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Books: 1) Slavoj i ek - Everything You Always Wanted to Know about Lacan but Were Afraid t o Ask Hitchcock 2) William Rothman - Hitchcock: The Murderous Gaze Articles: 1) Have You Ever Seen the Inside of One of Those Places: Psycho, Foucault and th e Postwar Context of Madness 2) Todd McGowan - Hitchcock s Ethics of Suspense: Psychoanalysis and the Devaluati on of the Object (in "A Companion to Alfred Hitchcock"; eds. Leitch T., Poague L .) 3) Gregory Minissale- Beyond Internalism and Externalism: Husserl and Sartre s Ima ge Consciousness in Hitchcock and Bunuel 4) Richard Allen - Knowledge and Sexual Differences (in "Hitchock's Romantic Iro ny" by Allen, R.) 5) Richard Allen - Hitchock, or the Pleasures of Metaskepticism Ness, Richard R. "Hitchcock, Bergman, and the Divided Self." Hitchcock Annual 2002-2003. pgs. 181 -203 Ngai, Sianne. "Moody Subjects/Projectile Objects: Anxiety and Intellectual Displacement in Hit chcock,Heidegger, and Melville." Qui Parle: Literature, Philosophy, Visual Arts, History. 12(2):15-55. 2001

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Page 1: More Notes

Books:1) Slavoj �i�ek - Everything You Always Wanted to Know about Lacan but Were Afraid to Ask Hitchcock2) William Rothman - Hitchcock: The Murderous Gaze

Articles:1) Have You Ever Seen the Inside of One of Those Places: Psycho, Foucault and the Postwar Context of Madness2) Todd McGowan - Hitchcock�s Ethics of Suspense: Psychoanalysis and the Devaluation of the Object (in "A Companion to Alfred Hitchcock"; eds. Leitch T., Poague L.)3) Gregory Minissale- Beyond Internalism and Externalism: Husserl and Sartre�s Image Consciousness in Hitchcock and Bunuel4) Richard Allen - Knowledge and Sexual Differences (in "Hitchock's Romantic Irony" by Allen, R.)5) Richard Allen - Hitchock, or the Pleasures of Metaskepticism

Ness, Richard R."Hitchcock, Bergman, and the Divided Self." Hitchcock Annual 2002-2003. pgs. 181-203Ngai, Sianne."Moody Subjects/Projectile Objects: Anxiety and Intellectual Displacement in Hitchcock,Heidegger, and Melville." Qui Parle: Literature, Philosophy, Visual Arts, History. 12(2):15-55. 2001