momoyama art forms - furman university
TRANSCRIPT
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Momoyama Art Forms
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Kiri-mon
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Oda
Nobunaga
(1534-1582)
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Toyotomi
Hideyoshi(1536-1598)
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Hideyoshi
Statue
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Helmets
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tsuba
(sword guards)
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Tokugawa Ieyasu (1542-1616)
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Castle Architecture
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Himeji Castle
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Himeji Castle
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Himeji
Castle
Ground
Plan
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Himeji Castle
Courtyard 1
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Himeji Castle Core
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Himeji Castle
Courtyard 2
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Himeji Castle donjon
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Himeji Castle donjon
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Osaka
Castle
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Nijo Castle
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Nijo
Castle
Screens
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Momoyama/Edo
Painting
• Official “power” painting for feudal lords
• Monochrome in the Southern Song style.
• Genre painting
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Azuchi Castle Decorations
Art for the Feudal Lords
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Screens in a Rooom
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Kano School
• Backbone of Momoyam-Edo art history
• Closest heirs to Song Chinese tradition
• Served Japan’s leaders like Chinese
academy
• Set professional standards from 15th -
19th centuries
• Leaders in direct family blood line.
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Masanobu (1434-1530
Motonobu (1476-1559)
Munenobu Shoei
Eitoku (1543-90)
Mitsunobu (1565-1608) Takanobu Sanraku (1561-1635)
Tanyu (1602-1674)
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Kano Masanobu Four Sages on Mt. Shang
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Masanobu (1434-1530
Motonobu (1476-1559)
Munenobu Shoei
Eitoku (1543-90)
Mitsunobu (1565-1608) Takanobu Sanraku (1561-1635)
Tanyu (1602-1674)
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Kano
Motonobu
White-
robed
Kannon
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Kano Motonobu
Landscape
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Masanobu (1434-1530
Motonobu (1476-1559)
Munenobu Shoei
Eitoku (1543-90)
Mitsunobu (1565-1608) Takanobu Sanraku (1561-1635)
Tanyu (1602-1674)
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Kano Eitoku(1543-1590)
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Kano
Eitoku,
Hawk on
Pine
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Kano Eitoku, Cypress
Tree
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Kano Eitoku,
“Sites In and
Around
Kyoto”
genre painting
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Genre Painting on
Screens
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Warrior
on
Genre
Screen
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Masanobu (1434-1530
Motonobu (1476-1559)
Munenobu Shoei
Eitoku (1543-90)
Mitsunobu (1565-1608) Takanobu Sanraku (1561-1635)
Tanyu (1602-1674)
(adopted)
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Kano Sanraku
Twenty-four Paragons
of Filial Piety
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Sanraku’s
Significance & Style
• Adopted son, but most talented disciple.
• Retreat from Eitoku’s dynamic style.
• Move toward elegant ornamental
treatment.
• More “intellectual” subject matter.
• Hideyoshi was his great patron.
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Masanobu (1434-1530
Motonobu (1476-1559)
Munenobu Shoei
Eitoku (1543-90)
Mitsunobu (1565-1608) Takanobu Sanraku (1561-1635)
Tanyu (1602-1674)
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Kano
Tanyu
Self-
Portrait
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Kano
Tanyu,
Tiger
among
Bamboo
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Hasegawa Tohaku,
Pine Trees
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Hasegawa
Tohaku,
Monkeys
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Kaiho Yusho,
“Fishing Nets”
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Kaiho Yusho,
“Fishing Nets”
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Bridge Screen
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Miyamoto
Musashi,
“Shrike
on
Branch”
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Hime-ji Castle
and
Osaka Castle
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Namba
n
Byobu,
Ship
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Namban Byobu, Priests
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Portugu
ese
Mercha
nt &
African
Slave
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Hidden
Christian
Art
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Hidden Christian
Art
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Koraku-en, Okayama
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Katsura Rikkyu, Kyoto
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Sambo-in Garden
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END
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Sun & Moon Landscape
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Kiyonag
a
Current
Manners in
Eastern
Brocade
(series)
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Tokuga
wa
Ieyasu
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Kano Eitoku, Crane &
Pine