mrk 4 a1 a2 a3 a4 a5 a6 a7 a8 · moogannaswp.wav-wavelength=1024...
TRANSCRIPT
V4.3Mrk 4 09-08-17
TRIG TAP TAP
P.0: Attenuate AP.1: Attenuate BP.2: Offset AP.3: Offset B
P.0: Time Multiplier P.0: Octave ShiftP.1: Attenuate AP.2: Attenuate BP.3: Y Offset
P.0: Octave ShiftP.1: Attenuate AP.2: Attenuate B
P.0: AttenuateP.1: Quantize ScaleP.2: Key
Times/DivideAmount
Smooth/Integer Smooth/Integer
Attenuate A & B
Times/DivideAmount
RECREC RECREC RECREC
LFO
-10V 0V +10V -10V
0V=C3 (130.81Hz) 0V=C3 (130.81Hz)
0V +10V -10V 0V +10V
-10V 0V +10V -10V 0V +10V -10V 0V +10V
FM
in
out
A1 A2 A3 A4 A5 A6 A7 A8
B1 B2 B3 B4 B5 B6 B7 B8
0=Sample & Hold1= Track & Hold
Inverted Copy of A
IN:SET ROOT
OUT: NOTE
D1
Offset
Offset
CV Input
CV Input
Precision CV Adder VC Delay Line Vib. Clocked Ping PongDelay (Z Feedback)
Filter 2 Pole Filter Filter FilterVC Speed
Clocked Ping PongDelay (Z Pan) Drum Synth 12 Bands up to 10 Stages
Resonator Vocoder Phaser Bit CrusherFraction Offsets Chorus Flange
X+Y+Offset
X-Y - Offset
BipolarFeedback
Feedback
Y Offset Feedback Freq.+/- Offset
Audio Input
Delay Time
Delay Only
Dry+Delay
Feedback
Feedback
Dry/Wet Switch1/2 Octaves or
1/3 Octaves Apart
Audio Input
Clock Input
Left Output
Right Output
Input Pan
Input Panning
Audio Input
Clock Input
Left Output
Right Output
Gain/Length
Gain/Length
Audio Input
1v/octaveFrequency
Audio Output
Envelope Out
Audio Output
Envelope Out
Decay Time
Decay Time
Modulator In
Carrier Input
BipolarFeedback
+ & - Feedback
Audio Input
Sweep
Bit Depth
Bit Depth
Audio Input
Sample Rate
Dry+Phaser
Phaser Only
Crush Output
Comparator
Tape Delay
Feedback
Feedback
Audio Input
Tape Speed
Dry+Delay
Delay Only
State Variable
Filter Type
Filter Type Morph
Audio Input
1v/octaveFrequency
LP<BP>HP
HP<BP>LP
Lowpass/Highpass
Resonance
Resonance
Audio Input
1v/octaveFrequency
Lowpass Out
Highpass Out
Audio Out
Square Out
Resonance
Resonance
Audio Input
1v/octaveFrequency
Lowpass Out
Bandpass Out
Resonance
Resonance
Audio Input
1v/octaveFrequency
Bandpass Out
Highpass Out
Resonance
Resonance
Audio Input
1v/octaveFrequency
Bandpass Out
Notch Out
Lowpass/Bandpass Bandpass/Highpass Bandpass/Notch
P.0: Y offsetP.1: Stages 1 to 10
Resonance
STRIKETAP TAPRECREC
P.0: Y OffsetP.1: Reduce ModeP.2: Mangling Mode
200 MS MAX
0V=Normal Speed+8V=Double Speed
-4V=Half Speed
400 MS MAX
P.0: Tape LengthP.1: Tape Speed
P.0: 1 to 12 Divisor
P.0: LFO DepthP.1: Y OffsetP.2: LFO RateP.3: Scale
0V=C3 (130.81Hz)0V=C3 (130.81Hz) 0V=C3 (130.81Hz) 0V=C3 (130.81Hz) 0V=C3 (130.81Hz)
19Hz = 900 MS 19Hz = 900 MS
in
out
Waveform Animator
Seperation
Seperation
Audio Input
Threshold
C1 C2 C3 C4 C5 C6 C7 C8
D2 D3 D4 D5 D6 D7 D8
Envelope Time
Attack Release Env
Random CVswith Mute
Dual Attack Buchla to EuroEuro to BuchlaAttack Release Envwith Push Trig
Attack Release EnvVCA
Attack Release EnvVCA with Push Release Env
Dual AR Envelopewith Push Trig Converter Converter
EnvelopeOut
Envelope Time Envelope Time
Trigger Input
VCA Input
Envelope Out
VCA Out
Envelope Time
Trigger Input
VCA Input
Envelope Out
VCA Out
Trigger Env A
Trigger Env A
Trigger Env B
