait  of  water  photographer  Danny  Sepkowski,  narrated  by  Puakea  Nogelmeier.  -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Litmus  Directed  by  Andrew  Kidman.  Australia.  1995.  56  min.  July  25  at  7:30  p.m.  When  Litmus  first  came  out  in  1995,  the  film  was  panned  in  Australia.  Today  it’s  viewed  as  a  big  influence  on  surf  filmmaking.  In  a  time  when  surfing  was  at  the  peak  period  of  conservatism  and  everyone  was  riding  potato  chip  boards,  Andrew  Kidman  and  Wayne  Lynch  wanted  something  different.  The  duo  purchased  around-­‐the-­‐world  tickets  and  set  off  to  make  a  film  like  no  other.  Starring  Tom  Curren  and  featuring  an  animation  by  Mark  Sutherland,  this  film  opened  up  a  new  way  of  viewing  surf  filmmaking  and  continues  to  resonate  with  surfers  today.  Don’t  miss  this  special  one-­‐time  screening  of  a  film  that  defined  a  decade.    -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐    Closing  reception:  July  31,  6-­‐7:30  p.m.:  $25  general  admission  |  $20  museum  members  The  festival  closes  with  live  music,  pūpū,  drinks  for  purchase—and  a  tribute  to  Hawai‘i’s  North  Shore  big-­‐wave  surf  pioneer  Peter  Cole.  In  the  talk-­‐story  lineup  on  stage  will  be  Clyde  Aikau,  Kohl  Christensen,  Jock  Sutherland,  Kimo  Hollinger,  Randy  Rarick,  and  Mark  Cunningham.  A  short  film  on  Peter  Cole  will  be  shown  before  the  presentation  of  the  feature  film  of  the  night,  Surfing  the  Fifties,  at  7:30  p.m.      Surfing  the  Fifties  Directed  by  Bud  Browne.  USA.  1994.  58  min.  Bud  Browne’s  last  surf  film  is  composed  of  what  he  believed  to  be  the  finest  of  his  earliest  work.  Poignantly  narrated  by  John  Kelly,  Surfing  the  Fifties  is  a  historical  

survey,  going  from  the  Hawaiian  beginnings  of  surfing  to  the  birth  of  modern  big  wave  surfing,  featuring  pioneers  such  as  George  Downing,  Buzzy  Trent,  and  Buffalo  Keaulana.  Also  in  the  film  is  iconic  footage  of  the  North  and  South  Shores  of  O‘ahu  with  legendary  surfers  like  Peter  Cole,  Donald  Takayama,  Kimo  Hollinger,  Woody  Browne,  Greg  Noll,  and  Ricky  Grigg.  Includes  rare  footage  of  Duke  Kahanamoku  with  Peter  Cole  and  John  Kelly  recording  the  narration.  Public  screenings  of  Bud  Browne’s  films  are  rare,  and  the  Bud  Browne  Films  Archives  is  proud  to  screen  a  film  at  the  Honolulu  Surf  Film  Festival  for  the  seventh  year.    Peter  Cole  The  Honolulu  Surf  Film  Festival  pays  tribute  to  Peter  Cole,  the  bright,  gracious,  persevering  big-­‐wave  surfer  from  the  North  Shore.  The  winner  of  the  1958  Makaha  International  contest,  Cole  was  one  of  the  original  California-­‐born  surfers  who  helped  shape  big-­‐wave  riding  in  the  late  1950s  and  early  '60s.      "He'd  wait  with  the  patience  of  Job  for  the  biggest  wave  of  the  day,"  fellow  California  transplant  Rick  Grigg  said.  "And  when  it  came  he  usually  caught  it."  Cole  was  born  in  1930  in  Los  Angeles,  the  son  of  a  stockbroker,  and  raised  in  Highland  Park  and  San  Marino.  He  began  surfing  at  age  14  when  he  moved  with  his  family  to  Santa  Monica.  He  graduated  in  1953  with  a  B.A.  in  fine  arts  from  Stanford  University,  where  he  played  water  polo  and  was  a  nationally  ranked  middle-­‐distance  freestyle  swimmer.  