mrk 4 a1 a2 a3 a4 a5 a6 a7 a8 · moogannaswp.wav-wavelength=1024...

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V4.3 Mrk 4 09-08-17 TRIG TAP TAP P.0: Attenuate A P.1: Attenuate B P.2: Offset A P.3: Offset B P.0: Time Multiplier P.0: Octave Shift P.1: Attenuate A P.2: Attenuate B P.3: Y Offset P.0: Octave Shift P.1: Attenuate A P.2: Attenuate B P.0: Attenuate P.1: Quantize Scale P.2: Key Times/Divide Amount Smooth/Integer Smooth/Integer Attenuate A & B Times/Divide Amount REC REC REC REC REC REC LFO -10V 0V +10V -10V 0V=C3 (130.81Hz) 0V=C3 (130.81Hz) 0V +10V -10V 0V +10V -10V 0V +10V -10V 0V +10V -10V 0V +10V FM in out A1 A2 A3 A4 A5 A6 A7 A8 B1 B2 B3 B4 B5 B6 B7 B8 0=Sample & Hold 1= Track & Hold Inverted Copy of A IN:SET ROOT OUT: NOTE

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V4.3Mrk 4 09-08-17

TRIG TAP TAP

P.0: Attenuate AP.1: Attenuate BP.2: Offset AP.3: Offset B

P.0: Time Multiplier P.0: Octave ShiftP.1: Attenuate AP.2: Attenuate BP.3: Y Offset

P.0: Octave ShiftP.1: Attenuate AP.2: Attenuate B

P.0: AttenuateP.1: Quantize ScaleP.2: Key

Times/DivideAmount

Smooth/Integer Smooth/Integer

Attenuate A & B

Times/DivideAmount

RECREC RECREC RECREC

LFO

-10V 0V +10V -10V

0V=C3 (130.81Hz) 0V=C3 (130.81Hz)

0V +10V -10V 0V +10V

-10V 0V +10V -10V 0V +10V -10V 0V +10V

FM

in

out

A1 A2 A3 A4 A5 A6 A7 A8

B1 B2 B3 B4 B5 B6 B7 B8

0=Sample & Hold1= Track & Hold

Inverted Copy of A

IN:SET ROOT

OUT: NOTE

D1

Offset

Offset

CV Input

CV Input

Precision CV Adder VC Delay Line Vib. Clocked Ping PongDelay (Z Feedback)

Filter 2 Pole Filter Filter FilterVC Speed

Clocked Ping PongDelay (Z Pan) Drum Synth 12 Bands up to 10 Stages

Resonator Vocoder Phaser Bit CrusherFraction Offsets Chorus Flange

X+Y+Offset

X-Y - Offset

BipolarFeedback

Feedback

Y Offset Feedback Freq.+/- Offset

Audio Input

Delay Time

Delay Only

Dry+Delay

Feedback

Feedback

Dry/Wet Switch1/2 Octaves or

1/3 Octaves Apart

Audio Input

Clock Input

Left Output

Right Output

Input Pan

Input Panning

Audio Input

Clock Input

Left Output

Right Output

Gain/Length

Gain/Length

Audio Input

1v/octaveFrequency

Audio Output

Envelope Out

Audio Output

Envelope Out

Decay Time

Decay Time

Modulator In

Carrier Input

BipolarFeedback

+ & - Feedback

Audio Input

Sweep

Bit Depth

Bit Depth

Audio Input

Sample Rate

Dry+Phaser

Phaser Only

Crush Output

Comparator

Tape Delay

Feedback

Feedback

Audio Input

Tape Speed

Dry+Delay

Delay Only

State Variable

Filter Type

Filter Type Morph

Audio Input

1v/octaveFrequency

LP<BP>HP

HP<BP>LP

Lowpass/Highpass

Resonance

Resonance

Audio Input

1v/octaveFrequency

Lowpass Out

Highpass Out

Audio Out

Square Out

Resonance

Resonance

Audio Input

1v/octaveFrequency

Lowpass Out

Bandpass Out

Resonance

Resonance

Audio Input

1v/octaveFrequency

Bandpass Out

Highpass Out

Resonance

Resonance

Audio Input

1v/octaveFrequency

Bandpass Out

Notch Out

Lowpass/Bandpass Bandpass/Highpass Bandpass/Notch

P.0: Y offsetP.1: Stages 1 to 10

Resonance

STRIKETAP TAPRECREC

P.0: Y OffsetP.1: Reduce ModeP.2: Mangling Mode

200 MS MAX

0V=Normal Speed+8V=Double Speed

-4V=Half Speed

400 MS MAX

P.0: Tape LengthP.1: Tape Speed

P.0: 1 to 12 Divisor

P.0: LFO DepthP.1: Y OffsetP.2: LFO RateP.3: Scale

0V=C3 (130.81Hz)0V=C3 (130.81Hz) 0V=C3 (130.81Hz) 0V=C3 (130.81Hz) 0V=C3 (130.81Hz)