Envelope A
Envelope B
Clocked AR Envwith GateClocked AR Env
with TriggerClocked AR Env
and VCAClocked AR Env Shift Register
Quantized CVsShift Register
Random TriggersShift Register
Rand. TriggersShift Register Dual
Randomize
RandomizationLocked Loop
Clock Input
Modify Flip it
Unipolar Out
Bipolar Out
TRIG TRIG TRIG
Trigger Env A
Trigger Env A
Trigger Env B
Envelope A
Envelope B
Envelope Time
Envelope Shape
Clock Input
Mute
Envelope Shape Envelope Shape Envelope Shape Envelope Shape
Attenuverter -- + Attenuverter -- + Attenuverter -- + Attenuverter -- +
Envelope Shape
Clock Input
Gate
Envelope Shape
Clock Input
Trigger
Envelope Shape
Clock Input
VCA Input
Envelope Out
VCA Output
Envelope Time
Trigger Mode
Envelope Time Envelope Time Envelope Time Envelope Time
TAP TAP TAP TAP RandomizationLocked Loop
RandomizationLocked Loop
Randomize
RandomizationLocked Loop
Clock Input
Modify Flip it
Quantized Out
Gate Out
Randomize
Length 1 to 16
Clock Input
Modify Flip it
Trigger Out
Inverse Trigger
Randomize
Clock Input
Modify Flip it
Trigger A Out
Trigger B Out
P.0:Forward, BackwardP.1: Length 1 to 16 P.2: Quantize ScaleP.3: Amp before Quant.
P.0:Forward, BackwardP.1: Length 1 to 16 P.2: Slew RateP.3: Attenuate Output
P.0: Length A 1 to 16P.1: Length B 1 to 16
EnvelopeOut
EnvelopeOut
EnvelopeOut
TriggerInput
TriggerInput
EnvelopeOut
P.0: Trigger ModeP.1: Envelope ModeP.2: Env.A AttenuverterP.3: Env.B Attenuverter
Trigger ModeP.0: Trigger ModeP.1: Envelope ModeP.2: Env.A AttenuverterP.3: Env.B Attenuverter
Trigger Mode
Tune
1volt/Octave
Gate
1.2volt/Octave
Gate/Trigger
Tune
Octave Shift
Tune
1.2volt/Octave
Gate/Trigger
1volt/Octave
Trigger
Tune
Octave ShiftP.0: Trigger ModeP.1: Envelope ModeP.2: Env.A AttenuverterP.3: Env.B Attenuverter
P.0: Trigger Mode: Sustain = ASR Envelope will sustain with gate high, Auto = Envelope will complete full cycle, Loop = The Envelope loops over and over again like an LFO (see last page for details)P.1: Shape Mode: Variable shaped Envelopes, Attack & Release times are the Same P.2: Envelope A Output Attenuverter (bipolar with positive and negative attenuation) P.3: Envelope B Output Attenuverter (bipolar)
in
out
E1 E2 E3 E4 E5 E6 E7 E8
F1 F2 F3 F4 F5 F6 F7 F8OUT: NOTE
H8Dual Delayed
P.0: Z ModeP.1: RangeP.2: DelayP.3: Length
Pulse Generator
Control
Control
Trigger 1
Trigger 2
Pulse Out 1
Pulse Out 2
Trim
ES-1 Emulation
PatternsDual Quantizer
ES-2 Emulation Pitch Reference Frequency
Dual Quantizer(Z Scale)
Output 1
Output 2
Trim
Crossfade / Pan Dual Sample & Holdwith Trigger
Dual Euclidean Dual Noise
Trim Trim
Input 1
Input 2
Output 1
Output 2
Input 1
Input 2
Scale
Scale
Input 1
Input 2
P.0: X AttenuationP.1: Y AttenuationP.2: X TransposeP.3: Y Transpose
0= Equal Gain1= Equal Power2= D J Transition
P.0: Divisor AP.1: Divisor BP.2: Divisor MIDI OutP.3: Y Mode, 1=RUN/STOP
P.0: TransposeP.1: Bend Depth
P.0: SemitoneP.1: Octave
P.0: Timimng OffsetP.1: Z Mode...0=VELOCITY 1=MOD WHEEL
P.0: X AttenuationP.1: Y AttenuationP.2: X ScaleP.3: Y Scale
P.0: StepsP.1: Pulses 1P.2: RotationP.3: Pulse Legnth
Trigger
Trigger