While  at  Stanford  he  often  drove  to  nearby  Santa  Cruz  to  ride  Steamer  Lane,  developing  a  taste  for  large  waves.      Cole  taught  high  school  and  served  in  the  army,  then  moved  to  Honolulu  in  1958  to  teach  math  at  Punahou  School,  and  to  test  his  mettle  on  the  North  Shore,  which  had  recently  eclipsed  Makaha  as  the  center  of  big-­‐wave  surfing.  George  Downing,  Wally  Froiseth,  and  a  few  other  locals  were  riding  the  North  Shore,  but  much  of  the  groundbreaking  work  at  places  like  Waimea  Bay  and  Sunset  Beach  was  being  done  by  California-­‐born  surfers  like  Buzzy  Trent,  Pat  Curren,  Fred  Van  Dyke,  and  Greg  Noll.      See  a  full  bio  of  Peter  Cole  online.      Also  in  July    HI  Sk8  Films  Shorts  Showcase  2016  July  15-­‐16    July  15  at  7:30  p.m.  July  16  at  1  p.m.,  4  p.m.  +  7:30  p.m.    Opening-­‐night  reception:  July  15.  Enjoy  live  music,  skate  art,  and  food  and  beer  for  purchase.  Doors  open  at  6  p.m..  The  shorts  showcase  screens  at  7:30  p.m.    

When  HI  Sk8  Films  started  five  years  ago,  Hawaii’s  skateboarders  were  given  an  unprecedented  opportunity  to  share  the  way  they  see  the  islands  through  the  familiar  and  flexible  medium  of  film.  They  took  full  advantage,  and  each  year  since  have  presented  to  a  growing  audience  the  fun,  innovative,  and  skillful  ways  they  use  local  skate  parks,  residential  hills,  urban  architecture,  and  cameras  to  create  works  of  art.  This  year’s  showcase  diverges  slightly  from  past  years’  emphasis  on  technical  skate  tricks,  and  presents  select  shorts  in  experimental  and  documentary  styles  of  filmmaking.  Don’t  worry,  there  will  still  be  plenty  of  gnarly  skating  for  the  diehards.    Full  shorts  lineup  TBA.    Skate  art  additions    Honolulu  Museum  of  Art  School:  See  the  first  ever  HI  Sk8  Art  Show  July  1-­‐12.    Spalding  House:  The  museum  works  with  local  skaters  to  create  a  skateboard  friendly  sculpture  in  the  Surface  Gallery.  The  new  sculpture—which  is  inspired  by  an  iconic  piece  in  the  museum’s  collection—will  be  unveiled  to  the  public  on  Sunday,  July  17  at  Bank  of  Hawai‘i  Family  Sunday:  Form,  Flow,  and  Function.    Encore  screening:  Don’t  miss  the  South  African  skate  documentary  I  Am  Thalente,  which  premiered  at  HI  Sk8  Films  2015.  You  have  a  chance  to  see  it  again  at  Family  Film  Sunday,  July  17,  11:10  a.m.  +  1  p.m.      Music  of  Hawai'i:  Jeff  Peterson  Wednesday  July  20  at  7:30  p.m.  Recognized  as  one  of  Hawai‘i's  most  versatile  musicians,  Jeff  Peterson  is  at  the  heart  of  the  Hawaiian  music  scene  today.  His  virtuosity  on  the  guitar  and  ‘ukulele  has  taken  him  across  the  U.S.,  and  abroad.  His  latest  solo  CD  O’ahu  was  released  October.  This  show  is  a  must  for  fans  of  slack  key  guitar.    Family  Film  Sunday  I  am  Thalente  Directed  by  Natalie  Johns.  South  Africa.  2015.  79  min.  July  17  at  11:10am  +  1  p.m.  Living  on  the  streets  of  Durban,  South  Africa,  from  the  age  of  nine,  Thalente  Biyela  found  a  sense  of  purpose  through  skateboarding.  His  natural  ability  and  effortless  style  were  noticed  by  American  pros  such  as  Tony  Hawk  and  Kenny  Anderson.  Biyela's  life  is  changed  forever  when  that  skater  royalty  help  arrange  for  him  to  move  to  Los  Angeles.  There  is  no  clear-­‐cut  path  to  going  pro  and  Biyela  is  under  no  illusion  that  he'll  find  sponsorship  in  his  new  home.  Natalie  Johns,  a  fellow  South  African  transplant  in  LA,  documents  his  experience.  This  stirring  portrait  of  an  incredible  

