mona lisa leonardo da vinci · leonardo da vinci for francesco del gioncondo, leonardo undertook...
TRANSCRIPT
MONA LISAMONA LISA
LEONARDO DA VINCILEONARDO DA VINCIFor Francesco del Gioncondo, Leonardo For Francesco del Gioncondo, Leonardo undertook the portrait of Mona Lisa, his undertook the portrait of Mona Lisa, his wife, and left it incomplete after working wife, and left it incomplete after working at it for four years.at it for four years.
MONA LISA-Part of original has been cut out-da Vinci worked on it for 4 years-He did not sell it – he liked it-Later, sold to the King of France-After the French Revolution, Napoleon hung it in his bedroom-In 1911, it was stolen-…found two years later-1956 – acid damaged the lower portion, then they tried to fix it-Today, it is behind bullet-proof glass in the Louvre of Paris-Why so famous??????
THE LAST SUPPERTHE LAST SUPPERLeonardo da VinciLeonardo da Vinci
DA VINCI DA VINCI
SKETCHESSKETCHES
DA VINCI SCYTHED CHARIOT - 1485DA VINCI SCYTHED CHARIOT - 1485
IInn RReennaaiissssaannccee ttiimmeess,, wwaarr wwaass tthhee oorrddeerr ooff tthhee ddaayy aanndd wwaarr mmaacchhiinneess wweerree aatt tthhee cceennttrree ooff iinntteerreesstt nnoott oonnllyy ffoorr tthheeiirr pprraaccttiiccaall uussee bbuutt aallssoo ffrroomm aa ccuullttuurraall ppooiinntt ooff vviieeww,, wwiitthh tthhee rreeddiissccoovveerryy ooff iinnvveennttiioonnss ffrroomm ccllaassssiiccaall ttiimmeess..
IInn LLeeoonnaarrddoo’’ss mmaacchhiinnee rroottaattiinngg bbllaaddeess aarree mmoouunntteedd hhoorriizzoonnttaallllyy oonn ttoo ssppiikkeedd wwhheeeellss ttoo pprreevveenntt tthhee eenneemmyy ffrroomm aapppprrooaacchhiinngg.. OOnnee ooff tthhee wwhheeeellss hhaass rruunnggss aanndd ttrraannssmmiittss rroottaarryy mmoottiioonn ttoo tthhee mmaaiinn ccaaggee--sshhaappeedd ggeeaarr.. AA tteeaamm ooff hhoorrsseess ppuullllss tthhee cchhaarriioott aaggaaiinnsstt tthhee eenneemmyy..
DA VINCI’SDA VINCI’S
HELICOPTORHELICOPTOR
DA VINCI DA VINCI SKETCH SKETCH OF OF WINGSWINGS
PPAARRAACCHHUUTTEE
ByBy
DDAA
VVIINNCCII
crossbowcrossbow
DRAWING OF A RETRACTABLE BRIDGEDRAWING OF A RETRACTABLE BRIDGE
MICHELANGELOMICHELANGELO MARCH 6, 1475 - FEBRUARY 18, 1564MARCH 6, 1475 - FEBRUARY 18, 1564
SCULPTOR - THE PIETA ( MARY HOLDING SCULPTOR - THE PIETA ( MARY HOLDING JESUS)JESUS)
SISTINE CHAPEL CEILINGSISTINE CHAPEL CEILING
PIETA BY MICHELANGELO - 1499PIETA BY MICHELANGELO - 1499
HAND OF DAVIDHAND OF DAVID HEAD OF DAVIDHEAD OF DAVID
MICHELANGELO’S MICHELANGELO’S
STATUE OF DAVIDSTATUE OF DAVID
HE WORKED HE WORKED FROMFROM
1501 – 15041501 – 1504
TO COMPLETE THETO COMPLETE THE
FOURTEEN FOOT FOURTEEN FOOT
HIGH STATUEHIGH STATUE
SISTINE CHAPELSISTINE CHAPEL
MICHELANGELO WORKED MICHELANGELO WORKED ON THE FRESCOS FROM ON THE FRESCOS FROM 1508 UNTIL 1512, 1508 UNTIL 1512, PAINTING SCENES FROM PAINTING SCENES FROM GENESIS ON THE CEILINGGENESIS ON THE CEILING
THE CREATION OF ADAM – SISTINE CHAPELTHE CREATION OF ADAM – SISTINE CHAPEL
ST. PETER’S DOMEST. PETER’S DOME MICHELANGELO’S LAST MAJOR PROJECTMICHELANGELO’S LAST MAJOR PROJECT
SCHOOL OF ATHENS-SCHOOL OF ATHENS-SYMBOLIZED GREEK INFLUENCE SYMBOLIZED GREEK INFLUENCE ON THE RENAISSANCEON THE RENAISSANCE
RAPHAELRAPHAEL
SCHOOL OF ATHENSSCHOOL OF ATHENS
RAPHAEL’SRAPHAEL’S
THE ENGAGEMENTTHE ENGAGEMENT
JAN VAN EYCKJAN VAN EYCK
1395 – 14411395 – 1441 FROM THE FROM THE NETHERLANDSNETHERLANDS
PAINTINGS KNOWN PAINTINGS KNOWN FOR REALISM ANDFOR REALISM ANDDETAILDETAIL
USED OIL PAINTS USED OIL PAINTS
ARNOLFINI ARNOLFINI MARRIAGEMARRIAGE BYBYVAN EYCKVAN EYCK
NOTICE MIRROR IN THENOTICE MIRROR IN THEBACK – REFLECTIONBACK – REFLECTION
VAN EYCK’S SIGNATUREVAN EYCK’S SIGNATUREAND DATE ABOVE MIRRORAND DATE ABOVE MIRROR
MIRROR SHOWS FRONT OF PICTURE,MIRROR SHOWS FRONT OF PICTURE,NOTICE RELIGIOUS SCENESNOTICE RELIGIOUS SCENES
Albrecht DürerAlbrecht Dürer 1471 – 15281471 – 1528 GERMANGERMAN ARTISTARTIST
KNOWN FORKNOWN FORWOOD CUTS ANDWOOD CUTS AND ENGRAVINGSENGRAVINGS
ALL PICTURES ALL PICTURES ON THIS PAGE ON THIS PAGE ARE SELF ARE SELF PORTRAITS OF PORTRAITS OF DURER DURER
DURERDURERSELF SELF PORTRAITPORTRAITAS AS CHRISTCHRIST
CROSS ENGRAVING BY DURERCROSS ENGRAVING BY DURER
LAST SUPPER BY DURERLAST SUPPER BY DURER
RESURRECTION BY DURERRESURRECTION BY DURER
WATERCOLOR BY DURERWATERCOLOR BY DURER
JOHN THE BAPTIST JOHN THE BAPTIST JOHN THE JOHN THE EVANGILIST EVANGILIST BY DONATELLO – INFLUENCED MICHELANGELOBY DONATELLO – INFLUENCED MICHELANGELO