maachis - movie analysis
TRANSCRIPT
Genre of Maachis
• The main genre of maachis is “Social Drama”.
• It is very clearly shown in the whole film describing that how a normal person becomes the terrorist.
• Other genres that used in movie are:
1.Action
2.Crime
3.Thriller
Social Drama Genre
Exhibits real life situation with realistic
characters, setting and stories.
Intense social interaction.
Pupose of this story line is to move the audience
emotionally.
Audience can relate to the characters.
ACTION
Genre in which physical action takes precedence
in story telling.
These type of film includes physical
stunt,chases,fights,battles and races.
Crime + Thriller
Thriller in which the central character are
involved in crime.
Character can indulge in investigation, as
perpetrator and victim.
The emphasis in this genre is drama and
investigative/criminal methods.
CONTENT
Maachis (Matches) is a 1996 Indian Hindi film directed by
Gulzar and produced by R. V. Pandit. The film stars Om
Puri, Tabu, Chandrachur Singh and Jimmy Shergill in the
lead roles. The title of the film is used as a metaphor that
conveys that the youth of any nation are matchsticks that
could get ignited due to the deficiencies in the political and
policing systems. The film portrays the circumstances
surrounding the rise of the Sikh insurgency in Punjab in the
1980s and traces the transformation of a youth from a boy
next door to a dreaded terrorist.
CONTENT
• Written by Gulzar
• Theme – Thrillar, terrorism, crime.
• Language- Hindi and some words of regional Punjabi is used.
• Gulzar uses flashback technique in all of his film. Use of symbols like bird in flight, flowing river, shadows etc.
• Gulzar explores human relationships in his films. In a scene Jaswant Singh Randhawa returns home at night after police releases him. It is obvious from his physical condition that the police have tortured him. The villagers come together to see Jaswant Singh Randhawa. They feel the pain. One of the villagers, in a frontal shot, says: “yah doSa hI ApnaanahIM lagata (This bloody country does not seem like ours anymore).”
MISE EN SCENE
• What we see within a frame
• It includes props , setup of the frame according to
the requirement
EDITING TECNIQUES
• There are different types of editing techniques to
show a climax or any kind of change in the
continuity of the scenes
EDITING TECHNIQUES
• Cross cut
• Jump cut
• Continuity editing
• Sequence shot
• TRANSITIONS
Only CUT was used
FORM
• Filming Locations- Alfanagar, Bundi, Rajasthan, Manali,
Film city.
• Cinematography is done by Manmohan Singh.
• Edited by- M. Ravi & Sadanand Shetty.
• Directed by- Gulzar
FORM
• Sound- The score and soundtrack of the film is composed by
Vishal Bhardwaj with lyrics by Gulzar. Arun Bose- dolby
mixer: Prasad Labs, Madras
• Vilas Chauhan- sound assistant (as Vilas Chavan)
• Sajjan Choudhary- synchronic effects (as Sajjan Chowdhary)
• Rajendra Gupta- synchronic effects (as Rajender Gupta)
• Taranath Pujari- sound assistant
• Chhoddh Aaye Hum, Tum Gaye, Yaad Na Aaye, Aey Hawaa,
Pani Pani Re, Chappa Chappa Charkha Chale, Maachis Theme
Closing, these were the songs in the movie.
RELEVENCE
• TITLE : MAACHIS is used as a METAPHOR and it symbolizes YOUTH.
• PORTRAY : The Rise Of SIKH INSURGENCY In PUNJAB In 1980s.
• TERRORISM : YOUNGESTERS transforming into TERRORISTS.
• GIVES A WARNING : There could be many more PUNJABS burning and suffering for years.
IDEOLOGICAL
• Maachis deals with a number of social evils.
• Political situation of Punjab in 1980s is depicted from the
point of view of Gulzar
• Poetic treatment of the subject
• Death is not the end
• Family importance
• Widowhood
FORMATIVE/STRUCTURALISTI
C
• LOVE STORY : KIRPAL SINGH (CHANDRACHUR SINGH) AND VIRENDER KAUR (TABU)
• ELEMENT OF ADVENTURE : VICTIM CONVERTING INTO A VILLIAN.
• SONG SEQUENCES : CHHOD AAYE HUM, TUM GAYE, YAAD NA AAYE.
• VICTORY OF THE SPIRIT : MAIN CHARACTERS DIE IN THE LAST.
REALISTIC
• An emotional subject handled very well in a practical and
logical way
• Depiction of limitless torture and brutality
• Misery caused to everyone by a conflict
• Story of a young man transforming into a terrorist
• Circumstances forces common man to become terrorist
• Real locations are used
CONTEXTUAL
• PSYCHOLOGICAL : Showcases how the Psychic of a young man changes after tragic events happen in his life.
• CULTURALIST : In 1980s the working class were treated badly and poor were in miserable condition.