19Hz = 900 MS 19Hz = 900 MS

in

out

Waveform Animator

Seperation

Seperation

Audio Input

Threshold

C1 C2 C3 C4 C5 C6 C7 C8

D2 D3 D4 D5 D6 D7 D8

Envelope Time

Attack Release Env

Random CVswith Mute

Dual Attack Buchla to EuroEuro to BuchlaAttack Release Envwith Push Trig

Attack Release EnvVCA

Attack Release EnvVCA with Push Release Env

Dual AR Envelopewith Push Trig Converter Converter

EnvelopeOut

Envelope Time Envelope Time

Trigger Input

VCA Input

Envelope Out

VCA Out

Envelope Time

Trigger Input

VCA Input

Envelope Out

VCA Out

Trigger Env A

Trigger Env A

Trigger Env B

Envelope A

Envelope B

Clocked AR Envwith GateClocked AR Env

with TriggerClocked AR Env

and VCAClocked AR Env Shift Register

Quantized CVsShift Register

Random TriggersShift Register

Rand. TriggersShift Register Dual

Randomize

RandomizationLocked Loop

Clock Input

Modify Flip it

Unipolar Out

Bipolar Out

TRIG TRIG TRIG

Trigger Env A

Trigger Env A

Trigger Env B

Envelope A

Envelope B

Envelope Time

Envelope Shape

Clock Input

Mute

Envelope Shape Envelope Shape Envelope Shape Envelope Shape

Attenuverter -- + Attenuverter -- + Attenuverter -- + Attenuverter -- +

Envelope Shape

Clock Input

Gate

Envelope Shape

Clock Input

Trigger

Envelope Shape

Clock Input

VCA Input

Envelope Out

VCA Output

Envelope Time

Trigger Mode

Envelope Time Envelope Time Envelope Time Envelope Time

TAP TAP TAP TAP RandomizationLocked Loop

RandomizationLocked Loop

Randomize

RandomizationLocked Loop

Clock Input

Modify Flip it

Quantized Out

Gate Out

Randomize

Length 1 to 16

Clock Input

Modify Flip it

Trigger Out

Inverse Trigger

Randomize

Clock Input

Modify Flip it

Trigger A Out

Trigger B Out

P.0:Forward, BackwardP.1: Length 1 to 16 P.2: Quantize ScaleP.3: Amp before Quant.

P.0:Forward, BackwardP.1: Length 1 to 16 P.2: Slew RateP.3: Attenuate Output

P.0: Length A 1 to 16P.1: Length B 1 to 16

EnvelopeOut

EnvelopeOut

EnvelopeOut

TriggerInput

TriggerInput

EnvelopeOut

P.0: Trigger ModeP.1: Envelope ModeP.2: Env.A AttenuverterP.3: Env.B Attenuverter

Trigger ModeP.0: Trigger ModeP.1: Envelope ModeP.2: Env.A AttenuverterP.3: Env.B Attenuverter

Trigger Mode

Tune

1volt/Octave

Gate

1.2volt/Octave

Gate/Trigger

Tune

Octave Shift

Tune

1.2volt/Octave

Gate/Trigger

1volt/Octave

Trigger

Tune

Octave ShiftP.0: Trigger ModeP.1: Envelope ModeP.2: Env.A AttenuverterP.3: Env.B Attenuverter

P.0: Trigger Mode: Sustain = ASR Envelope will sustain with gate high, Auto = Envelope will complete full cycle, Loop = The Envelope loops over and over again like an LFO (see last page for details)P.1: Shape Mode: Variable shaped Envelopes, Attack & Release times are the Same P.2: Envelope A Output Attenuverter (bipolar with positive and negative attenuation) P.3: Envelope B Output Attenuverter (bipolar)

in

out

E1 E2 E3 E4 E5 E6 E7 E8

F1 F2 F3 F4 F5 F6 F7 F8OUT: NOTE

H8Dual Delayed

P.0: Z ModeP.1: RangeP.2: DelayP.3: Length

Pulse Generator

Control

Control

Trigger 1

Trigger 2

Pulse Out 1

Pulse Out 2

Trim

ES-1 Emulation

PatternsDual Quantizer

ES-2 Emulation Pitch Reference Frequency

Dual Quantizer(Z Scale)

