MCPEAKETECHNICALRIDER

MCPEAKE

TECHRIDER&HOSPITALITY

CONTACTS:BandLeader:FrancisMcPeakeCELL:+447403306979Email:francismcpeake@gmail.comAgent:PetrPandulaManagingdirectorMagneticMusicGmbH

Tel.:07121/478605info@magnetic-music.com

Thefollowinginformationshouldbeconsideredessentialbasicrequirements.Obviously,venuesdifferinalotofwaysandwealwaystakethisintoconsideration.Anyseriousdifferences/changesmustbediscussedwithFrancisMcPeake(francismcpeake@gmail.comorCell+447403306979)atleast72hoursinadvanceofband’sarrivaltimeatvenue.

MCPEAKETECHNICALRIDERINPUTLISTCHANNEL DESCRIPTION DETAIL +48v TOBESUPPLIED BoomStand1 KickDrum ShureB52 VenueSupply Small2 SnareTop Shure57 VenueSupply Small3 HiHat ShureSM81 VenueSupply Large4 RackTom1 Sennheiser604 VenueSupply Large5 RackTom2 Sennheiser604 VenueSupply Large6 FloorTom Sennheiser604or904 VenueSupply Small7 CymbalOHLeft ShureSM81 VenueSupply Large8 CymbalOHRight ShureSM81 VenueSupply Large9 Bass MonoDI VenueSupply 10 KeyboardLft StereoDI VenueSupply 11 KeyboardRht 12 Fiddle1 XLR VenueSupply 13 Fiddle2 MonoDI VenueSupply 14 PipeInternal XLR Yes VenueSupply 15 PipeExternal1 SM57 VenueSupply Small16 PipeExternal2 SM57(StereoBar) VenueSupply 17 AccordionLft StereoDI VenueSupply 18 AccordionRht 19 AcousticRhythm

GuitarMonoDI VenueSupply

20 AcousticLeadGuitar XLR Yes VenueSupply 21 PipeVocal SM58 VenueSupply Large22 LeadVocal SM58 VenueSupply Large23 KeyboardVocal SM58 VenueSupply Large

MCPEAKETECHNICALRIDERTECHNICAL REQUIREMENTS

• Minimum stage/performance size= 10m wide + 6 deep + 1m high

• Sound System: Must be absolutely NOISE FREE, no system hums, buzzes, etc. Mix Position must never be in a booth and needs to have clear sight lines to stage. System must provide full, even audience coverage with front fills, balcony fills, etc. as needed.

• House System Engineer must be knowledgeable of all aspects of house system, including monitors, and must be present from time of load-in to time of load-out.

• F.O.H.- Midas Pro 2 or Pro 2-C, Yamaha CL5, CL3, Digidesign/Avid Venue, Profile SC48 or Minimum 32 mono input channels, 4-stereo inputs, 4-subgroups, 4-mute groups, 8-aux sends (pre/post assignable on each channel), HPF (sweepable = highly preferred), 4 band parametric EQ on each channel. NO BEHRINGER

• IF AN ANALOGUE DESK IS PROVIDED - Outboard at F.O.H.-31 band EQ’s for all outputs-including monitor sends, if at F.O.H. All system processing must be available to band engineer. Effects/Dynamics-3 pro effects units (TC, Yamaha etc.), 8 pro compressors (dbx, KT, Drawmer), 2 pro gates- all with proper + noiseless cabling.

• Monitors: The band and their engineer would highly prefer an isolated snake split and separate monitor board/monitor tech whenever possible. Board should have the same capabilities as F.O.H. The Band’s current line-up needs: 7-matching 12” or 15” wedges + Cue, 7-matching amplifiers, processing etc. + Cue. There are a maximum of 7 mixes. Absolute minimum mixes is Five (5).

• • Backline to be supplied by venue –

22” Kick drum (set-up for rock with sound hole, baffles, pillow etc.); 16” Floor Tom; 14” Snare; 12” Rack Tom 1 10” Rack Tom 2 Drum rug; DW5000 or similar kick pedal; Drum Throne; Cymbal stands (boom type) x 3 Cymbals – 14” Hi-Hats, 20” Ride, 17” & 18” Crashes Hi-Hat Stand; Drum Riser – 3m x 3m minimum Bass Amp: Either Ampeg or Ashdown, 300-500 watts with 2 x 10” speaker cab 1 High Stool (with back/NO ARMS); Keyboard: Either - Nord Stage 2 / Yamaha CP300 / Roland RD7000 / Kawai MP Series, or Fully Weighted Professional Keyboard with midi out Sustain Pedal with Polarity Switch Keyboard Stand

• Microphones Needed: 3 x Shure SM58; 3 x Shure SM57; 3 x Shure SM81; 3 x Sennheiser 604 or 904; 1 x Shure B52.

• Direct Boxes Needed: 2 x Stereo passive Radial; 3 x Mono passive Radial.

MCPEAKETECHNICALRIDER

• Leads Needed: 3 x XLR

• Stands Needed: ALL TRIPOD TYPE; 8 x Tall boom/extendable arms; 4 x Short boom/extendable arms.

• LIGHTING

• A lighting sheet will be provided to help with individual track highlights.

• A knowledgeable and professional lighting director to run the lights from the start of sound check through the end of the performance.

• Please use the attached stage plot for reference of focus. We expect a professional looking

lighting show with color changes to fit the “mood” of each song

THANK YOU FOR TAKING THE TIME TO DIGEST ALL OF THIS INFORMATION!

Read,understoodandaccepted:________________________onbehalfofthelocalpromoter.

MCPEAKETECHNICALRIDER

STAGERIGHT

MCPEAKESTAGEPLO

T

STAGELEFT

AUDIEN

CE

ANDYR

EILLY

DRUMMER

22" Bass D

rum

14" Snare 16" floor T

om

10” Rack T

om

12” Rack T

om

14” Hi-H

ats 20” R

ide 17” &

18” Crashes

Cym

bal boom stands x 3

Hi-H

at Stand

8INPUTSIN

TOTAL

SEANO’KANE

STEREODI–K

eysRight&

Left

STEREODI–

AccordionRight&

Left

1VocalMic

5INPUTSIN

TOTAL

MAIREADFO

RDE

XLR–Fiddle1

DI–Fiddle2

2INPUTSIN

TOTAL

FRANCISM

cPEAKE

IV

1VocalMic

2xPipesExternal

XLR-PipesInternal

4INPUTINTOTAL

PAULH

UGHES

DI-Guitar

LeadVocalMic

2INPUTSIN

TOTAL

MATTHEW

JONES

XLR+48vGuitar

1INPUTIN

TOTAL

MONITO

R

MIX1

MONITO

R

MIX2

MONITO

R

MIX3

MONITO

R

MIX4

MONITO

R

MIX5

MONITO

R

MIX6

McPE

AK

E

Stage Plot

MONITORS:

MonitorM

ixesare7wayseparate

INPUTS:

23InputsinTotal

BOOMST

ANDS:

8xTall&4xSm

all:12intotalMONITO

R

MIX7

NICK

SCOTT

DI–Bass

AmpegorAshdow

nbassam

p,300-500wattsw

ith2x10”speakercab

1INPUTINTOTAL