modern architecture (2)_1

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    Submitted By SmritiSaraswat

    Sonal Agarwal Shubham

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    Period :- Late 18th

    Century and 19 th centuryThe technological scope and social context of

    architecture were brofoundlly attered by

    industrial revolution that traditional concept

    about the purpose & appearance of building lost

    their validity.

    In 1840 , leading artists , designers developed

    new approaches to architecture.roup of architects , !ines "an der #ohe , $e

    %orbusier , ran' $loyd (right . )ade a #evolt

    against old traditional concepts and adopted

    new revolutionary style !odern architecture.

    It is design by technological and engineering

    develop!ents during industrial revolution.

    *vailabity of new !aterials such as iron ,

    steel , concrete , and glass.

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    Period :- Late 18th

    Century and 19 th century

    New sence of space was allied to the search for a newkind of architcture to meet the needs of life in 20 thcentury.Easy availability of materials such as steel , Iron

    concrete glass.New aesthetic principles.

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    Period :- Late 18th

    Century and 19 th century

    !e"ection of historial styles.

    Materials and re#uirements$ functional %determine the result.

    !e"ection of ornamentation.

    &se of geometric forms.

    'implification of form.

    (doptation of e)posed structure.

    salk institute

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    Modernism:- established in 1920.

    Modernism was started by *+

    e -orbusier inrance

    udwig Mies /an er!ohe in 1ermany

    alter1ropius in1ermany.

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    Modernism:- established in 1920.

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    Modernism:- established in 1920.

    -ritics *

    8he abstract nature of brutalism makes thestyle*

    &nfriendly and uncommunicative

    or e)ample+the location of the entrance ofthe brutalist structure is rarely obvious to thevisitor.

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    steel

    Most suitable structural material forframing of hugecellular buildings.

    ;roduced uninterrupted spans over

    openings.

    'teel members can be rolled in shapessuch as,plates,angles,I beams,etc.

    8his resulted into rigid continuous

    structures thus producing thefundamental change in architecturaldesign.

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    Reinforced cement concrete

    Massive stone walls were replaced by!.-.- curtain walls.

    ;roduce large interior spaces

    !oofs took wide range of shapes+ flat tobarrel vault,to shell roof.

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    Prestressed concrete

    8his was a new material which helpedbeyond imagination.

    &sed in the construction of bridges and

    hangers of air ships etc.

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    lass

    8ransparent to ultra voilet rays butopa#ue to infra red rays$heat%.

    E)tensively used instead of

    shades,blinds and curtains.

    'heets of one way glass was largelyemployed in windows.

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    Lamination and !ly"ood and !lastics

    amination consists of glued layers ofwood.

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    Le corbusier #a$e the fi$e !oints :-

    ift the building on the coloumn off the ground.

    !eplace the ground covered by building=sfootprint with the roof terrace.

    et long windows stretch across thefacade , and from side to side of rooms.

    et the plan be free flowing.

    et the fa>ade be free composition ,able to respond to light, views or compositionaleffect.

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    %iffel to"er

    Named after its designer, engineer1ustave Eiffel, the tower was built

    as the entrance arch to the4??5 orld@s air.

    8he tower stands A2B metres$4,0CA ft% tall, about the sameheight as an ?4+storey building.

    8hree hundred workers "oined

    together 4?,0A? pieces ofpuddled iron$a very pure form of

    structural iron%, using two and a halfmillion rivets, in a structural design

    by Maurice Doechlin

    http://en.wikipedia.org/wiki/Gustave_Eiffelhttp://en.wikipedia.org/wiki/Exposition_Universelle_%281889%29http://en.wikipedia.org/wiki/Puddled_ironhttp://en.wikipedia.org/wiki/Structural_designhttp://en.wikipedia.org/wiki/Maurice_Koechlinhttp://en.wikipedia.org/wiki/Maurice_Koechlinhttp://en.wikipedia.org/wiki/Structural_designhttp://en.wikipedia.org/wiki/Puddled_ironhttp://en.wikipedia.org/wiki/Exposition_Universelle_%281889%29http://en.wikipedia.org/wiki/Gustave_Eiffel
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    %iffel to"er

    &he !i# ironstructure of the %iffel &o"er

    "ei#hs '()00 tonnes "hile the entirestructure( includin# non-metal com!onents(is a!!ro*imately 10(000 tonnes.

    Careful e*amination of the to"er sho"s abasically e*!onential sha!e.

    the lo"er section o$erdesi#ned to ensureresistance to "ind forces.

    +n order to maintain a uniform a!!earanceto an obser$er on the #round( three se!aratecolours of !aint are used on the to"er( "iththe dar,est on the bottom and the li#htest atthe to!.

    http://en.wikipedia.org/wiki/Pig_ironhttp://en.wikipedia.org/wiki/Pig_iron
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    %iffel to"er

    &he only non-structural elements arethe four decorati$e #rill"or, arches.

    "hich ser$ed to reassure $isitors that

    the structure "as safe( and to frame$ie"s of other nearby architecture.

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    illa sa$oye

    illa sa$oye "as desi#ned by Lecorbusier in 1928-1929.

    n early and classic e*em!le of the

    /+nternational tyle/( "hich ho$ersabo$e a #rass !lane on thin concrete.

    "ith stri! "indo"s( and a flat roof"ith a dec, area( ram!( and a fe"contained touches of cur$aceous

    "alls.

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    illa sa$oye

    &he !lan "as set out usin# the!rinci!le ratios of the olden section:

    +n this case a suare di$ided into

    si*teen eual !arts( e*tended on t"osides to incor!orate the !roectin#fa3ades and then further di$ided to #i$ethe !osition of the ram! and theentrance.

    http://en.wikipedia.org/wiki/Golden_sectionhttp://en.wikipedia.org/wiki/Golden_section
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    illa sa$oye

    1round floor plan irst floor plan

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    illa sa$oye

    Elevation 'ection

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    Crystal !alace

    It was built to house thegreat industrial e)hibition of4?64.

    8he -rystal ;alace was acast+ironand glassbuildingoriginally erected in

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    Crystal !alace

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    Crystal !alace

    'ection

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    Crystal !alace

    etails

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    4allin# "ater

    5ri#ht6s !assion for 7a!anesearchitecture "as stron#ly reflected inthe desi#n of 4allin#"ater( !articularly inthe im!ortance of inter!enetratin#

    e*terior and interior s!aces .

    &he !roectin# cantile$ered roof ea$es(continuous bands of art-#lass "indo"s(and the use of Roman bric, em!hasiethe horiontal( "hich had rich

    associations for 5ri#ht.

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    4allin# "ater

    or the cantilevered

    floors, (right and his tea!

    used upside down T+shaped

    bea!s integrated into a

    !onolithic concrete slabwhich both for!ed the

    ceiling of the space below

    and provided resistance

    against co!pression.

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    4allin# "ater

    'ite plan

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    4allin# "ater

    plan

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    4allin# "ater

    Elevation

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    4allin# "ater

    'ection

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    3ooks *+