Output 1

Output 2

Trim

Crossfade / Pan Dual Sample & Holdwith Trigger

Dual Euclidean Dual Noise

Trim Trim

Input 1

Input 2

Output 1

Output 2

Input 1

Input 2

Scale

Scale

Input 1

Input 2

P.0: X AttenuationP.1: Y AttenuationP.2: X TransposeP.3: Y Transpose

0= Equal Gain1= Equal Power2= D J Transition

P.0: Divisor AP.1: Divisor BP.2: Divisor MIDI OutP.3: Y Mode, 1=RUN/STOP

P.0: TransposeP.1: Bend Depth

P.0: SemitoneP.1: Octave

P.0: Timimng OffsetP.1: Z Mode...0=VELOCITY 1=MOD WHEEL

P.0: X AttenuationP.1: Y AttenuationP.2: X ScaleP.3: Y Scale

P.0: StepsP.1: Pulses 1P.2: RotationP.3: Pulse Legnth

Trigger

Trigger

Input 1

Input 2

Quantized 1

Quantized 2

Gate

Gate

Sample or Track

Input 1

Input 2

Output 1

Output 2

Fade/Pan

Fade/Pan

Input 1

Input 2

Output 1

Output 2

Pulses 2

Pulses 2

Clock Input

Reset

Output 1

Output 2

in

out

ReferenceTuner Midi Clock MIDI to CV CV to MIDI

G1 G2 G3 G4 G5 G6 G7 G8

H1 H2 H3 H4 H5 H6 H7

Amplitude

Amplitude

Amplitude

Amplitude

Input

Output

Clock Input

Run/Stop

Output

Output

Pitch CV

Gate

Mod or Vel

Pitch CV

Gate

Blend

Blend

VCA 1 VC In

VCA 2 VC In

Audio Out 1

Audio Out 2

P.0: Type AP.1: Type BP.2: Attenuation AP.3: Attenuation B

BLEND

BLEND

HIGH

IN TUNE

LOW

LOWERCASEINDICATESSHARPSNOTE NAME/MIDI # HERTZ MIDI CHANNEL 1 ONLY MIDI CHANNEL 1 ONLY

PRESS Z FOR DECIMAL PLACE

TURN S FORDECIMAL VALUE

PLACE

VALUE

Z Neg.= TriggeredZ Pos.= Allways On

From Audio Interface

From Audio Interface

To Modular CV

To Modular CV

From Modular CV

From Modular CV

To Audio Interface

To Audio Interface

RECREC

OUT: NOTEOUT: NOTE

IN CLOCK

OUT CLOCK

IN OUT

Midi Channel 1

Midi Channel 2

Quantized 1

Quantized 2Midi Channel 1

Midi Channel 2

7 82 6

J2 J6 J7 J8(Free)MIDI Playback Audio Playback

with End CVAudio Recorder

Sample Select

Sample Select Sample Select

Sample SelectOctave Shift

Speed

Retrigger

Start Position

Sample Select

Retrigger

1volt/Octave

Speed

Retrigger

Start Position

Audio SD Card SD Card Playback1volt/OctaveSample Playback Clocked

(Clocked)

SD Card Playbackwith Z Speed

MIDI Playback

loop=0 (One-Shot)loop=1 (Loop)zeroVNote=48 (Midinote number on 0 volts)bendRange=2(semitones)cc1offset=0 (CC#1 Volt Offset)cc1scale=5 (CC#1 Volt Range)cc2offset=0 (CC#2 Volt Offset)cc2scale=5 (CC#2 Volt Range)

MIDI Playback

Left Output

Right OutputLeft Output

Right Output

Left Output

Right Output

Sample Select

Retrigger/End

End/Retrigger

Start Position

Left Output

Right Output

MIDI File Select

MIDI File

Clock

Retrigger

CV Out

Gate Out

Record

Record

Left Audio In

Right Audio In

Left Audio Out

Right Audio Out

MIDI File Select

Speed

Speed

1volt/Octave

Retrigger

CV Out

Gate Out

Negative VoltagePositive Voltage

http://expert-sleepers.co.uk/distingsdplayback.htmlAudio and Midi Play List Info:

playlist.txt

midi-playlist.txt

loop=0 (One-Shot)loop=1 (Loop)fadeOut=0(1000 milliseconds=1 sec.)fadeIn=0(milliseconds)gap=ms (Fade in & out)retriggerOnSampleChange

(0=Off 1=On)

fixedPitch=0 (use CV)fixedPitch=1 (normal)fixedPitch=0.5 (half)ramp=4 (Volts of B ramp)triggers=8 (# of B trigs)

>1 Volts = Record< 0.5 Volts = Stop

LEDs Rotate During Record

in

out

MIDI File Select

Speed

Speed

1volt/Octave

Retrigger

CV Out

Gate Out

1 3 4 5

J1

Clocked Audio

Select

Select

Retrigger

Clock

Left Output

Right Output

Playback

2

J3 J4 J5

K2 K3 K4 K5 K6 K7 K8

L4 L7 L8

Wavetable VCO

in

out

K1

L1 L2 L3 L5 L6

disting playlist v1MoogAnnaSwp.wav-wavelength=1024Blofeld_Jupiter.wave-wavelength=128ES_Trumpet

playlist-wavetable.txt

MoogAnna.wav

Sample Legnth is 1024 Samples for one cycle (This �le has 16 cycles)

Blofeld_Jupiter.wav

Cycle Legnth is 128 Samples (This �le has 64 cycles)

The ES_Trumpet folder has 12 seperate wav �les for each cycle anda test �le called “playlist.txt” contains...

