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Page 1: MP 590 - Smithsonian Institution · classical composers, according to a jazz concert in Tiflis, featuring Kay a jazz gent namd Eddie Rosner Kay pointed out that a· pop tune leading
Page 2: MP 590 - Smithsonian Institution · classical composers, according to a jazz concert in Tiflis, featuring Kay a jazz gent namd Eddie Rosner Kay pointed out that a· pop tune leading

You may play this monaural recording on all 331/3, long-.

playing phonographs and high fidelity systems. It will

sound eyen better if you play it on stereophonic equipment.

20PULAR music in the Soviet Union has had a uniqu, history. Cut off from the general trends in jazz throughout tht

. western world, Soviet popular music stems mainly from the American "dance" idiom of the twenties . The present recording ranges from what is by our own standards "old-fashioned" jazz (although some of it is very elaborately dressed up as in Moscow Nights) to more sophisticated numbers such as Blue Twilight. The AccordiO'n' Waltz instrumental is as readily acceptable to us as Under Paris S~ies or Domino.

A few of the numbers (Moon Waltz, Katiusha) are perennial favorites in the Soviet Union and were included as characteristic of Russian tastes in popular music. Moscow's tribute to America, the rendition of the St. Louis Blues, will be somewhat startling to those unaware of the Russian penchant for "swingi ' it". The last number on Side Two presents one of Mosco ' leading composers and dance pianists, Alexander Tsfasman. playing one , of his own hits. NOTE : Although Monitor customam /Wovides complete trans­

lations or story c()llt'cil:nsations with all s 'lIgS u was fdt unnecessary to do so in the cau 'Of his lilburn since the lyrics all possess a univel'sally \»Iderstood "moon-June­croon" quality. List"" II d ou'll understand what we mean. For the Russi" t xt write to Monitor.

Side One

1. MOSCOW NIGHTS Podmoskoyni Vechera Music: Vassili Soloviev-Sedoy; Text: M. Matusovsky; Solo: Vladimir Troshin; Women's Chorus and Radio CO'ncert Orchestra conducted by Victor Knushevitzky

2. CLOUDS OVER THE TOWN Tuch~ Nad Gorodo Vs/ali Music and Text by Pavel Armand ; Solo: Mark Berness; A. Shalayev and N. Krilov, Accordions

3. LONELY ACCORDION Odinokaya Garmon M,usic : Boris Mokroussov; Text: M. Issakovsky; Solo: George Ots; Estonian Radio Orchestra conducted by Rostislav Merkulov

4. KATIUSHA Music: Matvei Blanter; Text: M. Issakovsky; Solo : Larissa Avdeyeva; Radio Concert Orchestra conducted by Eugene Akulov

5. SONG OF ROSHCHIN From the film "Different Destinies"; Music: Nikita Bogoslavsky; Text: N. Dorizo; Solo: Mark Berness with Instrumental Ensemble

6. WHY? Otcheyo, pochemu From the film "A Story of True Love"; Music: Andrei Eshpai; Text: V. Kotov; Solo: Vladimir Troshin; Concert Orchestra conducted by Vadim Ludvikovsk.y

7. BLUE TWILIGHT Siniye Sumerki Music: Tatiana Bromberg ; Solo: Nina Dorda; Concert Orchestra conducted by Nikolai Minkh

8. ACCORDION WALTZ Instrumental by Oscar Feltsman; Solo: Boris Tikhonov; Radio Concert Orchestra conducted by Boris Karamishev

Side Two

1. ST. LOUIS BLUES (W. C. Handy) Guitar Instrumental; Guitars: Yuri Greshchenko, Victor Mironov, Alexei Yakushev

2. FIRST LOVE WALTZ From the film "Favorite Song"; Music: Tofik Kuliyev; Text: N . Dorizo; Solo: Rashid Beibutov; State Orchestra conducted by Vadim Ludvikovsky

3. TRY AND GUESS! Podi Poproboi, Ogadai-ka Music: Anatoli Lepin ; Text: T. Solodar ; Solo : Vera Krosovitskaya; Radio Stage Orchestra conducted by Yuri Silantev

