making documentaries

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+ A short documentary crash course. Maria Leonida [email protected] g www.karposontheweb.org

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A short guide on crucial questions one should think of and answer while preparing and researching a documentary.

TRANSCRIPT

Page 1: Making Documentaries

+A short documentary crash course.

Maria [email protected]

Page 2: Making Documentaries

+What is it?

Documentary can be a

multi-modal

strong

informative and

expressive

medium

Page 3: Making Documentaries

+Think of ALL possible ingredients

still images (photographs)

moving image (video)

sounds, music, speech

titles, effects

and MAINLY story, characters, rhythm

Page 4: Making Documentaries

+What makes a documentary creative?

YOUR point of view!

what is your personal opinion?

what story can you tell better than others?

what would you like the audience to think, learn and feel?

Page 5: Making Documentaries

+Step 1. How to start?

Be able to answer “what, were, who and why”

Page 6: Making Documentaries

+Research

What is your theme?

What story will you say?

Which are the locations?

Who are the characters?

Answer these questions as SPECIFIC and PERSONALY as possible for the area or issue you are studying.

1 sentence for each question!

Exercise 1

Page 7: Making Documentaries

+Step 2. Do documentaries have a cast?

Watch and listen carefully to your subjects

Page 8: Making Documentaries

+“Casting”

Are the subjects charming or interesting? Will you remember them when you go back home?

Did you learn something from them? What?

How are they connected to your story?

Make a logbook of your characters, answering the previous questions.

Exercise 2

Page 9: Making Documentaries

+Step 3. Do locations matter?

Look at your locations: they “speak” too!

Page 10: Making Documentaries

+“Scanning” sites for shooting

o Look carefully and find interesting points of view.

o Think of the time of the day that they look more interesting.

o Find details that reveal your theme, e.g.

Find 5 important details that “tell their own story” which CAN become a still image with your camera.

broken trunks of trees could mean

misuse, or building process or…

a footpath sign could mean

people are involved in this form of tourism/ recreation

Exercise 3

Page 11: Making Documentaries

+Step 4. Does action matter?

What part of the action helps me understand better the issues I want to show?

Page 12: Making Documentaries

+“Breaking down” activities

Think of the action happening in front of you (e.g., people walking, cars parking…)

What exactly are they doing?Why?

Is it important for you? E.g if you see:

Think HOW you can shoot the actions involved I your theme. (point of view, distance, combination of shots)

people walking in groups are they tourists, university students, is it normal or exceptional?

students listening then ask is it regular? who does it?

Exercise 4

Page 13: Making Documentaries

+Step 5. The role of sound

Sound is a language by itself: it may communicate fear, joy, tension, anxiety and many other feelings.

Page 14: Making Documentaries

+Close your eyes and think

What sounds do your locations have? Write them down

Which have a dramaturgical power?

Which can be juxtaposed to the images and actions you have observed?

Page 15: Making Documentaries

+Step 6. How to structure our story?

What connections can we make among the elements we have?

Page 16: Making Documentaries

+Develop in at least 3-4 scenes

Put all your facts, events and characters in an imaginary line.

Think of an introduction, a development and a subversion.

Page 17: Making Documentaries

+There are many ways to build a documentary story…

find the one that suits your subject and style, but…

keep the connections among scenes

develop each scene enough to be self contained

Page 18: Making Documentaries

+Technical tips

Use tripods or somewhere to keep the camera stable when you can

Use external mikes for better quality of sound

Use headphones to control the kind of sound recorded

Make tests both for image and sound

Unload your material at the end of a shooting day and keep a backup.

Name the digital folders according to location, scene and date

Page 19: Making Documentaries

+So…go ahead and try!

CU soon

Maria