Input 1
Input 2
Quantized 1
Quantized 2
Gate
Gate
Sample or Track
Input 1
Input 2
Output 1
Output 2
Fade/Pan
Fade/Pan
Input 1
Input 2
Output 1
Output 2
Pulses 2
Pulses 2
Clock Input
Reset
Output 1
Output 2
in
out
ReferenceTuner Midi Clock MIDI to CV CV to MIDI
G1 G2 G3 G4 G5 G6 G7 G8
H1 H2 H3 H4 H5 H6 H7
Amplitude
Amplitude
Amplitude
Amplitude
Input
Output
Clock Input
Run/Stop
Output
Output
Pitch CV
Gate
Mod or Vel
Pitch CV
Gate
Blend
Blend
VCA 1 VC In
VCA 2 VC In
Audio Out 1
Audio Out 2
P.0: Type AP.1: Type BP.2: Attenuation AP.3: Attenuation B
BLEND
BLEND
HIGH
IN TUNE
LOW
LOWERCASEINDICATESSHARPSNOTE NAME/MIDI # HERTZ MIDI CHANNEL 1 ONLY MIDI CHANNEL 1 ONLY
PRESS Z FOR DECIMAL PLACE
TURN S FORDECIMAL VALUE
PLACE
VALUE
Z Neg.= TriggeredZ Pos.= Allways On
From Audio Interface
From Audio Interface
To Modular CV
To Modular CV
From Modular CV
From Modular CV
To Audio Interface
To Audio Interface
RECREC
OUT: NOTEOUT: NOTE
IN CLOCK
OUT CLOCK
IN OUT
Midi Channel 1
Midi Channel 2
Quantized 1
Quantized 2Midi Channel 1
Midi Channel 2
7 82 6
J2 J6 J7 J8(Free)MIDI Playback Audio Playback
with End CVAudio Recorder
Sample Select
Sample Select Sample Select
Sample SelectOctave Shift
Speed
Retrigger
Start Position
Sample Select
Retrigger
1volt/Octave
Speed
Retrigger
Start Position
Audio SD Card SD Card Playback1volt/OctaveSample Playback Clocked
(Clocked)
SD Card Playbackwith Z Speed
MIDI Playback
loop=0 (One-Shot)loop=1 (Loop)zeroVNote=48 (Midinote number on 0 volts)bendRange=2(semitones)cc1offset=0 (CC#1 Volt Offset)cc1scale=5 (CC#1 Volt Range)cc2offset=0 (CC#2 Volt Offset)cc2scale=5 (CC#2 Volt Range)
MIDI Playback
Left Output
Right OutputLeft Output
Right Output
Left Output
Right Output
Sample Select
Retrigger/End
End/Retrigger
Start Position
Left Output
Right Output
MIDI File Select
MIDI File
Clock
Retrigger
CV Out
Gate Out
Record
Record
Left Audio In
Right Audio In
Left Audio Out
Right Audio Out
MIDI File Select
Speed
Speed
1volt/Octave
Retrigger
CV Out
Gate Out
Negative VoltagePositive Voltage
http://expert-sleepers.co.uk/distingsdplayback.htmlAudio and Midi Play List Info:
playlist.txt
midi-playlist.txt
loop=0 (One-Shot)loop=1 (Loop)fadeOut=0(1000 milliseconds=1 sec.)fadeIn=0(milliseconds)gap=ms (Fade in & out)retriggerOnSampleChange
(0=Off 1=On)
fixedPitch=0 (use CV)fixedPitch=1 (normal)fixedPitch=0.5 (half)ramp=4 (Volts of B ramp)triggers=8 (# of B trigs)
>1 Volts = Record< 0.5 Volts = Stop
LEDs Rotate During Record
in
out
MIDI File Select
Speed
Speed
1volt/Octave
Retrigger
CV Out
Gate Out
1 3 4 5
J1
Clocked Audio
Select
Select
Retrigger
Clock
Left Output
Right Output
Playback
2
J3 J4 J5
K2 K3 K4 K5 K6 K7 K8
L4 L7 L8
Wavetable VCO
in
out
K1
L1 L2 L3 L5 L6
disting playlist v1MoogAnnaSwp.wav-wavelength=1024Blofeld_Jupiter.wave-wavelength=128ES_Trumpet
playlist-wavetable.txt
MoogAnna.wav
Sample Legnth is 1024 Samples for one cycle (This �le has 16 cycles)
Blofeld_Jupiter.wav
Cycle Legnth is 128 Samples (This �le has 64 cycles)
The ES_Trumpet folder has 12 seperate wav �les for each cycle anda test �le called “playlist.txt” contains...