4. HEAR ME OUT, MY PRETTY ONE! Uslish MenYd, Khoroshaya Music: Vassili Soloviev-Sedoy; Text: M. Issakovsky; Solo: George Ots; Estonian Radio Orchestra conducted by Rostislav Merkulov

5. MOON WALTZ Lunni V<tls Music: Isaac Dunayevsky; Text: V. Lebedev-Kumach: Solo: Alla Solenkova; Radio Concert Orchesm, conducted by Victor Knushevitzky

6. IF YOU LOVE Yesli Lyubish Music: S. Vassilev; Solo: Vitali Vlassov with instrumental ensemble

7. ALWAYS WITH YOU Vsegda s Toboi Instrumental by Alexander Tsfasman; Alexander Tsfasman (piano) and Instrumental Sextet .

MP 590 MONITOR PRESENTS

"MOSCO~ H~GHTS" Nr£~ Fa 4HC/f.

POPULAR Ru.t1.:jG~lIITS 'Srlll/Lf..~,,-s OF RUSSIA ON

'J.f}/ilTOR RECORDS

POP TUNES SECONDARY-BUT

'Moscow Nights' Swings Russkys on Volga Circuit

NEW YORK - U1ysSf!s Kay; hi~ recot:,d al,d then places his order JOlJghair compo~et ju~t back. from with the clerk behind the counter. ~ State pepllltment' SpOOlored LP's. both IO-inch and 12-incli are tQur of RussUi -a)ong with !!lassical, the ~;Ilk of the business with no composers hter Mennin, Roy Har- 45's"availab'le that Kav could see. ris and Rog~r ' Sessions, sald this Russian phonographs are two ~eel:: that the hottest pop hit -in speed jobs tha t play LP's ' and 78's. R~sia at the moment is a swil}ging Much sheet music is displayed in Qitty titled "Moscow Nights." - It record stores -according to Kay. was penned..oy cleffer Vassily So- Dance orks usually play Russian lori=-Sedaj, head of th~ Leningrad music, ' claimed the- longhair ' com­Composer's Union;. w.hme main GC- poser,·but evelfso often he heard cupation is · th-at .of classical com- an '.old stock arrangement featured poser, Tliere .iI.re. no pop 'special- by the Glenn Miller Ork or the ,ists m ~he USSR, but pop ' songs are Sy Olliver Ork of the 1940:s. He sort of _ a . secondary· function ' of and' the other longhairs caught classical composers, according to a jazz concert in Tiflis, featuring Kay a jazz gent namd Eddie Rosner

Kay pointed out that a· pop tune leading a large band with reeds, becDf!!es a hit in Russia not via brass, strings" and rhythm. Band radio plays, b l1 t vi<l li,,:e perform- sounded sort-of Lawl'eI1Ce Welk-ish ances in . clubs; theaters, dance according to Kay, and the acts on halls, elo:;:., just as it used to be true the bill with the band made it look in' the U. S. years ago. Radio mu- like one_ pf those 1940 Paran10unt sic is restricted to chissical, semi- Theater stageshows. classical' and folk music. with few ----------pop songs perfo~med. The record bitsiness, ho.weve·r. is . important i~-S-oviet . Russia,.' said Kay: with the Qig )doscow .department stores •. for exarilp'le, .maintaining large re~ord , departments. The ·Russians have ' not yet . got at01l00 t9 self-service, but they do have lists of all the records in stock on panels on the walls. A customer studies the panel, finds the title and numbe[ of..

Reprinted from The Billboard, November 24, 1958

B ADS f8 C AD

!'I.!Yr IV" SKOIlTSOV

tlag. III ran 100as

MC 2001 IVAN SKOBTSOV SINGS RUSSIAN FOLK SONGS

,PYCClGm RAPO.n.HhIE IIECRM

RUSSIAN FOLK.

SONG!"

MF 302 RUSSIAN FOLK SONGS Famous Choruses and Soloists

MP 560 SONGS OF OLD RUSSIA ~

For complete catalogue and Russian text of these songs write:

,-... ..

