microphone

23
MICROPHONE (MIC) Atul Mishra M. Tech (ST-01) Dept. of Applied Physics

Upload: atulmishra52

Post on 11-Jul-2015

148 views

Category:

Engineering


1 download

TRANSCRIPT

Page 1: Microphone

MICROPHONE (MIC)Atul Mishra

M. Tech (ST-01)

Dept. of Applied Physics

Page 2: Microphone

Microphone

• Microphone is a type of acoustic transducer or sensor.

• A microphone, is an acoustic-to-electrical transduceror sensor that converts sound in air into an electrical signal.

Microphone Frequency Response:

• A microphone ability to hear tones (high and low) across theaudible spectrum.

• The human ear can hear the range of 20Hz (low bass notes) to20,000Hz (high notes).

2

Page 3: Microphone

History

• Early microphones were invented for communication purposes.

• In 1665 Robert Hooke the first to experiment with a medium other than air Tin can telephone

• The first microphone Carbon Microphone in 1876 Independently developed by David Edward Hughes in England and Emile Berliner and Thomas Edison in the US.

• Later modifications were made to design as the microphone was used more in entertainment industry.

3

Page 4: Microphone

• The three main types of microphones (according to their principles of operation) are:

1. Dynamic Microphone (Moving Coil Microphone)

2. Condenser Microphone (Capacitor Microphone)

3. Ribbon Microphone

4

Page 5: Microphone

Directional CharacteristicsA Microphone can be designed to react to:

• Absolute changes in pressure • (i.e. pressure transducer)

• The difference between pressure at the front and rear of the diaphragm

• (i.e. pressure gradient),

• or force & direction of the sound wave• (i.e. velocity)

This determines its “pickup pattern”

5

Page 6: Microphone

Overview of a Microphone

• Diaphragm—part of microphone which receives the vibration from sound waves.

• Thickness and material of diaphragm are changed depending on the sound waves you wish to pick up.

How it works Electrical circuit is used to change these

detected vibrations into an electrical signalthat “images” the sound with an outputvoltage or current.

6

Page 7: Microphone

Carbon Button Microphone

• Diaphragm: Thin Metal Plate

• The diaphragm is connected to a button full of carbon granules.

• Sound pressure changes the resistance through the button by compressing/ decompressing the carbon by pushing the diaphragm.

7

Page 8: Microphone

Dynamic Microphones

• Diaphragm: Plastic

• Dynamic mic consist of a diaphragm suspended in front of amagnet to which a coil of wire is attached.

• The coil sits in the gaps of the magnet. Vibrations of the diaphragm make the coil move in the gap causing an AC to flow

• Durable design and versatile use.

• A reverse of a loudspeaker.

• No need of power.

8

Page 9: Microphone

Loudspeaker

9

Page 10: Microphone

Condenser microphone

• Condenser is the British word for capacitor.

• Diaphragm: Thin metal strip suspended next to a charged electricplate.

• In a condenser microphone, the diaphragm is one side of acapacitor which moves in reaction to changes in a sound field.

• Since the two plates are charged, the motion changes the voltagebetween the two plates and these voltage changes induce electronflow.

• Condenser mic’s require some sort of external power source (abattery or “phantom power”)

• Because the diaphragm is very light, condenser mic’s can have ahighly detailed response and tend to be much more sensitive thana dynamic mic

10

Page 11: Microphone

11

Page 12: Microphone

Dynamic vs. Condenser

Dynamic Condenser

Rugged/Durable Delicate/Sensitive

Does not need power; no “self-noise”

Needs Power

Has Self-Noise

Less sensitive - lower output - needs more amplification;

More sensitive - higher output - needs less amplification;

less prone to overload distortion - can withstand higher SPL’s;

more detailed sound;

better frequency response;

Generally cheaper Generally more expensive

12

Page 13: Microphone

Ribbon Microphone

• Diaphragm: Thin piece of metal(usually aluminum) foilsuspended in a magnetic field.

• Vibrations in ribbon produce asmall voltage which is thenstepped up by a transformer.

• Diaphragm is very easilydamaged by wind or loudincoming sounds.

13

Page 14: Microphone

14

Page 15: Microphone

Microphone Pickup Patterns

Pickup patterns help to reduce unwanted signal from getting pickups

Popular patterns: Monodirectional, Bidirectional, Cardioid, and Omnidirectional

15

Page 16: Microphone

Omnidirectional Microphones

• collects sound from all around360 degrees.

• A true omni-directional mic is apure pressure transducer - itstrictly measures changes inpressure without any regard tothe direction that the wave istraveling.

• microphone can be

share by the group.

16

Page 17: Microphone

Bidirectional Microphones

• Bidirectional = two directions.

• A true bidirectional mic can be apressure-gradient or velocitytransducer, meaning its response tothe sound will depend on thedirection the sound wave is comingfrom.

• The diaphragm is completely open on both sides so that it can react to pressure changes on either side of the diaphragm

• This results in a “figure-8” pattern - it is sensitive only to sounds arriving from directly in front or directly behind

17

Page 18: Microphone

Unidirectional/Cardioid

• Unidirectional = one direction

• collects most of the soundfrom the front, and very littlefrom the back and sides.

• The microphone has a null at180-degrees - it will notrespond to soundapproaching directly from therear.

• This results in a “heart-shaped” pattern (cardio=heart)

18

Page 19: Microphone

Other patterns

• Super- and Hyper-cardioid mic’s are cardioids that use morebidirectional in the “recipe.” This results in a more narrow pickupin the front and a small pickup lobe in the rear. The nulls aremoved to 120 or 110 degrees.

• Shotgun - uses an interference tube to get a very narrow forwardpickup. The longer the tube, the more narrow the pickup.

19

Shotgun

Page 20: Microphone

Types of Microphone

• Handheld Microphone

• Lavaliere (Tie-Pin) Microphone

• Surface Mount Microphone

• Shotgun Microphone

• Wireless Microphone System

20

Page 21: Microphone

Accessories

• Wind screen / Pop filter: reduces“popping” caused by low frequenciesoverloading the mic. Breath or windmay cause noise and/or pops.

• Types: Foam cover or Screen

• Shock Mount: Reduces unwanted mechanical vibrations from the mic stand into the microphone body.

21

Page 22: Microphone

Applications

• Telephones,

• Hearing aids,

• Public address systems for concert halls and public events,

• Motion picture production,

• Live and recorded audio engineering,

• Two-way radios

• Megaphones, radio and television broadcasting

• In computers for recording voice, speech recognition

22

Page 23: Microphone

“THANK YOU”