movement notes – stage pictures stage pictures and emphasis

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Movement Notes – Stage Pictures Stage Pictures and Emphasis

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Page 1: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Movement Notes – Stage Pictures

Stage Pictures and Emphasis

Page 2: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Movement and Stage Pictures

Besides being meaningful, movement should also be functional. The audience must be allowed to see and hear the important items.

It is crucial to create focal points that catch and hold the audiences’ attention.

Page 3: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Stage Pictures and Tableaus

Stage PictureEvery moment of a play or scene generates a

still image. – If at any moment the actors are to freeze the

stage picture should be interesting to the eye.

TableauMotionless figures representing a scene from

a story or part of story.– A still image on stage. Often used at the opening

or closing of a scene.

Page 4: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Emphasis is used by the director to give focus to the performer or area of the stage the audience should be looking at.

There are several types and ways this can be done:– Stage Pictures (or composition)– Levels– Planes

Emphasis

Page 5: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Stage Pictures - CompositionComposition is the way the actors are

grouped on the stage in an appealing and meaningful arrangement; it is the picture the audience sees onstage.

Page 6: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Direct Emphasis

The focus of the stage picture is on 1 actor

Page 7: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Duoemphasis

The focus of the stage picture is on two different actors of equal importance.

Page 8: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Secondary Emphasis

Focus is divided between a group and a main character

Page 9: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Diversified Emphasis

Used when there is a Frequent change in the focus(usually between 5 or more characters)

Page 10: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Levels•The actual head height of the actor determined by his or her body position -sitting, lying, standing, or elevated by an artificial means such as a step unit or platform

• Meaning is created in stage pictures by placing actors at different levels

Page 11: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Levels

The higher/taller the actor, the more emphasis

Page 12: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Planes

Imaginary divisions giving depth to the proscenium stage; – an actor moves through the stage planes

as he or she moves downstage toward the audience or upstage away from the audience

Page 13: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Planes

The depth of an actor onstage (how close an actor is to the audience)

Page 14: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Diagonals

- Compositions where the actors are not on the same plane.

- Often used to create a feeling of tension

Page 15: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Triangles

Used where 3 or more actors of equal

focus are onstage

Page 16: Movement Notes – Stage Pictures Stage Pictures and Emphasis

Directors often times use WHERE the actor is on stage (location) in order to place emphasis.

Emphasis