CAOBA MMX MATYC08CKoro

Sheet music COVeT for Russian -published "-Moscow N. ights"

MONITOR RECORDS 445 West 49th Street New York 19, New York

This recording was processed from the origi1'l<11 master tape by arrangement with Leeds Music Corporation, N. Y. For the care of your records chec~ needle periodically; store away from heat; wipe with a damp cloth before playing. For pl.aybac~ on wide-range equipmemt use RlAA curve.

Cover Photo : IU.S.S.R. Magazine through Sovfoto Cover D(sign: _ David Chasman

Printed in U.S.A.

Page 3: MP 590 - Smithsonian Institution · classical composers, according to a jazz concert in Tiflis, featuring Kay a jazz gent namd Eddie Rosner Kay pointed out that a· pop tune leading

MONITOR PRESENTS • :monitor MP 590

"MOSCOW NIGHTS" POPULAR RUSSIAN HITS

, .,l . !~. .l..

1. I10aMOCKOBHhIE BE'iEPA

He C~~HH B caAY Aa~e llOpOXH, Bce 3AeCb 3aMep~0 AO yTpa; Ec~ 6 3HaJUI BH,RaR MHe AoporH, I1oAMocRoBHNe Beqepa. Ec~m 6 3Ha~H BN,RaR MHe AoporH, IToAMocRoBHNe Beqepa.

PeqRa ABH~eTCR H He ABH~eTCH, BCH H3 ~YHHoro cepe6pa, ITecHH C~illHTCH H He C~illHTCR,

B 3TH THXHe Beqepa. I1ecHR C~NillHTCH H He C~illHTCR,

B 3TH THXHe Beqepa.

'iTO ~ TN,MH~aH,CMOTPHillb HCRoca, HH3RO rO~OBY HaR~OHR; TPYAHO BNCRa3aTb H He BNCKa3aTb, BCe,qTO Ha cepAue Y MeHH. TpYAHO BHCRa3aTb H He BHCRa3aTb, BCe,qTO Ha cepA~e Y MeHR.

A paccBeT Y>Ke Bce 3aMeTHee, 3x, nO)Ka~YHcTa, 6YAb A06pa, He 3a6YAb H TN, 3TH ~eTHHe, I10AYOCROBHNe Beqepa. He 3a6YAb H TN, 3TH ~eTHHe, I10AMocROBHNe Be~epa.

-:-:-:-:-:-:-

TY~H HaA ropOAO)'( BCTa~, B B03Ayxe naXHeT I' P030H, 3a Aa~eRoH DHapCROH 3aCTaBOH, I1apeHb HAeT MO~oAOH. aa~eRa TN nYTb - Aopora, BNHAellb, MH~aH MOH, MN npocTHMCH C To6oH Y nopora H, 6NTb MO>KeT, HaBcerAa.

MH npOCTHMCR C To60H Y nopora H, 6NTb Mo~eT, HaBcerAa.

qepHNe CH~ MeTYTcR, bQTep HaM AyeT B ~uo, 3a CqaCTbe HapOAHoe 6bIDTCR, OTPRAN pa60qHX 60MUOB. aa~eRa TN nyTb - Aopora, BHHAH, MH~aR, BCTpeqaH, MN npOCTHYCR C T060M Y nopora, TN MHe CqaCTbR no~e~aM. ME npocTHMCR C T060M Y nopora, TH MHe CqaCTbH no~e~aH.

.~apROID CTpaCTbID nH~aID, CepAue TpeBO~O B rpYAH, KTO TN - Te6R H He 3HaID, Ho Hama ~ID60Bb BnepeAH. I1pHXOAH >Ke, APyr )'(0 H MH~bIM, I1oue~YH MHeR B YCTa, H R~HyCb R, Te6H AO uorH~, He 3a6YAY HHRorAa. H R~HyCb R, Te6R AO MorH~, He 3a6YAY HHRorAa.