athlete,  who  has  wisdom  beyond  his  years,  took  home  the  Audience  Award  for  Best  Documentary  at  the  LA  Film  Festival  earlier  this  year.    Doris Duke Theatre information: The Doris Duke Theatre opens its doors on Kina‘u Street one half-hour before each film screening and concert. Concert tickets: Available at the theater door on the day of the concert, beginning on half-hour before the performance, or online in advance. Concert admission: Varies; free for children 17 and under Film tickets: Available at the theater door on the day of screening, beginning one half-hour before each showing, or online in advance. Film admission: $10 general admission; $8 museum members; free for children 17 and under Matinee Rewards Card: Pick one up at the theater box office. When theatergoers attend three matinees, they receive free admission to a fourth screening. Or they can bring three friends to a single matinee and receive free admission to a future screening. The free screening pass is valid for three months. Concession stand: In the lobby, visitors can purchase bags of glazed pecans, coconut ginger, chocolate- and Kona coffee–coated macadamia nuts, and butter crunch vanilla macadamia nuts, for $6 per bag. Also on the menu are handmade desserts and baked goods from Yummy Tummy, including peanut butter-oats-and-cranberry energy balls, green tea rice crispy treats and mini cookies ($3-$7). Drinks: coffee, hot tea, Arizona Green Tea, Vitamin Water, and bottled water ($2-$3). About the Honolulu Museum of Art One of the world’s premier art museums presents international caliber special exhibitions and features a collection that includes Hokusai, van Gogh, Gauguin, Monet, Picasso and Warhol, as well as traditional Asian and Hawaiian art. Located in two of Honolulu’s most beautiful buildings, visitors enjoy two cafés and gardens, alongside films and concerts located at the theater. In 2011, The Contemporary Museum gifted its assets and collection to the Honolulu Academy of Arts and in 2012, the combined museum changed its name to the Honolulu Museum of Art. Locations: Honolulu Museum of Art: 900 S. Beretania Street Honolulu Museum of Art Spalding House: 2411 Makiki Heights Drive Honolulu Museum of Art School: 1111 Victoria Street Honolulu Museum of Art at First Hawaiian Center: 9999 Bishop Street

Honolulu Museum of Art Doris Duke Theatre: 901 Kinau Street (at rear of museum) Website: www.honolulumuseum.org Phone: 808-532-8700 Hours: Honolulu Museum of Art: Tues.-Sat. 10 a.m.-4:30 p.m.; Sun. 1-5 p.m.; closed Monday. The Honolulu Museum of Art Café: lunch only, Tues.-Sat., 11:00 a.m.-1:30 p.m. Honolulu Museum of Art Spalding House: Tues.-Sat. 10 a.m.-4 p.m.; Sun. noon-4 p.m. Spalding House Café: lunch only, Tues.-Sat. 11 a.m.-2 p.m. Admission (permits entry to both museums on the same day): $10 general admission; children 17 and under are free. Admission is free to: shop, cafés, Robert Allerton Art Library, and the art school Free days: First Wednesday of every month Bank of Hawaii Family Sunday: The museum is free to the public on the third Sunday of the month, 11 a.m.-5 p.m., courtesy Bank of Hawaii.