All wav �les need to be 16 bit mono and any sample rate.contains
disting playlist v1Trumpet_01.wavTrumpet_02.wavTrumpet_03.wavTrumpet_04.wavTrumpet_05.wavTrumpet_06.wavTrumpet_07.wavTrumpet_08.wavTrumpet_09.wavTrumpet_10.wavTrumpet_11.wavTrumpet_12.wav
Stereo ReverbReverbMono to Stereo Dual Reverb Stereo Chorus Mono Chorus
Wet/Dry
Wet/Dry
Audio Input
LFO Rate
Left Output
Right Output
Wet/Dry
Left Input
Right Input
Left Output
Right Output
Wet/Dry
P.0: LFO DepthP.1: Y Offset P.2: FeedbackP.3: Lowpass Filter
Wet/Dry
Wet/Dry
Audio Input
LFO Rate
Blend
Chorus
P.0: LFO DepthP.1: Y Offset P.2: FeedbackP.3: Lowpass Filter
P.0: SizeP.1: FeedbackP.2: CharacterP.3: Lowpass Filter
Wet/Dry
Mono Input
Feedback
Left Output
Right Output
Wet/Dry
P.0: SizeP.1: FeedbackP.2: CharacterP.3: Lowpass Filter
Wet/Dry
Audio Input A
Audio Input B
Output A
Output B
Wet/Dry
P.0: SizeP.1: FeedbackP.2: CharacterP.3: Lowpass Filter
Tune
Wave Out
Sub Out
Tune
1V/Octave
Wave Morph
P.0: WavetableP.1: Octave ShiftP.2: Y Offset
http://www.vo1t.com/Vo1tIllustrated.htmlMore Illustrated Manuals
P.0: Trigger Mode: Sustain = ASR Envelope will sustain with gate highAuto = Envelope will complete full cycleLoop = Envelope loops (LFO mode)P.1: Shape Mode: Variable shaped Envelopes or
Attack & Release times are the Same
P.2: Envelope A Output Attenuverter(bipolar with positive and negative attenuation)P.3: Envelope B Output Attenuverter (bipolar)
Envelope Parameters Bit Crusher Parameters Type I = Discontinuos Bit Reduction stagesType II = Smooth transition beween satgesParameter 0 Type Chart
0
0
+
--
Parameter 1 Mange Mode Chart
1 2 3 4 5 6 7
0 1 2 3 4 5 6 7
NONE BITSWAP
1
BITSWAP
2
BITSWAP
3
BITRO-TATE
XOR1
XOR2
COR3
20,000 Hz20 Hz
AMPL
ITUDE
FREQUENCY
LOWPASS FILTER
20,000 Hz20 Hz
AMPL
ITUDE
FREQUENCY
BANDPASS FILTER
20,000 Hz20 Hz
AMPL
ITUDE
FREQUENCY
HIGHPASS FILTER
20,000 Hz20 Hz
AMPL
ITUDE
FREQUENCY
NOTCH FILTER
G6 Clock Output for MIDI ClockParameter 0 and 1 values-2 Run/stop-1 Reset pulse0 1/321 1/242 1/163 1/124 1/85 1/66 1/47 1/38 1/29 1/110 2/111 3/112 4/1
G6 MIDI Ouput ClockParameter 2 values0 1/961 1/482 1/323 1/244 1/165 1/126 1/87 1/68 1/49 1/310 1/211 1/1
B4 Clockable Delay/EchoParameter 0 values-15 1/64-14 1/48-13 1/32-12 1/24-11 1/16-10 1/12-9 1/8-8 1/6-7 3/16-6 1/4-5 5/16-4 1/3-3 3/8-2 1/2-1 3/40 x11 x1.52 x23 x34 x45 x56 x67 x88 x16
Scales in C for Quant.and Shift Register Quant. Modes
5+7
3b+5+6
Triad
5+6
Triad+6
Minor
Minor Pent
3b+5+7
Fith
Major
Pent
Triad+7
3b+5
Chromatic
Nat MinorNatural Minor Scale
Harm MinorHarmonic Minor Scale
D4 D5
A6
C8
F6
D6
E1 E3 E5
D7 D8