-:-:-:-:-:-:-:-

3. OAHHOKAa rAPMOHh

CHOBa 3a),(ep~0 Bce AO paCCBeTa, aBepb He CRpHnHeT,He BcnNXHeT

OI'OHb, TO~bRO C~illHO Ha y~ue rAe-TO, OAHHORaR 6pOAHT I'apMoHb. TO~bRO C~illHO Ha y~ue rAe-TO, OAHHoRaR 6pOAHT I'ap)'(OHb.

To nOHAeT Ha nO~R 3a BopoTa, To 06paTHo BepHeTcH onHTb, C~OBHO H~eT B nOTeMRax Roro-To, H He MO>KeT HHRaR OTNCRaTb. C~OBHO H~eT B nOTeMRax RorO-TO, H He MO)KeT HHRaR OTNCRaTb.

Page 4: MP 590 - Smithsonian Institution · classical composers, according to a jazz concert in Tiflis, featuring Kay a jazz gent namd Eddie Rosner Kay pointed out that a· pop tune leading

BeeT C nO~R HO~HaR npox~aAa, G R6~OHb ~BeT o6~eTaeT PYCTOH; TN npH3HaHCR,ROPO Ts6e HaAo, TN CRa~H,papMOHHcT MO~OAOH. TN npH3Ha~CR,ROPO Ts6e HaAO, TN CRa~H,papMoHHCT MO~OAOH.

Mo~eT paAocTb TBOR HeAa~eRo, ,lla He 3HaeT, ee ~ TN ~Aeillb,

qTO ~ Tbl 6pOAHllIb BClO HOt{b OAHHORO, qTO ~ TN AeBYllIRaM cnaTb He Aaeillb. liTO ~ TN 6pOAHillb BC~ HOt{b OAHHORO, qTO ~ TN AeBYillRaM cnaTb He

-:-:-:-:-:-:-:-:-

4 • KA'rIOlliA

PaC~BeTa~H R6~OHH H rpymH, rron~~H TYMaHN HaA peROH, BblxOAH~a Ha 6eper KaT~illa,

Aaeillb.

Ha BNCORHH6eper, Ha RPYToH. BNXOAH~a Ha 6eper KaTlOilla, Ha BNCORHH 6eper, Ha RPYTOH.

BNxOAH~a, neCHIO 3aBOAH~a, rrpo CTenHOPO CH30ro op~a, ITpo Toro, ROToporo ~~6H~a, llpo Toro, ~bH nHCbMa 6eper~a.

O~, TN neCHR, neceHbRa AeBHt{bR, 'L'bl JIeTH 3a RCHO COJIH~a CBeT, TN 60~UY Ha Aa~bHeM norpaHH~bH, OT KaTlOillH nepeAaH npHBeT. TN 60HUY Ha Aa~bHeM norpaHHt{bH, OT KaTIDlliH nepeAaH npHBeT.

IIYCTb OH BCnOMHHT AeBymRY npOCTY~, llYCTb yc~mHT, RaR OHa noeT, llYCTb OH 3ell~ 6epeJKeT POAHY~, A ~60Bb KaTIDllia c6epeJKeT.

PaC~BeTa~H R6~OHH H rpyllIH, llon~N~H TyuaHN HaA peKoH, BNxoAH~a Ha 6eper KaT~illa,

Ha BNCORHH 6eper Ha RPYTOH. BNxoAH~a Ha 6eper KaTlOilla, Ha BNCORHH 6eper Ha RPYTOH.

-:-:-:-:-:-5. IIEGHa POilJ,MHA

/113 <i>l1JIhMA "PA3HHE GY,llhBhI"

llo~e).(y JK TN ).(He He BCTpeTH~aCb, XlHaR, HeJKHaR, B Te rOAa MOH Aa~eRHe, B Te rOAa BeillHHe, rO~OBa CTa~a 6e~olO,

qTO C HeR R nOAe~a~, llo~ellY ~e TN MHe BCTpeTH~aCb, JlHmb ceihac.

11 3a6N~ B Rpyry pOBeCHHROB, GRO~bRO ~eT rrpOHAeHO,

'rbl 06 3TOM MHe HanO}lHH~a,

lOllaR, CTpOHHaR, 06 OAHOU TO~bRO AyMa~, MHe ~a~b Ty BecHY MO~, qTo npoill~a HenoBTopHuaR, Be3 Te6R.