All wav �les need to be 16 bit mono and any sample rate.contains

disting playlist v1Trumpet_01.wavTrumpet_02.wavTrumpet_03.wavTrumpet_04.wavTrumpet_05.wavTrumpet_06.wavTrumpet_07.wavTrumpet_08.wavTrumpet_09.wavTrumpet_10.wavTrumpet_11.wavTrumpet_12.wav

Stereo ReverbReverbMono to Stereo Dual Reverb Stereo Chorus Mono Chorus

Wet/Dry

Wet/Dry

Audio Input

LFO Rate

Left Output

Right Output

Wet/Dry

Left Input

Right Input

Left Output

Right Output

Wet/Dry

P.0: LFO DepthP.1: Y Offset P.2: FeedbackP.3: Lowpass Filter

Wet/Dry

Wet/Dry

Audio Input

LFO Rate

Blend

Chorus

P.0: LFO DepthP.1: Y Offset P.2: FeedbackP.3: Lowpass Filter

P.0: SizeP.1: FeedbackP.2: CharacterP.3: Lowpass Filter

Wet/Dry

Mono Input

Feedback

Left Output

Right Output

Wet/Dry

P.0: SizeP.1: FeedbackP.2: CharacterP.3: Lowpass Filter

Wet/Dry

Audio Input A

Audio Input B

Output A

Output B

Wet/Dry

P.0: SizeP.1: FeedbackP.2: CharacterP.3: Lowpass Filter

Tune

Wave Out

Sub Out

Tune

1V/Octave

Wave Morph

P.0: WavetableP.1: Octave ShiftP.2: Y Offset

[email protected]

http://www.vo1t.com/Vo1tIllustrated.htmlMore Illustrated Manuals

Email

P.0: Trigger Mode: Sustain = ASR Envelope will sustain with gate highAuto = Envelope will complete full cycleLoop = Envelope loops (LFO mode)P.1: Shape Mode: Variable shaped Envelopes or

Attack & Release times are the Same

P.2: Envelope A Output Attenuverter(bipolar with positive and negative attenuation)P.3: Envelope B Output Attenuverter (bipolar)

Envelope Parameters Bit Crusher Parameters Type I = Discontinuos Bit Reduction stagesType II = Smooth transition beween satgesParameter 0 Type Chart

0

0

+

--

Parameter 1 Mange Mode Chart

1 2 3 4 5 6 7

0 1 2 3 4 5 6 7

NONE BITSWAP

1

BITSWAP

2

BITSWAP

3

BITRO-TATE

XOR1

XOR2

COR3

20,000 Hz20 Hz

AMPL

ITUDE

FREQUENCY

LOWPASS FILTER

20,000 Hz20 Hz

AMPL

ITUDE

FREQUENCY

BANDPASS FILTER

20,000 Hz20 Hz

AMPL

ITUDE

FREQUENCY

HIGHPASS FILTER

20,000 Hz20 Hz

AMPL

ITUDE

FREQUENCY

NOTCH FILTER

G6 Clock Output for MIDI ClockParameter 0 and 1 values-2 Run/stop-1 Reset pulse0 1/321 1/242 1/163 1/124 1/85 1/66 1/47 1/38 1/29 1/110 2/111 3/112 4/1

G6 MIDI Ouput ClockParameter 2 values0 1/961 1/482 1/323 1/244 1/165 1/126 1/87 1/68 1/49 1/310 1/211 1/1

B4 Clockable Delay/EchoParameter 0 values-15 1/64-14 1/48-13 1/32-12 1/24-11 1/16-10 1/12-9 1/8-8 1/6-7 3/16-6 1/4-5 5/16-4 1/3-3 3/8-2 1/2-1 3/40 x11 x1.52 x23 x34 x45 x56 x67 x88 x16

Scales in C for Quant.and Shift Register Quant. Modes

5+7

3b+5+6

Triad

5+6

Triad+6

Minor

Minor Pent

3b+5+7

Fith

Major

Pent

Triad+7

3b+5

Chromatic

Nat MinorNatural Minor Scale

Harm MinorHarmonic Minor Scale

D4 D5

A6

C8

F6

D6

E1 E3 E5

D7 D8