Ax, 60HTCR ceAHHa MOR, 'rBoero ~oR0Ha, TN eme Mo~o~e Ra~embCR, Ec~ R ORO~O, BHAHO HaM BCTpet{b He npa3AHoBaTb, Y Hac CYAb6N pa3HNe, TN ~60Bb MOR rroc~eAHRR,

BO~b MOR. -:-;-:-:-:-:-:-

,ll~R MeHR B 3TOT AeHb, G~OBHO B Mae CHpeHb, rrOMH~,~Be~a

HeoJKHAaHHO TN, B MOIO JKH3Hb H Me~TN, rrOllH~, BOill~a.

llOt{eMy,OTt{epo, 11 He 3Ha~ caM, ij rrOBepH~ TBOHM ro~y6bIM p~a3all,

M Tenepb,cRa~y Te6e, TN OAHa B MoeH CYAb6e, TN oAHa B MoeH CYAb6e.

,lloporaR, nOBepb, R He B CH~ax Tenepb, CepA~e YHRTb. TN,RaR CBeT MHe HY~Ha, TN AO~Ha, TN AO~Ha, 3TO nOHRTb.

OTt{ero, no~eMy,

M He 3Ha~ caM, a nOBepH~ TBOHM ro~y6bIll r~a3aM,

11 Tenepb,CRaJKY Te6e, TN oAHa B MoeH CYAb6e, TbI 0AHa B MoeR CYAb6e.

OT~ero, no~eMy, 11 He 3Ha~ caY, 11 nOBepH~ TBOHY ro~y6NM r~a3aM,

H Tenepb, CRaJKY Te6e, TN oAHa B MoeH CYAb6e, TN oAHa B MoeH CYAb6e.

-:-:-:-:-:-

Page 5: MP 590 - Smithsonian Institution · classical composers, according to a jazz concert in Tiflis, featuring Kay a jazz gent namd Eddie Rosner Kay pointed out that a· pop tune leading

7. Cl1HME CYMEPKH

AerRHM Mop03ueM ORYTaH B03AYX BAa~H cepe6pHTCR, 3HMHHe CYMepRH CROpO, Bce ORYHYT B cHHeBy, H RpacoToro MOH ropOA B MHpe C APyrHu He cpaBHHTCR, CyuepRH ro~yOeM CH3~M, THXO oO~eTaroT MOCRBY.

CHHHe cyMepRH 3TO Ten~e BCTpeqH B~ro6~eHH~X, CHHHe cyMepRH 3TO CBeT~aR neCHR ~roOBH. C~my R C~OBO npHBeTa, B napRe,CHe~ROM 3aMeTeHHOM, CHoBa,APyr APyroM corpeTN, BpOAHM UN, CqaCTbR nO~N.

C~llIY R C~OBO npHBeTa, B napRe,CHe~ROM 3aMeTeHHOM, CHoBa,APyr APyroM corpeTN, BpOAHM UN, CqaCTbR nOAHN.

-:-:-:-:-:-:-

8. rAPMOHh - BAAhC

-:-:-:-:-:-:-

c 'rOPOHA N~ 2.

1. C3HT AYMC B)~

-:-:-:-:-

2. ITEPBAR ADBOBh 1M3 ~HAhMA "Jl1OBMMAH HECHR"

BN~ Y MeHR B AeTCTBe Ma~eHbRHH APy~oR, 3arope~H, OocoHorHH, CMe~H napeHeR. H APyra 3Ba~ CamRoM, C HHM MRqH rOHR~, C APyroM 3THll Y coceAeM R6~ORH TaCRa~. ITOqeMY, He nOMMY C HHM COBceM R HNHe APyroH, H XOqy, H OoroCb, K PYRe npHRocHyTbCR PYROM.

B 3TO YTPO TN npeRpaCHa, MOH Ma~bqHl1IRa AoporoM./Gp.

ITYCTb HaM BcerAa CBeTHT nepBag ~roOOBb, MN RorAa-TO APyr A~R APyra POAH~Cb C TOOOH. TN MBe CeHqaC CTa~a O~Hge

B COTHH pa3, M TeOR,R TaR RaR B AeTCTBe, OOHHMY CeHqaC, 3TH PYRH TPOHY PYROH, ITOqeMY - nOTOMY, qTO ~IDOHMa T~ Bcero AymoH.

ITOTOMY qTO T~ npeRpaCHa, MOM Ma~bqHllIRa AOpOPOH. jap.

-:-:-:-:-:-:-

3. IlOM.lU1 llOHPOBYt1, yrMAW-KA

ITOHAH nonpOOYH, yraAaH-Ra, KorAa ~OOBb BcnopXHeT,RaR nTHua, M no~onpaBHoro X03RHROH, B AeBHqbe cepAue nocTyqHTCR, OHa npHMqHTCR ~erRORp~~OH, H npHHeceT TeOe OTpaAY, Ee nporHaTb y~ TN He B cH~ax, A Mo~eT, nporOHRTb He HaAO.

H TN HHRaR He yraAaemb, KorAa OHa npHuqaTbCR M08eT, COBceM ee He 08HAaemb, Ho cepAue TPYAHO nOTpeBO~HTb. H BOT R TeOe npHxOAHT MH~H, M Bce CRa3aTb eMy TN paAa, AroOoBb CRpNBaTb y~ TN He B cH~ax, A M08eT H CRpNBaTb He HaAO, CRpNBaTb He HaAO.

-:-:-:-:-:-:-

4. YCJIhIJlIh MEHR, XOPOlliAfl

YC~b MeHR, xopomaR, YC~b MeHa, RpacHBaR, ~apR MOR BeqepHRR, AroOOBb HeyracHuaR. MAY R BAo~b no y~Hue, A MeCRU B HeOe cBeTHTcR, A MeCRU B HeOe cBeTHTcR, qTOO HaM C TOOoro BCTpeTHTbCR.

E.l!~e ROCOro OCTPOro, B ~yrax TpaBa He CRomeHa, E~e He BCR qepeMyxa, TeOe B ORomRO OpOllieHa. ~e He CROPO MO~OAOCTb, ~a C HaMH pacrrpo~aeTCR, AroOH nORYAa ~roOHTCR, BCTpeqaM nORa BCTpeqaeTCR.

BCTpeqaM MeHR, xopomaR, BCTpeqaH MeHR, 'RpaCHBaR, 3apg MOg Beq~pHRR, AroOOBb HeyracHMag, 3apR MOg BeqepHgg, AroOoBb HeyracHMag.

-:-:-:-:-:-

Page 6: MP 590 - Smithsonian Institution · classical composers, according to a jazz concert in Tiflis, featuring Kay a jazz gent namd Eddie Rosner Kay pointed out that a· pop tune leading

5. JIYHHhlM BAJIbC

B pHTMe Ba~bca Bce n~BeT, Becb OrpOMHhlH He6ocBoA, BMeCTe C CO~HueM H ~YHOH, 3aRpY~H~CH illap 3eMHoH, Bce T8HuyeT B GTOH My3~Re HO~HOH.

B pHTMe Ba~bca Bce n~bIBeT, BeCb orpoMHbIH He6ocBoA, 3aRpY~HTCH CRO~b3H,

YAep*aTbcH He~b3H, B pHTMe B!:l~bCa Bce nJIhIEeT.

3Aecb TaR CBeT~O, MHp TaR XOpOllI, PaAOCTb H nORoH, C~acThe 6~3RO Moe.

-:-:-:-:-:-

6. ECJ1l1 .ill)l)MllIb

qTO T8Roe BepHOCTh,MH~H APyr, 3TO nyTb no ~3HH,6~3RHH APyr, 3TO cepAue R cepAUY,GTO HS rOAs, BCIDAY TO~bRO BMeQTe,pHAoM HSBcerAS.

Ec~ ~6Hillb MeHH, ECJIH *AellIb, EC~H MeCTS OAHH He HSHAellIh, 3HS~HT B XO~OA H 3HOH, no Aopore OAHOH, Hepa3~Y~Ho nOHAellih TbI co MHOH.

qTO TaRoe APy~6a,MH~M APyr, 3TO 06~HX MbIC~eH HCHNH Rpyr, KSR 0 HeR He AYMSH, KSR He HS30BH, 3TO ~YBCTBO BepbI, B~3Roe R Jl106BH.

Ec~ ~ID6HllIb MeHH,eC~H *AellIh, Ecrill MeCTS OAHH He HSHAellih, 3HS~HT B XO~OA H 3HOH, no Aopore OAHOif, Hepa3~Y~Ho nOHAellIh TbI co MHOH.

qTO TSRoe c~acThe,MH~H APyr, 3TO ~ecTHocTh,paAoCTh,He*HbIH APyr, ~s~As *HTh, TPYAHThCH, BbITb BABoeM H BHOBh, BepHTb B npo~HocTh APyw.6bI M 6epe~h ~ID6oBh.

EC~H ~ID6Hllih MeHH, eC~H ~Aellih,

Ec~ MeCTS OAHH He HaHAellih, 3Ha~HT B XO~OA H 3HOH, no Aopore OAROH, Heps3~Y~HO nOHAellih TN co MHOH, Hepa3~y~HO nOHAellih TbI co MHOH.

-:-:-:-:-:-:-:-

7. BCEr,l!A C 'l 'OBOl{

-:-:-:-:-:-

THE LARGEST COLLECTION OF AUTHENTIC RUSSIAN FOLK MUSIC, LITERATURE, AND INSTRUCTION RECORDINGS

MF 300 IVAN SKOBTSOV SINGS RUSSIAN FOLK SONGS

MF 302 RUSSIAN FOLK SONGS MF 310 RUSSIAN FOLK DANCES OF THE

MOISEYEV DANCE COMPANY MF 311 DANCES OF THE BERYOZKA AND

MOISEYEV DANCE COMPANIES MF 318 RUSSIAN SONGS AND DANCES BY

THE PIATNITSKY CHORUS AND ORCHESTRA OF FOLK INSTRUMENTS

MF 319 RUSSIAN FOLK SONGS AND DANCES BY THE CHORUS OF THE VOLGA AND ENSEMBLE OF FOLK INSTRU-MENTS

MF 337 A FESTIVAL OF GREAT RUSSIAN FOLK SONGS

MF 351 RUSSIAN FOLK SONGS MF 358 MOISEYEV DANCES, Vol. 2

"'MF 371 PLAY BALALAIKA PLAY MF 385 FOLK SONGS OF RUSSIA , Vol. 4

"MF 401 AROUND THE SAMOVAR MP 515 VIRTUOSI OF THE ACCORDION ,

BALALAlKA . A~~ DOMRA WITH ORCHESTRAS OF FOLK INSTRUMENTS

MP 560 SONGS OF OLD RUSSIA MP 565 MARUSIA SINGS RUSSIAN GYPSY

SONGS, Vol. 1 *MP 566 MARUSIA SINGS RUSSIAN GYPSY

SONGS, Vol. 2

MP 592 MOSCOW BY NIGHT: RUSSIAN POPULAR HITS, Vol. 3

*MP 597 YULYA sings MIDNIGHT IN MOSCOW and other Russian Hits

MP 599 YULYA sings Vertinsky's Songs

READINGS AND LANGUAGE INSTRUCTION

MR 101/ 102 SIMPLIFIED RUSSIAN GRAMMAR (Pitman) Parts

MR 103 1 and 2 READINGS IN RUSSIAN FROM CHEKHOV, DOSTOEVSKY, and FAIRY TALES

MR 104/ 105 BASIC RUSSIAN (Pitman) Parts 1 and 2

MR 107 RUSSIAN CONVERSATION FOR BEGINNERS (Maltzoff)

MR 108 KONSTANTIN SIMONOV READS HIS POETRY

MR 109/ 110 BASIC RUSSIAN: Book Two (pitman) e Illonitor

* Available in Stereo.

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